Jump to content

The soap opera writers' discussion


Recommended Posts

  • Replies 427
  • Created
  • Last Reply

Top Posters In This Topic

  • Members

I know David Jacobs is credited as "creating" Dallas and Knots, but do we know his contributions?  I see that he wrote on the first three seasons of Dallas, and he wrote the TV Movie Dallas: The Early Years. So, was he the head writer? Are there any significant episodes that we can attribute to him?  Did he adapt the source material for Dallas?  

In other words, does anyone know if he was more of a writer or a producer?

Edited by j swift
Link to comment
Share on other sites

  • Members

I am watching a rerun of To Tell the Truth, and writer Ira Avery (Love of Life, The Secret Storm, The Doctors, Search for Tomorrow, The Guiding Light, Love Is a Many Splendored Thing).

He was using the pen name Mavis Hathaway to write a new romance novel.

Link to comment
Share on other sites

  • Members

I do remember the name Katherine Babecki.   I had not realized that this was Katherine Phillips before now, I don't think.

It is a little like writer Cathy Chicos, who wrote All My Children.   She was actually Cathy Nixon, daughter of Agnes Nixon, after her marriage.

Link to comment
Share on other sites

  • Members

Did Agnes son-in-law also write for the show or am I confused?

Agnes mentored Wisner Washam but after he left AMC I don't think he wrote any other soap. He was pretty much de facto headwriter for many years.'

He clashed with Megan McTavish I believe and quit the show.

I have just read Agnes' book and wish she had have gone into more detail about BTS stuff.

Link to comment
Share on other sites

  • Members

Mr. Washam was later head writer for The Guiding Light.

He was the husband of Anne Barcroft (Ann #3) and the father of Ian Washam (Little Phillip #1).

I have never understood why he did not work on Loving.   I loved the work of head writer Ralph Ellis, but I expect that the show would have been better had Mr. Washam written it.

Edited by danfling
Link to comment
Share on other sites

  • Members

He did write for GL but I don't believe he was the head writer.  Of course JFP did not like him - his writing would be too intelligent for her. 

I agree that he should have been made head writer of Loving.  He quite possibly could have been the one to make it a hit.

https://www.welovesoaps.net/2010/03/wisner-washam-interview-part-3-of-3.html

We Love Soaps: You also wrote for GUIDING LIGHT at one point.
Wisner Washam: When I was canned from ALL MY CHILDREN, I lacked six months having enough time with the Writers Guild to be covered by the health insurance plan. Back in those days you had to work 20 years, count 'em, 20 years, in order to vest. I lacked six months. At that point, Lorraine Broderick was working at GUIDING LIGHT and, bless her heart, got me a job. They hired me but I did not fit in at all. Jill Farren-Phelps was the producer and she didn't like me. At the end of six months I was let go. 

 

 

Link to comment
Share on other sites

  • Members

How long was it before Lois Kibbee left the role of Elizabeth Sanders on One Life to Live and her death?

I have wondered why she never became a writer on the that show.   I think that she appeared after the time that Henry Slesar had left his writing position on that show.   (They had written The Edge of Night together at one time.)

I wonder if she had become ill by the time that Elizabeth was written off the show.

Link to comment
Share on other sites

  • 5 weeks later...
  • Members

I had long wondered about the late writer Lou Shaw.   I see his name many nights as the creator of Quincy, M. E.

I learned this afternoon that he was once the husband of the late soap opera writer Peggy O'Shea, a wonderful writer (in my opinion) of One Life to Live and the serial Capitol.

I remember that Ms. O'Shea departed from One Life to Live saying that she would never write for a daytime drama again because the networks were too interfering. 

She also wrote for Search for Tomorrow and Love of Life.   She collaborated with her husband to write episodes of the primetime Peyton Place.

Edited by danfling
Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Unfortunately, your content contains terms that we do not allow. Please edit your content to remove the highlighted words below.
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

  • Recently Browsing   0 members

    • No registered users viewing this page.



  • Recent Posts

    • I can definitely see that airing the same week as The Love Boat colliding with an iceberg and sinking while crossing the North Atlantic on the Titanic anniversary with a “Who lives and dies?!” Promo next to Mr Belvedere being blackmailed over his wanted fugitive status back in the UK

      Please register in order to view this content

        Agree with you both. I am also going assume that while Hotel may had some big numbers the first 2 seasons BUT the demographics weren’t great. Reason I say this is I distinctly remember my parents watching St Elsewhere and/or The Equalizer after Dynasty.    I still don’t get Hotel’s designation as a primetime soap opera either lol. ABC should have aired Paper Dolls in the 10/9 slot on Wednesdays in the fall of 1984 to give that show some more legs.    Obviously ABC was eyeing a double bill night in the same vein as Dallas & Falcon Crest and that might have worked better than leaving Paper Dolls to the wolves in an untested timeslot.
    • I tend to stay out of EP discussions, simply because I rarely know who EPs when. And they all have their good and bad sides. But how are we supposed to judge JFP on anything other than what we see? I didn't know she was a director or a music director. (and unlike say, Chris Goutman, I never saw her credited as anything other than an EP) Specifically in the matter of casting Crampton, she took credit for it (or at Crampton gave her credit for it, whatever) and it was arguably, one of the worst recasts of the '90's (and either as bad or worse than the actress she fired).  She lost two important actresses in '92 and still decided to kill Maureen.  She had a wildly uneven tenure at GL. It's no wonder she's polarizing. But it kind of proves a point--great soap is always a that rare combination of everything clicking at the same time.  And believe me, if I could bring myself to watch her male successors who were responsible for bringing back Reva and allowing her to eat the show again, or hiring Hunt Block, or being too chicken to stand up to stans who and hamstrung the show with boring couples stuck in the same repetitive stories (Vanessa/Matt, Chelle/Danny or Richard/Cassie, take your pick) not to mention San CristoHELL....I'd be more than happy to roast them on open spits. I guess we end up talking about JFP because she's in a period we can nominally agree was one of the last "best" periods of the show.
    • A degree does not make one an expert at their job, it just shows that you can follow directions from a technical standpoint.  It doesn't mean that they're creative. JFP was all about the look of a show without considering that technical beauty can only carry a show so far if there is nothing interesting to go along with it.  Equality means calling out flaws equally in both genders. 
    • NBC or P&G was even fool enough to take a full page ad for two consecutive weeks in TV Guide promoting this horrible storyline.

      Please register in order to view this content

    • JFP has had more defense for her decades of terrible producing than many male producers ever had.
    • It makes sense that she got a degree in directing. I've always said she should have been a director. I think she works better at the technical aspects of the show. I think her problem is the emotion/heart of a show.  She always guts the heart of the show she's on and she makes decisions that stop longtime viewers from watching a show. I don't think it's sexism to call that out especially as I've said similar things about Conboy. I've called out Rauch for much worse. 
    • "Aunt Blanche" first appears toward the end of this episode, about 57 minutes in.

      Please register in order to view this content

         
    • You're probably right. They may have just wanted edits of certain characters. Hopefully the rest is around.
    • Of course!

      Please register in order to view this content

      I'm wondering if there were bits cut from this footage, because to me it seems that may be the case. At 11:23, Laurie tells her psychiatrist that the bar phoned and told her Mark got into a fight and needs to be picked up. It starts to fade to the next scene, you hear some different music begin and get cut off between the static, and where you'd expect to see the aftermath of the fight, we cut back to a later scene of Laurie in bed worrying about what's happening. The credits at the end also show that more than Mark, Laurie and Dr. Northcote should have been in this episode. Another character, Brody, played by Ed Setrakian, is mentioned but not shown. If this is the case, perhaps the original fan who saved this episode has the additional scenes.
    • Anyway… It’s a shame that the video that depicted Leticia’s death was removed from YT.
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy