Jump to content

B&B: Old/Classic Discussion & Articles


Recommended Posts

  • Members

I will say the first 7 years are gold especially in terms of production value. Much like Y&R there was a slight quality slump between 1994-97. (In fact all CBS soaps minus Guiding Light maybe faced a alump after 93). 

Much like Y&R, 1998-2002 was pretty good IMO.  I'd call it Bold's silver era. Brooke/Thorne/Macy, Brooke/Taylor/Ridge,  Brooke/Deacon/Bridget and Sheila's '02 return are some good storylines from that period.

From what I've watched on YT, more trashy, cartoonish and camp than the earlier days of B&B but it's silver compared to today's show. I still need to get into the Rick/Amber/Kimberly/Deacon mess to guve it a solid judgement.

 

Edited by ironlion
Link to comment
Share on other sites

  • Replies 7.4k
  • Created
  • Last Reply

Top Posters In This Topic

  • Members

1.1993 - The episodes leading to BELIEF are masterpiece. Both me and my partner who had never watched Bold in his life... made him a fan now. We would rewatch the company fights scenes 10 times and make short clips from it. IT IS ICONIC. Sheila is lurking in the dark with her evil cleverness. The show is 10 out of 10.

2.1992 - I simply love this period. I love Taylor when she was winning. I loved the fights with Brooke. 10 out of 10.

3.1987 - I mean... THE BEGINNING. It was like a fairytale. I LOVED the first 250 episodes!!!!!!!!!

4.1991 - Brooke taking Eric from Stephanie... Stephanie homeless. TALK ABOUT LEGENDARY!!!!!!!!!!!! 

5.1988 - Stephanie VS Brooke started pretty much here. The first slap... Stephanie won the first round. AMAZING.

6.1989 - Amazing DARK year with shocking twists.. Angela was SICK AND AMAZING storyline.

7.1990 - I loved this year but it was more calmish after the incredibly dramatic 1989!

8.1998 - Had some great moments... but the real camp has started.

9.1996 -   I was surprised by this year. Had some very good moments. I cried during some episodes. I loved Stephanie's mercury poisoning

10.1995 - The show didnt know what it was. Was it teen show now or not. TOO MUCH new characters... Storylines lacked cohesion. It WAS BORING.

11.1994- COMPLETE MESS compared to 1987-1993. If I had started watching here I would have stopped. The Leila storyline changed to show into a caricature of itself. It was absurd and DESTROYED Taylor's character. The show started to sound MELODRAMATIC and poorly written

12. 1997 - This year... was A MESS!!!!!!!!!!!!!!!!!!!!!!!! It started great... the first 40-50 episodes... then it spiraled... I couldnt bear the Grant Chambers storyline and Ridge in jail WENT FOR SO LONG. Maggie and James were also so unbeliavable. It was the most boring year of the show I have watched from the 90s.

 

 

 

Edited by divinemotion
Link to comment
Share on other sites

  • Members

I have never understood anyone who liked 94-96/97 it was AWFUL. Boring. 1994 really does highlight what a bad writer Brad Bell was. It was his first full year writing the show and just 5 or 6 months in we were having to watch Stephanie reduced to nothing but protecting boring Jessica's virtue, all of the Spectras basically backburned and the only person we ever saw at Spectra was Dylan...oh and Ivana in yet another story nobody cared about. Macy and Thorne's singing contract story was atrocious. Princess Leila went on entirely too long! Hunter returned in fall 1994 and Taylor did not reveal herself until almost summer of 1995 and then by like November it was announced Hunter had been cast on Melrose. So they wasted allllllll that time in Morocco instead of immediately getting the character back to LA. Ridge and Brooke were boring as all hell, doin nothing but having sex with zero conflict or even real conversations. 95 was also a big bunch of nothing (except entirely too much focus on the kids like it had suddenly morphed into a Nickelodeon show).

Link to comment
Share on other sites

  • Members

@divinemotion Your breakdown is on point.

@Vizion Remember too that 1994-1997 Y&R/B&B were both shaken up by the huge rise of their time slot rival Reilly's Days. 

I will forever maintain two things about B&B: Belief was Bill Bell's last hurrah before he passed the reigns to Bradley, and Bradley did not inherit his father's talent.

Link to comment
Share on other sites

  • Members

The stupid yputube channel stopped uploading 1997 and is uploading 1994 once a day... which is absurd. It would take years to upload to 2005. They really destroyed this nice thing that was happening. Thank God for videoland. 

Link to comment
Share on other sites

  • Members

I stopped watching in 1999 after the Jabot/Newman crossover ended. Bradley did not give us a scene with two of his father's greatest creations Victor and Stephanie. A Victor/Stephanie scene would have been so epic and EB and SF would have given us a master class in acting. SF herself even said in an interview it was a missed opportunity that Stephanie and Victor did not interact during that storyline.

Link to comment
Share on other sites

  • Members

Why waste time with EB and Flannery when we can have countless scenes of Brooke disrobing for Jack, standing around in lingerie and kissing Victor? That whole crossover was dumb and a complete waste.

I also hate that every single crossover seems to happen solely to help/prop B&B. It never does a thing for Y&R (going all the way back to 1992 and having Scott actually die on B&B instead of the show where he originated just to help their ratings). 

Link to comment
Share on other sites

  • Members

To this day I’m still wondering if we’d see Stephanie and Victor interact as individuals who show a certain respect to one another, or if Stephanie would flat out tear into Victor for going along with Brookes schemes. We often say Stephanie would probably be one of the few people to put Victor in his place. 

Link to comment
Share on other sites

  • Members

In my mind a Victor/Stephanie scene would be like watching two gladiators facing off and sizing each other up, one recognizing the other as someone not to mess with. Stephanie would not dare to bitch slap Victor.

Link to comment
Share on other sites

  • Members

Been saying this! Its a crime the two never interacted. Those two as enemies would be great television. At least Susan Flanney acted alongside JR Ewing! I wish Stehpanie had scenes with Kay Chancellor in Kay's prime when she was bitter and nasty not mellowed out.

 

Please register in order to view this content

Modern day B&B is revisiting Sheila killing Dr. Jay Garvin and Lance in the 90s and 00s. This may not be the best written story, but it's nice to see them use open ended historic plots (that actually happened and we're not retconned). 

Edited by ironlion
Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Unfortunately, your content contains terms that we do not allow. Please edit your content to remove the highlighted words below.
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.




  • Recent Posts

    • I know some of y'all really like Brooke Kerr, and so I've tried to give her a shot, despite her frequent flat line readings and distracted "did I leave the front door unlocked?" facial expressions. But lord, she is so bad at playing a tough-talking badass that I was actually rooting for Brad today to spill the beans to Drew. 
    • Googling does tend to ruin it.  For those of us who were teens in the late 1970s and early 1980s, you can't imagine how much fun it was to watch the show in the afternoons.  (It came on right after school.)  There weren't any "spoilers" at the time.  We would always try to anticipate how each crime and each mystery would be resolved, and we were ALWAYS wrong, because the stories are filled with so many weird twists and turns.   The head writer (Henry Slesar) and his dialogue writer (Steve Lehrman) invariably toss genuine clues directly into your face in the most unlikely ways, but then they provide a host of "red herrings" to completely confuse you and send you off on the wrong path.  Once the story reaches its conclusion, all you can think is Why didn't I figure that out weeks ago?  lol
    • Does the vault have the original scene and not the short flashback?
    • I appreciate that you are using AI with the knowledge of it's limitations. Some posters take everything it produces as fact.
    • And of course Mama Ru herself appeared on All My Children.
    • The Saturday 8pm slot usually had the lowest rating of the NBC 4 sitcom lineup for some reason. NBC let Saturday night fizzle, They used 9.30 pm to launch 227 and Amen, both of which moved to earlier in the evening but they  kept Empty Nest following GG for several seasons.  Empty Nest should have moved to 8pm with their strongest new sitcom at 9.30, anticipating that GG would eventually falter. Instead they left them there and stretching the sitcom pool too thinly on other nights. When Grand talk over at 9.30 Thurs maybe Night Court and Wings could have been used on Saturday.
    • @Maxim Great to see your mini-reviews again. There are a number of clips on Youtube of Janice's slow mental breakdown, especially as we go into January 1980. Christine Jones is just superb. She played the hell out of that role. Something which isn't referenced as much later on is how Mitch pushed Janice's doubts and mental instability for his own ends...until suddenly he didn't want to anymore (I guess he caught on with the audience and the show became wary). I don't want to post a bunch of clips, but this one has a very good confrontation between Rachel and Janice.

      Please register in order to view this content

      This has a good scene around 7 minutes in where you can see Janice struggling internally with her need to identify herself so much by the men around her, all of which helps lead to her crackup.  
    • It really made Oscar the Doorman seem like an imbecile.   I think the show's unusual format & subject manner is what makes EON often seem less "dated" and "old-fashioned" than other shows from that time period.  It never attempted to be especially "trendy" or "modern" -- and its film noir style is pretty timeless.  
    • Dallas, Dynasty, Knots and Falcon Crest all had good runs but by 85 they had seen better days. I think they were a victim of the format. After several seasons seeing the same characters front and center viewers were bored. What was once fascinating grew predictable. JR, Alexis etc had to be front and center and after a while their schemes and shtick grew repetitive. JR remarrying Sue Ellen, Alexis constantly trying to get he better of Blake etc Unlike daytime, there wasn't the flexibility to bring in other stories and characters and maybe let the likes JR go backburner. That same mentality also invaded daytime with characters like  Sonny and Victor still peddling the same stuff after decades. I guess the same could be said for MSW eg every week Jessica encounters a crime and solves it,but I think viewers come to that format with a different mindset.
    • Daphnee and Trisha did a live stream on Instagram and confirmed they find out if the show gets picked up in May. This pretty much confirms they're on the primetime schedule like the Bell soaps. Fingers crossed we get a multi-year renewal announcement soon!  https://www.instagram.com/reel/DJSsYb7PDv8/?utm_source=ig_web_copy_link&igsh=MzRlODBiNWFlZA==        
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy