Jump to content

AMC: Thursday, May 14, 2009


Recommended Posts

  • Replies 28
  • Created
  • Last Reply
  • Members

I am very happy with AMCs nominations and I don't think that any of them are undeserved (although that may change depending on what was submitted). I swear there are some sites where people seem enraged that AMC got any recognition whatsoever. There was some great acting last year and there was some great writing last year (especially when the writing team returned following the strike through the end of May sweeps, as well as Pratt's first two months or so).

If AMC submitted B&E stuff for writing then Pratt still gets an Emmy if AMC wins, correct? And if they submitted Pratt stuff and they win then B&E also get Emmys?

It would be interesting if they submitted the Jesse & Angie reunion stuff for writing....who would go to accept it? Or were B&E back in the credits by then?

Link to comment
Share on other sites

  • Members

I love the new Scott, too. He's not the greatest actor but I see improvement each time he's onscreen and I like that he seems like a genuinely good guy instead of another lame antihero.

I think Bobbie Eakes will be a shoo-in for 2009! She didn't have strong enough material in 2008 but this year, she's owned several episodes.

Not reading spoilers, I was totally sucked in by the hospital drama surrounding Ian. I don't condone murder pacts, either, but I get why Kendall & Zach feel the need to go gunning for Adam.

The only part of this murder mystery that doesn't work at all for me is Tad thinking Adam killed Dixie. It feels shoehorned in to give him a motive.

Link to comment
Share on other sites

  • Members

That's the only weak link I see as well. And it seems like the whole "who really killed Dixie?" thing will be forgotten after the murder and Tad will care less about hunting down Dixie's real killer (I refuse to believe it was Adam) as he returns to being Tad the Cad.

Link to comment
Share on other sites

  • Members

I'm not sure what Debbie Morgan submitted but if her reel included anything pertaining to Jesse's return it would be no contest. Her performance was absolutely amazing during that whole saga.

Link to comment
Share on other sites

  • Members

I thought Bobbie was pure gold following Babe's death in the final part of the year. But yes, she is a shoo-in for next year with all the amazing material she's produced these last couple of months (witness stand during custody hearing; truth about Marissa; etc).

This week has been pretty exciting - leading up to the 'big day'. I agree that Zendall's murder pact is sickening - especially the red mark - GAG ME. I will say the scene where David told Zendall that Ian most likely won't make it to morning was heartbreaking and Alicia/Thorsten sold that. Also the final scenes where Ian dies -- they sold that too. I just hate that they seem already more focused on killing Adam rather than reacting to Ian's actual death...they need to let it sink in, mourn, and then get revenge!

Just loving the cast integration this week.

Vincent Irizarry has been outstanding all week. I'm loving the writing for David lately - you really get to see all layers of his character and see where he's coming from and why he's doing what he does.

Scott/Marissa was better than expected for me in yesterday's scene at the Yacht Club. I just hope they aren't boring, but I do see major potential - they were sweet together.

Can't wait for tomorrow!!!

BTW --- I am keeping a dairy for the Nielson's Rating Group --- So my viewing will get COUNTED for this Thursday-next Thursday :) Those bitches gave me $30 to do this too! haha

Link to comment
Share on other sites

  • Members

I just totally thought about this - but where is Jack??? We haven't seen him in ages - and he should at least be at the hospital for Ian? Seems like they are majorly phasing him out. It just sucks that his screen time is contingent on Erica and her 'romantical' mood. Let him shake it with other characters...

Link to comment
Share on other sites

  • Members

Some of the performances save the contrived material for me, but that goes away any time Zach or JR or Tad are onscreen.

I guess I shouldn't be amused that Kendall and Zach hightailed it out of the hospital as soon as Ian died, but what a great way to show just how much Ian is a prop to them, not someone they will be there for even when he's no longer there for them. This also seems to suggest just how much AMC overuses the kids in peril schtick; even the parents of these constantly endangered children can barely be bothered now.

Link to comment
Share on other sites

  • Members

Everything felt forced. Especially that ending. Krystal, out of nowhere, becomes homicidal?

Zendall seemed all too ready to kill the minute Ian flatlined. That was the worst for me. It was almost as if they were WAITING for their son to die so they can commit murder. No grief, no tears, no anything. Just "beeeeeeeeeeeeep!" and then Zach and Kendall hop into action. :rolleyes: Add to that Rebecca Taylor's trademark of having characters say the same thing sixteen different ways in the course of only two scenes... :rolleyes: How many times did we need to hear "If Ian dies, Adam's dead," or "If Ian dies, you know what to do," or "I will kill Adam if Ian dies?" We get it! You're a murder happy couple! Talk about something else, please!

David giving up so easily on Marissa? Yeah, right.

JR drinking again just because Adam played another predictable mind game with him? If JR's sobriety is that unstable that Daddy not showing approval this hour is enough to knock him back off the wagon, he deserves to lose Little Adam.

Just so many things were crammed into this episode that I swore I was watching a stand-alone episode and someone would wake up as if this were all a dream.

Link to comment
Share on other sites

Archived

This topic is now archived and is closed to further replies.

  • Recently Browsing   0 members

    • No registered users viewing this page.



  • Recent Posts

    • I have not gone back to watch much of 1987, but from what I've seen lately, it doesn't feel like the writers or producers had any sort of plan. The show feels as if it's constantly in flux.  I will give it credit for this. It's watchable for the most part minus Lisa/Jamie which I find nearly unwatchable now.   I don't find Cheryl mousy. I think she has a lot of quiet strength, but she was saddled with the Scott romance which the writers did not invest in. She had a good friendship with Julie (also criminally underused), and her interactions with Ada were enjoyable as well. I also like Layman, but Spencer was extremely talented and when Cass returns, Schnetzer and Spencer have some wonderful scenes. Spencer also fits in with Alexander, Hogan, and Marie.  I'd forgotten just how much I missed seeing Wallingford. IT was so good to see him again. Even when they didn't have a major plot, Felicia/Cass/Wallingford/Mitch always brings a smile to my face.  
    •   Dani’s cute ass party planner. He gave me some tea but I was so drunk I don’t remember it.
    • NBC must have been grateful to have LHOTP, it's only hit and still strong after several seasons. Their next established show was Rockford Files at 45th. They didn't develop any comedies and relied on movies and mini series  which didnt establish viewer loyalty and habits. Their only new hit was mid season's Project UFO which debuted Feb up against Rhoda/On Our Own on CBS and How the West Was Won on ABC. It opened with a strong 36 share beating CBS and close to ABC as HTWWW had a 36 share over 3 hours. The next week UFO saw a respectable 32 share, then a 31 so it was slipping. A 28 share followed but a few weeks later it jumped back up to a 34. So no blockbuster but compared to what else they had, there was potential, So next season NBC sent it to Thursday up against Mork and The Waltons and it bombed.  They were smart to see potential in Chips, which took off on Saturdaysnext season. ABC was on a roll with Love Boat, 3's Company, Taxi, Eight is Enough adding to their hits. Their only real flops were Redd Foxx and San Pedro Beach Bums, an Aaron Spelling misfire. Like Redd Foxx, Harvey Korman was lured to ABC but his series was a filler that did well but was considered a time slot hit. Nancy Walker and Rob Reiner were also given series on the philosophy that not only were they popular names, their absence from popular shows like Sanford, Rhoda and All in the Family might weaken those shows. CBS were relying on old favorites. Betty White was strong the first few weeks then faded. Incredible Hulk was their strongest newbie. It was lucky for CBS that NBC was doing so badly or else some of their weaker shows would have really suffered.
    • That outfit looks like something Martin would wear lol.
    • Omg not we both ran into people from the show this weekend!
    • I guess he was let out the gates, because he's outside. 
    • Yup.  You can hate John all you want, but like seriously he was the cornerstone of the show for years.  So he should get a long ass funeral and burial and all the things because Drake and John deserve that.
    • Please register in order to view this content

      look who’s at a party I’m at
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy