Jump to content

Y&R: Who do you want as HW?


Recommended Posts

  • Replies 129
  • Created
  • Last Reply
  • Members

Ehh I'm really enjoying the show. Sure there are things to be fixed but so far it's been at the very least consistently good. Everyone, as myself and many others always say, have a right to his or her opinion but it will never be perfect in anyone's eyes. Not even BB who had began the creative vision of solidifying Y&R as a staple in daytime would make it perfect. Personally, unless I actually see their ideas and approaches for the show, in this genre I can never say for sure if anyone person would do a better job than the other. Interestingly enough I can more identify who I don't want at the helm...

Link to comment
Share on other sites

  • Members

I think VR is a great actress, but no way in hell do I want her penning my favourite soap, when she has very little experience as a daytime writer. The writing for the show's minority characters was brought up, and Sylph's suggestion as well as mine was Michele Val Jean, another African Amercan woman, who happens to be a talented soap opera writer. Val Jean has a track record writing for soaps, Rowell doesn't, and I don't care to see her learn Soap Writing 101.

Where is this coming from? Sylph didn't take it that way, it was an innocent jab. I've had many typos, big deal. I didn't write that post to correct Sylph in any way.

But all we're doing is voicing our opinions, we're not saying you can't have opinions either. Sylph and I never attacked you or your opinion. We have have a different view maybe, hence why we're posting.

Link to comment
Share on other sites

  • Members

I haven't read her book nor have I seen any writing samples from Victoria Rowell. I'd love to see her come back as Dru! She is unique! However, if she really insists on writing and is good at it, that's all she can get. Meaning: no double duty (actress & writer).

Link to comment
Share on other sites

  • Members

I agree, and of course, I'd have to see some samples of her work before I would personally hire her. And not any consulting or HW-ing for her, she'd start off writing scripts, and scripts alone.

But she cannot have it both ways and be an actress and writer on the show.

Link to comment
Share on other sites

  • Members

No, she shouldn't. When Meg Bennett joined the writing team in the 80's, Bill Bell wouldn't allow her to write for her character or storylines involving her character.

Unless Victoria Rowell creates a show of her own, then she shouldn't be writing for a character she's playing on someone else's show. Eric Braeden fights like hell for his character, but he doesn't write his own storylines. I have no problem with her fighting for her character's integrity, but she cannot violate certain ethical show-business principles.

Link to comment
Share on other sites

  • Members

OK, well not literally Dru and solely Dru but she should have as much input as she has had in the past, particularly because of the bastardization of the Winters.

I believe in that telling interview earlier this year, she said the LML regime would not let her speak her mind when it came to what Dru should do and be. If that's the same case under MAB, then let MAB have Tyra.

Either there's a Black writer, a good writer, VR's input, or no VR in my book.

I do not want to see Dru come back and act like Heinle does Victoria Newman.

Link to comment
Share on other sites

  • Members

As Sara A. Bibel said in her interview with In The Zone, Rowell simply submitted storyline ideas, like other actors. The writers sometimes went with them, but more than often they didn't. They were open to suggestions from their actors. Rowell didn't create all or most of those storylines she has when she was on the show.

If she's given that special treatment, then everyone else in the cast should be entitled to it as well. Actors aren't hired to write, so it creates chaos and violates many principles.

Well, I'm sure we'll never see her back on the show anyway. It's up to the writer's, if Victoria Rowell doesn't like it, that's her problem. She wasn't hired to write for the show, she was hired to act.

Link to comment
Share on other sites

Archived

This topic is now archived and is closed to further replies.

  • Recently Browsing   0 members

    • No registered users viewing this page.



  • Recent Posts

    • From what I just recently watched, they were setting her up to go into future stories. She was Emmy nomination worthy in the material I saw. If some viewers did not like her, the character could have been rehabilitated after that sick storyline. It feels like they destroyed a character for fun and then tossed her to the curb. Spencer had chemistry with everyone. I'm just retroactively angry on Spencer's behalf. 
    • CBS was back in third place in 1994/95. That was the season CBS lost NFL broadcasting rights which also cost them several established affiliates in major media markets. 1995 CBS was sold to Westinghouse and Les Moonves arrived. 1995/96 CBS was trying to be young and cool to compete with NBC and Fox, but it was an epic failure and CBS was once again in third place.
    • I tend to think that Chad will actually listen to Jen (this time). And that will be the next stumbling block in their relationship, which will open the possibilities for Cat to seek another member of their love triangle... To iterate my earlier thought, I am also not a fan of the person Melissa Reeves, but the character of Jennifer looks so chic this week, especially in comparison to Hope (and Gabi).  That blunt haircut is a winner.   
    • I think Cheryl was essentially replaced by Josie, and it seems likely that Lemay wanted to bring the Frames back into the picture and for a variety of reasons that it would be McKinnons who would make way for them. Cheryl didn't really get many layers -- she was pretty and kind and sweet and faded into the background so that Scott could participate in the AIDS storyline with Dawn. Looking at the AWHP, other than (not very) shockingly being in love with her mother's adopted son Scott, Cheryl apparently went out with Sam and flirted with much-too-old-for-her John Hudson and MJ's ex-boyfriend/pimp Chad. I know MJ told Mary that she had been a prostitute, but did she tell Cheryl and did she tell anyone about Chad's pimping?   
    • I feel the same way about Melissa Reeves' Jennifer. She just makes the show feel like home by her presence alone. I am perfectly okay with them coming in every once and awhile, which probably fits Reeves' schedule better anyway. Their connections to Salem are still there: JJ, the grandkids, Jack still owning half of The Spectator ... they're perfect recurring characters. All this talk of Jennifer being in the wrong regarding Cat is absurd. Jennifer is not being villainized in any way, shape, or form, she's just being allowed to actually be human, which adds odds to the obstacle of Chad and Cat eventually getting together. All inner conflict. Keep it coming!
    • Hahaha. Jean Hackney, Angelica Nero, and the Falcon Crest henchwomen were all straight out of a James Bond movie.
    • My hunch is what you've described. JFP is likely back working on transitioning the show to a new studio and embracing new technology for its production model.
    • The woman who was the co-chair of Latinas for Trump is now complaining about his targeting immigrants that she thought were "safe." I also read a puff piece from yet another "insider" journalist who lives to normalize fascists - this one with a tech bro who was venting off the record because he thought voting for Trump was cool and would show up the Democrats and maybe we'd get Greenland, but now he's getting upset.  These people still support Trump, and Republicans, they just want to make sure they get credit for being respectable. And they will get it.
    • I really do wish someone could. Just a few characters in very simple backdrops, with very real problems that are just a little larger than life, like the '50s and '60s. All the characters having a level of dignity or respect. And their inner lives are what dominate the story, even if there are outside forces at play.
    • It's a lesson to never be loyal because once your use is up, you're shown the door. MSW was the only bright spot for CBS for awhile, and once they were back on top... they promptly sabotaged the show as a repayment for all that the show had done for the network.  
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy