Jump to content

Y&R/ Maria Bell losing their way?


Recommended Posts

  • Members

I think that a lot of people are just as quick to Higlify someone as they are to Carlivatize them. Like you said, Greg'sGL, head writers will hit low points. The key is how quickly they dig themselves out of it, how respectful they are of the legacy they leave behind in the process, and how they find a way to turn lemons into lemonade.

Link to comment
Share on other sites

  • Replies 225
  • Created
  • Last Reply
  • Members

That's a very constructive comment.

The thing that APPEARS to be happening is that there are a core set of characters for whom there seems to be a PLAN. For these characters, there is meticulous setup (Ashley's pregnancy; Mary Jane). It's clear we've been watching build-build-build, and there seems to be some sense of where it is headed. The timing of the ramping up of these stories makes sense too, given that we seem to have seen closed chapters on three stories recently (Kay's amnesia; Winters, Kevin's inner chipmunk).

But what makes less sense is that there seems to be a whole phalanx of other players -- many of whom are not "supporting" (or shouldn't be) who aren't supporting the key stories...they're just languishing. Obviously KSJ and Doug Davidson are the most egregious examples...

And so, the apparent ABSENCE of a plan -- in a regime that plans -- is confusing. At it leads me to feel there IS a plan--the Don Diamont plan. (Backburner, then quietly remove with relatively little fallout). I'm okay with that (the house must be cleaned), but I wish there would be a more proactive way to do it.

For example, with Davidson, why not have Paul pining for Cricket and pining for Ricky? They're both, to the best of our knowledge, in LA. Why not build a story that has -- as its happy conclusion -- Paul's reunion with his son and love off camera in Cali?

The recent casting spoiler in Neil's family makes it seem that we might be at the beginnings of a plan for him. I'm happy. A new job/setting (where he can be stronger than just Victor's acolyte), a stern "talk-to" who can help him recover from his moral lapses....I'm feeling it.

I thought Colleen was being positioned as a threat to JT/Victoria...but how can it be when all three of them are off shooting show/film after film? Then write them off. You cannot invest in characters seen only 3-4 days a month.

Link to comment
Share on other sites

  • Members

Yep, she was.

No, it wasn't. (Of course, the one misbegotten storyline people cite most - the Carolyn Crawford murder mystery - is one I thought was good, if a bit muddled.)

When Curlee and Marland told great stories, though, they were brilliant. I don't feel such brilliance watching MAB's stuff. I feel as if hers is more journeyman work.

Link to comment
Share on other sites

  • Members

Good point, Khan. There have been a few stories at the start (Katherine's and Kevin's in particular) that I thought..."Oh, WOW. This is going to be great!" and they ended up good, but not brilliant like a Curlee or Marland story. You're right about that. But in today's soap climate, I believe that MAB is the best thing going.

Link to comment
Share on other sites

  • Members

First of All Mark H! I am not talking about a week worth of episodes. I am talking about for the last few weeks. The show is BORING and losing it's way. It feels so off THis thread was intended to be about Y&R but some where along the way it has turned into a fued of some kind

Link to comment
Share on other sites

  • 4 months later...
  • Members

A devious little bump :lol:

Here is what I said 5 months ago:

So, it seems clear that April was the transition point. By this time, the Kay kidnapping had dragged on a big long, and had descended into cartoon...and we had the birth of the Silver Chipmunk. The kidnapping didn't bother me that much because the original Clint-Morey-Lil kidnapping was just as nuts.

But yes, this time marked the transition into the tales that now grace our screen.

For me, though, this one sentence remains true--even now:

"I found much to admire, even in this week..."

See, that's true now. Even though I hate that Colleen is dead/dying, and Deacon has been made into a slimeball, and that the Terroni tale is a bust, and Victoria is like a wet dishcloth, and... I also think the writing and acting of Traci, Jack, Patty, Paul, even Billy have all been good.

But I also can't be help up as the "defender of the regime" right now. That's alphan's job (and even he's having a hard time). I'm not ready to torch the whole creative staff, but I wish we could return to the salad days. I wish I could feel and laugh and enjoy more consistently. But maybe that day will come again...

Link to comment
Share on other sites

  • Members

Yes, when we get a better and more talented writing team/staff in there.

It's been nearly a half a year since this thread was created, and this current writing regime has shown that things can only get WORSE with them. I'm not going to wait forever for them to find their groove again, which looks like it will never happen.

As I posted in other threads, the first 6 months to a year of a new writing regime is usually the best time. They're wrapping up stories from the previous writing regime and they're putting into motion storylines they've had substantial time to give attention to. HOWEVER, after that 6 months to a year honeymoon period, it's either sink or swim and they show you what they're REALLY made of.

Needless to say, this current writing regime at Y&R has now been there for over a year, and the past 4 to 6 months have been VERY PROBLEMATIC and things seem to be getting increasingly worse.

The "give it time" excuse doesn't work for me. How many years have people been waiting for people like Guza, Higley, Brad Bell, and others to get "better?" Has it happened yet? No.

As with those other writers, Maria Arena Bell, Hogan Sheffer, and Scott Hamner's Y&R has imploded and the show is getting worse and worse. You might find some little stuff to enjoy, but even you admit the show overall isn't very good and quite problematic.

Hell, Ron Carlivati might have faltered some last year, but he pushed through and saved most of his stories, despite interference from Frons. That shows real talent. Maria Arena Bell and Company haven't been able to save their worst stories, and they haven't shown me any glimmer of hope in MONTHS.

Link to comment
Share on other sites

Archived

This topic is now archived and is closed to further replies.

  • Recently Browsing   0 members

    • No registered users viewing this page.



  • Recent Posts

    • Please register in order to view this content

       
    • Please register in order to view this content

         
    • @TaoboiI ran into Dani’s favorite party planner again tonight

      Please register in order to view this content

    • I think they’re desperately trying to cover his awful tattoos. But anyway them being unable to style short kings properly has been a major pet peeve of mine for a while now.  I honestly don’t understand what some people expect from actors to even begin considering them for recognition. Let’s be real—awards mostly mean that an actor is respected by their peers and has some level of cultural relevance. Actual judgment on the acting itself? That’s often secondary—highly subjective and shaped by the times. I completely agree on both points. If you’re an actor or a dancer you shouldn’t get any tattoos (sorry not sorry). Tomas’ tattoos are ugly too. And regarding the couples- you’re completely right. These writers are unable to write romance.   Further comments: - Kat cannot be this dumb to keep tampering with evidence over and over again. And I’m officially not a fan of the actress—every time she’s in a scene with Leslie, she doesn’t seem intimidated at all. She plays it like comic relief, which is just too much, especially when paired with Leslie’s histrionics and over-the-top antics. Leslie is older, dangerous, and has literally been portrayed as homicidal—Kat should be at least a little scared. • I also didn’t like Kat playing damsel in distress with the hotel manager. It gave off the same weird energy as Dani with the cop. I would’ve much preferred the version Paul Raven suggested, with her sneaking in through housekeeping. • And yes, Dani again accused Hayley of faking the pregnancy—this time even specifying she might be using a pillow under her shirt. (No fake miscarriage being mentioned) I stand by my take: this is ridiculous writing. No one in the real world—except us, the chronically online soap watchers—would even think of such a conspiracy theory. Haley is no Beyoncé. • What in the world was Chelsea wearing in her hair the other day? And this whole thing with Madison is beyond cringe. Chelsea’s coming off as needy and toxic—basically like every other Dupree. • I’m glad the casino storyline is moving forward, but it’s still boring as hell. Honestly, I’d be so here for a plot twist where Vanessa and Doug take Joey out. • The direction and editing lately have been rough. Abrupt cuts, weird pacing… something just feels off overall. There’s a strange uneasiness to how it’s all coming together. • And finally: Tomas is too much of a saint. Where are the messy sluts when you need them? (Vanessa doesn’t count.)
    • I was watching some August 1987 episodes and they brought back so many memories. I had some thoughts: Lisa and Jamie were so dull. Lisa was such a nothing character. It boggles my mind that so much story was centered around her in such a short amount of time. Joanna Going is a talented actress, but the material was just not there.  It was so good to see Wallingford and Mitch again. I know there was talk about Felicia a while back, but these episodes reminded me how integral Felicia was for the show.  Sally Spencer was done so dirty. She is turning in superb performances in an icky storyline. I wish she had stuck around longer. She has chemistry with everyone. The McKinnons should have lasted longer. Spencer had some strong stuff with Stephen Schnetzer and Mary Alexander. AW waster such a talented actress by getting rid of her. Justice for Cheryl too. I also missed Ed Fry when he left. Sandra Ferguson was a star from the moment she came on. She was charismatic and just popped. She had immediate chemistry with RKK and blended in well with Wyndham and Watson. I'd forgotten about the teenage Matthew.  I have no memory of Peggy Lazarus. She must not have lasted long. Was the original plan for John that he was going to turn out to be the twins' real father?      
    • If the new and improved copies that @rsclassicfanforever has uploaded can be manually moved into the "by month, by year" folders, that would be awesome. I personally don't think it's necessary to keep the older versions (which either have Dutch subtitles hard coded on them, or are lesser in picture quality). That's a lot of valuable drive space that could be cleared. Just my view but can appreciate others may feel differently. The structure had been by month by year previously, so I think it would be easier to conform to that, where so much prior work to get it to that format has already been done. Hopefully you can "drag and drop" so the new copies are in the right month/year? Re Clips, I never look at them now we pretty much have the episodes in full. Appreciate others may use, however. Thanks for all your hard work here @BoldRestless!
    • Oh yes defintely, Josh Griffith repeats and repeats the same storylines.
    • Isnt’t this storyline similar to the Cameron Kirsten situation though? Sharon thought she killed him. He ended up being alive and Sharon was being tormented with thinking she was seeing his face everywhere and that’s how we got that iconic scene with her and Nikki in the sewers.   I understand in Mariah’s case this is different circumstances but it does seem like a play on that whole thing. Maybe I’m wrong. I just wish if they were going to make any character follow in Sharon’s foot steps it would be Faith. Mariah wasn’t even raised by her, and her personality is different. I would expect her to take a different path. I understand I could be completely jumping ahead because the storyline hasn’t even played out yet but we’ll see. 
    • Thanks again @Paul Raven Monica was completely without redeeming qualities at this point. I always found the whole Monica = Carly narrative regressive, as I don't think shows comparing characters so heavily is ever a great idea, but she's actually worse than Carly was. Was it the Pollocks who had Leslie have a miscarriage?  Giving her a child, especially by rape, was not a good idea, but a part of me wishes they'd committed to it just to see what story it might have had in later years.
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy