Jump to content

Recommended Posts

  • Replies 391
  • Created
  • Last Reply

Top Posters In This Topic

  • Members
Posted

Regarding preservation I wonder if 20th Century Fox may have Best of everything and Return to Peyton Place sitting around somewhere.

Metromedia was involved with How To Survive a Marriage.That compnay was taken over, but again that show might be sitting in the vaults.

  • Members
Posted

Oh, I see. Well, glad you made it through. It's too bad you couldn't get the research assistance that you needed. Sometimes a person can be ahead of the times and maybe there may be some developments that come along that could help someone else with a similar ambition.

  • Members
Posted

There are always more kinescopes turning up somewhere - I wonder If any survived among random associates. I know Ellen Holly has maintained she has several of her key episodes from her early days on OLTL, thanks to urban affiliates.

  • 2 weeks later...
  • 3 months later...
  • Members
Posted

I was recently watching an old AW video on Youtube and I came to the conclusion that David Canary was not a bad recast for Steve Frame, although the dialogue and plot given to him to play were inferior.  And since this is the unpopular opinion thread, I figured that I would make the case herein.

The build up of a new company coming to Bay City with a mysterious CEO was actually reminiscent of Adam Chandler's introduction on AMC and his prior role on Bonanza made sense for him to be chosen as a recast.

Now, the Alice(s) he played against were not very charismatic or interesting.  The sidelining of Mac, rather than engaging in more of rivalry between the two characters was a bad choice.  His step-daughter was not well developed, and Sally's motivations during the story were all over the place.  But, David Canary was always solid and believable as Steve.

  • Members
Posted

My issue with him is that he wasn’t really the same Steve Frame. The old Steve Frame would have never entertained the idea of getting together with Rachel again, not after what she put him through. Then again, I don’t think the old Alice would have agreed to be Rachel’s doctor or spend time at the Corys for the holidays, and yet she did (and was again played by Jacqui Courtney). So blame the writers, not the actors.

  • 4 weeks later...
  • Members
Posted (edited)

The mention of Guiding Light themes got me thinking...

(A) A radically new soap theme is usually a harbinger of a producer who wants to put their own stamp on a show while denying soap history and pissing off long term fans

(B) It is always a bad choice to include couple pictures (as opposed to individual actors) because it implies that they are "endgame", and requires updates when one actor inevitably leaves the show

(C) A new theme may be a cheap trick to lure back old viewers, but it gets me every time.

Edited by j swift
Posted

My unpopular opinion relates to the decline & eventual cancellation of GL.

Contributing reasons: Many years when part of the US aired the show at 10 in the morning resulting in fans having a day ahead/day behind factor. Gradual but accumulating decimation of the core Bauer family. Two locations: Springfield & San Cristobel. Two Springfields: The mob/Santos family & the rest of the residents. Too much upheaval in changing EPs & HWs. Battling fanbases including Manny v. Jeva & the da*ned FF button whereby fans actually watched custom editions of the show & not the real show. Murder of Mo. Rauch, MADD, Conboy and Weston.

The last factor of my opinion that is unpopular is that it does not contain Wheeler, Hurst, Otalia, Jammy, new production model, new opening, new special shows including Biloxi & other house building locations, Wednesday shows, In the Light, etc.

  • Members
Posted

General Hospital (which has basically been cancelled and replaced with a crappy rendition of "All Sonny's Children")

-While TG is a great actor, Luke Spencer was a completely overrated character and only lasted as long as he did because of Laura, Lucky and his family- not because of anything the character added to the show.

-AJ should have been the heart of the Q's and should have never been sacrificed for Jason and the mob antics. The character could have had years of story line and had much more potential than Jason killing people every other episode.

 

All My Children

-Susan Lucci, while I have respect for her for her contribution to Daytime, is completely overrated along with the character of Erica Kane. The scene where she is mourning over her mom's coffin at Mona's funeral is cringe worthy. She never should have been nominated for as many times as she was, and took the nominations away of many more deserving actresses (Genie Francis, Victoria Wyndham are a few that come to mind). Brooke should have been the matriarch of the show instead.

-What made AMC great was not its storytelling, but the show's respect for its veteran actors. While the show had good stories in its peak, the show was absolutely God awful in its later years and had some of the worst story lines in soap opera history (if you don't count all the crap we have seen in the past 10 years lol). But the vets made the show the success that it was and AMC deserves credit for honoring its vets and keeping them even when it was hard for many of them to still act in their later years.

Another World

-The show was completely underappreciated in terms of acting and had some of the best actors daytime ever produced. The reason why it is looked down upon was that it was a NBC soap and P&G, along with NBC, actively tried to ruin it to get it cancelled.

-Jake worked better on ATWT with Molly than he did on AW. Especially since AW refused to reunite him with Paulina in order to keep her with sleezy Joe.

-John and Sharlene were boring 90% of the time and while I did not like the Felicia/John pairing, it at least gave the actors something to do to shine their talents.

-Ryan's death in the long term was more damaging than Frankie's.

-Michael Hudson was completely useless as a character 95% of the time.

 

Posted

Amen. I get so tired of the hero worship. One of his fans last week labeled him the most important person in all of TV & Movies. There's only so far that it's possible to roll one's eyes.

It's nice to see AJ fans still here in the midst of Jason Land.

Every year they wrote her what they could to be an Emmy reel show. How out of balance is that?! Neither Vicky Wyndham nor Beverlee McKinsey ever got an Emmy. The one year one of them should have it was both of them against Irene Daly, and they split the vote & amazing, Daly got the statue.

 

I was always Team Jake & Paulina!

I have long believed that no one realized what a jewel AW was till it was gone. SOD had a drop in subscriptions of a mil that looks like it was from AW fans leaving the building.

I think NBC was actively trying to kill the show & P&G didn't like having to fight NBC all the time & didn't have the cajones to really support it or their other shows!

Posted

As far as Susan Lucci goes, I'd be surprised if this was an unpopular opinion. I think it's almost universal that people think she was limited. But I wouldn't put the character in that lane. Maybe it's because I think about Vicky Wyndham's Rachel, who is after all, another Erica, just as Mona & Ada are parallel. Nixon had written the AMC show bible & gotten no takers on it when she went to work saving AW & Ada & Rachel fit right in. And, VW never did get her Emmy.

I give JFP credit for 2 things & only 2 things. 1) In regard to the murder of Frankie Frame at AW there is a name she could name which would take some of the heat off of her but she will not name them. I respect her for that. 2) Zaslow went to GL to get them to write ALS into his storyline & people began to plan out how they would do that until Rauch told them to stop, that it wasn't going to happen, so Zas sued & got whatever secret settlement & then went to OLTL with the same request & JFP made it happen. Sure, lots of people had to be involved in making that happen but she's the only one who could've said LETS GO. I admire her for that. I would be very curious what specifically is said to be her doing at SB.

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Unfortunately, your content contains terms that we do not allow. Please edit your content to remove the highlighted words below.
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

  • Recently Browsing   0 members

    • No registered users viewing this page.



  • Recent Posts

    • Maree Cheatham     pg. 403

      Please register in order to view this content

            MATLOCK Sister Peggy (1) 2025   Ray Wise    pg. 428 movie THE WOLF IN THE WELL    Roland Carmel    2024 THE NAPA BOYS    Officer Toland   2025   PodCast HAVOC TOWN      Josiah Abbess       2025    
    • Vernon is an idiot. Why would he have Sharon in the same hotel that Leslie is staying at?
    • Yes, that out of the blue return was odd. Maybe GG found a forgotten clause in the contract he signed when he was wooed to ABC and they were forced to take him back! Like George Reinholt he talked about the contract that promised him primetime roles. But it was loaded in the networks favor. I think it was Gloria Loring that re-signed at Days on the promise of primetime opportunities, but that was all it was- she was put up for guest spots and TV movies but not necessarily guaranteed that she get the role.
    • I still am baffled by why Monty brought back stunt hire Gerald Gordon in the early '80s out of nowhere for like a year. I haven't found anyone who can come up with a thing he did in that second stint of note.
    • It's interesting to watch this having watched The Doctors. I'm not sure I'm seeing that much of a difference in the characters Gerald Gordon and Anna Stuart played on The Doctors and what they're playing here.
    • I keep forgetting a huge chunk of that year was written by scabs. You're probably right, because by the time the strike was over, they were likely planning an exit for Alan's character as it must have been obvious by then that Bernau was not going to return. If he was still there, it's also doubtful they would have approached MZ and MG about coming back. Wild.
    • And to think the original plan was for David and Lesley to have an affair.  Not only would that have made no sense - Lesley wasn't THAT stupid, lol - but it also would've ruined her and GH.
    • Please register in order to view this content

       
    • Week ending March 5 1978 Second season shows are tested CBS finishes first week in March with stronger than usual 1 9.5, but not enough to beat ABC The prime -time ratings pattern continued to hold steady for the week ended March 5, and attention increasingly turns to second season entries as the networks probe one another's weaknesses or cover their own. As usual, ABC -TV won the week, scoring a 20.5 average rating. But CBS -TV was closer than usual with a 19.5 average garnered with the help of several strong specials and movies in addition to some of its dependable series regulars. NBC followed its habit of plummeting when its "évent "entries failed. In this case it was the miniseries, Loose Change, which scored only 24 and 22 shares on Monday and Tuesday, leaving the network with a 16.9 average rating for the week. Looking at new series and new time slots, ABC's Six Million Dollar Man on Monday (8 -9 p.m. NYT) continued to falter with a 22 share, while What's Happening, in its new slot on Saturday (8 -9 p.m.), also remained shaky with a 23 share. Starsky and Hutch is still healthy with a 38 share in its new slot following Charlie's Angels on Wednesday, and How the West Was Won also had a 38 on Sunday (8 -9 p.m.). Against West CBS's Rhoda and On Our Own came in poorly for the second week in a row of face to face competition, with each pulling 25 shares after a 41 share lead in from 60 Minutes. ABC's special two -hour presentation of the upcoming series tryout, Having Babies, scored a 27 share on Friday (9 -11 p.m.) against strong competition from both the other networks (the movie "Ski Lift to Death" on CBS and Rockford Files and Quincy on NBC). For CBS, its new Monday night leadoffs, Good Times and Baby I'm Back, scored so -so 27 and 28 shares respectively. But the second half of the night had its best performance since the new line -up came in- M *A*S *Hwith a 45, One Day at a Time with a 41 and Lou Grant with a 36. Celebrity Challenge of the Sexes and Shields and Yarnell showed no signs of reviving on Tuesday, with 16 shares each, but the new Tuesday movie slot held up with a 41 share from Clint Eastwood's "Magnum Force." The network's entire Saturday line up continued to limp in, as Bob Newhart Tony Randall, The Jeffersons, Maude and Kojak all scored sub 30 shares (with the exception of Newhart's 29, in fact, all scored sub -25 shares). NBC premiered its new Chuck Barris Rah Rah Show on Tuesday (8 -9 p.m.),when it pulled a 24 share. The second episode of Quark had a 27, three points down from its premiere. There might be the temptation to conclude that the 29 share turned in by the National Love, Sex and Marriage Test on Sunday (9:30 -10 p.m.) proves the appetite for "sophisticated" subject matter is not insatiable after all, except that its competition was not only CBS's strong comedy block but also ABC's rerun of "The Way We Were," which pulled a 35 share. Of NBC's other midseason entries -CPO Sharkey, Black Sheep Squadron, James at 16 and Class of '65 -CPO Sharkey turned in the highest score of the week, a 27.   *NBC were in dire straits at this point relying on movies and specials which could hit or bomb in equal measure.  Fred Silverman had his work cut out for him when he arrived that Summer. He favored sitcoms and series as the schedule's foundation and NBC had no sitcoms to build on and few solid series. He also had a big backlog of specials/mini series that had been committed to air. Also NBC had a long standing relationship with Universal so he was forced to work with that studio. He struggled to get quality producers on board as they were either tied into deals with ABC/CBS or were wary of having their shows on the 3rd rated network. He still felt variety had a place on the schedule however and that lead to duds like Susan Anton, The Big Show and Pink Lady and Jeff.
    • Please register in order to view this content

       
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy