Jump to content

Y&R: Nelson's New MAB Interview


Recommended Posts

  • Members

Mark, I ALSO agree about the "flippant" thing. Since me and you BOTH agree on that, I bet that makes it just about unanimous. I also don't see much wrong with the dialogue itself... I cringed at the "chicken parm" and the whole salisbury steak business.... mainly because I wouldn't expect that from Mac, if it had come out of JILL'S mouth... then that's different. I think the dialogue for most characters have been on point, especially for Beth Maitland, who is on so infrequently, it would be more difficult for people to write for her... it makes me wonder if Janice Ferri Esser writes Maitland's dialogue, it's not stilted or odd in any way.

Link to comment
Share on other sites

  • Replies 53
  • Created
  • Last Reply
  • Members

ASHLEY: Victor says he loves me. He doesn't love me or he could never betray me this way. (BEAT) What if we're not together anymore and he tries to take my baby from me?!

(FLASH OF LIGHT. TAKE ASHLEY, COMPLETELY THROWN BY THE UNWANTED GUEST. ENTER SABRINA.)

ASHLEY: Sabrina!

SABRINA: He'll get you. Like he got me.

ASHLEY: What are you talking about?

SABRINA: Ashley. You're life's in danger. You and your baby.

ASHLEY: No. No. No.

SABRINA: Yes. Yes. Yes.

(ANOTHER FLASH OF LIGHT. SABRINA LOOKS ONWARD AS THE LIGHT FROM ANOTHER CAR SHINES INTO THE BACK SEAT OF THE LIMO.)

SABRINA: Here he comes, here he comes, you have to stop him!

(ASHLEY AND SABRINA SCREAM.)

BLACKOUT.

Link to comment
Share on other sites

  • Members

Christian McLaughlin and Valerie Ahern(Clueless, Married With Children, among others). But they also had soap experience, together at MTV's Spyder Games and he at B&B as a scriptwriter.

And then there's Lindsey Dufour and Marina Alburger. They never wrote for a sitcom, but the mere thought of those sophomoric hacks writing for Y&R is laughable in and of itself.

Link to comment
Share on other sites

  • Members

I have never thought that Y&R ever had good dialogue. During the 80's and 90's, I would tune out as characters repeated the same scenes with simplistic annoying dialogue for months. With the always favorite, "what is going on with you?" Made me want to stick a fork in my eyeball. Gah.

Link to comment
Share on other sites

Archived

This topic is now archived and is closed to further replies.

  • Recently Browsing   0 members

    • No registered users viewing this page.



  • Recent Posts

    • Please register in order to view this content

         
    • @TaoboiI ran into Dani’s favorite party planner again tonight

      Please register in order to view this content

    • I think they’re desperately trying to cover his awful tattoos. But anyway them being unable to style short kings properly has been a major pet peeve of mine for a while now.  I honestly don’t understand what some people expect from actors to even begin considering them for recognition. Let’s be real—awards mostly mean that an actor is respected by their peers and has some level of cultural relevance. Actual judgment on the acting itself? That’s often secondary—highly subjective and shaped by the times. I completely agree on both points. If you’re an actor or a dancer you shouldn’t get any tattoos (sorry not sorry). Tomas’ tattoos are ugly too. And regarding the couples- you’re completely right. These writers are unable to write romance.   Further comments: - Kat cannot be this dumb to keep tampering with evidence over and over again. And I’m officially not a fan of the actress—every time she’s in a scene with Leslie, she doesn’t seem intimidated at all. She plays it like comic relief, which is just too much, especially when paired with Leslie’s histrionics and over-the-top antics. Leslie is older, dangerous, and has literally been portrayed as homicidal—Kat should be at least a little scared. • I also didn’t like Kat playing damsel in distress with the hotel manager. It gave off the same weird energy as Dani with the cop. I would’ve much preferred the version Paul Raven suggested, with her sneaking in through housekeeping. • And yes, Dani again accused Hayley of faking the pregnancy—this time even specifying she might be using a pillow under her shirt. (No fake miscarriage being mentioned) I stand by my take: this is ridiculous writing. No one in the real world—except us, the chronically online soap watchers—would even think of such a conspiracy theory. Haley is no Beyoncé. • What in the world was Chelsea wearing in her hair the other day? And this whole thing with Madison is beyond cringe. Chelsea’s coming off as needy and toxic—basically like every other Dupree. • I’m glad the casino storyline is moving forward, but it’s still boring as hell. Honestly, I’d be so here for a plot twist where Vanessa and Doug take Joey out. • The direction and editing lately have been rough. Abrupt cuts, weird pacing… something just feels off overall. There’s a strange uneasiness to how it’s all coming together. • And finally: Tomas is too much of a saint. Where are the messy sluts when you need them? (Vanessa doesn’t count.)
    • I was watching some August 1987 episodes and they brought back so many memories. I had some thoughts: Lisa and Jamie were so dull. Lisa was such a nothing character. It boggles my mind that so much story was centered around her in such a short amount of time. Joanna Going is a talented actress, but the material was just not there.  It was so good to see Wallingford and Mitch again. I know there was talk about Felicia a while back, but these episodes reminded me how integral Felicia was for the show.  Sally Spencer was done so dirty. She is turning in superb performances in an icky storyline. I wish she had stuck around longer. She has chemistry with everyone. The McKinnons should have lasted longer. Spencer had some strong stuff with Stephen Schnetzer and Mary Alexander. AW waster such a talented actress by getting rid of her. Justice for Cheryl too. I also missed Ed Fry when he left. Sandra Ferguson was a star from the moment she came on. She was charismatic and just popped. She had immediate chemistry with RKK and blended in well with Wyndham and Watson. I'd forgotten about the teenage Matthew.  I have no memory of Peggy Lazarus. She must not have lasted long. Was the original plan for John that he was going to turn out to be the twins' real father?      
    • If the new and improved copies that @rsclassicfanforever has uploaded can be manually moved into the "by month, by year" folders, that would be awesome. I personally don't think it's necessary to keep the older versions (which either have Dutch subtitles hard coded on them, or are lesser in picture quality). That's a lot of valuable drive space that could be cleared. Just my view but can appreciate others may feel differently. The structure had been by month by year previously, so I think it would be easier to conform to that, where so much prior work to get it to that format has already been done. Hopefully you can "drag and drop" so the new copies are in the right month/year? Re Clips, I never look at them now we pretty much have the episodes in full. Appreciate others may use, however. Thanks for all your hard work here @BoldRestless!
    • Oh yes defintely, Josh Griffith repeats and repeats the same storylines.
    • Isnt’t this storyline similar to the Cameron Kirsten situation though? Sharon thought she killed him. He ended up being alive and Sharon was being tormented with thinking she was seeing his face everywhere and that’s how we got that iconic scene with her and Nikki in the sewers.   I understand in Mariah’s case this is different circumstances but it does seem like a play on that whole thing. Maybe I’m wrong. I just wish if they were going to make any character follow in Sharon’s foot steps it would be Faith. Mariah wasn’t even raised by her, and her personality is different. I would expect her to take a different path. I understand I could be completely jumping ahead because the storyline hasn’t even played out yet but we’ll see. 
    • Thanks again @Paul Raven Monica was completely without redeeming qualities at this point. I always found the whole Monica = Carly narrative regressive, as I don't think shows comparing characters so heavily is ever a great idea, but she's actually worse than Carly was. Was it the Pollocks who had Leslie have a miscarriage?  Giving her a child, especially by rape, was not a good idea, but a part of me wishes they'd committed to it just to see what story it might have had in later years.
    • @janea4old Your detailed explanation and delving into the psychology and motivations is no doubt the opposite of what we will see onscreeen. As @ranger1rg stated we will get a few scenes and some sketchy explanations. Like the adoption of Aria, most of it will take place off screen.
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy