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Edge of Night (EON) (No spoilers please)

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There was something to be said in favor of the '77 decision to write out Donald May's Adam Drake. The Adam/Nicole saga had been so exciting for so long that it could hardly get any better. To see the Drakes devolve into a happily married couple rearing a child would have been anticlimactic. After uncovering evidence to perhaps exonerate friend Mike Karr in the Richardson murder case, Adam died a hero. Part of the suspense in watching EON was the knowledge that life is precious and precarious in Monticello, that no one is safe there. In my view, writer H. Slesar did a superb job of connecting Nicole with a new set of characters (Miles, April, Denise) several months ahead of Adam's demise--thus making a seamless segue into the Clairmont story. Hiring a popular soap star (Joel Crothers) to play Miles was a consolation of sorts though May was missed. Unfortunately, the shift to Jayne Bentzen's Nicole seemed abrupt. Maybe a period of several months with Nicole offscreen in early '78 (perhaps wintering in FL after the long stay at Clairmont) would have eased the McGuire/Bentzen transition.

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  • Paul Raven
    Paul Raven

    Irving Vendig created EON, Three Steps to Heaven, Hidden Faces and wrote SFT. Definitely underappreciated . Buffalo Evening NEWS—TV TOPICS June 29, I963 How They Write Edge oi Night Two Authors Do 3-

  • Paul Raven
    Paul Raven

    New York Post Tues June 18 1963 The Edge of Night," the perennially popular CBS soap opera, is being shifted July 1 from what some strategists consider the edge of doom. It's being moved safely away f

  • Paul Raven
    Paul Raven

    The talk about speeding the story up-would they have let Nancy and Mike be separated over Xmas? Buffalo Courier Express December 11 1976 ‘Perfect Marriage’ Goes on the Rocks And Viewers Become Incens

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Rona Barrett's Daytimers 1979

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  • Member

"[...] but his other loves are kept in the closet!"

Oh, Rona, you bitch, lol.

  • Member
On 7/6/2026 at 1:38 AM, Paul Raven said:

Yes after 10 years, they saw the chance to drop Adam and save themselves some $$$.

They were dropping older, less 'hot' characters like Johnny Dallas and Danny Micelli for Steve Guthrie and Miles Cavanaugh, who were younger and had more story potential.

I think the show in the first two or three years it was housed on ABC was when a lot of the characters that didn't seem 'young and hip' started to be dropped left and right. May and McGuire seemed more like CBS soap performers vs the more youthful energy of ABC.

I always wondered what would have happened had EON lasted beyond Dec 1984 given that Crothers became ill and passed away either in 85 or early 86. Miles was a pretty important focus of the show, but they probably would have focused more on Sky and Raven (over-exposed and over-played characters by the end of the show...imho)

Edited by Soaplovers

  • Member

The talk about speeding the story up-would they have let Nancy and Mike be separated over Xmas?

Buffalo Courier Express December 11 1976

‘Perfect Marriage’ Goes on the Rocks And Viewers Become IncensedBy JON-MICHAEL REED © 2376 Enterprise Features NEW YORK — Soap opera fans refuse to allow their illusions to be shattered. The stalwart and upstanding characters, Mike and Nancy Karr, have been the quintessential American couple for more than 14 years on “The Edge of Night.” They’ve never been plagued with marital crises. Sure, they’ve been involved in other people's problems, but they themselves have never been touched with a hint of scandal or extramarital temptations. Until now. For the past few weeks, writer Henry Slesar has been building up tensions in the perfect marriage that ultimately forced Nancy to move out on Mike. Worse yet. there were intimations that Nancy was involved in a bit of hanky-panky with a low-life hood named Beau.

ITS BEEN MORE than the fans can bear. They deluged the studio with outraged letters demanding that such a turn of events cease and desist. "Edge,” of course, is a crime-mystery melodrama, and Slesar has dropped clues from the very beginning that Nancy has an ulterior motive for her move that has nothing to do with her loss of love for Mike. But viewer response has been so vehemently against the storyline that he’s been forced to speed up an explanation and viewer-approved resolution.

SLESAR TEMPERED the plot with a highly unusual and superbly written and acted day’s show in which Mike and Nancy (Forrest Compton and Ann Flood) were the only characters on screen for the entire half-hour. It was the day that Nancy packed her bags and left Mike. It was also a show that provided viewers with a subtle reason for Nancy’s drastic actions. But it may not have been enough to satisfy die-hard "edge” fans, because the wrap up is right around the corner.

  • Member
15 minutes ago, Paul Raven said:

SLESAR TEMPERED the plot with a highly unusual and superbly written and acted day’s show in which Mike and Nancy (Forrest Compton and Ann Flood) were the only characters on screen for the entire half-hour.

I remember that episode. It was excellent. Compton and Flood did an amazing job.

  • 4 weeks later...
  • Member

THfc DOCKLAND COUNTY JOURNAL-NEWS NYACK, N. Y., TUESDAY, JUNE 25, 1963

Vendig Is Best At Mysteries by HARVEY PACK

Irving Vendig is one of the most successful men in TV, but he lives in Sarasota, Fla., and rarely bothers to come to New York City. Vendig and his associate, James -Gentile, write the popular, long-running CBS soap opera "Edge of Night” which is scheduled to switch its time slot to 3:30-4 p. m. July 1. Vendig has been turning out well polished daytime misery for the past 25 years, and he considered the best in his field. Playwright Marc Connelly calls "Edge of Night” one of the best written shows on TV, and fan mail has come in from the likes of Tallulah Bankhead and Shirley Booth. Many a top executive, bedded down with some minor ailment, has become so enthralled with the troubles of "Edge of Night” that he has procrastinated and lengthened his illness hoping to see the end of a plot. But Vendig's show is one that never ends.

I asked Vendig whether he responds to audience criticism of the show. "I get quite a bit of mail,” he replied, "and Gentile and I go through all of it. We do not change the situation to please the fans, but years of experience have taught me how to interpret the letters. If we get a batch of threatening mail telling us that if we don't do something the listeners are going to turn us off and never watch again then we know we’re right on the ball. In fact, such letters are a tipoff for us to slow the pace of the series. Conversely, complimentary letters mean we have to speed it up.” Vendig, who used to write "Judy and Jane," and "Perry Mason” on radio, always used an apprentice to assist him in the grind. Thirteen years ago he was shopping around for an assistant, when James Gentile was suggested to him by a mu-tual friend, a University of Florida professor. Gentile was working in a Florida radio station and Vendig refused to see him, but requested a copy of anything he had written. Gentile sent him an article on artificial insemination and Vendig saw something in the style and quality, and offered the young man an apprenticeship at $50 a week.

Training Apprentice

"During the first year I had him writing dialogue, but I dim t think 1 used a sentence a week, continued Vendig. "Then, as he progressed, I gave him more and more responsibility — and money—and now he is a full partner. At the time, I was doing “Search for Tomorrow. a 15-minute show, and that's where Gentile really started.

Vendig and Gentile are now interchangeable writers. The training was so complete that they do not have to collaborate on individual scripts. We each write three-day sequences, explained Vendig. Then we edit each other. We work anywhere from 45 to 60 hours a week, so ] please don’t picture us loafing on our lawns in Florida."

They do not come to New York City for conferences. Their sponsors go to them. The series is generally plotted as much as four years in advance, but here’s always room for changes. This time, they came to New York City because they were requesting more money from the sponsor. They were very impressed by a young actress who portrayed a minor running role for about 15 shows. "We liked her so much we want to write her in. Now this entails a budget increase because we will need more sets and production money to tell her story, so we thought we'd have a better chance appealing for it in person. Naturally, this means writing ahead, but all our vacations and side trips require that. New York always has three to four weeks of completed scripts." continued he 59-year-old native of Holly Springs Miss.

Strong On Plots

Vendig is a bug on plot structure and that probably accounts for his reputation as the best in the field. He runs one main plot and develops them in such a way that when main crisis is resolved the minor one is in a position to bloom. “Characterization is also vital,” he said, "because our audiences must believe that these people exist. We do not want stereotypes, but living,breathing people.

Vendig’s daughter, a former actress who appeared on one one of his shows, is married to a doctor and Vendig quite frankly admits that her childhood problems often cropped up in the show. Gentile has a wife and three youngsters who are also used as models, In addition to Edge of Night, Vendig is currently working on a play. He is writing it alone, but he said that when it s finished partner Gentile will come in for the rewrites.

I noted that Vendig winced when I inadvertently used the cliche “soap opera," and he obviously prefers the more acceptable term "daytime drama."

‘Performers Famous'

"Performers on my show are more famous than the biggest nighttime stars,” he concluded. "Wherever they go they are greeted not by stage name but by character name. One of my actresses summed it up beautifully when she said she's a celebrity in every restaurant but Sardi's.

Those interested in the goings on of 'Edge of Night' better make a note on their household schedule that beginning July 1 they're to neglect the housework from 3.30-4 rather than 4.30-5.

  • 4 weeks later...

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