Jump to content

Recommended Posts

  • Replies 113
  • Created
  • Last Reply

Top Posters In This Topic

  • Members
Posted

The only ‘saving grace’ is that is that it was her decision.

Other than that, like you guys, I never got the sense she had that much of an impact on the stories.

Josh Griffith seems to be a protected commodity over at Sony and CBS and seemingly has Carte Blanche to do what he pleases. Maybe.

  • Members
Posted

No Jean please and I am speaking of someone who struggled to be a fan of ATWT during those last years. I did not like her Y&R either.

Natalie Minardi Slater has been with Y&R for years. Trent Jones is another writer with Y&R connections. They could be paired with Bibel.

As far as a guiding influence: Kay Alden? Jack Smith? Lorraine Broderick? The Cullitons?

  • Members
Posted

Ambitions was shockingly good. Old school soap, but modernized at the same time. Based on that plus his knowledge of soaps he’d be a great HW. 

  • Members
Posted

On that basis, that might not be the worst idea. New blood is needed at the top of the writing tree. Though we know who the executives are running the show and the huge conservative streak that runs  through the soap world, and some fan pushback that would invariably result if (hypothetically) he was announced.

Plus, I think I recall Ambitions dividing opinion on here.

  • Members
Posted

In soap circles I felt like his reputation is what drove a lot of the dividing opinions. I didn’t notice the same on social media or other boards that didn’t know him. In fact, there was a big outcry when it was canceled from non-soap areas. The show also found another life on Starz which led to more calls for it not to be canceled. I definitely think Oprah acted too fast on that one. 

  • Members
Posted

Kay Alden, Lorraine Broderick, Nancy Curlee, Patrick Mulcahey doing scripts. There is talent still out there, but the current soaps overlook it and recycle the hacks like Carlivati and Griffin. It was the wrong choice to make SSM the lead headwriter on Y&R a while back, too.

 

I'd rather see the soaps cancelled completely than have Jean Passanante hired anywhere on daytime TV again.

  • Members
Posted

I still think back to Broderick's last stint as head writer at All My Children, and how much she was still driving story potential, from a character point-of-view, up until the final moments of the series, including the Gone with the Wind-esque exit of Jackson Montgomery. She could still be working magic, but I think the loss of that soap hurt her to the point where she couldn't take on the task of doing it again.

As for Sally Sussman, I stand firm that she and Alden should've swapped roles; Alden should have been head writer and Sussman should've been storyline consultant, or even a simple writer. Sussman came in with a revenge-like agenda, and it was completely off-putting.

In no way should he be head writing a soap opera at all.

  • Members
Posted

I'd rather give her a chance and see what she could do today, than suffer through any more Griffin or Carlivati. Or Passanante. 

Please register in order to view this content

I really didn't want SSM around at all, but if she had to be, I agree that she and Alden should have switched positions. 

I agree.

  • Recently Browsing   0 members

    • No registered users viewing this page.



  • Recent Posts

    • -- Jesus, that was bad. -- If we're going to bash Will's face-making, we can't let Luna off the hook. All that scrunched-face crying was annoying. -- Still no explanation as to how Luna escape, leading to utter stupidity that she gets away AGAIN while Will just stands there. -- Meanwhile, the entire cast hilariously gets texts about the jail escape and heads to the beach house. 

      Please register in order to view this content

    • I knew Ray Wise looked familiar (beyond How I Met Your Mother, which I also watched, where he replaced Eric Braeden!).

      Please register in order to view this content

        
    • Congratulations, Laura! You're still a lousy Mayor though 

      Please register in order to view this content

      GH really needs to keep the WSB honeypot away from Emma, and especially from Gio. If they want to put the two of them in a triangle with someone, it should definitely be with Trina. And, while I don't like Sidwell or this storyline that much, that was a really good ending. I didn't see it coming either.
    • In regards to Long's 2nd stint, it appears as though she officially came back as head-writer between the 4th of July/Bauer Barbeque episodes 1987 and mid August 1987.. and then between April and September 1988 were episodes written by the scabs.  I almost count her having 3 stints head-writing Guiding Light since the writer strike lasted five months. In her 2nd stint, she seemed focused on the following: - Sonni returning from the dead thus keeping Reva/Josh apart yet again so she naturally turns to Alan and causes the ending of the Vanessa/Alan relationship.   I wonder if Maeve's decision to leave affected some of this because she was gone by January 1988, a few months after Long's return so she had to come up with a way to get Vanessa to take off (and it was to be there for Billy during a low point if I recall). - Phillip/Chelsea were pretty heavily focused on during this 2nd stint period and I liked their rapport. - A lesser focused story in the background was the Lillian/Hawk/Sarah situation - Formulating her next version of the 4 Muskateers with Cam/Dinah/Harley/Alan Michael... but in order to include a more rough around the edges Harley.. Dinah was softened quite a bit (though I did see a cat fight between Harley/Dinah where Dinah belted Harley so I think Turco could have played an edgier Dinah). - There also seemed to be a Spaulding takeover going on with Phillip trying to oust Alan.. and it affected his relationship with Chelsea. Post-writer strike, I noticed that the Phillip/Harley arc kicked into gear with him pretending to be 'my fair lady' with Harley.. but trying to set it up to look as though they were sleeping together.  That arc plus the aftermath of Maeve's death were what Long started when she came back after the strike. I don't know how the Alan/Reva situation would have gone had CB remained in the role and if the writer strike hadn't happened.
    • I've only been solidly watching the show for the first time the past few months. I was familiar with parts of the show and some of the character just from being a soap fan. I do have to say that I am enjoying GH more than any other shows right now. Sure, it has flaws but it seems to move along fairly well, and most of all, the eye-candy. Damn, there are so many cute men on this show. Nathan and Michael are at the top of my list.

      Please register in order to view this content

    • I have to say that I was honestly surprised by the exit this week. With spoilers and casting news, it is tough to pull off an honest shocker, and this shooting actually made gasp out loud.  I would bet many of you would enjoy it, if you watch it more regularly, I know that has been my experience this month.  
    • I believe she is talented and maligned for a reason. I fundamentally disagree with what she thinks soaps should be. And I am far from a traditionalist when it comes to the genre. There are many direct sources of her behavior and bad decisions, and my own eyes watching ratings decline after sweeps bumps on her her shows, it’s pretty clear she survived in power, especially at GH, specifically because the genre was declining. I will not further derail this thread with JFP unless it is pertinent. But I finish with this. She was asked directly over the years if she regretted killing Maureen off from Guiding Light. And for years she said she did. But someone pinned her down when she was at Y&R the first time, Michael Logan perhaps, and she admitted what she regretted and would never do again is making the audience care so much about a character right before killing then off. The tragic nature of the story leading into killing Maureen is what she regrets, not that she misjudged the audience, or that she didn’t have the foresight to see how destabilizing that was going to be for that particular show.    
    • If they bring back Connie, that kooky lady who kidnapped Melinda, or if Stephanie's stalker is a crazed fan, or if it is something based on her book, I may pluck an eyelash. I think the misdirect is that the stalker is after Alex, when they are really after Stephanie (unless it is Joy Wesley - that would be a surprise).
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy