Jump to content

Was Gloria Monty or Wendy Riche the better GH EP?


Recommended Posts

  • Members

The thing is I feel that there are two women that are the hugest part of GH's 45 year history. One of them is Gloria Monty, this woman took a show on the brink of cancellation and turned it into the number 1 show on television. She changed the face of daytime and the medium and was an absolute genius for GH. She is a huge part of GH. Her second tenure on GH was not so good, the times had changed. She brought all the Eckerts on and the show just was not very good. Monty was a complete utter visionary. Then when Monty was let go after tenure number 2, they hired unknown Wendy Riche which turned into a glorious 9 year run at GH. Her first year and half was good but it was not until Claire Labine came on. Everyone touts Labine as the savior when IMO it was the team. Labine has gone on to OLTL/GL and bombed both soaps. She was a big success on GH because of Riche's exeuction of the Labines vision. She alos had very strong producers to work with Shelley Curtis, Carol Scott, Francesca James, Julie Carruthers and many others. She brought on so many popular characters. By the end of Riche's tenure she was at odds with Bob Guza. Guza hated Riche's guts because she hated Bob's arrogance and his vision for GH. It was a nasty WARZONE between the two which ended in Guza resigning and Riche being fired. Riche never put up with Guza's crap and hated his writing and that it was insulting to women. Now Guza has his female counterpart JFP who loves Guzavision and supports it. I would give everything for Riche to return to GH, she is so needed. She won so many emmys, gave the show so much accliam and was a total visionary.

Link to comment
Share on other sites

  • Replies 21
  • Created
  • Last Reply
  • Members

Monty, by far. GH of the late 70 through 86, when Monty left for the first time, was ALL Monty. It was her vision, and the writers merely executed that vision. For most of her run, GH was absolutely electric, and that was Monty. Her second tenure had promise, but she tried to overhaul the show too quickly and it just didn't click. Riche IMO was only as strong as her writers. I thought the show was terrible when she came on as EP. Don't recall who the writers were at that time. This was probably around the time that Karen and Jagger were going strong and Alan's dalliance with Karen's mother Ronda. The writing just wasn't there. Same with the post-Labine era that Riche produced. I've watched some of the episodes on youtube from this era, and the show was just stale. The Labine stuff was good.

Link to comment
Share on other sites

  • Members

I don't think this is even close. Monty. GH up til 1985 or rewrote everything and became this pop culture show. Wendy Riche? She presided over declining ratings and had no response to Y&R ever. Her tenure had a few well regarded stories, but those same stories helped drive people away who didn't want to commit suicide after watching a show. And somehow some brain surgeon decided that the soap that had its own niche with action/comedy/romance really needed to be about depression and Tiffany Hill trying to commit suicide and BJ Jones dying. I think the ratings back me up on this, that the depressing vision of the 1990s was the wrong one.

Link to comment
Share on other sites

  • Members

Totally agree with you, quartermainefan. I was going to add something similar to my post, but didn't want to get flamed :) To tell you the truth, I wasn't a huge fan of the Labine era. Yeah, it was well written, but it WASN'T GH, at least the version that Monty produced and which I'd come to love. The Riche/Labine era was boring and often pretentious, neither of which Monty's GH ever was. It was one depressing story after another, and I stopped watching.

Link to comment
Share on other sites

  • Members

I'm not the biggest Gloria Monty fan. She single-handedly pioneered the supercouple formula that's ruined a good amount of soaps and created those rabid fanbases that think they can dictate what's wrong or right on a particular show. Not to mention the numerous spy stories that got tiring after a while, and those cartoon super villians that wore out their welcome by the late 80's. Monty wanted to make GH a popular show, and she succeeded. However, she used an endless stream of different writers to carry out her vision, which sometimes led to a very inconsistent show. Even though GH was popular and #1 for most of the 80's, there were a few years in there in which the show was HATED by soap critics for and laughed at, and of course very inconsistent.

While its partly true that Riche was sometimes as good as her writers, I always got the feeling that she wanted to make GH a real show again, and make Port Charles a real community again - which, let's face it, it wasn't with Monty. By the early 90's, traditional soap stories were coming back in style, hence Y&R and AMC dominating that era. GH needed to shift to a more relatable and grounded approach. Riche tried to do that, and yes, Labine's medical stories might have chased a lot of people away, but at least for the first time in YEARS, GH was a lot closer to its medical roots than before. Riche was also very hands-on with her writers, Patrick Mulcahey said that if she didn't like your work, she'd tell you do. While social issue storylines aren't everyone's cup of tea, Riche produced the hell out of stories like that, and for the first time in years, GH was considered a serious show again that had artistic credibility, which, let's face it, it didn't really have in the 80's and early 90's.

Overall, I prefer Riche, her vision of what a soap should be was more traditional, which I liked. I'm not a big fan of supercouples, super villains, spy stories, and on the run stories. Riche grounded GH and made it relatable to a lot of people, which I liked. It may not have been for everyone and might have been the complete opposite of Monty's vision, but I prefered it.

Link to comment
Share on other sites

  • Members

In hindsight the 1990s were a disaster. It gave GH Sonny, Carly and Jason. End of story. And they sucked under Claire Labine too. Carly was only good when she was stealing Tony from Bobbie. If I were the new EP of GH, I would get rid of every character that debuted in the 1990s and beyond, bring back everyone that actually was a part of GH when it was successful, and just have it all a bad dream. Then if you want you can reintroduce Liz or Helena or whoever and do it right.

Link to comment
Share on other sites

  • Members

Carly was a Guza/Karen Harris creation, with input from Patrick Mulcahey. If I remember correctly, GH's ratings actually went up with the Labine to Guza transition in 1996 and stayed steady throughout the rest of the 90's.

However, to be fair, Monty's vision for soaps would not have worked well in the 90's. Everything about it was so 80's, and when she back in 1990, she proceeded in making the show a huge mess, even hiring her inexperienced sister to HW the show for a period of time. GH needed some type of transition, ABC was very wise, IMO, for firing her. By 1992, those very 80's stories were no longer working for soaps or in touch with the times.

Link to comment
Share on other sites

  • Members

Gloria Monty wins...which I hate. Gloria was a pioneer. She made action/adventure stories accessible in daytime, she made super couples and their rabid fan bases go wild, she nurtured and pushed the talents of Jackie Zeman, Stuart Damon, Leslie Charleson, Genie Francis and Tony Geary among many others and she made GH the 'must see' show of the late 70s and throughout the 80s. It was THE show for a decade.

In my opinion, Wendy Riche was not an innovator or pioneer. I feel Riche was a dedicated, hard working, terrific producer who did have a vision, a traditional vision. I feel Riche mirrored the success that other shows had with the traditional soap style. GH really seemed to take a lot of its tone from AMC and to a lesser extent GL and ATWT. GH was a great show in the 90s, I prefer Riche's run to Monty's...everything clicked under Riche's run and since I like the traditional soap style, that's the era of GH I loved.

Although what she did is, I feel, at the core of what is destroying daytime as it exists, Monty wins without hesitation.

Link to comment
Share on other sites

  • Members

I LOVED Wes Kenney's stint.

I loved the stories, the actors, and the show looked great when he was at the helm.

Duke and Anna were featured heavily--- and all that FBI (FSB lol) stuff....

Loved GH back then. It was a combination of good traditional soap and the action adventure stuff Gloria brought on.

Link to comment
Share on other sites

  • Members

Most people nailed it here. Gloria Monty may have hated the idea of soaps, tried to make GH a non-soap soap (an affliction it currently suffers to its detriment), set up a star system at GH, abused her stars, including working an underage Genie Francis to the bone and turning a blind eye to her (and other stars') excessive coke use.

However, she revamped the show completely and saved it. Not only did she save it, she took it to #1. She made it exciting, Must-See TV.

Wendy Riche was a great EP in the sense that she translated the writer's vision perfectly on screen. That writer was Claire Labine (and Robert Guza's first run). However, she didn't turn the show around. Sonny & Brenda did that -- and from there, the Cult of Sonny was born.

OT but: I still say that Monty's legacy could still work today. OK, the sub-James Bond stuff is just too dated and spoofy, unless you have the writers and budget of an Alias, Fringe or 24. A balanced take on the lives and loves of law enforcement combating the toxic mob, however? Could be compelling viewing. Of course, you would need to build up the law enforcers -- Lucky, Mac, Alexis, etc. You would also need a character like Jason defect to the Feds and become an agent combatting the mafia. I assume Sonny would remain that shadowy figure flitting between the good and bad guys. And, of course, Monty DID feature the hospital heavily, via Bobbie, various young and sexy doctors, the Webbers and the Qs.

Link to comment
Share on other sites

  • Members

Monty made some painful breaks from GH's core (she reduced Jessie Brewer to a minimal part, she deemphasized Audrey and Steve), although there's probably debate about whether she had to make that break. I don't think Monty's headwriters get enough credit for GH's recovery. Douglas Marland and Pat Falken Smith both built a foundation which propelled GH into becoming an 80s juggernaut. Monty did make many of the key decisions, and the show's biggest era of success was after they were both gone, but I think she also coasted on that success for a long time. the show moved away from having a foundation to being about huge characters (Frisco, Anna, Robert, among others). When those characters started to leave, there was nothing to fall back on.

Riche rebuilt the foundation of the show. A hospital, a community. Yes, the end of Claire Labine's tenure is depressing, but I love that sense of community.

Where I fault Wendy Riche is she was not able to stop Guza from destroying the show. Everything which has eaten GH alive, like the marginalization of the Quartermaines, the destruction of the Spencer family, the glorification of the "good mob", all began under her tenure. I still can't watch episodes from the late 90s because everything Guza delighted in is all over the screen. At the time when GH won yet another undeserved Best Show Emmy, around the time of Columbine, Wendy Riche gave a speech which decried gun violence and basically said there was a responsibility in the industry to counter those images. The saddest thing for me was I think she truly didn't understand just how much GH was glorifying gun violence by that time. Countless scenes of gun porn, as Jason or Sonny glided across a warehouse in slow motion, bullets flying.

Both producers helped revive the show and both left the show in a state of disrepair. Monty was lucky enough to be replaced by a producer who cared about the show. Riche was replaced by a producer who is a purveyor of bile and refuse, all prettied up with loving montages and arty camera angles. Jill Farren Phelps is the antithesis of everything soap production should be and a terrible trio like JFP, Frons, and Guza are more than any program could bear.

Link to comment
Share on other sites

  • Members

I am really enjoying the insightful comments. If forced to choose, I'd pick Monty's first run at GH. Her second stint was a debacle. I cannot forgive Riche for Sonny and Jason and mob takeover which I believe has sent GH down the road to ruination.

Link to comment
Share on other sites

  • Members

I just don't see how in the age of 24, LOST, and a revived James Bond franchise her genre stuff is out of date or out of style. Yes the budget is not there but that's another topic. You could still do compelling whodunits with the limited budget. Unfortunately, GH has no characters to assume the Scorpios and Felicia roles. Lucky and Mac are imbeciles for the most part, and Alexis is far from a law enforcer. She is a member in good standing of the mob set.

If anything, it is the mob stuff which is outdated, not the spy and action genre many soap fans like to put into the ghetto called camp, better to easily dimiss it, and thus validate their own tastes.

Link to comment
Share on other sites

Archived

This topic is now archived and is closed to further replies.

  • Recently Browsing   0 members

    • No registered users viewing this page.



  • Recent Posts

    • Arguably DAYS OF OUR LIVES has been brilliant lately & definitely was last week. But, here I am with nitpick & technicalities. This was the only misstep but it was just a stupid thing that should have been caught. Deidre Hall as Marlena has this one problematic line, "It didn't matter how many identities you had, I always knew exactly who you were, you were the man who saved my life." - Marlena, DAYS, 6-2-25 Unfortunately the flashback closest to it was when Marlena was on the phone, terrified because she thought he was Stefano. Yes, it's true that the line is not accurate. There were many times when she did not feel the way she is claiming because of whatever was going on in story with his 'retconned to hell & back' identity & origin story. Does it keep the whole week from being called excellent? Nope.  
    • The Vault has been down all night.
    • Notable: Glendale is not exactly a progressive enclave.

      Please register in order to view this content

      Newsom is a craven opportunist, but his comments today were exactly how better people need to handle Trump.
    • Please register in order to view this content

       
    • I decided this primetime soap deserved it's own thread as the Primetime soaps thread is very cluttered and why shouldn't NBC's Lorimar soap mot have a chance to shine? In doing a deeper dive into the second season ratings I was surprised to see that FR actually had an uptick in the ratings when NBC moved it to 9pm Tuesdays beginning March 82. I'd always assumed this move was a desperate one as NBC were running short of programming and had given up on the show,deciding to let the final episodes play out and be hammered by 3's Company  and CBS Movie. But the numbers paint a different story. In it's 10pm slot up against Hart to Hart, which regularly finished in the Top 20, FL premiered in 53rd place and placed in the 40's and 50's as the season continued. But come January 82 the numbers surged a little now moving into the 40's hitting #43 in Feb. Hart to Hart was #11 Then in March Bret Maverick was moved to 8pm with FR @9. First week 16th March FR #47 15.1/24 3's Company #3 Too Close for Comfort #5 CBS Movie #60 Not great but #2 in it's timeslot March 23 FR #44 15.6/25 3's Company #4 Too Close for Comfort #5 CBS Movie #33 So even with a stronger movie on CBS FR's numbers went up. March 30 FR #31 16.6/26 3's Company #9 Too Close for Comfort #5 CBS Movie #56 Best rating/position yet Tues April 6 pre empted Tues April 14 FR #36 16.0/26 3's Company #5 Too Close for Comfort #11 CBS Movie #59 Maintaining previous week's numbers Tues April 21 FR #33 15.6/24 3's Company #3 Too Close for Comfort #5 CBS Movie #60 Numbers down a little (reflecting general spring downturn) but best ranking of the season so far Tues April 28 FR #35 15.1/23 3's Company #9 Too Close for Comfort #6 CBS Movie #42 Tues May 4 FR #27 15.2/24 3's Company #5 Too Close for Comfort #4 CBS Movie #41 Season finale and highest position of the season. Looking at those numbers I wonder why NBC cancelled the show? They had very few hits and here was a show that was holding it's own and moving up in the rankings in a tougher timeslot. And being a serial, the storylines could continue to build the following season. And I'm sure the desirable W18-49 demo was good. Some might argue that CBS were shower weaker movies, but even so, soap viewers are pretty loyal. I guess Grant Tinker arrived at NBC and wanted a classier look but there was room for FR on the schedule. I mean, the following season Knight Rider,Powers of Matthew Star and the A Team arrived so there was still room for more populist fare. Flamingo could have stayed at 9pm-the replacement Gavilan bombed (surely FR would have done better} or moved back to 10pm. The following Jan NBC had a hit with A Team Tues 8pm. Had Flamingo followed it, it might have really taken off. As it was they tried Bare Essence, which flopped. Oh well,it was not to be...    
    • Always, in every way, Cass/Wally/Felicia foundational to my viewing. And, I think if we look at the aftermath of the disastrous 90 minute show that we find too many pockets of some kind of lost time at the show plus way too much of change-ups in exec & writing leadership and of course we also reach the first time it becomes notable that NBC wants to get rid of the show so they can put a new soap they own in the timeslot.
    • If the MAGAts were easy prey enough to get manipulated into voting for the tangerine-tinted terror, they'll fall for anything.

      Please register in order to view this content

    • And this came out as the "feud" and the media pushing the protests in Los Angeles got all the media attention. They know the press and the public will not care or can be manipulated into approving.

      Please register in order to view this content

    • Hope you will enjoy the 1976 storyline from the Daytime serial Newsletter. The show had just expanded to an hour so new characters and stories were required. The Soderbergs had been writing since late 73 and the show was still #1. Looking foward to comments and discusssion Pt.1  For over two decades As the World Turns has depicted the events in the lives of two Oakdale families: the wealthy and influential Lowells and the less affluent but equally respected Hughes family. Judge Lowell’s granddaughter Ellen is married now to Dr. David Stewart, whose adopted son, Dan, is actually her own illegitimate child. Dan was once married to Dr. Susan Stewart, by whom he has a daughter, Emily. Dan then married Liz, the ex-wife of his late brother Paul. Liz was the mother of Dan’s daughter Betsy, who believes to this day that Paul was her father. Liz died tragically the day after their wedding. Ellen and David have two daughters, Carolann (Annie) and Dawn (Dee), now of college age. Dan has recently fallen in love with Kim Dixon, who was about to divorce Dr. John Dixon until injuries suffered in a tornado caused amnesia and left her with no memory of her love for Dan. John is using this respite to solicitously convince Kim of his love for her. Nancy and Chris Hughes had three children: Bob, a doctor, Donald, an attorney, and Penny, who, after tragically losing two husbands due to automobile accidents, is now living in Europe, where she is married to a racing-car driver. Bob was married while very young to Lisa Miller, then a scheming and selfish young woman, whose machinations destroyed their marriage. She is the mother of Bob’s son, Tom, who is divorced from Carol, who is now married to Jay Stallings. Tom is currently married to Natalie Bannon. Bob later married model Sandy Wilson, a marriage which ended in divorce, and Sandy is now married to Norman Garrison, who is her partner in a beauty products concern. Norman blames Bob for Sandy’s  recent disillusionment with their marriage, and, ironically, Norman suffered a heart attack during his verbal assault on Bob at a Hughes family party; and while Bob rode with him in the ambulance to the hospital, Bob’s beloved wife, Jennifer, Kim’s sister, died in a car crash while driving home alone. Lisa, more mature and considerate of others now, is married to attorney Grant Colman, but her life has been complicated by the recent arrival in town of Grant’s ex-wife, Joyce, and the incredible news that she and Grant had a child after their separation, a child Joyce gave out for adoption but now wants to reclaim. Now the story continues... The picture has now come clear for attorney Grant Coiman. He has learned that his ex-wife Joyce neglected to tell him she had a child shortly after their divorce and had given the boy to Mary and Brian Ellison for adoption. Grant, after seeing the adoption papers and considering the boy’s interests, tells Mary he feels the child should remain with them; they are providing a fine, stable home for him. Grant’s wife, Lisa, is pleased with his decision, feeling he has thus closed the door to the past and they can now go on with their own lives. But Joyce has learned that attorney Dick Martin is now back in private practice, and she tells him she was confused when she gave Teddy up years ago and wants him to represent her in a custody action to get her son back. Dick tells Joyce she has a very weak case but he’ll do what he can. He goes out to Laramie to see the  Ellisons, upsetting them very much. Grant, meanwhile, has confided in Chris Hughes, his law partner, that while his name was on the consent form for the Ellisons’ adoption, he didn’t sign the papers; he had, in fact, never known that he had a son. But he’s afraid to open a new can of worms by signing a consent form now, as that would reveal that the adoption papers are not legally correct. Grant confides the situation to Lisa, explaining that if he wanted to,  he could probably get custody of Teddy himself, but that’s not what he feels would be best for the child. Mary Ellison finally breaks under the strain of Dick’s visit and tells Brian that Dr. Paulk, the doctor who arranged the adoption, told her he didn’t know where to find the baby’s father and so he signed the consent form himself. She painfully explains she kept this secret knowing that Brian wouldn’t go through with the adoption if he learned the papers weren’t legally sound. Brian quickly calls their family lawyer, Jerry Butler, who immediately phones Grant to be sure he backs the Ellisons’ claim. Dick realizes from Joyce’s story that Grant couldn’t have signed the papers and tells him he knows. The only person who has a right to file for Teddy’s custody now is Grant; he’s the only injured party. And the moment he files, Dick can sue for invalidation of the Ellisons’ adoption. Grant finally files, to settle the custody question once and for all, but technically he's filing for custody himself. Tom Hughes and Natalie Porter are married in a small, lovely ceremony at the home of his grandparents, Nancy and Chris Hughes. They honeymoon in the Southwest and return full of expectations of happiness. Natalie is disquieted, however, when flowers arrive which are not from her new husband. She covers by pretending to check with the florist and tells Tom it was a wrong delivery and they have told her she might as well keep them. But she knows who sent them. Natalie is upset when, shortly after, Luke Porter arrives in town and seeks her out. But Luke insists he is there only to assure her this is a final farewell and he has now decided to concentrate on. making his own marriage work. Sandy Garrison, Bob’s ex-wife, is working at the  bookstore to fill in for Natalie. Her estranged husband, Norman, recovering from a heart attack he suffered during a drunken confrontation with Bob at the Colonnade Room, is still telling anyone who will listen that Bob and Sandy are having an affair, but ironically will let only Bob care for him at the hospital. His recovery is hampered by his easily aroused temper. Norman anxiously tries to persuade Dr. John Dixon to convince Bob to swear he slipped at the restaurant, thus making them liable for a costly lawsuit, but John won’t do this. Chris discovers a large amount of money missing when checking the books on the Garrisons’ business, but doesn’t want to upset Sandy with this. More to come...
    • The cynical (i.e., the dominant) me has the very same thoughts.
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy