Jump to content

All My Children Tribute Thread


Toups

Recommended Posts

  • Replies 10.3k
  • Created
  • Last Reply

Top Posters In This Topic

Top Posters In This Topic

Posted Images

  • Members

So what was the storyline that effectively marked the death of All My Children from a creative standpoint?  To understand what I'm getting at, check out the following links:

 

https://youtu.be/euL_RWN2rq4

 

https://youtu.be/I-TS-92KVDA

 

So what was it?  Was it the "unabortion" storyline?  Was it the poisoned-pancakes storyline?  Was it the one where Adam apparently shot Stuart to death?  Was it the one where Jamie Luner's Liza Colby screwed some dude on a table shortly after returning to Pine Valley?

Edited by GSGfan2017
Link to comment
Share on other sites

  • Members

New York Times Nov21 1976

 

Home Is Not a Soap Opera

 

EAST BRUNSWICK

SEVERAL times a week, William Mooney leaves his home here and heads for NewYork, where he becomes Paul Martin in the ABC daytime serial, “All My Children.” In the five years that he has played the part, Mooney as Martin has been in and out of love, tried matrimony three times and suffered the slings and arrows of fortune as only the soap operas can depict them.

A seasoned actor whose one‐man show, “Half Horse, Half Alligator,” and “Damn Everything But The Circus” have brought him critical approval, the 40‐year‐old Mr. Mooney Is not about to bite the hand that has given him the fame he has enjoyed since playing in “All My Children.” For him, the serial is far more than a time filler for the housebound.

Five years ago, when Mr. Mooney tried out for the part, he was in one of those low periods traditionally experienced by actors.

“I was frantic,” he recalled in an interview in his home here. “I had just signed a contract for a new house and then hadn't worked for seven months.

‘All My Children’ was a godsend.”

When he accepted the role, Mr. Moo. ney soon learned that working under . theapressure of memorizing a 42‐page script several times ‘a week—and then relearning it after it is cut the night before taping—required rigid discipline. He learned, too; that seasoned professionals, among them two of his co‐workers, Mary Fickett and Ruth Warrick, were determined to make every segment count.

Soap operas, Mr. Mooney believes, are a variation of the cliffhangers used to entrance the audiences in the 1930's and 40's.

“These are melodramas,” he said. “People want heroes and villains. Every time I think the plot of ‘All My Children” is getting too bizarre, somebody writes in and says, ‘If you think you have trouble, listen to what happened to me.’ And then the plot‐doesn't seem so strange any more.”

But the best thing about the show for the tall, slender Mr. Mooney is that he's working at his craft every day.

:The camera's eye is relentless,” he said. “There is no way an actor is going to walk through his part and last. It may not be deathless prose, but to be able to act so often is exquisite.”

Mr. Mooney's love affair with acting began when he was 15 and hitch‐hiked Little Rock to see “South Pacific.” It is difficult to explain the impression that the musical made on him. As he recounted:

“I remember looking at the actors and thinking, My God, if they're having half as much fun doing that as I am watching it, that's the life for me.”

Determined to be an actor, Mr. Mooney attended the University. of Colorado, where he acted in college productions and branched out into radio work both at the university and the CBS.stadon in Denver.

But the big time is New York, and so Mr. Mooney left the university and headed cast in a beat‐up Ford that died 20 miles outside of Ecnver. There was only one thing to do: ditch the car and hitchhike. In New York, the aspiring actor worked as an NBC page and an extra in a Shakespearean .festival. Meanwhile, he recalled, he quietly starved.

“I finally decided that this is ridiculous,” Mr. Mooney said. “I wasn't getting anywhere, and my parents were from his parents’ farm in Arkansas to violently opposed to acting for all the usual reasons. Still, I called them and they bailed me out.

‘Ten years later, when I was making more money than my father, he felt better about the profession. I've always been grateful to him for helping me.”

The next time Mr. Mooney took on New York, he said, he had more savvy. He knew that an actor who wanted work had to be around people who knew where the work was. Thus,The applied to the American Theater Wing and was accepted.

“Tell about the wire factory,” hls wife, Valerie Goodall, a soprano, interjected.

“Oh, yes, the wire factory,” Mr. Mooney replied. “Well, I worked there from midnight until 8 A.M. to support myself while I studied acting. I felt like I was spinning my wheels, but I did hear about parts now and then and worked In a catch‐as‐catch‐can way.”

It was during one of these shows—a road company performance of “South Pacific,” the musical that started itsall that the Mooneys met. They were married in 1961.

The following year, Mr. Mooney landed a part in “A Man for All Seasons” and his wife headed for an Austrian tour. Three months later, Mr. Mooney was offered the opportunity to go to Austria with a production,’ of “Spoon River Anthology.” The Mooneys still considered this chance to be together during their early marriage as one of those lucky breaks that happens to actors once in a lifetime.

When “Spoon. River” was nearing the end of its run, Mr. Mooney began doing research on 19th‐century humor, with the idea of putting together a one‐man show. The show, “Half Horse, Half Alligator,” was successfully performed in Vienna and on a 24‐city tour of Germany that was sponsored by the State Department. It has been a Mooney standard since.

In 1967, the Mooney twins, Will and Sean, were born and the family returned to .Europe, where Mrs. Mooney had accepted another engagement and me. Mooney, interested in another oneman vehicle, contemplated dramatizing the work of Albeit Camus. After a talk with the author's widow, he undertook the project.

• “For‐years, I worked like a bloody Turk trying to whip Camus into a oneman show,” he said, “but I just couldn't do it. The project went to hell.”

Juggling two careers on two continents began to ,pall. In addition. Mr. Mooney finally decided that he was a miserable writer and a good enough editor to know it. What the couple needed, they decided, was work in the same country. When they returned to. the States, Mrs. Mooney was deter, mined to find a job here.

“You know what I did?” she said, “I went through the Yellow Pages, looking for colleges that might want voice teacher.”

The hunt paid off. Mrs. Mooney was offered a position on the voice faculty at Rutgers University, where she teaches, and the couple purchased home in East Brunswick. With the responsibility of a new home staring him in the face, Bill Mooney accepted the role in “All My Children.” thinking would last a year.

As residents of East Brunswick. the couple have participated in various township activities, often donating their talents to raise funds for civic or religious organizations. These include the Local Arts Council and volunteer fire companies.

A realist, Mr. Mooney has few illusions about his profession.

“Luck plays about 99.9 percent in this business,” he said. “It's really who you know. Some of the most talented actors are out of work either because they don't have connections or can't stand the rejections that an actor must endure to make a living. Of course, you can make some of your own luck, but you have to keep at it—not just sit around and wait.

“This soap opera is the most notorious thing I've done. It has brought me recognition, but because you come into people's homes each day they think they know you and have a right to you. rctor loves recognition, of course, but

Although Mr:Mooney is a serious deender of daytime serials, his real love the stage.

“The older I get,” he said, “the more realize that I'm bloody good on the

`If I stopped acting, I'd probably go crazy within six months’

stage and not really that good on the tube.”

The Moonevs also have a home in Colorado.

“The air is so pure there that you can snap it like grass,” he said. “I'll never forget the last time we landed in Newark Airport. We're killing ourselves here, and I wonder why we stay with it.”

“Don't tell me,” Mr. Mooney smiled rs his wife started to speak, “I know that if I stopped acting, I'd probably

go crazy within six months.” ■

Link to comment
Share on other sites

  • Members

Mooney was one of many soap personnel who lived in East Brunswick (my hometown). Richard Van Vleet also lived there. Ditto Felicia Minei Behr. Jean Mazza, who played Annie on As the World Turns, also lived in EB. I think one of the directors from The Edge of Night lived there. In 1978, Edge taped April Scott's car accident in EB. 

Link to comment
Share on other sites

  • 2 weeks later...
  • Members

My earliest memories of AMC are from around '82/'83, and Paul was gone by then.  I don't remember him or Ann, or Paul's time in Llanview (Karen takes the stand).  But from what I've read, it was Ann's tragic death that led to his leaving Pine Valley.

 

For those longtime viewers, I'd like to hear how you'd compare and contrast Joe and Paul.  I wonder if there wasn't enough of a contrast (e.g. Tom and Sean, or Travis and Jack) that AMC felt the need to bring Paul back on a permanent basis.

