Jump to content

"Beyond Salem" and the new generation of streaming soaps


DramatistDreamer

Recommended Posts

  • Members

Question:

So when "Beyond Salem" inevitably gets a nomination for a Daytime Emmy (as every show connected to the network does), in whic category will it place? As it's a Peacock/NBC connected show with links to the ancillary broadcast television network, I assume they won't be shunned like the TOLN/PP soaps or placed into web soap ghettos, so will they be allowed to compete with the Y&R and GHs? Will Days end up competing against itself? Can a Days Of Our Lives that competes against itself still stand?

Although I didn't watch the Primetime Emmy awards, I am reading that the streaming shows ruled the night and grabbed the most prestigious awards. Even though I know Daytime desperately wants to defend its "turf" on the TV dial, so did Primetime once upon a time. And since the standard and the bar are set much lower, it would only take two or three other shows to follow in the path of "Beyond Salem" to streaming to tip the balance.

Thoughts? 

Is the Peacock based soap going to be a 'one and done'? Or will there be a micro version of what happened in the Primetime Emmys?

Just wondering.

Link to comment
Share on other sites

  • Replies 17
  • Created
  • Last Reply

Top Posters In This Topic

  • Members

I'm assuming they get a nomination in the ghetto web category and would win. Overseen the web shows and none impressed me. I'd love it if it ran against Y&R, B&B and GH with the regular show left off for Beyond Salem.

Link to comment
Share on other sites

  • Members

How are the Daytime Emmys relevant to anything on a streaming service? 

The emmys are a PR tool for ongoing series, by the time the Daytime Emmys roll around Beyond Salem will be ten months old and in no need of additional PR.

And if the question is about the people involved in the production receiving recognition, one doubts that anyone would include a daytime emmy win on their credits.  Given the ratings for the Daytime Emmys, more people will probably read this thread than ever watch the award show, let alone remember who won. 

Link to comment
Share on other sites

  • Members

The question was more in line with whether this is the start of something or a one and done type of maneuver. IMO, it's too early to tell. It took about eight years for any of Netflix's seeded plans in television to come.m to pass, although it wasn't for lack of trying. I'm genuinely wondering whether daytime has any resemblance to primetime, or whether it is just too different to look at what happens in primetime as any sort of indicator.

Since I first posted this, I thought of one really strong difference, which is the under-investment in non-service programming. If streaming is going to invest in anything daytime, it will probably be in game shows or service shows, not soaps. There are no Netflix or Apple TV+ waiting to produce any soap that resembles a traditional daytime soap. Hulu had a foray into this and we saw where that went.

Initially, I was interested in hearing thoughts on this but I have thought better of my question. Daytime doesn't have the overall interest in investing for streaming and I don't see this changing for the foreseeable future.

Daytime soaps don't seem to have much of a future worth investing in, tbh. Not the current model.

Edited by DramatistDreamer
Link to comment
Share on other sites

  • Members

It is an interesting idea.

I can imagine further short term stories, like this one and the Last Blast story last year.  Although, I wonder if both series were just meant to produce more interest for the new platforms.  If NBC continues to broadcast the Olympics, it seems like a good time to produce these episodes.  One does wonder about the contractual issues about whether or not actors, writers, and crew are being paid like a regular episode because they weren't filming regular episodes that week.  But, thankfully those concerns are not part of my responsibility as a fan.

Edited by j swift
Link to comment
Share on other sites

  • Members

Reading your post, definitely gave me more food for thought.

I'm now more inclined to believe that forays into streaming for traditional daytime soaps like Days may have more to do with an old soap wanting to be thought of as embracing innovation, while hoping to guide more viewers toward their network soap on NBC. Even if Beyond Salem truly takes off, I see network seeking to send use those gains and shepherd it toward network, rather than further investment in streaming.

Speaking of streaming, the various talent guilds (SAG, WGA, DGA, etc.) definitely have rules and regulations regarding labor and compensation for the web, and it is more defined for series "television" than it is for movies, which only really started to take off in the advent of the pandemic. Contractual agreements are far more defined (as they were fought over and hammered out about two or three years ago) for series than for movies.

Link to comment
Share on other sites

  • 4 weeks later...
  • Webmaster

Unless they make it eligible due to how long the episodes were in length, "Days of our Lives: Beyond Salem" would compete with the likes of "The Bay" and "Beacon Hill" in the Limited Series category, as part of the Daytime Fiction segment. 

Link to comment
Share on other sites

  • 4 weeks later...
  • 3 weeks later...
  • Members

I believe the number of episodes to be considered for the main Daytime Drama category is 35. The number was higher, but they lowered it the year the Prospect Park shows were eligible even though neither one scored a nomination in that category. Since there were only 5 episodes, Beyond Salem wouldn't qualify. If they ever did a longer term streaming show with 35 episodes it would be then.

Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Unfortunately, your content contains terms that we do not allow. Please edit your content to remove the highlighted words below.
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

  • Recently Browsing   0 members

    • No registered users viewing this page.



  • Recent Posts

    • It has taken a goddamn year but they finally got Gio shirtless.
    • Who's door did Eva pop up at? It looked like Ted. 
    • Today I fully appreciate Rocco - for the first time! "In case you can't tell, we're freshmen." He has got it going on in that brain of his! Yeah, but I've been having trouble with Brook Lynn, I guess, for 2 weeks now.  God bless Tracy Angelica Quartermaine! How can that woman, seemingly so rigid, so dug-in, turn on a dime the way she just did?!!! Of course, Danny is way glib for his age! "My brother is an Introverted Extrovert." Hilarious! And, the thing that shocked me, and really just rocked me back ... Dante has been IN LOVE with Lulu this whole time. He never stopped being in love with her!!! No, I did not see that coming.  Kudos to the GH Team today!!
    • Great script Great scenes Tracy BLQ Lulu and Dante were Great Poor Rocco. Be ok Damn Gio and Vaughn are hot as hell Not liking BLQ demanding Maxie pick between her and Lulu
    • With the ending of today's great episode, Leslie has to have the biggest donkey dick of courage I've ever seen.
    • The answer I was looking for is "he is Elvis Aron Banks Jr. " which is what I thought was the case but I was too unsure to say so!!!! Thanks, as always. I mean, there is NO Elvis Aron Banks Sr. so there was no real need for Susan to make him a Junior!!!  But, she seems to have her own way of doing, just about everything, which is okay. 
    • Please register in order to view this content

      date: Friday, May 2 | Teresa Zimmerman, Judy Tate | Steven Williford The drama-rama is drama'ing! This is juicier than the freshest of fresh peaches picked right from its home. Deadbeat, finally able to get his frustrations out physically on someone; instead of it being Bradley, it's Dana. I love the unraveling of Dana's names (Leslie, Sherry, Anna, et al.). It's juicy. And look at Dr Carlton, chiming in. I love the way Anita and Dani fled to Nicole's side, and then Vernon trying to excuse everyone but "immediate family" (and I am sure Mona as well) from the room. Dana is coming undone. She really is. Her numerous ways of pronouncing "Teddy" to everyone. Oh, Nicole's collapse into a furious Anita hearing "lover" coming from Dana's mouth. BILL KNOWS SOMETHING! His all-too-casual non-denial shows he knew about something concerning the affair, and of course the child bride wants to know what it is. Love that Shanice visited Vanessa; I wonder what kind of friendship they may actually have. Well, now we know Bill's involvement, AND the bombshell has been dropped: Eva is [supposedly] Ted's daughter he thought Dana aborted. "Smarty Marty". Whew. Good name for Deadbeat. I appreciate Dani's anger and hurt being focused into anger and love for Nicole. Dana swishing her way out of the main part of the country club to her closet was everything. A soap villain sashaying her way from the havoc she's wrecked. I appreciate that both Anita and Vernon are assuring Mona is not to blame in this. She's an innocent in this. But her looks to Eva? Those could cut like a butter knife. Douglas knows Vanessa has cheated and is continuing to cheat. ARE WE ABOUT TO GET KATHERINE VERSUS TED?! Oh, this is going to be even juicier than I could have ever asked for. CAN PEOPLE STOP SITTING ON TABLES! IT'S SO ANNOYING! Dana's little daydream of talking to Nicole was everything; that's the "crazy" (a.k.a., mental illness). Billy boy, it's time for your turn in the hot seat. Stop rubbing toes and get your ass to the main house. Not Dana showing up at the Dupree home. Oh, what does she have planned next?! Whew... chile. General notes: Trisha Mann-Grant (Dana) gave an empowered performance in today's episode. She commanded the set that day. This is an Emmy-worthy supporting performance. Ambyr Michelle (Eva) is one that has really shown in the past few episodes; she's another young star in the making. She embodies Eva in every single sense. She brings the scripts to life through her craft. Maurice Johnson (Ted) brought nothing. I'm not surprised he was recast at this point. Keith D. Robinson would have rocked these scenes and actually presented something to the table.
    • I agree!  I'm excited to see if Nicole forgives Ted, if Ted accepts Eva, if Kat accepts Eva, what happens with Leslie... if Martin's story will play into any of this... 
    • I like that I don't know what direction they are going in next for this storyline. It's a great place to be for a fan like myself!
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy