I've always been fascinated by character delineation, exploration of interpersonal relationships and Chekhovian moments more than storyline mechanics, which is why I gravitated towards Lemay's work. I realize that my personal tastes probably fall outside the norm of what most folks enjoy about popular culture.
IMHO, Lemay's tenure on AW was so successful because he inherited the structure, framework and wonderful characters that Irna Phillips and particularly Agnes Nixon had set up. His continuation and expansion of AN's world flourished via his focus on life vignettes over plot points. But without the strong structure and characters he inherited, I wonder how well HL's AW would have been received on its own. None of the other soaps he wrote ever gained the ratings and devotion that AW did when Lemay was working within the parameters created by two legendary writers, and focusing on the beloved characters those women had developed.
And, tellingly, as he started dismantling and brushing aside so much of his predecessors' contributions to the show in the second half of the 1970s, the soap's ratings and popularity began to dwindle.
I truly believe that Nixon's groundwork and set-up had a lot to do with Lemay's being a success at AW because she had left him all the ingredients for success.
His Strange Paradise, Search for Tomorrow and Lovers & Friends lacked the magical ingredients to jell, and...did not.
While I agree that when he was at his best, Lemay's work was stellar, but (IMHO), his writing started deteriorating a few years before his exit from AW in 1979.
By
vetsoapfan ·