I knew Paul existed but didn't get familiar with his story until someone gave me the AMC scrapbook for Christmas '94.  Paul came back for the 25th anniversary that January.

Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Unfortunately, your content contains terms that we do not allow. Please edit your content to remove the highlighted words below.
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

  • Recently Browsing   0 members

    • No registered users viewing this page.



  • Recent Posts

    • Please register in order to view this content

       
    • Please register in order to view this content

       
    • 1976 Pt 6 Barbara, having promised Brad not to tell Leslie the truth, tells Laurie about Brad’s condition, explaining that somebody has to know what’s happening to him. Laurie tells Brad she knows and pleads with him to tell Leslie. Laurie’s publisher wants her to tour for her new book, but she’s adamant that it be published under an alias so no one will associate her with it. Lance and Laurie’s relationship is deepening despite their frequent verbal jabs at each other, and he’s decided to relocate in Genoa City. He calls his mother, Vanessa, reporting he’s rented an estate on Lake Geneva so she can get outside. Vanessa, a veiled recluse, was disfigured in a fire years ago when she saved Lance from a burning building. The fire marshal had determined that a child had been playing with matches in the room he shared with his younger brother, Lucas. When Vanessa reminds Lance of what he owes her, he gently tells her that Lucas was driven  away by guilt, and if he ever returns she will have to face the reality that Lucas started the fire. Vanessa protests that this was never proven. Vanessa moves into Lance’s new home, where a suite of rooms has  been prepared for her, and adds her own finishing  touch: a one-way window into the living room, concealed behind a painting. With bills continuing to pile up, Jill is growing desperate about finding a job. As no hair-stylist positions are open, she accepts a manicurist spot in a hotel barbershop. Snapper learns where his sister is working and drops by just as a young, good-looking man is offering Jill two hundred dollars to go out with him. Snapper nearly beats him up and drags Jill out of the shop. She’s upset over losing the job until Derek Thurston, a customer at the Allegro, overhears her plight  and hires her as an assistant at his hairdressing shop. As the day of the police lineup approaches, Pegey is thinking of backing out, but Chris firmly tells her her by doing that she may be paving the way for another woman’s being raped. Peggy arrives at the station with her father and Chris, and just before the lineup is scheduled to begin, Ron walks up to her and introduces himself, expressing his sorrow at what's happened to her. Peggy shows no emotion. At the lineup Peggy looks at all the men in the line and asks that they whisper “Don’t scream. I won't hurt you ‘ Peggy identifies Ron and then rushes at him and starts pummeling him with her fists. He’s placed under arrest. Stuart is concerned with Peggy’s identification, wondering if Chris’s obsession had. anything to do with it. Jen is surprised that Peggy was able to identify Ron, as she had told them it was dark and she kept her eyes closed. But when they question’ her, Peg insists she saw and heard Ron and she will never be able to forget what he did. Ron’s bail has been set at one hundred thousand dollars, requiring that ten thousand dollars be posted in cash. Nancy has nine thousand dollars in bonds “that her mother left her—Chris’s search for her family uncovered this—and the judge agrees to reduce bail to that much. Chris flies out to see Mrs. Sharon Ralston, the woman involved in the rape/burglary charges before Nancy and Ron were married. Mrs. Ralston refuses to say anything to Chris, explaining that she’s married now and has two children. 
    • Thanks @Paul Raven  That Pat story sounds like a lot of trash. Not sure why there was a rut of middle-aged female patients scheming to get men on soaps at this time. I guess at least Pat didn't have Diana raped, like on The Doctors.  Did Leslie stay in that penthouse?  I sometimes forget what a cheesy introduction Monica had to the show. Mr and Mrs Intern indeed.
    • GH 1976 Pt 3  Peter’s new patient, sculptress Patricia Lambert, begins to accept that her suicide attempt was due to her believing herself unlovable. When Peter tries to help her see that she can find love, she replies that the only man who could love her is her psychiatrist. Peter has warned his wife, Diana, to avoid involvement with Pat, but since Pat has done a sculpture of Diana’s daughter Martha, she feels she must show appreciation. Pat pumps Diana about her personal life, and Diana allows that she and Peter have been through hell, but they came through still loving each other and have a happy marriage. When a local newspaper dredges up the murder of Phil Brewer, Diana is upset that the pain isn’t behind them yet. Phil fathered Martha, by rape, and Peter and Diana hope the child won’t have to know. Pat,  with an artist’s eye, notices the resemblance between the newspaper picture of Phil and Martha, and decides to see what she can dig up, to see how good the Taylors’ marriage really is. Pat uses Beth as an unknowing pawn in her attempt to hurt Diana, by asking Beth to pose for her, then stealing Peter’s gold penknife and leaving it where Beth will find it. Beth, now suspicious of all men, rushes off to tell Diana. Diana assures Beth that she’s wrong, but asks to borrow Peter’s knife. He replies that he lost it. Her anger surprises Peter. Deciding she  has given Beth enough time, Pat manages to return the knife to Peter’s office unseen, and pretends to find it on the floor. When Diana admits why she was so angry, Peter asks Pat if she borrowed it. But she’s ready for this; she has purchased an identical knife, right down to the monogrammed initials, and explains that it’s a gift for a Peter Talbot. Then she hysterically cries that perhaps she should slash her throat with it instead, and dramatically runs from his office. As Pat had hoped, Peter blames Diana for lack of faith. He is interrupted by Pat’s carefully timed phoned-in suicide threat. Guilt-ridden, Peter rushes to her assistance.  Seeing her through this, Peter decides there is too much personal involvement in this case and tells Pat he'll have to turn her case over to another therapist, for her own good as well as the good of his marriage. But Pat is not letting him go that easily, and manages to interrupt a celebration between Peter and Diana (they are toasting their solution to the Pat problem) with yet another suicide declaration. Despite Diana’s insistence this is another trick, Peter rushes to Pat. But Diana follows, and walks in to find Pat trying to seduce Peter. She angrily denounces Pat as Peter orders her to leave. He then tells Pat that many patients fall in love with their doctors but he can’t treat her any longer. Peter considers Diana’s following him to Pat’s a shocking exhibition of lack of trust, and tells Leslie he’s available to be psychiatric consultant for her free clinic. When she reminds him that this work, together with his regular practice, will leave him almost no free time, he makes it clear that that’s just what  he wants. To help her over the loss of her daughter, Cam presents Leslie with the penthouse apartment in the exclusive new Top of the Towers residence skyscraper and plans a trip to Europe. But after a period of happiness and good health at home, Laura seems to be suffering asthmatic attacks, and Barbara finally calls Leslie, saying it might be best for Laura if visits from Leslie become a regular part of Laura’s routine. Cam returns from a business trip to find Leslie once more immersed in Laura’s life, and is furious when she informs him she can’t make the international-merger celebration in Hong Kong, where she is to be guest of honor, because Laura has a school play that day. He angrily tells her he can’t, as she suggests, change the date, and he leaves for another business trip in a fury. When Leslie calls to tell him she has reconsidered and will be with him in Hong Kong, she’s unaware that her call has found him in bed with his secretary—a long-standing and frequent situation. But when Cam returns from New York, Leslie tells him she has changed her mind again; she can’t disappoint Laura. The final blow to Cam is when Leslie greets his news about a secluded mountain retreat with the rejoinder that Laura will spend the summer there with  them. Cam, who purchased the place so he and Leslie could spend weekends there alone, decides to get Laura out of their lives once and for all. Audrey has recovered from her suicide attempt physically but not emotionally. Realizing that she needs to come to terms with her sense of failure, she decides to take a short vacation alone. Tommy, upset by the separation from Jim, takes the news of her plans badly, claiming that first she got rid of the only father he’s ever known and now she’s walking out on him. Steve tells Jessie he can’t tell Audrey he loves her at this time, as she would assume that it was pity he felt. Audrey’s vacation serves its purpose when she realizes she has fallen into the trap of self-pity. She arranges to return immediately and take over as superintendent of student nurses. Steve Hardy is pleased to welcome Drs. Jeff and Monica Webber to the General Hospital staff as the first appointees to the newly created “Mr. and Mrs. Intern team.” Steve can see that Jeff is tense and upset every time Steve mentions Rick, Jeff’s brother, who was reported killed in a plane crash in Africa last year. Rick and Monica had been in love, but shortly after Rick’s reported death, she married Jeff. Nobody knows that Rick, part of a medical-mission team, has been kept prisoner by Lamundan revolutionaries for the past ten months, following the crash near the guerrilla headquarters. Jeff’s angry accusation of Dr. Rex Pearson for making passes at Monica is the first of many indications that the Webber marriage isn’t perfect. Jeff makes a fast enemy when Pearson’s needling him about a prescription error and Monica result in Jeff’s flooring Rex with one swing. Terri Arnett, Jeff’s widowed sister, opens a nightclub, Terri’s Place, in Port Charles, with financial backing from Cam. She and Leslie have become good friends. Terri is overcome on being notified that Rick is alive; he was found and freed by government troops when they overran the revolutionaries’ headquarters. Monica’s happiness at the news is clouded by her  apprehension about the lie she told Jeff following the news of Rick’s death. Rick had written her saying it was all over, she should find someone else. When Me the report came, Monica read the letter to Jeff, substituting a marriage commitment for his good-bye. Monica desperately arranges to meet Rick en route, to beg his silence. She doesn’t know, of course, that Rick wrote this letter to free her because his mission was long and dangerous, or that it was only the memory of her that kept him alive during the months of captivity. Monica, having told Jeff she is going to St. Louis to see a friend, meets Rick in New York, where he’s changing planes, and painfully explains the situation. Rick conceals the fact that he still loves her and was - coming home to marry her, and assures her that Jeff and Terri will not learn the truth from him. But Jeff quickly learns that Monica was in New York to meet Rick’s plane, and he takes his bitterness out on his brother. Rick is very upset by this but can’t go back on his promise to Monica and explain. Steve, an old family friend, offers Rick an appointment as a senior staff doctor, but Rick, now not knowing what his life will be, since his plans have all been destroyed, is reluctant to commit himself.
    • I am so over these reboots that on the one hand, want to trade off the nostalgia for the original and then change everything anyway. So those who liked the original will most likely be disappointed in the changes and it doesn't mean anything to newer viewers who have no connection. Maybe if they do have some knowledge of the original they will be turned off, thinking that it's some irrelevant old person's show. Anyone who watched and liked 7th Heaven would be way out of the desired demo by now.
    • I think that kind of thinking gives the writers a free pass. OK let's have Fred murder someone but not face any real consequences because Mary loves him. Maybe she'll be angry for a few weeks and Bill will swear to avenge the death but that will blow  over then we can just go on. The idea that a bit of self loathing and rejection is punishment enough is ridiculous. Especially when these type of characters never reform. It allows the writers to go for shock value over and over.instead of crafting storylines that really delve into a dark/ villianous character. Not many people IRL can get away with multiple crimes and still be apart of a community.
    • I guess Wayne felt it was now or never. He'd made a splash at Days and probably hoped that would lead to a primetime series. If he signed for another 3 years at Days then the momentum would be lost and he's probably have to stay in soaps like so many others. And in the back of his mind there was the knowledge he could probably get a role on SB or GH if he didn't luck out in primetime or Days didn't want him back. As it turned out he returned to Dynasty and got a couple of primetime gigs before agreeing to go back to Days.
    • Please register in order to view this content

      I got to agree. The show was a mess.  The stories that are not working were the ones featured in today's episode. That was a red flag indicating how bad the episode was going to be.
    • Thanks as always @alwaysAMC The remote was panned in the soap press at the time, especially Philip wandering around in the costume as well as some of the comedy.  I have to admit it didn't bother me, even though I knew how ludicrous the idea was of the Spauldings having a wedding at a theme park. I thought there were some fun moments and I did like the scene where Lucy got to cry and grieve over what Brent had done to her.  I think I was just glad to get away from the stories in Springfield, which were bad and getting worse.  There are a number of attempts at revamping the opening music in 1996. I'll be interested in what you think of them. I remember being glad they updated the photos but also noticing how cheap they looked. The show did need a new opening. Sadly, Rauch would instead just not even have an opening for over 5 years.
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy