Jump to content

What if Bloom offered Ellen Wheeler Y&R?


Recommended Posts

  • Replies 16
  • Created
  • Last Reply
  • Members

It will NEVER happen.

Legally, it's impossible. Barbara can't offer anyone anything having to do with Y&R.

CBS and Barbara Bloom have NO SAY...I repeat, NO SAY in Y&R. Sony and Bell Dramatic Serial Company are the principle owners of the show; Corday Productions owns 1% of the show.

Don't waste your time speculating. It's inflammatory and ridiculous.

Link to comment
Share on other sites

  • Members

How about no.........

Bloom can't hire anyone at Y&R. As we know, she suggest Latham and Sony and Bill Bell, jr. hired her. CBS doesn't own any of their soaps, so they don't have that direct power to chage management at any of those soaps.

And as Maria said in her latest interview, Y&R is "my show, and my vision." She said that though her relationship with Bloom and CBS is respectful, everything on the show is ultimately her vision.

If GL is canceled, I doubt Wheeler will be heading West...

Link to comment
Share on other sites

  • Members

Before I say anything, let me be clear that I do NOT like what's happened to Guiding Light at all. And I feel EW, while her heart may be in the right place and in some situations her hands were way tied, has still made many bad decisions in the EP role over there.

Having said that, I think Ellen Wheeler would be a great addition to ANY show as a director when GL goes off the air. Her work as a director on ATWT was always consistently strong, and directors on daytime don't have the power to just "move" an episode outside where they break all the laws of television cinematography. I think she's still an asset to daytime, just not in the capacity she's in now.

If GL was going to move to Peapack anyway for budgetary reasons with or without Wheeler, they should have gotten an EP who is experienced in this kind of storytelling (Daran Little, perhaps, since he wants to be in American daytime anyway?). Not somebody who has never experimented with this kind of production before.

But I do think Ellen will (and should) find work again as a contract director.

Link to comment
Share on other sites

  • Members

Where did any of you "get" that Bloom and Wheeler get along? Just wondering...

The only thing Bloom can do for Y&R or B&B is suggest ideas. Bloom's control over the Bell soaps is very, very limited, especially since they command the top spots in the ratings. Bloom has been able to strong arm GL because of its continued low ratings.

BTW, I haven't been thrilled with many of Ellen Wheeler's decisions with GL, but she has tried to keep GL on the air, despite Bloom's interferences. And for that, I guess I owe her a 'thank you.'

Link to comment
Share on other sites

  • Members

Ellen Wheeler as said is a great director and I think under the right conditions could be a good producer.

One thing that she knows how to do that producers like Ken Corday and others don't know how to do is work on a tight budget and save money. It is only through some of her efforts that money was saved and actors like Michael O'Leary were able to be put back on contract. Any other producer would not have been able to even save the money she did to hire back Grant Aleksander or bring someone like Daniel Cosgrove back.

One thing she has done is tried and I give her credit for that. She didn't give up without a fight and I feel a lot of producers would have done that faced with the obstacles that she has been faced with.

I do not want to see her handed a show outright and run it, but put her on staff and watch her. I would just really like to see what she could do - esp. if she brought some of the cast usage ideas she has incorporated onto another show. No one has ever been able to use actors only for their guarantees and such. Also she has managed to get many actors to work on recurring on the show, and she has used them - not abundantly but as best she could.

She is not perfect but I don't think she is the heart of all the problems with GL either. Much of what has happened has been the budget and things that are totally out of her hand. I think the production model was pushed on her and she has had to make it work. If the model had not been thrown on her I think the show would have been cancelled already. P&G just seems like they are using GL as a guinea pig right now.

Link to comment
Share on other sites

  • Members

My goodness, my heart skipped when I read this title.

I applaud the Wheeler experiment. It needed to be done, and why not with a dying show? I consider it like a Phase I Clinical Trial/Toxicity Trial. Test something with the hopeless cases.

That said, Y&R may be the one show that SHOULD NOT have such further experimentation. Y&R is the ONE show that may lend some survival to the traditional soap genre. Let us nurture it as such...not a fossil...but a full-bodied, viable survivor.

In that sense, Jeanne Cooper is an excellent metaphor for Y&R. She may be from another era, but she is still going strong. Let's not do anything to mess that up.

Link to comment
Share on other sites

  • Members

I'm going to say it...

Ellen Wheeler was a shitty director on ATWT. I think he episodes were choppy, they didn't flow well, and she used her same typical shots day after day. No creativity. But people said, "Hey, it's Marley! It must be good!"

She spends her whole career as an actress (off and on). She directs for a whopping three years before she gets promoted to being a producer. And then, less than five years after she even began doing behind-the-scenes work, she gets promoted to EP.

Yeah, WTF?

She's a bad director, a bad producer, has bad people skills, and she's all around been a terrible fit for GL. And judging by her recent interviews, it's obvious that Ms. El needs to take a huge chill pill and a BREAK. Seriously. Or else her eyes are going to bulge so far out and her head is going to pop off.

Link to comment
Share on other sites

  • Members

LMAO! Awesomeness. Yeah, acting was obviously her calling. She has not faired well behind the scenes. Once GL is done she can call herself a Freelance Soap Killer, because that is exactly what she will do if she is given the reigns of another show....

Link to comment
Share on other sites

  • Members

I have to agree. She was a wonderful actress but she's overrated as a director. Her work in that field has been mostly mediocre.

I'd say she's a barely passable director, a terrible producer, and has, at the very least, been very poor at communicating with the press, the viewers, and apparently many employees. At worst, she's a hack who has run the longest airing series in international TV history into the ground based on her own myopic personal whims and has butchered it to the point where it may never be respected for what it was because of how it died.

Link to comment
Share on other sites

Archived

This topic is now archived and is closed to further replies.

  • Recently Browsing   0 members

    • No registered users viewing this page.



  • Recent Posts

    • Today was a short one. Only 33 minutes.  The ‘Part One’ graphic at the beginning was pretty interesting though. I didn’t expect them to do something like that.  I like how everything was focused around John and his family and friends. Again, the acting and the dialogue was very well done and well written. And I love that they were able to incorporate Drake’s, “swing for the fences” phrase into the script. It was nice seeing everyone interact with each other, especially characters who don’t often share scenes together. It felt like every character was part of a big family or community. Plus, an outdoor funeral in June makes a lot more sense than an outdoor funeral in December.  But yeah, it’s very, very strange that Will isn’t at the funeral, especially since we know that 

      Please register in order to view this content

      I would much rather he had been there today. And, where’s Anna too? And Jack and Jennifer? What was the point of bringing them all back if they weren’t going to attend the funeral? I expected Steve to want to close down BlackPatch, though I’d rather he just retire and let Paul take it over. But I like that Kayla was there to comfort him. I wonder if he’s going to change his mind at some point.  It was nice seeing Shane again too. Now, he just needs to have more scenes with his son lol but I enjoyed seeing him comfort Marlena. I’m not really sure about his interaction with Cat though? Was it really necessary for this to happen now, at John’s funeral? They could’ve waited a little longer to introduce this story arc.  Btw, was Tate bleeding from his head in his first scene with Arianna? 
    • This is the coldest early June in my life. It's like it's January. 
    • Please register in order to view this content

       
    • Now this strikes me as funny. I have it up on my acct. The thing is I only have S2. Didn't want either 1 or 3.  Perhaps I should just list all of these that I have up.  Parodies: Dirty Sexy Money, Filthy Rich Incomplete: The Monroes, All That Glitters, Falcon Crest (have all just not all up), Once & Again S2 only Complete: Models Inc, Pasadena, Pacific Palisades, Paper Dolls, Flamingo Road  
    • This is wonderful! Thank you for posting this! I loved the first two seasons and never got to see the final season when they cancelled the DVD release. I've been hoping this popped up on streaming but no luck. Happy I'll finally get to see how it ended!
    • “Gender is who you are, and sexuality is who you want.” — C.N. Lester, “Trans Like Me: A Journey for All of Us” St. Pete bridge lit for Pride

      Please register in order to view this content

    • In case it is of interest to anyone here, I have digital copies (computer files, mp4 etc.) of all of the episodes. And, besides having the files they are all up on my usual video hosting site, acct name: shallotpeel, channel it is in: Primetime Soaps and file names like  Flamingo Road S1E15 Hurricane Flamingo Road was a primetime soap on NBC by Lorimar Productions. 2 seasons. 1980-1982. Morgan Fairchild, Barbara Rush. Developed by Rita Lakin.   
    • Arguably DAYS OF OUR LIVES has been brilliant lately & definitely was last week. But, here I am with nitpick & technicalities. This was the only misstep but it was just a stupid thing that should have been caught. Deidre Hall as Marlena has this one problematic line, "It didn't matter how many identities you had, I always knew exactly who you were, you were the man who saved my life." - Marlena, DAYS, 6-2-25 Unfortunately the flashback closest to it was when Marlena was on the phone, terrified because she thought he was Stefano. Yes, it's true that the line is not accurate. There were many times when she did not feel the way she is claiming because of whatever was going on in story with his 'retconned to hell & back' identity & origin story. Does it keep the whole week from being called excellent? Nope.  
    • The Vault has been down all night.
    • Notable: Glendale is not exactly a progressive enclave.

      Please register in order to view this content

      Newsom is a craven opportunist, but his comments today were exactly how better people need to handle Trump.
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy