Members vetsoapfan Posted April 10, 2012 Members Share Posted April 10, 2012 Yes, Soderberg and Sommer were old-fashioned writers whose work was solid and competent, if not overly exciting. I'd take their conservative, careful-with-vet-characters approach over many other, flashier writers like Reilly or Sheffer, any day. Ralph Ellis and Eugenie Hunt were weaker writers, but certainly not as horrendous as so many who followed on their shows. Link to comment Share on other sites More sharing options...
Members EricMontreal22 Posted April 10, 2012 Members Share Posted April 10, 2012 That's what I assumed--it's great to have your take on this--I know we always go back to soiap headwriters, and of course EPs and network execs play probably as important a role in the end, it is what I think I find the most fascinating about the history of soaps. Link to comment Share on other sites More sharing options...
Members vetsoapfan Posted April 10, 2012 Members Share Posted April 10, 2012 Yes, network executives and their interference are often responsible for a lot of havoc reaped onto soaps, and an incompetent producer can undermine even the most competent headwriter. But it all begins with the written word, and if a writer is weak, or has no vision for a show, then there's no chance at all for a soap to be successful. When we get a sharp executive producer in tandem with a brilliant headwriter (think Gloria Monty and Douglas Marland), they can produce soap gold. Link to comment Share on other sites More sharing options...
Members ChitHappens Posted April 10, 2012 Members Share Posted April 10, 2012 JAMES E REILLY! Not sure if he even qualified as a hack because hacks usually have some writing skills. Reilly had none, and it was evident the moment he created his own soap, Trassions! ANDREA Link to comment Share on other sites More sharing options...
Members juniorz1 Posted April 14, 2012 Members Share Posted April 14, 2012 Ok, I'm splitting my list into 3- First the cream of the crop, then the so-sos, and finally, the absolute hacks. I will only be posting about soaps I have watched in my daily viewership, from 1982- present day, but will include shows I watched later via youtube, soapnet, dvds, etc.....that may include periods before my time that I've seen enough of to justify my judgements. Here Goes: THE GREATS Bill Bell (Y&R and early B& Agnes Nixon (AMC, LOV) Kay Alden (Y&R) Claire Labine (GH) Bridget & Jerome Dobson (ATWT, GL,and SANTA BARBARA) Anne Howard Bailey (SB) Nancy Curlee & Stephen Demorest (GL) Lorraine Broderick (AMC, GL, ATWT) Donna M. Swajeski (only watched her AW run, though I liked her AMC when I felt her vision was coming through over DK's) Maggie DePriest (DAYS, AW round 1) Doug Marland (GL & ATWT) Anne Schoettle (DAYS) Millee Taggart (LOV, GL) Carolyn Culliton (AW, ATWT) THE SO-SOs Hogan Sheffer (I fell in LOVE with ATWT under him, thought his DAYS had potential but was uneven, and detest his Y&R, though I blame that more on co-heads MAB and Hamner) Thom Racina (DAYS, SB) Megan McTavish (AMC, OLTL) Peter Brash & Paula Cwikly (DAYS) Richard Culliton (AW- did NOT care for his AMC at ALL- he's responsible for brain damaging and ruining my Marcy's Liza, from which she never recovered) Barbara Essenstein & James Harmon Brown (LOV, GL) Michael Malone (OLTL round 1 and AW) Samuel D. Ratcliffe (SB, DAYS) Chuck Pratt Jr. (SB ONLY, especially his work in 1990 with Conboy) Chris Whitesell (SUN, DAYS) James E. Reilly (DAYS- enjoyed the plots, but not turning all my fave vets (especially the returnees) as pods, GL. His PASSIONS just sucked and I never would have watched if it weren't for Josh Ryan Evans and eventually, Lindsey Hartley's RED HOT chemistry with Eric Martsolf, not to mention Justin Hartley) Jack Smith (Y&R) Bradley Bell (B& Peggy Sloane (AW) Jean Passanante (AMC & ATWT) Sheri Anderson (DAYS, SB) Leah Laiman (DAYS, AW, ATWT) MarDar (DAYS) Gene Palumbo (DAYS, GH) Maralyn Thoma (SB, DAYS, GH) Meg Bennett (SB, GH, SUN THE HACKS Dena Higley (DAYS, OLTL) Josh Griffith (OLTL, Y&R- sorry, I think Malone was the stronger writer and Griffith was the disaster) Bob Guza (his SB was ok, his SUN was ok, his LOV & GH were DREADFUL!) Black & Stern (ATWT) David Kreitzman (GL, AMC, ATWT) Ron Carliavati (OLTL) Anna Cascio (OLTL, AMC) Gordan Rayfield (AMC) LYNN MARIE LATHAM (Y&R) PAMELA K. LONG (GL, SB, OLTL) Tom Langan (DAYS) Barbara Bloom (PC) James Lipton (AW) Link to comment Share on other sites More sharing options...
Members DRW50 Posted April 14, 2012 Members Share Posted April 14, 2012 What did Schoettle write at DAYS? Link to comment Share on other sites More sharing options...
Members VirginiaHamilton Posted April 15, 2012 Members Share Posted April 15, 2012 Good points you've made. I guess I have a simplified meaning for the term "hack" (as in someone whose writing goes against what the show/characters are about). I hesitate to add Malone and McTavish because there was a time when they knew how to write good soap. However, when it fell apart, their shows went off the rails and became such ugly messes. Link to comment Share on other sites More sharing options...
Members dragonflies Posted April 15, 2012 Members Share Posted April 15, 2012 Charles Pratt & Bob Guza are tied for me Link to comment Share on other sites More sharing options...
Members quartermainefan Posted April 15, 2012 Members Share Posted April 15, 2012 Pratt. I think he is maybe the worst writer daytime ever saw. Link to comment Share on other sites More sharing options...
Members RomeAt50 Posted April 15, 2012 Members Share Posted April 15, 2012 He said to the cast of AMC that he didn't care about their characters history or something along that lines. I don't know how you can be more of a hack when you have that attitude towards character. Link to comment Share on other sites More sharing options...
Members MichaelGL Posted April 15, 2012 Members Share Posted April 15, 2012 I will always wonder, how and where do the Cullitons fit into this thread. It's pretty difficult to categorize their history in this industry, they're always hopping from one soap to the other, very rarely as a sole Head Writer, and if they are, it seems as if their tenure is so-so for most. Link to comment Share on other sites More sharing options...
Members Khan Posted April 15, 2012 Members Share Posted April 15, 2012 Inspired by junior's list... (Shows listed in bold beside each writer is the show(s) he/she is most well-known for.) The "A" List William J. Bell (ANOTHER WORLD, AS THE WORLD TURNS, B&B, DAYS, GUIDING LIGHT, Y&R) Frank and Doris Hursley (BRIGHT PROMISE, GH, SEARCH FOR TOMORROW) Agnes Nixon (ALL MY CHILDREN, AW, ATWT, GL, LOVING, ONE LIFE TO LIVE, SFT) Irna Phillips (AW, ATWT, THE BRIGHTER DAY, DAYS, GL, LOVE IS A MANY SPLENDORED THING, PEYTON PLACE) Irving Vendig (THE EDGE OF NIGHT, HIDDEN FACES, SFT) Roy Winsor (ANOTHER LIFE, HAWKINS FALLS, LOVE OF LIFE, SFT, THE SECRET STORM, SOMERSET) The "B" List John William & Joyce Corrington (CAPITOL, GH, OLTL, SFT, TEXAS) Nancy Curlee (GL) Bridget & Jerome Dobson (ATWT, GH, GL, SANTA BARBARA) Claire Labine (GH, GL, LOL, OLTL, RYAN'S HOPE, WHERE THE HEART IS) Harding Lemay (AW, ATWT, THE DOCTORS, GL, SFT) Douglas Marland (AW, ATWT, THE DOCTORS, GH, GL, LOVING) Paul Avila Mayer (LOL, RH, SFT, WTHI) Gordon Russell (DARK SHADOWS, OLTL) Henry Slesar (CAPITOL, EON, OLTL, SFT, SOMERSET) Robert Soderberg & Edith Sommer (ATWT, GL) Wisner Washam (AMC, GL) The "C" List Kay Alden (B&B, Y&R) Sheri Anderson (AW, DAYS, GH, GL, SB) Lorraine Broderick (AMC, AW, ATWT, DAYS, GL, OLTL, PORT CHARLES) Sam Hall (AW, DS, OLTL, SB) Pamela K. Long (GL, OLTL, SB, TEXAS) Michael Malone (AW, OLTL) Ann Marcus (DAYS, FALCON CREST, GH, KNOTS LANDING, LIAMST, LOL, SFT) Peggy O'Shea (CAPITOL, GL, OLTL, SFT) Eileen & Robert Mason Pollock (THE DOCTORS, DYNASTY, GH, LOL) Pat Falken Smith (DAYS, GH, GL, RH, WTHI) Link to comment Share on other sites More sharing options...
Members Khan Posted April 15, 2012 Members Share Posted April 15, 2012 Although there have been times when both Richard and Carolyn Culliton committed some rather hack-like mistakes in their writing, I hesitate labelling them as pure hacks just because I do think they pay at least lip service to honoring a particular show's history. OTOH, I wouldn't say they're good HW's, because I've never felt as if their vision for any given show to be all that captivating. Therefore, I'm with you: they're both great script writers, but only so-so HW's. Link to comment Share on other sites More sharing options...
Members ghfan89 Posted April 15, 2012 Members Share Posted April 15, 2012 Interesting List! Can you elaborate why you choose Anne Howard Bailey and Margaret DePriest? Just curious, as they are considered pretty major writers during GH's top reign in the 80's. Link to comment Share on other sites More sharing options...
Members saynotoursoap Posted April 15, 2012 Members Share Posted April 15, 2012 I always thought of a hack as someone who churned out trite work, hence the dicitionary definition of making trite through overuse. By that definition, every single headwriter on daytime during the last 10 -15 years is a hack writer. However, I try to give most the benefit of the doubt since what actually goes on screen is not soley determined by the writer. Often, good ideas are diluted or contaminated by committee decisions. As an example, I considered Lee Sheldon a hack writer when he worked on Edge of Night; however, in subsequent years I have learned that he concocted a number of good ideas that were terminated by ABC and P&G, while other bad ones were foisted on him. We all have our prejudices, though. My list of hack writers, ones whom I believe churn out intentionally inferior work are: Creme de la Creme of Hackdom 1. Hogan Sheffer. 2. David Kreizman 3. Robert Guza 4. Maria Arena Bell 5. Black & Stern Half and half hacks: 1. Ron Carlivati 2. Jean Holloway 3. Sherri Anderson 4. James Lipton 5. Esensten & Brown Link to comment Share on other sites More sharing options...
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