Jump to content

Not friends of JFP


Recommended Posts

  • Replies 69
  • Created
  • Last Reply
  • Members

It's hysterical how so many people take speculation and rumors and make them facts. Most times, there are 2 sides to a story. Admittedly I am a big JFP fan. Met and spoke to her at length 1 time; private messaged her several times on Facebook and I do know 4 people who were office staff at SB and GL while Jill was there and 1 of them who followed her to GH. That's my history with JFP.

Kudos to Beverlee McKinsey! She stood up for what she believed. I've met Beverlee too, briefly when she was on GL. I was scared of her because of a tough reputation but she was a true sweetheart. But I think this so called hatred between the 2 is probably exaggerated. By that time, Bev seemed ready to stop working regularly. She admitted that she took a GH job in '94 for the health insurance and then she never worked regularly again so I think that if JFP was the only problem, Bev could have found somewhere else to work, had she so desired. But she didn't seem to want to work any longer, anywhere. In her infamous TV Guide interview, I didn't take it at all to be personal against Jill. Just to TPTB in general that someone beat them at their own game. Bev wanted to talk to Jill, but she was on vacation. I think that if it were truly personal against Jill, Bev would have just said screw it and not tried to talk to her before her last day. And didn't Bev write Jill a note? I know that if I hated my boss and could leave my job with no repurcussions, I surely wouldn't try to contact them or write them a note. I'd just think screw you,I'm outta here!

Robin Strasser is mentioned here. But no one has mentioned that on Robin's hotline, in her own words a few years ago, Robin admitted that she lied in the press about a situation with Jill. Robin publically apologized to Jill. I somehow don't think that anyone forces Robin to do anything so I do believe Robin when she said that she lied about Jill.

Link to comment
Share on other sites

  • Members

AT was unhappy with how JFP dealt with other actors, as well as where she was taking the Emily/Zander story and vocalized it fairly loudly to her. She was willing to stay on, but only wanted to sign a one-year deal while JFP wanted a longer commitment. That's how I've always heard it.

Link to comment
Share on other sites

  • Members

Cureentl its Jennifer Johns who was Y&R's costume designer for decades was FIRED BY JFP for her own FOJ. Jill really is a nasty vicious one at firing. I feel bad for Jackie she was fired by Jill during Christmas on her 30th anniversary and barely seen again. During the Monty/Riche ERA Bobbie was always frontburner and Jackie got amazing stories. Jill has always managed to help her friends but the ones she doesn't like they are out on there asses. JFP really is a witch hey the woman always finds a job and gets work LMAO. Whoever wuld have thought Jill would be crowed the highest paid EP job in the biz at the number 1 soap ousting a Bell. She is a cunning, tough bitch who had made it in the industry.

Link to comment
Share on other sites

  • Members
No.

If you're going to say JFP has been harmful to Y&R, you're going to have to make better arguments than "she fired the costume designer" or "she ousted a Bell". As Alvin said, Y&R has needed a new costume designer for over a decade, and this particular Bell (by marriage) was the worst thing ever to happen to the show and should never have had the job in the first place.

Aside from the music, I can't fault JFP for any of the changes she's made to the show.

Link to comment
Share on other sites

  • Members

Yeah for the most part Y&R's wardrobe has actually improved even though they need to stop buying some of that stuff in sample sizes. But wardrobe on Y&R for the past few years has looked downright tacky.

I wish she would fire the hair and makeup people next. They have been hit and miss for awhile now.

Link to comment
Share on other sites

Archived

This topic is now archived and is closed to further replies.

  • Recently Browsing   0 members

    • No registered users viewing this page.



  • Recent Posts

    • It's a shame she only appeared in three episodes for the purpose of being written out - I thought she was quite good in the little we saw. I liked her vibe better than Durkin that never seemed to quite capture Victoria as a character.
    • He did a lot of romance novel covers, so that might've just been enough for them to get their panties in a twist.
    • Pre-TGIF, ABC most successful 1980s Friday 8 pm comedy I'd say was Webster. Full House wasn't a hit its first two seasons but it started showing growth in its third season which overlapped with the launch of TGIF. Funny thing is, Full House became a Top 10 show with the 1991/92 move to Tuesday.
    • Oakland Tribune, 14 July 1985   AW is another show with Schenkel at helm By Connie Passalacqua For the most part, dictators of South American banana republics enjoy better reputations than executive producers of daytime soap operas. Total authority is vested in these producers, who can kill off a character (thus firing an actor) with a stroke of a pen, or completely change life in his or her soap opera dominion (both in its fictional locale and backstage at the studio) on any kind of whim.  Most rule despotically, inspiring fear in their actors and writers. Which inevitably surfaces on the screen and subtracts from a show's quality. Then there's Stephen Schenkel who became executive producer of Another World last fall. He's been described by one of his actresses as "a teddy bear." He has noticeably improved the show, mostly because his natural warmth encourages backstage cohesiveness, and he believes in personally nurturing his staff and cast. 'I like to be supportive', he said.' I like to generate a certain amount of enthusiasm. I love actors and writers and technical people. And I like to laugh..  ' Schenkel said that most of the factors that have led to the shows improved ratings existed before he took over. There were well defined characters, outstanding writers and excellent production values, he explains. 'These things were in place but needed to be stimulated. There wasn't a lot of excitement. What really was missing was an adequate story. We added Gillian Spencer as a writer. (she also plays Daisy on All My Children), who's wonderful, and it just coalesced. The writers energy and commitment to the show began to give it an emotional intensity and some real passion within the characters." Schenkel, a former ABC programming executive who helped develop Ryan's Hope, is a strong believer in stressing romantic and comedy elements in soap operas. AW is also one of the only soaps with an established group of comic characters, including Wallingford (Brent Collins) and Lily Mason (Jackee , Harry). Schenkel raves about the talents of all his actors, and even has something good to say about the Brooklyn location of the shows studio, which most of his Manhattan-oriented staff loathe. I like the people here. I like to walk down the street and feel their energies, he said. He also violateda soap opera no-no, ' inviting actors and writers to the same party. "Everyone got to know one another, he said. And I didn't get any complaints about actors ' begging for story lines, he said. 
    • Since it's pride month.

      Please register in order to view this content

         
    • National City Star-News, 5 May 1977 TV topics by Peter Blazi Lear’s ‘All that Glitters’—doesn’t The best thing that can be said about Norman Lear’s newest soap opera“All That Glitters” is that it comes on so late at night most people will miss it. Role reversal is supposed to be the big draw, with women the breadwinners, mainly executives of a huge conglomerate. The men either fuss with the housework or fidget at the office as secretaries to their bawdy bosses. A female fantasyland? I doubt it. While the role reversal idea has some possibilities, the show pushes too hard for laughs and winds up with raucous females and effete males. A confident, independent woman is indeed a sight to behold and attract, but femininity need not be sacrificed. Unlike Lear’s “Mary Hartman, Mary Hartman,” "Glitters” doesn’t, but you’ve got to give him credit for trying. Today’s experimental comedy is what tomorrow’s hits are made of. Better luck next time, Norman. (“All That Glitters” can be seen weekday evenings at 11 p.m. on Channel 6.) .
    • Actually Kim Zimmer got six weeks off to test the waters for pilot season in L.A. - she said later she went on many auditions and got one offer for a sitcom, but she would one of many in an ensemble. She turned it down, because it wasn't worth leaving Guiding Light for a supporting role on a sitcom. 
    • I'm not even sure why Zoe would care, even if they know each other offcamera.  I can't see Jean going, but if she is - good riddance at this point.
    • I just found the commercial on YouTube, with several other GL'ers doing the same commercial - how fun!

      Please register in order to view this content

        She did the same for me once Ghost Reva arrived (the anxiety and paranoia) - which is when the storyline for Rick/Annie started, with their Chicago past and her alcoholism. But before all that, when she was new and tending to Josh's broken leg, she was just normal, sweet and very cute/flirty. 
    • I have to admit Annie exhausted me somewhat before she went nuts. So much anxiety. She and Robert were OK I guess. Didn't ever stick out much one way or the other.
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy