Jump to content

Recommended Posts

  • Replies 1.7k
  • Created
  • Last Reply

Top Posters In This Topic

Top Posters In This Topic

Posted Images

  • Members
Posted

Do you reckon? How do you think this should have ended instead?

Coz the way I see it this was the least bad solution: it wasn't the lazy soap trope of making it some random character noone cares about but it also avoided the narrative problems that would come up if it had been a main cast member.
Kristin was a reasonably prominent supporting character of the previous season so the audience didn't feel completely cheated but she could easily be written out so the story could play out without long-term consequences.

That being said, I don't know how others feel about her but I just recently saw again pieces of Mary C's appearance on Knots Landing and while I have not rewatched that time of Dallas in many years, it reminded me that I thought at the time she was not a very good actress at all.
Smirking isn't acting.

  • Members
Posted (edited)

I gotta agree with @FrenchBug82 many good points

Also, Sue Ellen had been arrested, as she was a prime suspect and her gun was thought to be the primary weapon.  It looked like JR was going to brutally punish Sue Ellen, taking her away from John Ross and kicking her out of Southfork, just after she had established a lot of audience support as a victim of JR's abuse. 

So, when the proverbial penny dropped that Kristen had shot JR and set Sue Ellen up to take the fall, it was a well earned shocker.  Then, the coda that she was pregnant and therefore would not pay for her crime was an excellent way to tie up the story without a trial or protracted pursuit of justice.  And it set up the story of Christopher which was a key plot point for future seasons.

Edited by j swift
  • Members
Posted

It felt like a cop out at the time - you just knew they wouldn’t have any of the main, opening-credit characters - as the culprit. But as j swift mentioned, it set up the pregnancy and Christopher, which powered storylines for years to come.

  • Members
Posted

Good question!  Chances are, if DALLAS had killed off J.R., someone (either a new character, or one already on the show) would have needed to step up and fill the "chief antagonist" role.  Personally, I would have chosen Sue Ellen, but either way, I'm sure the show would not have been the same w/o J.R./Larry Hagman.

  • Members
Posted

I would have killed him off as I felt JR was too powerful and this drained the canvas of vitality, but honestly, JR was an international icon, so it would never happened.

  • Members
Posted

The challenge with a family-centered show like Dallas is that once you’ve exhausted the main plots about the family, where do you go from there? Bobby being killed off should have provided a new direction for the show, but it wasn’t executed well, so they went back to the tried and true. Which worked well for about a season, but that setup was already running out of steam when Patrick Duffy left.

Someone on another board suggested that the last few seasons should have been about JR’s redemption. Not that he would have turned into a goody two shoes. He could have still been a cunning, clever business man. But one with more of a moral compass. Larry Hagman had talent to make that characterization interesting. Then, they could have created a new villain to help drive the show.

Lorimar actually considered a similar setup for the 1988-89 season. JR would have chilled out and ex-wife Sue Ellen would have turned evil (I suppose inspired by the Blake-Alexis setup on “Dynasty”). Not sure Linda Gray would have had the range to pull that off, but interesting to think about.

  • Members
Posted (edited)

I am one of these very few people who do find some redeeming features in the last few seasons and while the writing wasn't good enough to sustain it, I do think there was a lot of potential in the series of humiliations and defeats JR started to endure in the late years.
That could have set up exactly what you suggested if the show had had the guts to do it. But I think they wanted to play it safe with JR always reverting to "classic" JR.
Plus they wrote pitiful stuff played more for laughs (the asylum stuff) and they sadly didn't really manage to find characters that were up to this level and could have made it believable that JR was now vulnerable.
I always said JR had lucked out that Cliff was so lame and stupid and that it would have been nice if he had realized that part of his success was lucking out that his archenemy was mediocre.
McKay could have been a stronger contender and I still think the first half of that season with the ranch war was very effective in setting him up as a worthy adversary but for some reason they chose to then turn him into a sad sack.
But I can see a scenario where McKay gets something out of betraying Wendell and then becomes a equal-to-equal rival for JR at the same time JR realizes he isn't what he once was and that drives some recalibration on his part and some nice character evolution. And real suspense as to who will come out on top.
Dallas however was never that show and wasn't going to become thoughtful in its last legs.

As a separate point that I will simply mention but not elaborate on because this is the Dallas thread, this is also EXACTLY what Y&R should be doing with Victor, if EB wasn't so insistent on screaming bloody murder as soon as his character is shown to be a human with weaknesses.
The decline of a once-powerhourse could be such a powerful storyline with lots of ramifications AND great material for an actor: how does one cope with getting older and seeing time pass you by and reassessing one's own morality and what is worth it or not. Great stuff.
Anyway..

Edited by FrenchBug82
  • 2 weeks later...
  • Members
Posted (edited)

I think there were lots of candidates for the "next gen" JR including Michelle and James (although the casting of James was atrocious).  JR should have served as a mentor, allowing the development of new scenarios that could have further expanded the Dallas universe beyond Southfork.  Sort of like what Falcon Crest tried with the racetrack and Knots did with the other employees at Greg's company in season 13 once Abby left the show.

In my opinion Dallas was too conservative in sticking with the remnants of the original  seasons rather than trying to maintain a contemporary voice, and as a result there were too many repetitious stories.  I mean look at the preview above, how many times could Sue Ellen confront one of JR mistresses at a BBQ?

Edited by j swift
  • Members
Posted

I have confessed before that I actually am of the three or four people who really liked Michelle.
The writing was awful by then but I thought she was interesting and beautiful and was clearly learning and improving at scheming from the initial impulsive girl. It was more character development they allowed anyone else.

She could have been a out-of-left-field adversary.

And yes I still have trouble understanding how that guy landed the role of James'. Especially since we now know he was a piece of work IRL too.

  • Members
Posted

I think people associate her with the awfulness of the last few years AND especially some of its worst plots like April's killing and James.
But on the merits Michelle was the least bad new character they introduced in the last few seasons.  I was disappointed that Kimberly Foster's character on AMC turned out to be a big ball of nothing.

  • Members
Posted

I read somewhere - it might've been IMDb, lol - that the producers strongly considered returning to self-contained stories once DALLAS' ratings began to slide.  IDK how successful such a move would have been after years of ongoing storylines, but at the very least, it might have brought some variety to a series that needed it.

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Unfortunately, your content contains terms that we do not allow. Please edit your content to remove the highlighted words below.
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

  • Recently Browsing   0 members

    • No registered users viewing this page.



  • Recent Posts

    • Some of those 1988-ish episodes are up. I'm not really sure she did much else. I think I recall something along the lines of she and Rusty had been suspended over the investigation of Nicky, George's supplier. I'm not sure she even gets some kind of goodbye. I think she just disappeared when Pam Long returned.
    • I did not care, just clarifying that was the discussion point. If there are ice cream bars in Statesville I am sure there is a full spa
    • Seeing Peter Bergman (Jack) and Melody Thomas Scott (Nikki) act opposite each other really makes me mad that their short-lived reunion in 2012 was just that... short-lived. I've always loved the Jack/Nikki pairing.
    • No.  I recall there was also a mention about how distracting it was EOB's Gwen wasn't wearing nail polish as well.  That it was someone's pet peeve. And, yes, the fact characters can have a manicure in prison is the wildest continuity issue here.
    • Can anyone remember Mary Ellen Stuart's run as Jenny? I'm trying to fill in the cracks for missing stuff that we overlooked.  Bulletpoints:  * Dated Ross * Rusty's police partner * Directly responsible for Dinah coming forward about George Stewart (Cam's father)
    • But that's not weird... nail polish is allowed in prisons via commissary. Same with general makeup, haircuts, and hair colouring products.
    • This is DAYS, the show that said you could brainwash anyone with simple kitchen appliances.  An actor's nail polish or lack thereof should be the least of our concerns, lol.
    • It was not that she wasn't wearing nail polish, it is that she managed to get a manicure in prison
    • "We're Knot Done Yet": the name of this lovely podcast AND what JVA tells her plastic surgeon at every appointment. In other news, Michele Lee is reminding me more and more of my old music teacher from elementary school, and I couldn't STAND that bitch.
    • I apologize if this has been covered already, but does anyone know whether Douglas Marland was HW'ing by that point?  If he was, then I see what he meant when he said (in so many words) that he had inherited a mess when he started at GH.  Aside from Alan and Monica, none of that material seems very promising.  The story with Mark Dante and the Corbins is the wrong kind of predictable (y'know, the kind where you know what's going to happen, but you just don't give a crap?), the stuff with Scotty and Laura is cute but toothless, I don't know WHAT the hell Gina and Steve Carlson's character are arguing about and Rick Webber has to be the dumbest man alive not to see David Hamilton twirling his invisible moustache over how to make a killing off Lamont Corbin's declining health.  (By the way, "LAMONT CORBIN"?  What is this, "The Shadow"?  And "Corbin Limited" sounds like some jive I'd hear over on Y&R.) In a way, it's kind of like watching today's GH, right down to the dialogue that's serviceable and pushes plot along but says nothing about the characters' inner lives.
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy