Jump to content

Y&R December 2021 Discussion Thread


Recommended Posts

  • Members

 

Great interview. Very sad segment about KSJ. I had no idea he was bipolar. And I don't think he was off the mark about losing his job. The show seemed to be phasing him out. I regret the events that led to his death and that he wasn't able to get the help he needed. 

Link to comment
Share on other sites

  • Replies 135
  • Created
  • Last Reply

Top Posters In This Topic

  • Members

Regardless of what he'd been told by the producers, it was pretty clear that KSJ was being phased-out at the time of his death (along with Christian LeBlanc, Doug Davidson & Kate Linder).  He could clearly see the writing on the wall.  

I wish Alan Locher could see the two interviews above and learn how people can converse without saying, "Wow, that's crazy", and have a beneficial conversation.  

Link to comment
Share on other sites

  • Members

Maybe there’s some commentary on America’s crisis with men being adrift, but why is nearly every man under 50 in Genoa City a mopey, hapless, and aimless dude who needs to be coddled (Chance, Noah, Nick, Billy, even Adam, who amounts to a Victor yes-man)? And again the lack of dynamic, strong, mostly competent leading men dates back years (back to when Nick, Billy, Cane, and later Scott and J.T. were all screw-ups under Sussman and Mal).

Edited by Faulkner
Link to comment
Share on other sites

  • Members

I suggested this years ago. Not the bi-polar diagnosis but the fact that, having spent so much of his life on Y&R, it was tied up in his identity and seeing his role reduced had a deleterious effect on him, not to mention a job gave structure and purpose to his days, he could have used that, particularly after he lost his son, but people kept suggesting that it was best that he wasn't working at that time.

Link to comment
Share on other sites

  • Members

I was berated by someone for suggesting the same thing. Granted, he was going through the alcohol issues after his son died (I was told by the person I was full of S*it and that he was going through rehab). The way he was treated by TPTB as an afterthought was appalling after all those years. When he needed the work most, they took him off contract.

 

Link to comment
Share on other sites

  • Members

That was a good interview, but man, you all were right about the segment on KSJ, it was sad to get an account of his final days and how he had suffered.

I still have yet to see the KSJ documentary. I had hoped it would be on Netflix or an easily accessible streaming platform. Has anybody seen the documentary?

Link to comment
Share on other sites

  • Members

Because Victor Newman.
Ironically your point is what EB constantly says about men in soaps but in a weird twist his insistance that his views on masculinity and leading men in soaps make a Victor an invincible all-knowing no-weakness virility machine ended up sucking the oxygen of every other man on the show.
It started with Jack being slowly castrated to becoming a endless loser but the new generation cannot grow alpha males because Victor is a hurdle they always end up hitting because Victor never loses and EB won't let him lose or even show vulnerability.

Add to that the 2000/2010s fad for antiheroes and you get an entire generation where they haven't found the right balance.
But I blame EB's dictating the stories for Victor for ricocheting into screwing a lot of story beats for the show. And it is very ironic.

Link to comment
Share on other sites

  • Members

Thanks.

At the time, it seemed as if I was being hard on Y&R (admittedly, I was) but it also felt like the push back against what I was trying to say was defending Y&R's shabby treatment of an actor who had given so much to the show. Personally, I know it's not exactly healthy to have your self-worth tied to a show but in such a crucial time, it may have been the one lifeline that he could have felt he was able to hold onto and the idea of that still kind of haunts me.

Link to comment
Share on other sites

  • Members

Exactly right. Lots of actors*resses I would casually watch if I didn't know his constant interruptions and lack of incisive questions are going to piss me off.

I only make the effort with people I *really* am dying to hear from and even then I have to do it by bits and pieces because I get so irritated.

It is a wonderful concept and I'd hate for it to go away - Lisa B's passing proves we really ought to make sure we hear from all kinds of legends while we still have them - but boy is he diminishing the potential of this idea.

Link to comment
Share on other sites

  • Recently Browsing   0 members

    • No registered users viewing this page.



  • Recent Posts

    • Aww I was hoping that Zimmerman would still do the breakdown like the last two episodes. But good to see Martin on script.    YASSSSSS DD YASSSSSSSSS!! Selling Nicole. The venom in her inflections.   'We'll see you leave in one piece.' Oooo Anita.
    • Or they'd make her a Dupree for equally valid reasons.
    • 'No...she won't.' Ooooo Silk Press Sheila...get him. And yassss to Anita getting it on. And Martin looks triggered. Flashback incoming...?   Awww Nicole.
    • Should've brought in the Tide Pods then... oh wait, is that too soon?
    • A talented soap opera writing team would accept the challenge of keeping Eva as Ted and Silk Press Dana's daughter... and having her co-exist amongst the classist Duprees.   However, the writing team seems pre-disposed to the easy way out so Eva will end up being Nicole's daughter... when we have far too many Dupree women in that generation and no hetero Dupree men in that generation. I'm tuning in now to watch the episode since I anticipate it being a stellar episode... but I'm hoping that May sweeps will start to move away from the B & B tendency of focusing on only one main tale at a time and also start beefing up the non-Dupree cast members and their stories. It's kind of why I don't mind Derek and Ashley since at least they're not connected to the Duprees... plus I find myself liking Vanessa/Doug also for that same reason.
    • Absolutely! From a technical standpoint, Phelps is a very well-done producer. She knows how to produce a soap from a visual focus. Creatively? Not always.
    • It's tiiiiiiiime!!!!!!!!!!!!!!!!!
    • Interesting show. I liked very much the Shawn and Johnny talk, one tortured about shooting his dad, the other not so much (if he did it, which I doubt). Marlena was strangely empathetic to EJ which was a switch, and I liked him offering his Cat date to Chad. I want to see Cat given a personality by the new writers. Ron could not be bothered with her since she was dumped on him by the strike team and was too big a name for him to fire like he did poor BobbyEverett. So we got the awful Fabby story and then 2x a month airings with her acting like a spaz. I actually like the entire Greene family (apart from the mother) and would like to see more of them.   Highlight of the show was seeing Steve and Kayla act like the duo I remember from their heyday. I got a lump in my throat when she thanked him for loving her brother.
    • I know that VW thought it sounded like a good story when it was pitched to her.  I know that by the end of it she thought it was positively awful. I suspect that if we were to try to pinpoint when that changed, we might be pretty accurate. But, agree to disagree about her performance,  which of course, is never a big deal. Specifically, I do not think she phoned anything in. And, I attribute her slight accent from a certain point  on, to COUPLETS not to Justine.   
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy