Jump to content

Ken Corday interview on the move to Peacock.


Recommended Posts

  • Members

We'll see.. 

But NBC should've gave TPTB more warning this was happening. February of next year is a long time for anyone to wait for these changes. A curse when it comes to filming episodes nearly nine months in advance. I haven't seen one promo yet of the move to Peacock during DAYS or anytime on the network. If they were smart, they would use Deidre Hall in the promo about the move to Peacock. 

Edited by Forever8
Link to comment
Share on other sites

  • Replies 35
  • Created
  • Last Reply

Top Posters In This Topic

  • Members

Last I heard it was 7 months - the 6 in the can & one more month written & fully vetted & ready to tape. Of course, that's splitting a fine hair, sorry, because it's a long d*mn time to go betw air show & audience reaction whether it's 6 or 7 or 9! Godawful is what it is, altho I know they credit if w/ being the reason they could cut their budget in half & therefore stay on the air till now.

 

Link to comment
Share on other sites

  • Members

I still think that if someone had let fans know about the move to Peacock sooner, there wouldn’t have been as much backlash 

Haha I’ve noticed that too. So many people (Twitter, the Dishin Days crew, now Corday) assumed that people just don’t want to watch on Peacock (and were pretty nasty about it too lol), not that they might not be able to. 

Link to comment
Share on other sites

  • Members

You might be right. There does seem to be an undertone of peeps who do not like to be rushed! Face it, as soap fans go, we don't like change. So, mebbe more time to get used to an idea is an idea whose time has come?!!

Please register in order to view this content

Now that line used to be: It's still [insertsoapname] but it's not your grandmother's [insertsamename] anymore. A shift? A vortex?

Edited by Tonksadora
New thought.
Link to comment
Share on other sites

  • Members

It seems like DAYS got more media coverage back in 2019 when they released all the actors.

It will be interesting to see if there are renewal talks, how they will go. Will they actually be doing most of the negotiations before episodes made especially for Peacock even air? If they get renewed, the first thing to go has to be 5 sixty minute episodes per week. There's no point now.

Link to comment
Share on other sites

  • Members

It’s pretty hard to take anything Corday says seriously, because in another part of the interview, he mentions Canada getting the show a day early. That hasn’t been true for about 10 years. Shouldn’t he know that? 

Link to comment
Share on other sites

  • Members

That I'm not sure about, tbh. I think we have a bit more leeway as it is, as Nielsen calculates ratings differently up here vs. the US, so it attaches people meters to people instead of in the home, thus viewings outside the home have been included for about a decade now, unsure what changes have happened since then, so the ratings may be less egregious here vs. the US, thus higher ad rates. But don't quote me on that. I'll have a look.

Yeah that was my takeaway as well. If NBC was truly dedicated to making this succeed, they would have burned thru the NBC episodes and given the show time to prepare a splashy premiere for Peacock to hype people up for the big debut, similar to the fanfare that Beyond Salem has been given.

Instead we get "LOL guess what in a few weeks you're off TV and sometime next year you get extra cussing and an extra five minutes!"

I think it's the unceremonious way they're doing it that gives me pause about the show's future, and I can safely say most detractors feel the same. Corday's oblivious interview really does nothing to address those concerns.

Link to comment
Share on other sites

  • Members

Well over 80% of homes used a streaming service. For the time being Xfinity customers can access Peacock. So with paid subscribers and Xfinity - it's roughly 30MM homes that have access.

Comcast already has a ton of streaming data for DAYS, the 2 BS weeks, 1 Xmas special. For example, they know whether there's been upticks when DAYS was pre-empted nationally and only available on streaming, which episodes are the most popular, which parts (characters), people FF, etc. This isn't some blind or random decision. 

I'm assuming the big promo push will happen right after Labor Day (the week before the shift). Too much promo now would get lost in the clutter. The beauty of the streaming platform - if diehard DAYS fans don't get the message for a week or a month, etc., if they do get Peacock, they'll be able to catch up since all those episodes will be available.

Is this great for everybody? No. But it's not call show *business* for nothing. Programs get cancelled all the time. DAYS has a lifeline so I'd prefer to be optimistic. Frankly, if they moved to a model with 3 weekly episodes that eliminated redundancy and made for tighter stories, I'd be happy with that.

Link to comment
Share on other sites

  • Webmaster

THIS is how you promote a show's move to streaming exclusively...not to mention announcing it at least five months in advance.

Disney+ Launches ‘Dancing With The Stars’ Premiere Campaign To Entice Viewers To Watch Live On Streamer

https://www.soapoperanetwork.com/2022/08/disney-dancing-with-the-stars-premiere-campaign-entice-viewers

Link to comment
Share on other sites

  • Members

Disney+ is one of the streaming success stories, but between Marvel, Star Wars, and the classic Disney library, they were too big to fail. Peacock, comparatively, is not and has never been on the same level. 

I'd also say we'll never see any of the ABC/Disney-owned soaps on Disney+ because they will never pay to digitize them. With Disney's already massive library, they likely see the soaps as last on that list and as content that would devalue the brand they're trying to build with that platform (fair or not). You'll never see them move GH exclusively on that service. 

Link to comment
Share on other sites

  • Webmaster

Agreed. Although, I think Disney succeeded due to when it launched, brand recognition, its numerous deals with the likes of Verizon for instance, and a good marketing push at a low cost helped it. It didn't hurt that it launched pre-pandemic and had content that kept people in doors, similar to Netflix.

Where Netflix succeeded during the pandemic was its consistent fresh content. Disney+ succeeded due to its vast library of entertainment. The other streamers launched during the pandemic and found a lot of content they had acquired or would later acquire already on a rival streamer, such as The Office and Friends for Peacock and HBO Max. Once those shows moved over, they started to do better. However, the rollout by HBO Max was slightly helped by finding a mature/adult (male) audience which is now considered one of the better, if not the best, streamer in terms of quality content.

Peacock's failure starts with its name, then how it was rolled out. Peacock is a brand only recognized by TV fanatics in that it is the mascot of NBC (the Peacock network). Other than that who wants to join a service that to them makes no sense name wise and is offense when you separate out the name (pee-co-ck). Not only could you get you content banned by YouTube if you use just one of the words, or at the very least demonetized, but it doesn't scream quality content. It screams crap. Shit. Bottom of the barrel. The service needs to be rebranded. Either call it Universal+ or Comcast+. It also needs to stop trying to capture the audience who watches NBC. The shows people watched on the network were never owned by them outside of The Office. While that show was a demo hit it wasn't truly a total viewer hit which is why the service currently doesn't have a broad appealing show, even with the success of Bel-Air. That show was good and widely liked. For Peacock, it did well. But I doubt it is a Netflix sized hit.

As for General Hospital. I doubt it'll ever go to Disney+ as well. It's meant for Hulu, the more adult of Disney's three streaming services. Since Hulu with Live TV is a big ticket and financial success for the company, I doubt they'd abandon that money by merging Hulu with Disney+. But I don't see any other soap moving to streaming exclusive anytime soon. 

Link to comment
Share on other sites

  • Members

I disagree with you on the name. Peacock is a lot more interesting, and conveys that it is part of the NBC family. Anything + sounds unoriginal. It reminds me of all the talk shows that start with the word THE. The View, The Talk, The Chew, The Revolution, The Real. It drives me insane.

Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Unfortunately, your content contains terms that we do not allow. Please edit your content to remove the highlighted words below.
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

  • Recently Browsing   0 members

    • No registered users viewing this page.



  • Recent Posts

    • Today was a short one. Only 33 minutes.  The ‘Part One’ graphic at the beginning was pretty interesting though. I didn’t expect them to do something like that.  I like how everything was focused around John and his family and friends. Again, the acting and the dialogue was very well done and well written. And I love that they were able to incorporate Drake’s, “swing for the fences” phrase into the script. It was nice seeing everyone interact with each other, especially characters who don’t often share scenes together. It felt like every character was part of a big family or community. Plus, an outdoor funeral in June makes a lot more sense than an outdoor funeral in December.  But yeah, it’s very, very strange that Will isn’t at the funeral, especially since we know that 

      Please register in order to view this content

      I would much rather he had been there today. And, where’s Anna too? And Jack and Jennifer? What was the point of bringing them all back if they weren’t going to attend the funeral? I expected Steve to want to close down BlackPatch, though I’d rather he just retire and let Paul take it over. But I like that Kayla was there to comfort him. I wonder if he’s going to change his mind at some point.  It was nice seeing Shane again too. Now, he just needs to have more scenes with his son lol but I enjoyed seeing him comfort Marlena. I’m not really sure about his interaction with Cat though? Was it really necessary for this to happen now, at John’s funeral? They could’ve waited a little longer to introduce this story arc.  Btw, was Tate bleeding from his head in his first scene with Arianna? 
    • This is the coldest early June in my life. It's like it's January. 
    • Please register in order to view this content

       
    • Now this strikes me as funny. I have it up on my acct. The thing is I only have S2. Didn't want either 1 or 3.  Perhaps I should just list all of these that I have up.  Parodies: Dirty Sexy Money, Filthy Rich Incomplete: The Monroes, All That Glitters, Falcon Crest (have all just not all up), Once & Again S2 only Complete: Models Inc, Pasadena, Pacific Palisades, Paper Dolls, Flamingo Road  
    • This is wonderful! Thank you for posting this! I loved the first two seasons and never got to see the final season when they cancelled the DVD release. I've been hoping this popped up on streaming but no luck. Happy I'll finally get to see how it ended!
    • “Gender is who you are, and sexuality is who you want.” — C.N. Lester, “Trans Like Me: A Journey for All of Us” St. Pete bridge lit for Pride

      Please register in order to view this content

    • In case it is of interest to anyone here, I have digital copies (computer files, mp4 etc.) of all of the episodes. And, besides having the files they are all up on my usual video hosting site, acct name: shallotpeel, channel it is in: Primetime Soaps and file names like  Flamingo Road S1E15 Hurricane Flamingo Road was a primetime soap on NBC by Lorimar Productions. 2 seasons. 1980-1982. Morgan Fairchild, Barbara Rush. Developed by Rita Lakin.   
    • Arguably DAYS OF OUR LIVES has been brilliant lately & definitely was last week. But, here I am with nitpick & technicalities. This was the only misstep but it was just a stupid thing that should have been caught. Deidre Hall as Marlena has this one problematic line, "It didn't matter how many identities you had, I always knew exactly who you were, you were the man who saved my life." - Marlena, DAYS, 6-2-25 Unfortunately the flashback closest to it was when Marlena was on the phone, terrified because she thought he was Stefano. Yes, it's true that the line is not accurate. There were many times when she did not feel the way she is claiming because of whatever was going on in story with his 'retconned to hell & back' identity & origin story. Does it keep the whole week from being called excellent? Nope.  
    • The Vault has been down all night.
    • Notable: Glendale is not exactly a progressive enclave.

      Please register in order to view this content

      Newsom is a craven opportunist, but his comments today were exactly how better people need to handle Trump.
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy