Jump to content

One Life to Live Tribute Thread


Toups

Recommended Posts

  • Replies 7.8k
  • Created
  • Last Reply

Top Posters In This Topic

Top Posters In This Topic

Posted Images

  • Members

Tina was the best. Andrea’s version was my favorite but warmed up to Karen Witter’s too. Felt a bit like a different character. Tina was oltl in the 80s so to see her fazed out in the 90s/00s was a huge loss to the show. Why wasn’t she significant anymore? Did she have to stay attached to Cord? Loved her scenes with Todd’s and Viki when she came back. Of course Tina and Gabrielle were an amazing pairing! 

Link to comment
Share on other sites

  • Members

Sometimes - especially on Dark Shadows.

 

I watched most of the episode above from 1983.   I had two questions;

1.  Who was that actor speaking to Pat Ashley before Dr. Will Vernon and Capt. Ed Hall entered the scene?   He was playing a decorator.

2.  I do not remember the character of Doug, who I assume was a photographer.   Was he on the show for very long?

Edited by danfling
Link to comment
Share on other sites

  • Members

Sometimes, new days would start in the middle of a scene.

In the mid-1970s on OLTL, Viki was in Jim Craig's office to confirm a medical appoint for the next day. As she was leaving, she told Carla and Jim she would, "see you tomorrow!" There was a jump cut, and suddenly Viki was coming back into the office, wearing different clothes, and thanking Carla for getting her an appointment in less than 24 hours.

It was awkward and uncomfortable. Soaps generally don't warp time like that. 

Link to comment
Share on other sites

  • Members

Wasn't sure where to place this  but since it deals mainly with OLTL here it is. Makes you think how other shows with clearance problems might have rated with more coverage.

May 1970

What clearance woes can mean to ABC -TV

The half hour, daily afternoon serial, One Life to Live, is suffering from "live clearance deficiency" and this con- dition is costing more than $2 million a year, $1.5 million of it lost directly by the network. ABC -TV stations last week, at the annual network affiliates meeting in Los Angeles , were given a striking illustration of what it can mean to a network when just one program is not being carried live on a competitive line -up of stations.

Frederick Pierce, vice president in charge of planning and assistant to the president of ABC -TV, citing One Life to Live as a specific example, offered the following editorial and mathematical suppositions as evidence of how a lack of live clearances does not pay:

Fact: In the first quarter of 1970, One Life to Live registered a 7.1 rating nationally.

Fact: General Hospital, the half -hour afternoon serial that generates ABC - TV's biggest daytime audience, gained a 9.1 rating nationally during the same quarter.

Supposition: According to Mr. Pierce, "the difference is live coverage."

Logic: General Hospital enjoys a 92% primary live line -up. One Life to Live only has 83% live coverage.

Supposition: If One Life to Live had General Hospital's live line -up, ABC - TV figures that it would have a national rating of 8.6 -near General Hospital's level -or 1.5 more rating points than it now earns.

Question: What does this mean in terms of dollar loss?

Mathematical formula: One Life to Livé s 1.5 rating -point deficiency represents 880,000 fewer homes nationally.

At the going cost -per- thousand daytime rate of $1.60, this amounts to $1,400 less per minute on the selling price of the show. There are 1,560 available commercial minutes in One Life to Live per year (in round figures 1,500) at the show's actual 96% sell -out situation. This figures out to 1,500 available commercial minutes multiplied by $1,400 lost for each minute.

The total: $2.1 million in revenues lost per year. Some $360,000 of this total would be station compensation. Subtract about $200,000 more for agency commission. Sub -total: about $1.5 million in annual revenue loss to the network.

Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Unfortunately, your content contains terms that we do not allow. Please edit your content to remove the highlighted words below.
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

  • Recently Browsing   0 members

    • No registered users viewing this page.



  • Recent Posts

    • 1976 Pt 12 Final part Laurie agrees with Stuart that Peggy is rushing into marriage to prove that the rape didn’t ruin her life.  She points out that the only way Peg can be sure is to make love with Jack before the wedding. Stuart admits she’s right but points out that he can’t suggest that to Peggy. As the wedding approaches, Peg seems happy that Jack’s become close to the family. However, her happiness is shattered by a nightmare in which her loving bridegroom turns into a leering Ron Becker, forcing her to cancel the wedding. Jack reassures her he’ll wait as long as it takes, and Chris confides that she and Snapper didn’t consummate their marriage on their wedding night because of her own rape experience, but Peggy tells Chris she might never be ready.  Despite her desire to keep Karen as her own daughter, Chris helps a police artist create a sketch of Nancy so it can be printed in the newspaper as part of a search for her. When the attempt proves fruitless, however, Chris asks Greg to file application for permanent custody of the child. Greg points out that adoption is the only way to prevent Ron from returning and claiming the child, and that it will take quite a while. Meanwhile, a nurse in the psychiatric ward sees a resemblance  between the newspaper drawing and her autistic patient, Mrs. Jackson, but since “Fran” doesn’t respond to the name Nancy and no one else sees the similarity, she fears she’s mistaken. Jill is horrified to overhear Kay, when brihging baby Phillip a Christmas gift, telling the child she remembers the night he was conceived. Kay has to then admit to Jill she saw her with Phillip in the bunkhouse that night. Jill is aghast to realize that Kay new the truth all along and put her through such agony in spite of it, denying her baby his father’s name. Lance tells Laurie they’ll marry on Valentine’s Day. He laughs that it’s corny but agrees, secretly wishing it were sooner, as Vanessa has vowed to prevent it. Indeed, Vanessa makes an unprecedented venture out of the house to visit Brad, telling him to rebuff any advance Leslie might make to him, as she’s reaching out to him only from a sense of duty. But Laurie then makes a concerted effort to reach Vanessa. Without being sure why she’s trying so hard, she tries to assure the woman she’s not losing Lance and she, Laurie, will help her find a plastic surgeon somewhere who can help her. Grudgingly, Vanessa seems to be reconsidering her view of Laurie, and Laurie is delighted when Lance offers her a choice between two diamond necklaces, explaining that her preference will be Vanessa’s Christmas gift. Learning from Les about Brad’s blindness, Stuart tells Brad he could have turned Leslie away only out of great love. Knowing that Les is going to see Brad again, Laurie warns him not to bring the baby into their discussion, as Leslie will come back only she’s convinced he loves her, not for the babies sake. Leslie finds Brad disheveled and sloppy, and proceeds to straighten the apartment, stating that she can't respect him if he lets himself go. Realizing that neither Brad nor Les will make the first move, Laurie hurries things along by refusing to help Brad with his grooming, saying he should ask his wife. Then, having learned  that Brad offered Les the use of their piano, Laurie untunes the Brooks' piano forcing Leslie to accept his offer. By refusing to cater to his  blindness, Les manages to get Brad to stop wallowing in pity, and by the time Leslie’s Christmas braille message of her love and her need for him arrives, they are husband and wife again Lance takes Laurie on a business trip on New Year's Eve, and tells her, on board his plane, she won't be  won't be able to call him “Mr. All Talk and No action” after tonight. When Laurie protests that waited this long and will continue to wait until married, Lance delights her by instructing his pilot to land in Las Vegas, where they are married immediately.
    • Yeah, not sure why Jack and Jen didn’t rush to Marlena - or even Carrie - to offer their condolences. A few flashbacks would've been a nice touch too. Instead, we got a whole episode of them talking about Chad and Abby? Come on. On the bright side, I loved Anna’s scenes with Marlena and Carrie - sweet and heartfelt, felt like a real 80s throwback.
    • Martin and Smitty were designed to avoid the stereotype of gay men sleeping around (which to an extent is true). If you recall Martin had a line about them not being open when Chelsea came to talk to him. The producers are walking a very fine line right now and it might not be popular to say but I can understand it. Establishing enough footing to ward off complaints will let them showcase gay characters more openly later.
    • The week was decent. They have started to rotate their stories and finally got a rhythm going. I disagree about them allowing every character to have a moment to shine though. Nicole really hasn't been given anything to do. I completely agree with all this. I adore Doug and hope he makes it through.
    • https://www.instagram.com/p/DKlE4GrJQHs/ michelevaljean When I Was Shelly #Prism #Funtimes #Chicksinger #Rockband #BTG #BeyondTheGates              
    • https://x.com/greg_vaughan/status/1930648376724336852  
    • There was the one appearance in '96, but otherwise, that's correct as far as I know.
    •   It's working fine now.

      Please register in order to view this content

        Question for the B&B group: I see @rsclassicfanforever has uploaded multiple seasons from Videoland  (in the folders that are to be put away). They are huge folders and difficult to download so I started breaking them down into months but I realized they are by season so for example, Season 4 spans from March 1990 to March 1991. Now I'm wondering where to actually place them, since we have the Full Episodes section divided by year, not seasons. And most of these seasons we already have in full, so these are duplicates. Not sure if it's necessary to keep the older versions. I could just make another new section for Seasons, so the main folders would be "Behind the Scenes and Interviews," "Clips," "Full Episodes," "Full Seasons," "Music CDs," and "photo archive Marquise" but I'm not sure that really makes sense. Also wondering since we have almost every full episode now if "Clips" can be deleted in its entirety, as it's nearly 300GB.
    • CBS moving Murder, She Wrote from Sunday to Thursday was straight up sabotage. Les Moonves knew exactly what he was doing.
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy