Jump to content

Another World Discussion Thread


Recommended Posts

  • Replies 13.7k
  • Created
  • Last Reply

Top Posters In This Topic

  • Members

I am so thankful that the theory of Michael Malone's usuage of the 13 Bourbon Street storylines on another show.    I had never heard that before.

I have had the feeling that is what Lee Sheldon did on The Edge of Night.  He had previously produced and written the CBS show Tucker's Witch, and that show was cancelled at midseason.  I beleve that when he was hired to replace Henry Slesar on Edge of Night that he used the plots that had been planned on Tucker's Witch.   The husband played by Tim Mathison  was assumed by Schyler Whitney (the late Larkin Malloy), the witch's/wife's role (played by Catherine Hicks) was assumed by Raven ... (played by Sharon Gabet), the mother-in-law's role (played by BArbara Barrie) was assumed by Geraldine Whitney Saxon (played by the late Lois Kibbee).  There was even a parrot on Tucker's Witch, and Raven and Schyler suddenly had a pet, also.

Back to Michael Malone, his second headwriting tenure on One Life to Live was just awful, and I hated to even watch the show when he was writing it the second time.

I also recall that his inital scenes on One Life to Live were terrible, also.   However, the network hired another writer as co-headwriter, and the storylines were simply wonderful.   Linda Gottlieb was one of the best executive producers in television history.

 

Link to comment
Share on other sites

  • Members

Although I did see some of the post-1980 AW, I saw much more of the show in the late 60s and 70s. I was not a big fan of Harding Lemay, for reasons I can explain at length, although there were some things he did well. AW was the most popular soap where I lived in the 60s. I saw some, though not enough, of the Missy Fargo story which was extremely popular. One of my first soap memories is of one woman asking another what was happening on her story. "Oh, Miz Mac, they've put poor little Missy in jail!"

Carol Roux as the innocent Missy and Audra Lindley as the sociopathic Liz Matthews played Soap Opera Hall of Fame archetypes. Lemay reduced Liz to a harmless busybody; too bad that Irene Dailey didn't get to play the all-out almost-evil almost-crazy Liz Matthews that Audra Lindley and Nancy Wickwire played, and played brilliantly.

Joseph Gallison as Bill Matthews managed to be not only handsome, but not weak and not dumb, as he could easily have seemed, given the manipulations of his mother, who drove orphan Missy away by revealing that Missy was illegitimate. Liz wanted her son to marry the rich Lenore Moore. I don't much recall Judith Barcroft from this era, though I will have more to say about her fine work once she got her own starring role as accused murderer in the Wayne Addison story.

Sam Groom seemed like the ideal older brother. David Bailey would be more male-model handsome as Russ Matthews, but Groom was a much better actor. Viewers would see the young Jacquie Courtney grow up into the biggest romantic heroine on daytime. I think that Shepperd Strudwick may have been playing Jim Matthews then (not sure), and Virginia Dwyer as Mary Matthews looked a good bit like my mother.

The supporting cast had Constance Ford as Ada, Jordan Charney as Sam Lucas, Harry Bellaver as Ernie Downs, Antony Ponzini, a great villain, as Danny Fargo, and Doris Belack as Madge Murray. The stories ran slow by our standards, but this was a strong cast, probably as good as AW ever had. I don't know if this era was mostly written by Irna or Agnes.

Link to comment
Share on other sites

  • Members

Those ingenue roles are much harder to cast than you'd think, given that there are always a lot of young, pretty, aspiring actresses. Carol Roux had that waif-like appearance, sort of like Leslie Caron in LILI. She believably brought out the protective instinct in men like Bill Matthews, and also believably would do the wrong thing for the noble reason. Find out you're illegitimate? Of course you have to flee to another town without telling anyone and fall into the clutches of a no-goodnik like Danny Fargo. Perhaps Missy would seem terribly old-fashioned now, but she was very believable at the time.

The only other really outstanding soap ingenues who come to mind are Alexandra Moltke on DS and Kristen Vigard on GL, though there are probably others.

I think a lot of girls were named Melissa or Missy after Carol Roux's character, including a cousin of mine.

Link to comment
Share on other sites

  • Members

As a completely unimportant side note, how many facelifts did Linda Dano get?

Someone mentioned earlier that the skylight-fall was intended to "excuse" her being in bandages in 1997 but watching the late 1995 episodes that are being posted on YouTube and those massive unflattering bangs she was wearing then look like they are intended to cover something.

Link to comment
Share on other sites

  • Members

I always think about the missed opportunities of these plot driven stories that did not take the time to explore the motives of the characters.  Mary was around long enough that we could have gotten one or two scenes about what was broken in the McKinnon's relationship and what attracted her to Reginald.  The portrayal of Reg is just short of Snidley Whiplash, so there is no viable triangle.  Mary never has regrets giving up her way of life in South America, filled with philanthropy, nice clothes, and a full household staff to go live behind a restaurant.  Her refusal to take any money from Reginald is supposed to convey some moral high ground, when in fact not only was she owed half of his fortune, but also payment for the pain and suffering of her family who thought she was dead for years.  At the very least he could have paid for her education. So, while I thought it was fun at the time, in retrospect, I only remember all of the plotholes and missed story beats.

Edited by j swift
Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Unfortunately, your content contains terms that we do not allow. Please edit your content to remove the highlighted words below.
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

  • Recently Browsing   0 members

    • No registered users viewing this page.



  • Recent Posts

    • To me, that made no difference. The point stands whether Eva wants to be a Dupree or not. Anita was 110% on top of things. Also it's a logical inference that Eva might be interested in having a place in her supposedly real family. Frankly though I wonder if Eva knows how to feel ... yet. She could really be confused.
    • Does Jack ever dress in drag during that early '00s period where he was trying to get Jennifer back...or does he just fake being gay around then?
    • Here you go, by special request! https://www.instagram.com/p/DJlXDnWJImW/ DAYS 9-26-90 Matt Ashford as Jack Deveraux in drag
    • Concluding 1976... Raymond Schafer arrives in Springfield and begins an extensive probe into Malcolm’s death, puzzling Ed, who wonders why most of Schafer’s question sessions keep turning back to Rita’s involvement with Malcolm. Ed assures the man that Rita’s only connection with Malcolm was as his nurse; he is unaware that Schafer knows a great deal more about Rita than he does. Just to protect Rita, Ed has Mike check on Schafer’s credentials, and learns that he’s a  well-respected criminal attorney. The waitress at the restaurant where Malcolm suffered his stroke tells Schafer that the woman who was with him reacted very professionally to the sudden emergency, as if she were a nurse. Realizing that her little sister has fallen hard for Tim, Rita warns him that she’s very vulnerable and innocent, but Tim tells Rita her advice isn’t necessary. But Tim then receives a plum job offer to be chief neurological resident at a prestigious Philadelphia hospital and can’t pass up the opportunity. Evie is crushed by the news and spends the next several days at home crying. Joe Werner, fully recovered, has accepted a post as a medical aide in a destitute village in India and leaves alone, with Sarah to follow him later. Justin asks Sarah to consider a partnership with him in private practice, but she explains that she thrives on the hospital atmosphere. When a call comes from India that Joe has had another massive attack, Sarah leaves on the next available flight and arrives only moments before he dies. The painful news is relayed back to Cedars at once. Sara returns from India a heartbroken woman, but the day-to-day involvement of raising T.J. and of her career seem to be her salvation. Justin shows a surprisingly compassionate and understanding side to Sara, but, ironically, Justin’s ex-wife, Jackie, arrives in Springfield with her diabetic father, who is suffering from a heart attack. In the process of consulting with Justin on her father’s condition, Jackie comes face to face with Sara for the first time since their college days. Evie’s heartbreak at Tim’s departure turns to fury and hatred when she inadvertently discovers a letter which Tim wrote to Rita just after he left. In it he concedes that Rita was right about Evie’s vulnerability where he was concerned but reminds Rita that he badly hurt her in the same way she feared Evie would suffer. Evie is now sure that Rita somehow forced Tim to leave town and is livid at the idea that Tim was Rita’s lover. She insists she’s cutting off her relationship with Rita and will pay her back for any help she’s received in the past. Ben and Hope’s wedding plans are off, as Ben, while still insisting he’s innocent, won’t explain why the robbery evidence points to him. Hope feels his unwillingness to tell her the truth makes marriage to him impossible, but confides to Ann that she is miserable without him. Ben has echoed these sentiments to Mike but won’t confide in him, either as Hope’s father or as an attorney.   Holly is trying very hard to build a life without Ed, but since she sees him virtually every day at work,she’s unable to put him out of her mind. She accepts a date with a member of the hospital administration staff but is unable to avoid making comparisons between Ed and this young man and winds up alone, sadly holding Ed’s picture and recalling how much she loves him. Believing that the hospital board’s conclusions on Grainger’s death have settled the question once and for all, Rita has regained her self-confidence, and her romance with Ed is growing daily. They admit their love for each other, and Ed confides that he intentionally  held back with Rita for fear of making another mistake. Rita then tells Ed she has never married because for her marriage must be forever. Rita’s mother realizes that Rita is truly in love when she confides in her that she doesn’t understand why she’s been so lucky in having him love her and how she wants to be the very best person she can be for him. Ed proposes marriage to Rita and gives her time to think about it before answering. Rita painfully realizes that her past could, if it rose again against her, make a life with Ed a lost dream. But Raymond Shaefer has been quietly but efficiently carrying on his investigation and has learned that Grainger argued with Rita at her apartment. He presents the evidence he’s compiled to District Attorney Eric Van Gelder, who decides the case warrants further investigation. Rita goes to Ed’s office to tell him she loves him but can’t marry him, that she doesn’t deserve him and “can’t do it to him.” As she turns from a confused Ed to leave, she finds the district attorney and a police officer outside Ed’s door, waiting to arrest her. Ed, insisting that a serious mistake has been made, calls Mike to help her as Rita, shocked and humiliated, is taken under arrest through the hallways of the hospital in which she works. Mike manages Rita’s release on bail only after she has had to submit to the degrading booking procedure. Mike sees her alone at her apartment, explaining he can help her only if she tells him the whole truth. Rita equivocates until Mike mentions Texas, indicating to Rita that he knows at least some of the story. Van Gelder has, in fact, let Mike see the bulk of evidence in the case against Rita, to convince him her arrest wasn’t a capricious whim. Rita explains to Mike that Malcolm believed she intentionally vilified him to his father, to do him out of his rightful inheritance, and then wanted his father dead to collect her money. Mike expresses his appreciation of Rita’s honesty, promising to help her. But Rita’s tormented dreams confirm that she hasn’t yet told all the truth, and after Peggy visits, expressing firm support, Rita tells Roger she has to reveal his part in the story. Roger painfully tells Rita about his being Christina’s father to show her that if Ed knew, it would end Rita’s chances with him forever. Rita, who was ready to tell Ed the whole story, now realizes how risky that would be. Adding to Rita’s pain is her forced leave of absence from the hospital until she’s cleared and the embarrassment of seeing her name in the headlines.
    • Please register in order to view this content

         
    • Yes, but the stories are all pretty awful Seeing Victor rehashing his hatred of the Abbotts  when he married one of them and has a daughter that is half Abbott as well as walking around with Traci's daughter's heart keeping him alive makes him look worse than he already is. And I remember he and Jack chatting amicably in the past few years. Victor interfering in Kyle/Claire is just repeat of Billy/Victoria. Sharon, Nick,Phyllis etc are around but again the stories are lacking.
    • I think Kevin's 1996 Emmy was fair enough. He barely appeared for his second. I don't think anyone else on the list is that deserving but I might have gone with Moore as he did try with the whole Keesha AIDS story. @alwaysAMC Thanks to slick jones' cast list I was able to see that Nikki Rene played Tina. Not much on her, as you mentioned. Tap and a few Broadway listings (it doesn't help that a younger actress with a similar name is in a lot of roles). Nikki Rene: Credits, Bio, News & More | Broadway World https://onceonthisisland.fandom.com/wiki/Nikki_Rene Nikki Rene - IMDb
    • Thank you. That does ring a bell. I remember Theresa and Julian's drunk, giggly fake wedding (with Julian asking "Whassup?" to the minister). Was Bruce tricking the pair as a prank, or did somebody put him up to it? I especially liked Katherine recalling how dashing young Alistair was when he'd pick up Rachel for dates, and how she wished she could be her sister, then feeling guilty once Rachel had her boating accident ...
    • And Kevin Mambo beat Shemar Moore for those two Emmys. I chalk up the wins to the voters not wanting Jonathan Jackson to eventually end up with a five peat (he won 1995, 1998, 1999). These were the 1996 and 1997 Younger Actor races. 1996: Nathan Fillion, Jonathan Jackson, Kevin Mambo (winner), Shemar Moore, Joshua Morrow 1997: Steve Burton, Jonathan Jackson, Kevin Mambo (winner), Shemar Moore, Joshua Morrow
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy