Khan

Well, that certainly wasn't true for Marian Randall ("The Error of Her Ways"). Heffa literally went to her GRAVE insisting (no, more like shrieking) that she didn't kill her husband. And you know something? As many times as I've watched that episode, I'm still not convinced she was lying.

I think Jean Stapleton would have had a far loopier take on Jessica Fletcher, like some queasy combination of Miss Marple and Edith Bunker. Her Jessica wouldn't have been as sophisticated as Angela Lansbury's. Remember Lt. Artie Gelber, played by Herbert Edelman? IMO, it would have been FANTASTIC to see Edelman's "Golden Girls" co-star (and Angela's close friend) Bea Arthur play Gelber's frequently mentioned-yet-never seen wife, Bernice.

Well, sometimes they'd try to deny, or at least deflect or accuse someone else. ("I might have stabbed him, but Joe Don's the one who gave me the knife!") But, Jessica would always be like, "I'm sorry, but that is simply not true." Then, they'd just shrug, as if to say, "Well, [!@#$%^&*] it, I guess I'm goin' down then."

You know someone's messed up when Jill appears more concerned with Cane's well-being than she does with Phillip's.

By now, I think it's obvious: Josh Griffith doesn't know what the [!@#$%^&*] he's doing anymore. I'm all eyes!! Josh Griffith: "Thank GOD for whoever invented the cut-and-paste option!"

I still laugh about that plot twist. Ripley was SO obsessed with Amanda; yet, he couldn't tell the difference between her and a white girl, lol.

It's always sad to think how "Moonlighting" went from such amazing highs to such amazing lows. AFAIC, that series was GOLD. Bruce and Cybill were both too stupid to realize it.

And we really don't know how poor Frank died, do we? MSW had its' requisite share of clunker episodes, but I think the ones featuring Grady have to be among the clunkiest. First of all, you had, as Grady, Michael Horton (no relation to the DAYS character), a milquetoast actor with the charisma of egg salad. Second, his shows were all variations on the same plot: Jessica visits Grady; Grady tells Jessica he has a new job; Jessica meets everyone at said new job (including the newest bimbo that Grady is hard for, even though Aunt Jess KNOWS he doesn't have a PRAYER with her); Grady and Jess realize right away that his new job makes working at Walmart look like the smarter choice; one of Grady's co-workers is murdered; Grady is among the prime suspects (even though he just started working there and the investigators are going on the flimsiest of evidence). Then, when he DOES finally meet the woman he is fated to share his (boring) bed with for life, she's the drippiest, whiniest broad ever. (The fact that she's Horton's real-life wife doesn't make it any easier to accept Grady and Donna as a couple. In fact, that makes it worse.) My theory: Jessica stopped visiting Grady after awhile, because she decided that life was too short. The same expression I have on my face whenever I read the latest from certain posters on this board. (No, @Soapsuds, you're not one of them.)

Agree.

By that point, Beth Ehlers came across as too harsh and angry to work in any romantic pairing. She would have needed to display some warmth and vulnerability, and she just didn't have that anymore. I honestly would have loved to have seen Erica grapple (emotionally, as well as physically) with menopause, but that would have required admitting that she was getting older, lol.

So, once again, Trump and his ilk get away with [!@#$%^&*], not because they're innocent, but because the authorities don't want to do their damn jobs.

Didn't it all end with JT being diagnosed with a brain tumor?

Another favorite part: when Jessica has solved another mystery, she'll invariably ask someone if she could use their telephone. Obviously, MSW was on the air before cell phones were a thing; but just once, someone could've said, "What? You ain't got a quarter for the pay phone?" Conversely, here's my LEAST favorite part: every episode during the Corymore-produced years will end with a close-up Angela's smiling or laughing face. I get why they made the choice -- "all's well that ends well," and all that -- but when it happens at the end of EVERY episode, it begins to look really corny.

Fascinating analyses, @Franko. My favorite part of every episode is the head-shake that Angela/Jessica does whenever the culprit fully confesses to the murder. It's like she's saying, "Boy/girl, bye."

I truly hope this is how the "Genoa City Slasher" tale begins.

No, bringing back Patty Williams after a twenty-five year absence as a garden-variety psycho, who concealed her true identity in order to win back the ex-husband she once shot multiple times, was an idea that looked bad even "on paper." Same goes for bringing back Phillip Chancellor, whom we saw die on-screen, with the explanation that he faked his death because he was in the closet.

Fortunately, it's DAYS, so there's always a chance that Renee will come back (although, now she'll be played by Hunter Tylo). Agree. There was just no way at all to justify Erica doing something so heinous. (Again, I know they tried, but it was utterly unconvincing.)

I watched "The Betty White Show" years ago when Nick-at-Nite ran it. It was...okay.

Lemme guess: Sonny and Will ask Chad to seduce Leo. Chad is outraged...but goes along with the plan anyway. Chad succeeds (in getting Leo away from Craig) and Leo is exposed...but Chad actually has mixed feelings. "Like glitter through the hourglass, so are the Gays of Our Lives." Honestly, DAYS, just give your remaining fans what they're asking for. Let Chad (finally) hook up with Will; let Sonny go back to a returning Paul; and let Leo return to middle-Earth with the other hobbits where he belongs.

The Sonni/Solita storyline (GL) had "good bones," as they say, but the protracted '88 WGA strike made the story so convoluted that literally no one knew or understood what it was about anymore.

God, what a mess, lol.

But, there was at least one time during the mid- or late-'80's when OLTL was actually ranking higher in the ratings than AMC. In fact, if I'm not mistaken, wasn't there a period during the Rauch era when the show was as high as #2 (after either GH or Y&R)?

Personally, I loved the way DAYS ended most episodes during the Al Rabin/Shelley Curtis era: a freeze frame (usually, a close-up on someone's face), a brief credits roll (often just the title and "A Corday Productions Presentation") with some Phil Collins-esque dramatic cue or pop song playing underneath, followed by the familiar Columbia/Coca-Cola logo, lol.

As I see it, the only real problem with ZT as nuSonny is that he appears to be YOUNGER than CM/Will, when it was the other way around with FS. But I'm sure I'm the only one who cares, lol.