Jump to content

When did Josh Griffith became a bad writer? Or when Good Writers take a turn for the worse


Recommended Posts

  • Members

The March discussion thread for Y&R reminded me that 15-20 years ago I always remembered Josh Griffith always getting praised as a writer yet here in 2021 he is the absolute worst, this already following a very disastrous run at Days back in 2015-16 and a previous just okay run at Y&R back in 2012-13.

 

The other examples I was thinking of off the top of my head include Richard Culliton, who’s good and bad work cancel each other out. His 1995 ATWT run was great; 1998 at AW was a disaster. 

 

Same with Stephen Demorest, his work at GL was fantastic but ATWT was a mess. I have to include Trent Jones on this as well for uneven writing depending on the show.

 

I feel like both Pam Long and Thom Racina deserve mentions as well. 

 

 

Link to comment
Share on other sites

  • Replies 56
  • Created
  • Last Reply

Top Posters In This Topic

  • Members

Sometimes we learn that failures are the results of interference from the highers-up, but Claire Labine’s uneven OLTL and nearly disastrous GL come to mind. Both felt like self-parodies. That’s after her triumphant GH run and the well-earned respect for co-creating and writing Ryan’s Hope.

Edited by Faulkner
Link to comment
Share on other sites

  • Members

Here are his credits if anyone's interested

 

As the World Turns (hired by Hogan Sheffer)

  • Script Writer: April 12, 2005 – June 29, 2006; December 14, 2009 – September 17, 2010

Days of Our Lives

  • Co-Head Writer: August 19, 2015 – September 2, 2016

General Hospital (hired by Brian Frons; fired by Robert Guza, Jr.)

  • Story Consultant: July 2009 – August 21, 2009
  • Breakdown Writer: August 7 & 17, 2009
  • Script Writer: August 21, 2009

One Life to Live

  • Associate Head Writer: 1991–1994, March 23, 2004 – September 28, 2004
  • Co-Head Writer: 1992 – September 1995, March 10, 2003 – March 21, 2004
  • Head Writer: February 3, 2003 – March 7, 2003

Santa Barbara

  • Breakdown Writer: 1988–1991
  • Script Writer: 1988–1991

Sunset Beach

The Young and the Restless (hired by Barbara Bloom)

  • Breakdown Writer: July 13, 2006 – October 2006
  • Creative Consultant: July 7, 2006 – September 2006
  • Co-Executive Producer: October 25, 2006 – December 24, 2007; February 6, 2019 – present
  • Head writer: December 26, 2007 – April 21, 2008; October 12, 2012 – November 1, 2013; March 20, 2019 – present
  • Executive Producer: October 25, 2006 – October 2, 2008
  • Supervising Producer: September 14, 2018 – February 5, 2019
Edited by AbcNbc247
Link to comment
Share on other sites

  • Members


I forgot about Labine I remember being pumped up at her coming to GL and how that ended in absolute catastrophe. I don’t know how much of that was Rauch & MADD’s fault but it really looked bad compared to newbie Hogan Sheffer’s ATWT at the time and the soap press were more than happy to point that out. 


I think her late 80’s run at Days was considered well received at least early

on but by 1989 the show was falling apart.

Link to comment
Share on other sites

  • Members

Yeah, even after her weak OLTL, I too was stoked to see what she could do at GL. But it felt like a caricature of a lot of her previous work, with the quirky “humor” (May Merisi), extending the mob stuff with the Santos family, sad deaths of children (Cassie/Richard), shoehorning in social issues stuff (Reva and the human trafficking story that led to Catalina’s arrival), etc.

Link to comment
Share on other sites

  • Members

 

Oh yes her tenure was the height started off with the height of Roman(John) & Marlena, Bo & Hope, and Shane & Kimberly. She also wrote a lot for Patch & Kayla and later Roman/John and Diana but there was a lot of dreck involved with the periphery characters i.e. Alex Marshall's downfall, Doug's return,  Bill/Janice/Mike triangle and didn't Pete and Melissa end their marriage on a very out of character note? 

 

Thanks @AbcNbc247 for Griffith's credits btw. I think a lot of those soap fans back in the day were still stuck on his Emmy winning work with OLTL from the early 90s. I never watched it aside from a couple eps with Ryan Phillipe's character coming out but I do recall a lot of soap fans hold that era in very high regard.

 

 

Please register in order to view this content

 

I would have the sad deaths to include Jim Lemay's death on Christmas as well, that felt totally unnecessary . The way 

Patti D'Arbanville's character left the show was pretty disgusting as well. 

Link to comment
Share on other sites

  • Members

Yes, I think Labine's GL was the absolute nadir of that show. Even when it got bad at times in the 2000s (like under Conboy/Weston), it was never THAT bad. Labine took the existing problems with the show (the emphasis on the mob and San Cristobel) and actually made them worse, to the point that I found the show almost unrecognizable. And the characters I normally like were written in such a way where they became insufferable (e.g. Reva, the savior of refugees). 

Link to comment
Share on other sites

  • Members

Do you all think that it could simply be because Griffith and the rest try and fit the same template to each show that they bounce too? I just feel that this has been the detriment to a lot of soaps. Writers flip flopping to these shows and failing to not grasp the tone of each show, which makes it special and different from the others. 

Link to comment
Share on other sites

  • Members

You're welcome.

 

And yeah, Melissa had an affair with her dance instructor and after it came out, Pete just left town. Then Melissa got involved with Jack.

 

As for Griffith, I've only seen his work on Days and it just seemed like he preferred going for shock value as opposed to the deep, psychological stuff that he could have done. Will's murder, Hope killing Stefano, Chase raping Ciara on TOM AND ALICE'S COUCH??? WTF was that? lol 

 

I don't mind darker storylines because sometimes it does add realism to a soap, but all of that was just too much too fast

Link to comment
Share on other sites

  • Members

I kind of lump him in with a certain type of soap writer- he keeps the trains moving on time.  It’s not exciting, or interesting.  But it’s words on paper with generic stories that just keep it moving.  The type of writer that helps a show tread water between HW stints.  I find him to be a lot like Passanante- boring, plodding soap opera without any real character.

 

At DAYS though it felt like he and Higley were trying to out hack each other.  It’s like he thought he was Guza all of a sudden.  And I have plenty of complaints about Guza, but his dark and depressing material was at least well written.  I may not have liked the stories or the characters he chose to focus on, but the scripts and most of the overall storytelling was strong.  Griffin wanted the dark and shocking without the pathos and the drama.

 

People like Richard Culliton and Passanante might be excellent in certain roles on a soap, but that doesn’t mean they should be the HW.

 

 

Link to comment
Share on other sites

  • Members

 

That truly shocked me. And it was worth firing him for, unlike what allegedly actually did (Hope blowing Stefano away in cold blood, something anyone in town should've done years ago IMO).

 

You occasionally see glimpses of the old Griffith in some of his latter-day bad work - the weird, byzantine story in which Jigsaw turned out to be John's dad, etc. all sorts of other gothic stuff - but when he goes there the entire show gets both so dark and also not very well-written or made. It was different at OLTL when he and the florid, OTT romantic Michael Malone generally balanced each other out in their best years. I wouldn't put him in a position of real power anywhere today beyond maybe an occasional consultant were OLTL still around. His runs at Y&R and DAYS have been pathetic. He burnt out long ago.

Edited by Vee
Link to comment
Share on other sites

  • Recently Browsing   0 members

    • No registered users viewing this page.



  • Recent Posts

    • the famous babyswitch. the best babyswitch imo
    • Yes, it has. It was seen in the episodes when Dani broke into the house while Hayley and Bill were on their honeymoon. Dani and a Fairmont Crest security guard were also shown outside the house's entrance. Bill and Hayley were seen in the foyer when they returned. I imagine the set will resurface when there's a need for it.
    • There is some kind of arrangement going on between Justin and Evie, who seems to be caring for Sam. I'm not sure, but she may even be living there with Justin and Phillip. Phillip inviting Evie at least makes a little more sense (if the guest list was limited to women Vanessa liked, it would've only consisted of Trish and Helena. lol)  Maybe it was more common to hang on to performers, back in the day? Instead of immediately kicking them to the curb? Evie hadn't had much to do after Chet was revealed to be her stalker. With Rita, Jackie and Ben gone, there weren't many on the canvas she'd really worked with, other than Ross. They could've pivoted her back to Ross, instead of letting him languish love-less for nearly a year other than goo-goo eyeing Amanda. Nowadays, there might've been a moment written Jordan and Janet, an eye-wink to the audience about them having previously worked together.
    • I 100% agree that Bill and Haley's set would work better as a bedroom. I also think it might have made more sense to give them a penthouse instead of a mansion. Realistically they aren't going to have the room for multiple mansions, even with the larger studios. A more open concept penthouse would've been fine. I also wish more people lived together. The age confusion kinda messes that up but I would at least have Chelsea living with Dani. If Martin were Anita and Vernon's child (as he should be), I'd have these families living together as well. By doing that, the space used for Martin and Smitty's house could be used to build a dining room for the Dupree home and I'm sure it wouldn't be hard to throw a couple bedrooms in as needed.
    • CBS primetime was such a mess in the 1990s. 1990/91 fourth consecutive third place finish. 1991/92 to 1993/94 some signs of life but it didn't last.  1994/95 to 1999/2000 another primetime mess era. 1995 the sale to Westinghouse and Les Moonves arrived. The only bright spots were Touched by an Angel becoming a Top 10 show and Everybody Loves Raymond starting to show growth. CBS primetime would have a comeback in 2000 with the premieres of Survivor and CSI and Everybody Loves Raymond becoming a Top 10 show, and the rest is history.
    •  Thanks! For some reason I had misremembered ER and Chicago Hope going directly head to head but that may have been because of the hype about both shows.    Poor Connie Chung. She seem poised for success and possibly the next Barbara Walters. I don’t recall her co-anchor gig on the CBS Evening News was well received though. She kind of tanked her career moving into more a tabloid journalist role once at ABC and especially once she moved off network TV to CNN and later more infamously on MSNBC. 
    • Please register in order to view this content

       
    • Strangely, it was Phillip who invited Evie to go to the ball with him. She had been taking care of Samantha, so I guess it was a way to thank her for helping Justin after Jackie's death? So she was not invited by Vanessa. Phillip brought her as his plus one. That Evie stayed on the canvas so long is extremely odd, especially since Ben was gone way before her. My theory is Marland was going to bring Rita back, so they wanted Evie to remain in place as her sounding board. When he left and Potter was still EP, that might have still been the plan. Once Kobe came in, that would have been thrown in the dumpster along with a lot of other story plans and characters.
    • Nina and Portia are generally presented as entirely too savvy to not think this ketamine (don't even GET me started on that) nonsense wouldn't immediately blow up in their face. Drew, the ex-navy seal and congressman, wouldn't get a drug test immediately after acting wildly out of character? Portia allowed this to so easily be traced back to her by roping in Brad, a man who can't stand her? Nina didn't think Willow would Stand By Her Man? Girl, PAY ATTENTION! I also find it disturbing how BOTH of them are gaslighting Willow. It feels gross. They should have presented Gio as anything other than a responsible, genial and affable guy if they wanted us to buy any of Dante's ranting about him. You've known this kid since he was a baby and suddenly you're yelling at him like he's the devil incarnate? It was so forced. Every one of them, including Dante, know that they all would have done the same thing in Gio's shoes. Teen gets drunk, friends cover for them. Gio's only 5 years older than him, barely allowed to legally drink himself. How was he to know the kid had alcohol poisoning? Alexa Havins crying every day over keeping a baby secret. Ahh memories. Molly and Kristina are just the worst to their mom and Alexis allows it. Kristina does need to be committed, she's a danger to herself and others. I wish Alexis would just tell her that she knows. I can't wait until Molly finds out about her almost getting Ric and Liz killed. I need her to body slam Kristina. Sasha thinks she knows EVERYTHING. She's always giving advice and painted as right no matter what. And so holier than thou while carrying a married man's baby.
    • Correction, Chicago Hope 1994/95 was initially Thursday 9 pm, a CBS dead zone and head-to-head w/ Seinfeld. 1994/95 CBS Thursday 10 pm initially was Eye to Eye with Connie Chung. Later in the season CBS did a scheduling shift with Chicago Hope moving to Monday 10 pm, Eye to Eye with Connie Chung moving to Thursday 9 pm, and 48 Hours moving from Wednesday 10 pm to Thursday 10 pm.
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy