Jump to content

ALL: Proposed Soaps Over The Years


Paul Raven

Recommended Posts

  • Members

This topic got archived, so I will start it up again and bring over the info gathered on the previous thread, as well as updating.

 

Young Lives

ANEW syndicated soap opera may have found the ultimate approach to ''give 'em what they want'' programming. ''Young Lives'' is having a ''special preview'' this week at 5:30 P.M. on WPIX-TV, Channel 11. Viewers who watch all five episodes are being asked to answer several questions being published in the current issue of TV Guide.

Among other things, the producers want to know if the situations and characters are realistic: Which characters did you find most interesting? Most realistic? Would you watch ''Young Lives'' on a regular basis? Would you watch it with your family? Would you prefer to see it in the afternoon, early evening or after 10 P.M.? Presumably the answers to these burning questions will be carefully collated by the psychologists and family counselors who are said to have helped in the preparation of the show, and the producers will be left with a thoroughly computerized foolproof construction.

Judging from Monday's first half-hour episode, ''Young Lives'' is about as realistic as any other soap opera -and that observation is not intended to be snide. For years, the soaps have been tackling social problems well before they or the dramatic treatments of them were allowed into the more heavily patrolled precincts of primetime. Using a clever, carefully calculated mix of realism and fantasy, ''daytime drama'' weaves its own special spell.

The problem is that the plot lines, devised and usually written by committees, tend to be superficial and simpleminded, more concerned with milking a story for as long as possible than with exploring its more complicated ramifications. ''Young Lives'' would appear to be no exception to the hackneyed norm.

The series is being touted in the ads as being ''about young people, and the people who share their lives - about romance, rebellion, relationships.'' The people who share their lives seem to be parents. Susan's mother, for instance, is recently divorced and is being wooed by Johnny, the rough-edged owner of a nightclub. Johnny is not totally uncouth. He does recognize the name of Mikhail Baryshnikov when it's mentioned, though he quickly notes that ''Misha'' is a great athelete.

Problem No. 1 is that Susan, who is trying to get admitted to the American Dance Conservatory, does not like Johnny. When he tries to be friendly and says something about Susan having a job at his place, she shouts, ''I didn't take dance lessons for 10 years to work in your stupid club.'' Mother looks understandably apprehensive.

At high school, Susan and her friends spend most of their time in a luncheonette setting complete with booths and pinball machines. Here they talk about whether to have one or two ears pierced, or who has invited whom to the weekend party. Prominent in this group is Problem No. 2, a pretty young woman named Rachel, who is aggressive, bitchy and experienced. Slithering up to Brad, the local nice guy and allround heartthrob, Rachel begins nibbling at his face. ''C'mon, Rachel, not here,'' whispers embarrassed Brad. ''Well,'' smirks Rachel, ''let's go somewhere else.''

The third problem is Dirk, Melanie's younger brother who is obviously flying high on something as he listens, droopy eyed, to Bruce Springsteen in his loudly blaring portable radio. Melanie admits to her friends that ''Dirk is having a little problem right now.'' Meanwhile, there is Tony, a dark-haired ethnic type, who is also catching the attention of many of the girls. Obviously bad news, Tony seems to be a friend of Dirk's even though he looks several years older. But when Tony asks ''You wanna do something?'' visions of joints begin dancing in Dirk's head.

Clearly, a lot of plot was stuffed into the first episode of ''Young Lives.'' At fadeout, Dirk's mother was confronting him with a strange looking object - a water pipe for smoking pot - that she found in his bedroom. He insisted that it was an incense burner. She was deciding to show it to his father. He was looking increasingly glum. Would I watch this on a regular basis? I don't think so, but I probably would dip into it once a month just to see how things are going with the kids.

Edited by Paul Raven
Link to comment
Share on other sites

  • Replies 346
  • Created
  • Last Reply

Top Posters In This Topic

  • Members

NBC 1950s

1950

Family Doctor was to be written by John Haggart and produced/directed by Al McCleery who had worked in radio with the prolific Hummerts,who created many radio soaps.

Candy and Bill was a domestic comedy packaged by Carol Irwin an ad agency exec who had also worked in radio soaps.

1951

Cinderella Story.

Produced by Biography Films, the serial has been optioned by NBC. The estimated cost comes to $11,000.00 for five 15 minute programs weekly. Curtis Mitchell, co-producer along with Blair Wallis. says that by the use of standardization techniques invented for this series the weekly cost is comparable, to the cost of a live serial. A big advantage for advertisers: good prints rather than kinescopes can be distributed to markets which haven't been cleared live.

The story line: Young Ohio school teacher wins a cover contest conducted by a famous New York magazine: comes to the big city. This lends itself to another cost-cutter: actual backgrounds will be used. Whenever necessary, the cast will he photographed against Radio City. Statue of Liberty, and other Manhattan sights. Shooting schedule calls for Biography Films to work 20 15 minute episodes ahead on the 35mm. black and white soaper.

Sincerely, Katy Randall

To be broadcast from Philadelphia

1952

'Hometown USA'

,NBC had a plan for 4 15min soaps under the banner 'Hometown USA'.The idea is that the shows would be cheaper to produce because common permanent sets could be used.The Brooklyn studios were planned as home for these shows.

I guess that is the same studio AW taped in.

They were to air in the 10.30 - 11.30 a.m..

Each 15 min show would focus on different residents of the town-the doctor,a female personnel manager in a local factory,a mother seamstress and the local grocery store. Some of the supporting characters will appear in all four stories

This last segment would be patterned after the successful radio soap 'Vic n Sade' and was to be written by that show's writer Paul Rhymer.

Authorities said present thinking is that the sale of two quarter -hours will be sufficient to get the series under way. Talent costs were estimated at less than $9,000 per quarter - hour. NBC -TV officials said an advertiser would have to spend almost $45,000 a week to use a setting comparable to Hometown for his own 15- minute daytime strip. Under the Hometown concept, they reported, this cost is cut as much as 80%. Sylvester L. Weaver Jr., NBC vice president in charge of radio and television, told a news conference t'.:e programs would represent soap opera "on a more interesting level, and more informative," and said it was hoped the new pattern would stimulate writers to move into "new dimensions" which, while providing entertainment, would do more than entertain. With the action of all four plots taking place in a single town, he said, the effects of real -world events can be shown in the actions and reactions of the characters in the stories. He said the programs will have the quality of nighttime shows. Outlines of Hometown's four stories were presented in a kinescope with Dave Garroway as m.c.

NBC would not put the show to air until they had substansial sponsorship and obviously that never happened.

 

1953

 'Fisherman's Wharf' produced and directed by Charles Powers.

 

1983

Flamingo Road . Continuation of nightime soap slotted at 3pm. Change of daytime execs saw it shelved.

Edited by Paul Raven
Link to comment
Share on other sites

  • Members

CBS 1950s

After NBC cancelled her first TV soap 'These Are My Children'.Irna Phillips announced she was developing a new serial which had attracted sponsor interest ,thus proving there was interest in daytime soaps and NBC may have been hasty in cancelling.

The show was titled 'Challenge To Spring' and expected to air on CBS.

1951

 Garden of Eve,from an idea by Jerry Horwin of CBS script department and to be written by Manya Starr.

1953

General Mills may divorce "Bride and Groom" this fall. The program has done a good job for the sponsor in the 12 -12:15 Monday - Wednesday- Friday CBS -TV spot, but the advertiser is considering whether a soap opera might not do even better. GM may program the old soaper, "Woman in White," which was a radio serial.

1954

 'Haven House' for actress Joan Bennett.

1957

 US version of hit British medical soap 'Emergency Ward 10' with plans to produce it on location at New York's St Luke's Hospital.

Actress Margaret'Maggie'Hayes was approached by CBS for the lead in the proposed Mildred Pierce, based on the 1945 Joan Crawford movie.This was shot down due to legal wranglings over ownership of the property.

 'The Will to Dream' ready to go.It concerned the relationship between an atomic scientist and his wife,with the background being 'contemporary' and many of the problems 'topical'

Doris Frankel was listed as writer.She wrote for GH,SFT and AMC

 

Edited by Paul Raven
Link to comment
Share on other sites

  • Members

I've been reading online that a tv series is being considered by the name of "Sin City." "Basin City" is the town's criminal-infested setting, and it's apparently based on some dark comic strips and movies created by some guy named Frank Miller. I read some of the details about the comics and the movies and I think it would translate well into some weekly dark tv show. Most of the characters sound like larger-than-life criminals and I can already see it reminding of some modern-day Edge of Night.

Link to comment
Share on other sites

  • 1 month later...
  • Members

I’ve always wanted to know more about Union Place. Here’s a section of an interview where Claire Labine talks about it

 

 

John asks: I've read that you had developed and pitched a new soap to CBS during the years when you were away from RH. Was this an earlier version of what almost became your GH spinoff in the mid-90s, or was it something else? Can you tell us about it?
Claire Labine: Yes.  There were two, actually.  The first was one of the ones that could be a novel.  It was set on a horse farm in Kentucky.  It was called CELEBRATION. And it’s still around and it’s still alive.  The other was HEART & SOUL (aka Union Place). HEART & SOUL was about two families, one black, one white, both show business families.  The black family was three generations of jazz musicians.  Next door was a theatrical family.  The Brooklyn community was a big part of it, as well as a local radio station, some very colorful characters.  Matt (Labine) and I really loved it.  We had the first go around with it with ABC, then NBC, then ABC again.  
 

Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Unfortunately, your content contains terms that we do not allow. Please edit your content to remove the highlighted words below.
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

  • Recently Browsing   0 members

    • No registered users viewing this page.



  • Recent Posts

    • Lois and Gloria did the right thing I feel knowing it was Camila that raised Gio has BL feeling some jealousy No one is saying that Camila was a bad mother to Gio I believe it will be Gio saying that Camila was great to him, thanking Lois and Gloria to get BL to see truth
    • Its realistic for Dani and  true of how the character thinks and operates. We've known her long enough to by that this would be consistent with her past characterizatioin
    • Random takes: - What was even the point of that jeweler guy? Also—Dani was borderline harassing him. - I know I’m probably in the minority here, but I want Jacob and Kat to happen. I need something messy to completely dismantle the Duprees—and Katomas just isn’t cutting it.  - I officially can’t stand Jacob and his wife. Same goes for Anita and Vernon. - Hayley’s corset was just as ugly as it looked uncomfortable. - I genuinely don’t remember when or how Derek and Ashley reconciled—and I’m someone who didn’t even mind their storyline! LMAO. - Tuesday’s episode was a mess. - Dani finding out about Hayley’s pregnancy and immediately thinking, “She’s faking it”—huh?! What writer thought that was a realistic reaction? I get denial, but that leap was absurd. I agree the ‘Leslie Victorious’ moment was way OTT. But hey, at least I wasn’t yawning. The following episode, where she handed over her daughter’s last few belongings was much better. - I can’t with the constant back-and-forth between Orphey Gene’s and the Country Club. I forgot this was such a soap trope, but even back in my loyal viewer days (late ‘90s, early 2000s), it wasn’t this bad. While GH has a ton of beautiful sets, we’re stuck with the same three—and half of them are ugly. Also: it’s been way too long since we had a party, gala, or any kind of event. I know the Richardsons’ anniversary gala (back in late April) has had a big ripple effect, but I was kinda getting used to those large-scale episodes. Fingers crossed they don’t go with Guza.  
    • The horrific comments execs and writers make when they justify rape storylines or keeping rapists as love interests is just so icky. I remember Ron Carlivati's comments about the reraping of Marty storyline on OLTL. Made my skin crawl.  No matter what you think of her, Susan Lucci could have demanded front burner storylines but she never did. She was happy to be part of an ensemble. I never got that vibe from Zimmer.  For me, Reva was just not a character I cared that much about after a certain point no matter how talented Zimmer is/was. I think Zimmer had a keener eye for what made a good storyline, but she was less willing to take a backseat if it meant someone else got to shine. I'm trying to recall if she ever mentions Michelle Forbes in her book--one of the few times the viewers did not care about Reva in a storyline. My sense is if she did, it was probably some backhanded remark about how she had to show Forbes the ropes.    
    • GH was good? I havent watched since Joss went away to do her traininig and Lulu had just called Brooklyn out for having Dante's baby and not telling him
    • BTG: A-  DAYS: B+  Eastenders: C
    • There was a rumor that Jean will die and that’s probably why she’s back then
    • There has been some confusion about Michael & facial burns. Please see this post: https://bsky.app/profile/shallotpeel.bsky.social/post/3lqkrryu54226 I've chosen to put this here instead of the Classic Thread because it is now with the appearance of recast Michael that this has come up. Different places online, including at least one podcast, remarks have been made about how remarkable it is that he is without facial scarring. Other fans say it was clear from the first that he did not have facial burns. What is included in this post is 2 screengrabs where you can see his face at the hospital & a very quick edit of that day in the hospital. 
    • Put me in the LOVE KMH camp. As a poster alluded to above, her detractors seem to come from people who first experienced the 80s Emily actress. And that's often the case with soaps, myself included. I enjoy the original actor so much that I just never take to the recast. However, KMH played Emily far longer than the original - for almost 20 years - and when she had great material, she was great. I get the sense she didn't like playing the whiny oh-woe-is-me Emily which was all the material she got from about 1996 until she took over the Intruder in late '99/early '00 and got to play a stronger kiss-ass woman who didn't care what anyone thought of her. (Some would call that a bitch but, if a man was in that role, he'd just be called a smart and savvy businessman.) Her relationship with Hal was great. The transformation was done realistically and I thoroughly enjoyed those years the best out of all. Once the writers decided to break up those two, they went back to writing Emily half the time as whiny and pathetic. I preferred when the writers made her stronger.
    • Hahaha - I do. I've always been the type, though, that can't miss anything. I get FOMO, so I'll not skip episodes or fast forward anything. There are only a few TV shows I've dropped because they got so bad vs. sticking it out to the end.  The promise that GL 1997 is better is what keeps me going. I especially want to see the fallout of Blake's lie about her twins and then Annie's descent which I believe won Watros's Emmy.
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy