Jump to content

AMC: The Prospect Park Era (old production thread)


Recommended Posts

  • Replies 9.5k
  • Created
  • Last Reply
  • Members

The claim for awhile has been that oh, if only ABC had kept the rights we'd have summer series or something for OLTL and AMC right now, with the existing team at GH shepherding that process. Yeah, that's a nice thought, but first of all I'll believe that when I see it, and secondly, as things stand at GH - and just in general, really - I would never want one unilateral voice stamped on all of these shows, no matter who it was, especially now when that GH team is not at all what it once was. It's not healthy for soaps, it's not the future of soaps to have them all go back to the same network which cancelled them and then have them churned out by the same old hacks, and by that I mean a lot of different people who keep floating around daytime, including Jean Passanante, etc. She may be a great breakdown person but as HW she has always stunk on toast.

And the fact is ABC has no real loyalty to the soap opera anymore. None. They are biding their time. It doesn't matter which executive is in place giving happy talk, the bottom line is that they want to push that cost out the door. And they can't entirely be blamed for that. I don't mind ABC working with the soaps in the future, but licensing them out to people who actually give a [!@#$%^&*] (PP or otherwise), who are outside the existing soap bubble and want to do something new with the product seems like the way to ensure something of quality again, something contemporary. By contrast, watching the soap press cheerlead for ABC to take back the rights under lock and key - or potentially push out future product produced by the same old team that is already busy with one soap opera - seems like self-immolation to me. But again, it's what they know and are comfortable with. And yeah, most of it has to do with OLTL and that team, which is silly because I know for a fact that some of those loudest voices hadn't watched that show for even a decade. Teams come and go, and Ron and Frank are not without their skills but the show is the more important thing. And these shows are not going to be serviced by having a couple guys spread out across two or three different shows when they're barely keeping their heads above water at GH.

Link to comment
Share on other sites

  • Members

I do to. They realized that you can be more successful by staying true to the core of the soaps by telling compelling character-driven stories composed of characters that are believable.

They never would have allowed characters like Jane and Heather to fly yet they are the most popular. They also wouldn't have brought in those vets from the past and give them REAL storylines because they werent in the target demo's yet the fans responded really well.

That said, I doubt they will produce them but I do think they will gain exclusive broadcasting rights.

Link to comment
Share on other sites

  • Members

I should too. And you're right--much of the reaction I read is either "Arrgh they should have left me with the network finales which I was more than happy with!!" (As if they were FORCED to watch these things.) Or else "Good, now ABCDaytime which, due to GH being SOOO fabulous right now, now loves soaps, can bring them back!!" ummmm

Nope. Not a single chance in hell. If they really did, it actually would have been relatively cheap for ABC to simply get PP to continue, and pay to air them as an hour block--cheaper than doing it themselves.

Link to comment
Share on other sites

  • Members

Help me out here. Is there some change in the way ABC is treating GH to make people think that? Are they advertising GH more? Are they doing something on the ABC website or something? I know that they had half the cast of the show on The Chew but that's nothing new. They've always cross promoted because it doesn't cost them anything. Has ABC given some indication that they have a renewed commitment?

Link to comment
Share on other sites

  • Members

I actually do.

  1. They explored Loving/The City/RH. not saying they are bribing those back but it could be a sign of a renewed interest.
  2. They are actually bragging about ratings again.
  3. They held a 50 hour marathon on SoapNet
  4. They had GH on the talk show circuit for the 50th anniversary
  5. They actually did a prime time special for GH (the Katie Couric thing. I think it was 20/20.)
  6. Even though Nurses Ball and the return of Several GH vets including Bobbie and Leslie were not exactly successful it still happened.
Link to comment
Share on other sites

  • Members

The new head exec or whoever, who I think replaced Frons, is a woman who's been very complimentary and supportive of GH and its place in the line-up, at least publicly. She's also gone out of her way to court the soap press and make them feel important.

I do believe she is a fan of GH and watched the show when she was younger, as she's said. But ABCD's bottom line is still their bottom line, and ABC wants out of soaps. They're praising it now because they have nothing ready to take it out yet; their commitment, IMO, is no different than before. They might have potentially resurrected AMC and OLTL on a short-term basis, sure, if they have poor summer programming options - I was hearing that even before PP ever came back from the dead - but the prescription, namely summer series with the existing GH team supposedly helping to mastermind that resurgence, just sounded to me like even more of an cheapo assembly line than before. And again, any talent you have in that team is going to be extraordinarily diluted if it's spread across all that work for three shows, even if they're only consulting or whatever, especially considering that their GH is not exactly a flawless masterwork. It's just not a way to service or modernize soaps for the next generation.

And what's more, there's so many stories, actors, moments and nuances from the new AMC and OLTL that would never have made it past ABC or that team onto TV. I'm thinking of actors like Eric Nelsen, or the depth in the material given to Kelley Missal, or Erika Slezak and Jerry verDorn sans their kids, or a black leading male, or Debbi Morgan and the abortion story. Or the fact that AMC frontburnered Julia Barr, Jill Larson and Michael Nader. That's why I think it's a much forward-thinking idea for ABC, if it wants to air the shows in any available slots, to simply keep licensing them out. The talent well is dry at ABCD. Or when it's not, it's all the same folks. The handful of relative new blood are all career GH staff under Ron and Frank, and they've got a reliable gig there (for now).

Link to comment
Share on other sites

  • Members

No. But GH ratings are UP! (barely.) And The Revolution was canceled! (a year ago.) And GH is now in a new GOLDEN AGE! (...)

I admit this isn't great news by any stretch, but if they were waiting to make an announcement--pro or con, they would NOT, when asked to comment in advance, say anything but no comment. Did they also not deny that AMC wasn't scrapped?

Link to comment
Share on other sites

Archived

This topic is now archived and is closed to further replies.

  • Recently Browsing   0 members

    • No registered users viewing this page.



  • Recent Posts

    • Please register in order to view this content

       
    • Please register in order to view this content

         
    • @TaoboiI ran into Dani’s favorite party planner again tonight

      Please register in order to view this content

    • I think they’re desperately trying to cover his awful tattoos. But anyway them being unable to style short kings properly has been a major pet peeve of mine for a while now.  I honestly don’t understand what some people expect from actors to even begin considering them for recognition. Let’s be real—awards mostly mean that an actor is respected by their peers and has some level of cultural relevance. Actual judgment on the acting itself? That’s often secondary—highly subjective and shaped by the times. I completely agree on both points. If you’re an actor or a dancer you shouldn’t get any tattoos (sorry not sorry). Tomas’ tattoos are ugly too. And regarding the couples- you’re completely right. These writers are unable to write romance.   Further comments: - Kat cannot be this dumb to keep tampering with evidence over and over again. And I’m officially not a fan of the actress—every time she’s in a scene with Leslie, she doesn’t seem intimidated at all. She plays it like comic relief, which is just too much, especially when paired with Leslie’s histrionics and over-the-top antics. Leslie is older, dangerous, and has literally been portrayed as homicidal—Kat should be at least a little scared. • I also didn’t like Kat playing damsel in distress with the hotel manager. It gave off the same weird energy as Dani with the cop. I would’ve much preferred the version Paul Raven suggested, with her sneaking in through housekeeping. • And yes, Dani again accused Hayley of faking the pregnancy—this time even specifying she might be using a pillow under her shirt. (No fake miscarriage being mentioned) I stand by my take: this is ridiculous writing. No one in the real world—except us, the chronically online soap watchers—would even think of such a conspiracy theory. Haley is no Beyoncé. • What in the world was Chelsea wearing in her hair the other day? And this whole thing with Madison is beyond cringe. Chelsea’s coming off as needy and toxic—basically like every other Dupree. • I’m glad the casino storyline is moving forward, but it’s still boring as hell. Honestly, I’d be so here for a plot twist where Vanessa and Doug take Joey out. • The direction and editing lately have been rough. Abrupt cuts, weird pacing… something just feels off overall. There’s a strange uneasiness to how it’s all coming together. • And finally: Tomas is too much of a saint. Where are the messy sluts when you need them? (Vanessa doesn’t count.)
    • I was watching some August 1987 episodes and they brought back so many memories. I had some thoughts: Lisa and Jamie were so dull. Lisa was such a nothing character. It boggles my mind that so much story was centered around her in such a short amount of time. Joanna Going is a talented actress, but the material was just not there.  It was so good to see Wallingford and Mitch again. I know there was talk about Felicia a while back, but these episodes reminded me how integral Felicia was for the show.  Sally Spencer was done so dirty. She is turning in superb performances in an icky storyline. I wish she had stuck around longer. She has chemistry with everyone. The McKinnons should have lasted longer. Spencer had some strong stuff with Stephen Schnetzer and Mary Alexander. AW waster such a talented actress by getting rid of her. Justice for Cheryl too. I also missed Ed Fry when he left. Sandra Ferguson was a star from the moment she came on. She was charismatic and just popped. She had immediate chemistry with RKK and blended in well with Wyndham and Watson. I'd forgotten about the teenage Matthew.  I have no memory of Peggy Lazarus. She must not have lasted long. Was the original plan for John that he was going to turn out to be the twins' real father?      
    • If the new and improved copies that @rsclassicfanforever has uploaded can be manually moved into the "by month, by year" folders, that would be awesome. I personally don't think it's necessary to keep the older versions (which either have Dutch subtitles hard coded on them, or are lesser in picture quality). That's a lot of valuable drive space that could be cleared. Just my view but can appreciate others may feel differently. The structure had been by month by year previously, so I think it would be easier to conform to that, where so much prior work to get it to that format has already been done. Hopefully you can "drag and drop" so the new copies are in the right month/year? Re Clips, I never look at them now we pretty much have the episodes in full. Appreciate others may use, however. Thanks for all your hard work here @BoldRestless!
    • Oh yes defintely, Josh Griffith repeats and repeats the same storylines.
    • Isnt’t this storyline similar to the Cameron Kirsten situation though? Sharon thought she killed him. He ended up being alive and Sharon was being tormented with thinking she was seeing his face everywhere and that’s how we got that iconic scene with her and Nikki in the sewers.   I understand in Mariah’s case this is different circumstances but it does seem like a play on that whole thing. Maybe I’m wrong. I just wish if they were going to make any character follow in Sharon’s foot steps it would be Faith. Mariah wasn’t even raised by her, and her personality is different. I would expect her to take a different path. I understand I could be completely jumping ahead because the storyline hasn’t even played out yet but we’ll see. 
    • Thanks again @Paul Raven Monica was completely without redeeming qualities at this point. I always found the whole Monica = Carly narrative regressive, as I don't think shows comparing characters so heavily is ever a great idea, but she's actually worse than Carly was. Was it the Pollocks who had Leslie have a miscarriage?  Giving her a child, especially by rape, was not a good idea, but a part of me wishes they'd committed to it just to see what story it might have had in later years.
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy