Jump to content

2024: The Directors and Writers Thread


Recommended Posts

  • Replies 442
  • Created
  • Last Reply

Top Posters In This Topic

  • Members

I know people are excited by her but I can’t say that I am. It’s more wait and see. I’m definitely happy the behind the scenes toxicity is over but it’s hard to know if she’ll have much of a vision.

The show needs so much work in terms of writing and the overall look of the show. I hope she’s up for the challenge. 

Link to comment
Share on other sites

  • Members

I've been wait & see also but then I read that Burton thought he'd be staying on at DAYS & then found out that was not happening, that no new contract, nor a renewal contract, was being offered! Well, that means Janet fired him. So, first act I know about & I'm applauding! Of course, now it's back to more wait & see but I am a bit more optimistic. 

Link to comment
Share on other sites

  • Members

Lynn Martin is no longer at Y&R. In the interview linked below from a few days ago she says a bunch of writers came back from the strike and were then fired when their contracts came up and replaced with people who wrote during the strike (I don't know if she is referring just to Y&R or other shows as well).

It seemed sketchy to me that Fi-Core James Harmon Brown replaced Brent Boyd shortly after the strike. And Lindsay Harrison probably wrote during the strike. 

Makes me wonder if Janice Ferri Esser really left of her own choice.

Lynn also says that on a show she worked at recently (i.e. Y&R), the writers were given a note to not be funny or clever, and she talks about the elimination of the breakdown writers, the lack of writers of colour..

I know Lynn Martin's scripts are not generally well-regarded, but I was impressed with her in this interview.

https://youtu.be/kiCyBd2YQeA?si=EMwmC47kk49bTiNT

 

Link to comment
Share on other sites

  • Recently Browsing   0 members

    • No registered users viewing this page.



  • Recent Posts

    • I think they are a part of the same family, although Carla was never really scheming for the same reasons, and once her double life was exposed, she stopped. 
    • Rachel/Ada, Mona/Erica, a mother/daughter at LOVING, these are all examples of the Agnes Nixon "troublesome daughter/put upon mother" trope. Are Carla/Sadie by any chance one of the pairs that make up this trope? Another thing that these 2 shows might have in common. OLTL had a very strong thematic approach to socioeconomic differences between groups of people. Class differences. AW at an earlier point had this too but to be clear it was not as much as OLTL. So that is a similarity but marginal.  Besides that, I see no other comparable things. Paul Rauch was a very different EP at different shows. Oh, I've thought of one more thing. Using actors from the Broadway stage.  But, realistically that was something all of the NY shows had in common. So I don't think it has any uniqueness between AW & OLTL.  
    • When you look at the period between Sweeps, it's as if they tried to maintain a kind of pace where they had a lot of plates spinning in the air & on their fingertips & the whole goal was nothing but to not drop any of those plates. A version of spinning one's wheels. They're not getting anywhere but they give the appearance of a whole lot of activity. I believe it's all about this appearance. At moments they accidentally hit a chord & something resonates but it is a false event.
    • He found the hidden camera and removed the card 
    • Please register in order to view this content

    • I’m not speculating anything, but I admit, I’m getting a little worried about James Reynolds. 
    • I feel like this is what they're doing by creating lots of storylines but their biggest weakness for years is the inability to properly pace these stories and give resolution. A good example now would be the Gio story which has been simmering for months with very little movement. I went from not caring to being invested to not caring again because of how long it's taking for the secret to be revealed. One story like that would be fine but it seems like everything moves at this snails pace on GH. They need to do a better job of rotating the stories so everything isn't in that same treading water phase.
    • However, those of us who watch DAYS have been spoiled. On Peacock there are no preemptions. Not for anything & not in or about any show.  I read somewhere that we Baby Boomers in a way invented instant gratification but then we realized that it was not fast enough.
    • The title track from the follow-up album Hot On the Trail is also co-written by Val Jean:  

      Please register in order to view this content

       
    • I read an interview with Lenore Kasdorf and she had said was asked back to GL in 1987 but she turned it down but she said now with Michael (Roger) and Maureen (Holly) back, she would be more interested in returning. This had to be around 1989 and I think in SOD (more of a where are they now? type of article)
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy