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I think I can guess why some of those years were selected.

 

GL: 1983 - Reva arrives.

ATWT: 1994 - Douglas Marland passed the year before so all his story outlines are over by then.

DOOL: 1983 - Supercouple era starts.

Y&R: 1986 - Cricket becomes a full-time character and proceeds to eat the show for the remainder of the decade.

 

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Bruhner was around when Phil MacGregor was playing Rick. It was a weird period when Rick and Phillip started hanging around with Morgan. Long arrived in May just as Morgan left town and Michael O’Leary arrived as the new Rick. Was just watching the Thanksgiving 1983 episode and couldn’t stand O’Leary’s antics. 

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To me, Guiding Light declined after 1997. Y&R 2001- The production quality went down afterwards. GH - 2000 when Wendy Riche got the boot & Sonny really began to eat the show. OLTL-1996 after Michael Malone left and the Viki DID plot wrapped up. AMC-1997 after Lorraine Broderick left. 

 

I suppose the dates everyone listed were when shows began to decline rather than become utterly "unwatchable". 

 

I've come to understand that Reeva is Sonny Corithos of GL, in that she eats the show at the disdain of older fans. This in stark contrast to Erica Kane or Viki Lord whom fans seemed to like at the center of their shows.

Edited by ironlion
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I think most of the Reva disdain is directed at post resurrection Reva. While Pam wrote the show it was more of an ensemble show (not as much as it was during Marland or Curlee but..) and Reva had mostly "normal" for a soap character problems...she needed to be accepted, she was uninhibited sexually which was looked at as being a "slut" but she fell (or felt that she did) in love with her partner..she needed everything to be big or she was bored, she craved domestication and safety but again, felt constricted once there...all of those things can be relatable.  Reva as the middle aged sex goddess fighting psychos, being cloned, jumping through paintings and etc, etc. was not relatable. I have to say the most relatable she did become post Long was during Wheeler...dealing with her devil spawn...(though Jon quickly grated on your nerves) and facing a menopause, cancer, etc...(well the baby got too much but that had to be to assauge Kimmer's ego.)

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LOL. Very spot-on and funny guesses there in a nutshell. I would add for DOOL that it was also the beginning of all the fantasy and far-out storylines and, for GL, it was when the Bauers started to get decimated. 

 

Yes, like GL in 1983, AW in 1975 was when the core family started to be decimated. I guess it matters why you like soaps and I personally don't care about romance, fantasy or focusing on a female heroine (all aspects of soaps). One of the main aspects I like about soaps is that I like familial sagas. Once you start getting rid of the core family, I lose interest. Of course, not everybody would have that same view because everybody likes different aspects of soaps but it is interesting to note that the decline in the writing and production quality of a soap usually coincides with the decimation of the core family and the neglect of history. 

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Personally, I thought TGL was still decent in 1968, although not as riveting as when Agnes Nixon was writing it (1958-66, IIRC). Irna Phillips returned for a while, and the Robert Soderberg and Edith Sommer steered the ship from 1969 to 1973. For me, the quality of the writing only dipped for a few years when James Lipton, Robert Cenedella and James Gentile were in charge. I wouldn't say the show was wretched under them, just so-so. Then in 1975, when the Dobsons came aboard, things improved. 

 

 

I found the period when the Dobsons were writing ATWT to be weak as well, although producer Mary-Ellis Bunim might have played a significant role in the on-screen mess.

 

 

I was really disappointed how the show ended up handling the return of Bill Bauer. An important legacy character and patriarch of the main family deserved better than what he got. I was LIVID when they just killed him off again in 1983, to serve function to a very stupid plot.

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 I adored Ross Marler, but I needed more characters than just him to keep me watching daily.

 

 

 

TGL really did have a welcome and surprising resurgence during those years. To me, it was the show's last hurrah.

 

 

I think MO'L thought he was much funnier than he actually was. I never saw him as viable, future-leading-man material either, just second-banana "comic" relief to be seen occasionally.  There were so few Bauers left on the canvas, the show needed an attractive, commanding actor in the important role of Rick.

 

 

YES!!! It was painful to see, like watching your beloved grandmother being slowly poisoned by drunken clowns. 

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This is very well said. I do enjoy a good romance story and strong, interesting heroines, but once TPTB start dismantling the core of shows and destroying founding families, my interest diminishes. It's usually the weakest writers and most incompetent producers who are guilty of this, so the combination of fractured families, poor writing and bad production decisions all go hand in hand. There are valid reasons why daytime soaps' ratings have long been in the toilet, but there are still people out there who would love to watch soaps that are as good as they were in their heyday. None of today's soaps measure up.

 

 

My interest in DAYS dropped significantly in 1977 after Pat Falken Smith was axed, but I continued to stick with it until her second go-'round. When she was replaced AGAIN, I just couldn't endure it any more. I acknowledge that Y&R continued to have good years after I dropped it, but my desire to watch vanished after all the Brooks and Foster family members were gone by 1983. The elimination of the Bauers (et al) made me say goodbye the TGL in 1984, and losing, Courtney, Reinholt, Dwyer and even Susan Sullivan in 1975 put the nail in AW's coffin for me. As (the poster) Bill Bauer noted, for some viewers, destroying principle families can be alienating.

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1989-93 GL is my idea of soap perfection in the modern era. The community felt so textured and (somewhat) diverse, with Af-Am actors put forth in stories that didn’t tokenize or marginalize them. Not that representation is the *only* thing that makes a soap good, as we’ve all begrudgingly watched series that have erased POCs, but when I watch older classic eras of GL (like the Dobsons), the whiteness is glaring. But so were the times. Can’t always project backwards.

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I always appreciated writers like Irna Phillips and Agnes Nixon, who strove to add diversity to their shows, even in decades when the networks were so resistant to it and a segment of the audience more vocal in its bigotry. Black, Eurasian, Jewish characters were rare, of course, but at least Nixon and Phillips, among a few other scribes, sought to include them from time to time. I gravitated to shows with variety in their characters because it represented the actual world I lived in, where folks came in all different forms. All-white landscapes felt foreign to me. There is still a ways to go in various media, but at least progress has been made. I'm hard-pressed to think of any community that is not represented anywhere, in any form, in popular culture nowadays.

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Having spent the summer watching a lot of this period- it really was stellar.  And the scripts!  The dialogue was modern sounding and relatable and not really all that soapy- but it still wasn’t ashamed to be a soap.  So many great relationships received careful consideration- families, friendships, rivalries, and lovers.  I’m only sad I wasn’t watching it as it was airing.  That Curlee era, especially when Sherry and Beverlee were still there has become one of my top soap eras.

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The one-two-three punch of Kimberley Simms, Sherry, and Bev leaving in Summer ‘92 was really the end of that gorgeous era, then the senseless death of Maureen in January ‘93 was the fatal blow. The show did mostly maintain its high level of day-to-day scripts until Nancy left in early ‘94, but the Lucy/Buzz takeover toward the end of her run really made it hard to watch. GH was really taking off then too under the Labines.

Edited by Faulkner
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The one thing I feel that set Bauer’s fates were the needless miscarriages over the years...Mike & Charlotte’s, Ed & Rita’s, and Ed & Maureen etc. While I can see that Ed & Rita’s played up into the heightening drama & tension at the time the other two don’t make sense. It’s as tawdry as Dan & Susan’s first miscarriage over on ATWT.

 

The lost Bauer cousins went over as well as the lost Cory cousins on AW at the time or lost Jett Carver on Days lol. ATWT did the same thing a decade later but found success with Jack Snyder at least. 

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That 92-93 time period is a more common date for "When did GL start to decline" than 1983 indeed.

I choose Summer of 1992 because, as discussed a few weeks ago, I think Maureen's death has taken a mythical place as the death knell when it would have been survivable had there not been all the other blows while I don't think the reverse would have been true. But either way it is a date that I feel more comfortable with.
 

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