Jump to content

Another World Discussion Thread


Recommended Posts

  • Members

Did Wynne Miller want to stay then? I wondered as there was no credits for her post-Somerset.

 

Is this Dolph Sweet at 42 minutes? It sounds like him but I don't remember him being this slim.

 

Please register in order to view this content

 

(I should warn if you watch the video there is a photo of massacred women and children near the start)

Link to comment
Share on other sites

  • Replies 13.8k
  • Created
  • Last Reply

Top Posters In This Topic

  • Members

 

The magazines at the time did not clarify if Miller wanted to leave on her own, but I doubt NC wanted to quit, as he so quickly agreed to continue his role over at AW.

 

OMG, yes that is Dolph Sweet. I had never seen him this slim before. I'm almost tempted to say they used a body double in a few close-up body shots, but they would not have gone to such trouble and expense for a commercial. Good catch.

Link to comment
Share on other sites

  • Members

 

Emhardt was a character actor, often cast as greasy villains, and that's how he played Mac Cory. Under Emhardt, Mac was portly and unpleasant, not romantic-lead material at all. Harding Lemay must not have originally intended the character to be a benevolent patriarch and leading man, but once the writer's plans for the character changed, the show needed a warmer, more attractive and appealing actor in the role. Emhardy's Mac would NEVER have worked in a romance with Rachel or Alice. That would be like pairing Elmer Fudd with Sleeping Beauty.

Link to comment
Share on other sites

  • Members

so here's what's weird about this

 

In Lemay's book Eight Years in Another World he mentions seeing Doug Watson on Broadway and thinking that he would be perfect as Mac.  I remembered it specifically because it lead me to researching Watson's theatrical career.  Lemay never mentions the original Mac.  However, he noted the roles that Rachel, Liz, and Iris would eventually play were part of his initial pitch for the character.  The original conception of Mac was that he would change the character of Rachel into a romantic heroine.  He created the character once he was free of having to consult with Irna Phillips, who wanted to maintain Rachel as a villain.  Thus, if Emhardy came across as an unlikely partner for Rachel that is probably why he was axed.

 

It's been discussed elsewhere that part of the fun of that memoir is the author's open disdain for many of the actors.  His stories about the older actors on the show and their reliance on cue cards is legendary.  His anachronistic envy of Henry Slesar's two mimeograph machines and arguing with Irna Phillips about modern values still makes me laugh.  He wrote about how P&G asked him to watch the show to see if he wanted to write for AW and he was appalled, (from a playwright's perspective) at Pat Randolph's plot.  Pat was being poisoned by her jealous maid and Lemay was gauled to learn that her father and brother were both doctors but Pat had not contacted them nor had they commented on her symptoms.  His dilemma was whether or not to tell P&G that he thought the plot line was dumb.   When I read that story I was hooked on his writing.  It would have made a great series a few years ago when every network was knocking off Mad Men because most of the drama comes from him having to pitch stories both to the network and the ad executives/producers; as well as the sheer number of scripts that had to be written every week.

Link to comment
Share on other sites

  • Members

 

Emhardt's Mac  originally appeared to be a one-shot character, someone who was not listed among the contract players in the credits; used briefly and then not again for some time. Perhaps later, when Lemay decided to bring Mac Cory on full-time and was planning story for him, that is when the writer actually developed the character fully and decided to turn him into a potential love interest for Bay City ladies like Aunt Liz. Emhardt might have been cute with her, in an amusing curmudgeon-meets-older-loved-starved-widow sort of way, but when the character arrived in Bay City as a contract player, DW had been cast as the new Mac.  NO ONE in the world would have cast Emhardt in the role if Mac had been considered as a romantic pairing for Rachel right from the start. As I recall, Lemay wrote in his book that he only decided to pair Mac and Rachel after after he saw sparks between DW and VW on screen.

 

Robert Cenedella's writing was not great, and his story about housekeeper Caroline Johnson poisoning Pat's soup was just dumb. Jim Matthews was an accountant, not a doctor, but Pat's sister was a nurse and her brother was a doctor, so really...she looked like a bit of an imbecile, suffering severe cramps week after week, and not consulting Alice or Russ about her condition.

 

Irna Phillips certainly knew what she was doing, herself, but it was pointless of her to expect Lemay would follow her personal creative dogma and style. No decent writer can write using the paint-by-number system. As it turned out, Lemay was one of the two best writers AW ever had. He and Agnes Nixon both had more success on the show than even Irna had had.

 

Except...that's his face too. Check out the eyebrows.

Please register in order to view this content

Link to comment
Share on other sites

  • Members

As the other user mentioned, Michael Ryan was on the show from 1964-79 which at that time the longest running actor on the show from the beginning.  The show started in 1964 and he was there from the beginning so he would have to have played during both actress's playing the role

Link to comment
Share on other sites

  • Members

I was just watching the episode when John died and I have a question.

 

Were John and Pat becoming close again leading up to his death? It looks as if (from the AWHP, anyway) they both had horrendously bad luck with romantic involvements that weren’t each other.

 

I wish there was more footage of John available. By the time he died, he seemed like a pretty great guy, from what little I’ve seen of him anyway.

Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Unfortunately, your content contains terms that we do not allow. Please edit your content to remove the highlighted words below.
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

  • Recently Browsing   0 members

    • No registered users viewing this page.



  • Recent Posts

    • I think the gross ickiness is Josh Griffith's intention. At birth, Ian Ward stole Mariah from Sharon, so that Sharon knew only of the Cassie twin and not the Mariah twin.  Sharon gave up Cassie for adoption at birth, never knowing that Mariah existed. When Ian Ward stole baby Mariah, he had her be raised by a woman member of his cult. She grew up in his cult. Years later, after Mariah was an adult in Genoa City and had left him, he tried to kidnap her to marry him himself, I sort of remember some icky scenes where he had arranged a wedding, but she escaped or was rescued -- it was so gross that I chose to forget it, and I don't want to look up the details. Mariah is feeling traumatized/triggered by Ian Ward being in Genoa City several months ago, because he was obsessed with her, and he terrorized her loved ones, interacted with Tessa, and drugged Sharon, which ultimately resulted in the death of Heather -- causing the grief of Daniel and Lucy. None of that was Mariah's fault. But she was so horrified by what happened, that she feels she did something wrong that caused this hateful villain to continue to obsess about her.   Based on small comments that Mariah made recently, I think she feels completely worthless. I gather that when she was away on the business trip a month or two ago, all of what happened with Ian Ward and Heather's death just hit her all at once and she was mentally/emotionally collapsing, and just felt unable to call for help.  During the business trip she sat in her hotel room and spiraled more, feeling more and more worthless and afraid. Finally she started drinking at a bar, and that's when the creepy old man approached her.  By that point, she wasn't in her right mind, and started interacting with the guy.  Either she thought he was Ian, or she thought he was someone like Ian, and she would be *required* to flirt with him in a role play, and do what he commanded, almost like old programming being reactivated.  Or perhaps just simple self-loathing playing out. I don't know if the guy actually knew Ian or Jordan, or if he was a random stranger.  But Mariah's fear/loathing/subconscious chaos kicked in. And then... well that's as far as her flashbacks have aired so far. She can't bear to face the rest of whatever it was.  I gather that in the coming episodes, we'll (eventually) find out what happened next as we see more of the icky flashbacks. --------------- The rest of this post is only my speculation: I think that she felt like she was supposed to have sex with him but didn't want to, and may have tried to kill him instead. Or he r*ped her.  Or they didn't have sex at all, but it's all convoluted in her mind.  Something horrible happened but I don't think it was her fault.  If the man died, maybe she covered it up?  I really don't know, I'm just speculating ideas. At any rate, I'm totally convinced that this is NOT a conventional "cheating storyline" where someone willingly has sex outside their relationship. ----------------- This is basically Josh Griffith's obsession with dark storylines, creepy villains, and terrible writing of "mental health issues".
    • The most we ever saw was on the "Roger years" tape.

      Please register in order to view this content

       
    • Right. Literally for decades, soaps mesmerized their audiences with tales of romance, family conflict, class struggles, and recognizable interpersonal-relationship sagas. We didn't need relentless, heavy violence. We didn't need clones, mad scientists, extra-terrestrials and demon possessions. We didn't need gaggles of plastic himbos and bimbos pushing beloved vets off-screen. We only needed to see people whom we cared about, and the intelligent, moving progression of their lives. Flashy sets, gaudy gimmicks, and high-falutin' hairdos be damned. The characters and the words were important.
    • Absolutely! Brad should've simply moved on from Lunacy. There's no point of freeing her, if you're not going to at least make an attempt at redemption or incorporating her into the fold. It happened with Quinn, who committed quite a few felonies before become the Forrester Matriarch.  Heck, keep Lunacy in prison and have Poppy/Finn discover that she gave birth to twins - 'Sunny' could've come on with a clean slate and still had Sheila/Finn and all the other drama. It certainly couldn't have been worse than what we've witnessed with the destruction of $B.    
    • I would enjoy it if Swan popped up on BTG as an old one time friend/mentor of Anita’s for a cameo. This is just

      Please register in order to view this content

    • I had totally forgotten that Courtney story. I see Burton was already phoning it in by that point.
    • omg I completely missed that, but now when I see it typed here in your post, it's obvious icky cringe. So now I just checked and Tomas said that -- on May 27 that he likes the author Carl Ivati.  He said it with sort of an accent, so I didn't catch the stupid joke or think about the spelling.   I remember when that aired, that I actually said to myself at the time, "I wonder if that's a Latin American author, and I will have to google him later." And now I see your post, and I see. Well that's cringe, and I feel stupid to have fallen for it.

      Please register in order to view this content

         
    • There's a lot you don't need if you have the writing.  You don't even need large casts!  You could make do with a cast of 12-18 actors if the writing is there.
    • Thank you. There’s absolutely nothing wrong with sleeping around if your spouse actually knows about it. She’s just a cheating slut.
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy