Jump to content

December 27-31, 2010


Toups

Recommended Posts

  • Replies 64
  • Created
  • Last Reply
  • Members

I actually am liking AMC right now, which is why it's so sad to see these ratings. I think Broderick's return earlier this year brought back some of the heart and community feel it was missing for over ten years. I think D/D have tried to continue some of that. I just wonder if it isn't moving too slow for the regular viewer; not the ones on the board who lament the good ol' days. The bang-bang plots and short-sightedness of a Pratt, or even McTavish aren't there.

The truth is the soap audience has grown older and older and as the audience gradually dies off, the audience for soaps is getting lower and lower. They are failing to recruit any young people, and I'm not sure too many young people go for what we are seeing right now on AMC, which is a decently paced, mostly character-driven piece.

And I do miss my social stories, and yeah, I don't care for Rylee version 72 either...but what I miss most of all is the clever dialogue I saw in a youtube clip just the other day on this board from when Greenlee and Leo were first hooking up. That's what brought ME to AMC and kept me there. That quirky humor and fresh dialogue. Now I feel the dialogue is mostly like every other soap.

Link to comment
Share on other sites

  • Members

OLTL no way. I don't think he would feel it would be worth it. GH he'd likely move all of ABC Daytime to where they are versus moving the crown jewel of his lineup to the opposite coast and risk messing it up.

I think he has the right intentions I just think rather than using facts and legitimate research to make decisions and set direction, he uses his own personal perferences and gut.

Link to comment
Share on other sites

  • Members

I'm gonna get in so much flack for saying this, and it won't add to my reputation as a secret OLTL hater :P but, compared to OLTL which I think is constantly let down by its dialogue, AMC still has better than average dialogue (particularly when the beloved Kate Hall is scripting). But I agree, a lot of that wit and humour is flat out gone.

That said, and while I dont' want to overstate my praise of AMC right now, I agree pretty much exactly with you (and I am a younger viewer--demo wise, but I admit probably not the type of younger, new to soaps viewer this kind of show might attract). That said, I have had a few friends lately watch a couple of episodes with me by chance (it's been on when they've been over, etc) and most of them have outright said they would NEVER turn on a soap--and then have genuinely seemed interested, or I get comments on hwo the acting is so much better than they expected from a soap, etc. That doesn't really say much, but I think it does say that much of this audience they're trying to court wouldn't even THINK to turn on the show, anyway (it doesn't help that, to the best of my knowledge, ABC never ever ever advertises their daytime in primetime, unlike NBC and even sometimes CBS). So what's the point in trying to court an audience who can't even be reached?

But I agree--remarkably I think it's kept (despite crap like the Rylee pimping) much of the feel that returned to it when Broderick came back last Spring, and in many ways it feels more like Pine valley to me than the show has in close to a decade (I admit at first in McTavish's return I had a similar feel). I'm glad I'm not alone. Yeah I complain about stuff in the daily thread--but I prob would as well during fave eras of mine that I did watch (even if I'm not implying it's as strong as then). That's why posts like the recent Daytime Confidential McTavish rumour leave me scratching my head a bit. I see at the show right now a lot of what they've been complaining AMC and soaps in general have been missing for a long time. I almost wonder if they're still even watching, or if they just are so used to expecting the worst that that's all they can see?

And there's the problem. I will give Frons SOME credit--he's passionate and seems in his own twisted, negative way more commited to daytime than those at other networks, for example. The problem is he doesn't understand when to back off, when it's better to just let people do what they're good at, all that genuinely important stuff.

And I gotta add, sorry for coming off as snarky, Monty. It just feels that often (and I know this isn't all the case--as big AMC fans like R Sinclair prove) the people lately who have been slagging off AMC, haven't even really been watching the past year. And I can understand why--why give it another chance at this point--but it does annoy me when I see some repair and good stuff being done, or make a statement like that it feels a lot more now like a traditional classic soap, and get disagreement from someone who hasn't watched in 2 years...

Link to comment
Share on other sites

  • Members

I am going to venture a guess that perhaps he has backed off of AMC and let the new writing team do their thing so to speak and give the show back a few of the things that made it special. But the problem is it hasn't resulted in any positive momentum in the only thing that counts ratings. I think what will happen is likely a new writer(? MCTavish) will be hired who can possibly turn the show around in the ratings for the short term and then worry about what happens next. I don't think they honestly have the time to worry about long term direction at this point. I would expect they have more immediate concerns at this point.

And I am sorry to say I'm not interested in investing or returning to AMC I can say I honestly don't care who they bring on or what they do. I wish I felt differently because I loved the show for so many years, but when I gave up a few years back it was for good and I've never ever looked back.

Link to comment
Share on other sites

  • Members

GH is barely recognizable so if its an identity you're going for I would say its a show of newbies they have dismantled and obliterated mostly "all of its history" and is in a current state of flux of trying to rebuild it on the backs of the vets that are trashed in writing and get minimal airtime and for the most part prop newbies in top tier story while they are sidelined...w/the exception of Sonny/Jason/Carly/new old Lucky/Dante and its a misogynistic mess...

The action is usually just plopped with no lead up and /or usually some plot device. There is no hospital for the "most part" maybe one story that involves Robin/Patrick who has been propping a new character for over a year now another one Dr. Terrell..The other times its just mobsters getting shot or "all Sonny's children."

This week was a little Quartermaine/Spencer wedding so I watched to see Tracey Quartermaine who had minimal dialog this wedding was a backdrop for Sonny/Jason/Dante

who is overexposed and commercialized while a two time emmy winner is merely his appendage.

Extreme favoritism on which stories play many are dropped or postponed at the drop of a pen...or you wait for years with out an ending or a satisfying close ...IMO its too many characters too many segments and terrible blocking. Bob Guza has the attention span of a gnat and it shows up in stories I get whiplash..he is not a storyteller. And Brian Frons sanctions this so I give him absolutely 'no' kudos.

Link to comment
Share on other sites

  • Members

I don't think you're being snarky. I completely understand where you're coming from. You love your show. Even thought I probably won't tune back in, I hope it improves also. I don't want to see any more shows go off the air anytime soon.

Link to comment
Share on other sites

  • Members

ICAM. I think AMC had recaptured its heart when Broderick returned and for the most part, hasn't lost the sense of community yet (although the recent spoilers that the show is planning on expanding Caleb's family and the Castillos is a bad sign). I doubt any show is going to do social issues anymore with the networks so worried about ratings.

But AMC has gone back to being a traditional classic soap, even though it doesn't have the witty dialogue that I too used to love. At this point, the good outweighs the bad, imo, and it really sucks that the ratings are so low when the quality is the highest its been in several years.

Link to comment
Share on other sites

  • Members

You know, Eric, your comments about your friends' casual viewing got me thinking. (I, too, was pleasantly surprised at how decent the acting was on soaps after years of hearing how amateur it was; not that I haven't seen some horrid people on AMC; Hello Anton!)

I really think it's a time investment this ADD society doesn't have any more. My mother and I both watch AMC; she also watches the rest of the ABC lineup. We are frequently asking each other "how far are you on the soap?" as we are both often 1-2 weeks behind. (One of the reasons for my late entries in daily threads). She works part time; I work full time in a career that often requires some overtime to get things done, have a second job, am raising kids, own a home, etc. Even when I'm enjoying AMC, like now, it is difficult to keep up with a five day a week hourly show. (35-40 minutes on DVR, thank God).

When I was younger, it was easier. That's why I think, as with me, you have to hook them when they are in high school or college (not easy to do with the plethora of media outlets now)and then they may stay with it. Even people I talk to who don't watch soaps will mention how they used to in high school or college. My grandmother passed ABC's lineup to my mother and to me. That's not happening as much anymore as extended families don't live together as much. (Perhaps a reason why minorities are a large soap audience; because they do moreso?)

Sometimes, when I think of how much time is consumed by staying with this program, I often wonder what will happen when the inevitable ball drops. I'm sure I'll be there to the end, as I haven't dropped out yet, but there's no denying that asking someone to participate in a long-reaching daily commitment is harrowing in our sound-bite age.

Link to comment
Share on other sites

Archived

This topic is now archived and is closed to further replies.

  • Recently Browsing   0 members

    • No registered users viewing this page.



  • Recent Posts

    • That's a name I haven't heard in a minute. Thanks! 
    • Well, since I'm still up unexpected past my growing-into-it bedtime. lol.   I finally got to rewatch Monday's. I even rewatched Friday's to take it all in. Now that we got the reveal and hit the climax of the SilkPress Sheila storyline, now we get to watch the aftermath and/or turns that come with its climax. So far, so good. Friday left us with three cliffhangers. And what I found surprising was how I felt about them over a rewatch.    I know some of you all felt a way about the dialogue during Kat vs Eva. I remember liking it more the first time around and it was nice for them to have these scenes to establish more of a frenemy vibe for them going forward. That still held up. But I found myself agreeing with you all about that dialogue. lol. Still, it was nice to have both of their POVs.   Second up was Silk Press Sheila vs the Duprees. And I was happy to get a brief spat with Dani in there. But the rest standouts for me was Anita and Martin. Haters can hate and given the tail end of the episode, I will agree to a fault, but Brandon has impressed and he was on fire on Monday and had great subtle work on Friday. And that subtle work made it all the better. Like I believe I said when I was watching...BC has a much better grip on his character and seems to be realizing what his tics are so has started to be able to know when to turn it up and when to dial it down. And for the most part (emphasis on most), he got that. Meanwhile, TT was giving fierceness, and I was here for every minute of it. Her reading SilkPress. Her being quip about it. Her 'BE STILL.' Ooooo she had a chokehold on me as Anita gave what I was expecting her to SilkPress. WORTH THE WAIT. I also loved Vernon's CHOOSE SILENCE. I wonder though if SilkPress will figure out Martin's condition from her observing Anita and Vernon with him.   And speaking of worth it...Oooo YES Nicole vs Ted was worth totally worth it. Oooooo I knew DD would nail it, and it was all so well done. The fight between the part of Nicole who is a therapist vs Nicole as a woman who wants to express how she feels. And being so angry. And how there would be moments when it would shoot out of her. And how she would restrain herself. But how she felt she should not be restrain. Just the levels of processing and layers. And DD played it all so well. I do wish Maurice gave just a little bit more, but overall, I thought he did a good job even if it was just Ted coming across as a deadbeat and not at all redeemable. And Kat being there for her mother was so beautiful.   Minority, but I love the montage though yes, it did run a little long. Given how the Duprees like to bond (and also as I mentioned from my own very recent family experiences), it did not seem out of place to me.     That said...let's see how the aftermath worked in today's episode. Overall. Cuz RC can be hit or miss. 
    • I wonder whose brilliant (

      Please register in order to view this content

      ) idea it was to do an almost complete rip-off of the "who killed Tom King"-storyline. That's some quality style writing right there.....  
    • The show is done. It got canceled at the end of January. https://www.soapoperanetwork.com/2025/02/fox-first-run-cancels-dish-nation-person-place-or-thing-pictionary-759232
    • I believe it. ESPECIALLY that last one. 
    • Aristotle Dumas. Just thought I'd throw that out there!  
    • Lol is that like an AI type of thing that popped up?

      Please register in order to view this content

    • Upton introduced a slew of new characters which must have had viewers heads spinning. And then Jean Holloway wrote all of them out. No wonder viewers switched off. And now we return to Love of Life... Charles, after a long period of refusing to admit he’s paralyzed, has had to accept his new life in a wheelchair, but insists that only Felicia care for him. Despite her growing exhaustion, he refuses to consider hiring a nurse, and Felicia, under the weight of her self imposed guilt forfeits her art work to accede to Charles’s demands and devote herself entirely tohis needs. She tells herself that being a prisoner in this house is her punishment and refuses to allow her mind to drift to Eddie, who had opened her mind to new levels. Despite Dr. Cusack’s insistence on additional help after Felicia’s first collapse, Charles continues to insist that only she can administer to him. But Felicia collapses again, this time with viral pneumonia, and a nurse is brought in. Felicia’s condition worsens instead of improving, causing Joe to speculate that it’s due to Charles’s subtle encouragement of Felicia’s guilt feelings and her own self-punishment. Eddie visits her, even though they decided not to see each other any more because of the emotional pull between them. In the delirium of a spiking fever Felicia calls out for Eddie. Joe feels she has reached a crisis and wants her in the hospital, but Charles is still clinging to her. When Felicia finally passes the crisis point and recovers, Sara warns her that she called for Eddie and must be more careful in the future.  The district attorney charges Ben with fraud and conspiracy. Meg puts up his bail. As Arlene, terrified of jail, is taken into custody, Carrie has an attack of chest pain. Ben continues to try to prove to Betsy that he loves her and has grown up, but circumstances continue to make her question his motives, and she rejects his overtures. Arlene, questioned by the court officer preparing the court report, cynically states that the rich, like the Harpers, always get away with everything and she will take the rap. She accidentally slips and mentions the forged divorce papers, and the officer notes this.Carrie is hospitalized. Joe suspects a dangerous thoracic aneurism, but then, all heart involvements are dangerous. Arlene wants to stay, but has to go to court for the sentencing. Ben, at his own insistence, makes a statement absolving Arlene of all responsibility, saying her only crime was loving him too much. The judge takes this into consideration and sentences Arlene to six months probation. However, when sentencing Ben, he explains that new evidence has turned up—the forgeries—and Ben is sentenced to one to four years. Ben asks to begin serving his sentence immediately. As Ben tried to arrange financial aid for Betsy through Jamie, she visits him in jail, saying the offer was “decent” but this is her baby. When he insists the baby was conceived in love, Betsy claims he was only pretending love. When Ben tells her to tell the baby that “there was a father who would have really welcomed him into this world,” Betsy rushes out in tears, and Ben starts to cry. Jamie, having waited patiently for Diana to recover from her emotional depressionn,now tells her he can no longer live with her as brother and sister. Diana replies that they have good memories and have taught each other how deep a relationship can be, but now it is time for them to go their separate ways. Meg, learning that the child of an annulled marriage is legitimate and the father has rights, sets up a trust fund for Betsy’s baby. Betsy doesn’t want her child ruined by money. Arlene is having trouble holding a job, despite help from her parole officer, and is under the twin pressures of having to repay Ray’s bail loan and the stunning news that Carrie’s necessary surgery will cost over ten thousand dollars. Carrie, discovering this, checks herself out of the hospital. Joe and Dr. Tom Crawford explain to Arlene that the money end of the surgery can be handled through the free clinic, but Carrie must have the surgery now. But Carrie’s past due hospital bill has been turned over to a collection agency, and Arlene is out of work again, so she goes to Ray for help. He would like to turn her down, as he has discovered that she was informing Rick of Ray’s attempts to muscle in on Skylar Mountain, but when his influential customer, Mr. Ian Russell, tells Ray he wants to meet that girl, Ray lets Arlene know he has a job for her. Meg asks Rick if they can start over together, but Rick has had it and is clearing out his desk. Learning that Ray has withdrawn his backing offer to Rick and that Rick has no available cash, Meg calls his bluff. She sets a price on her share so high that Rick can’t touch it, and sets her price for buying him out so low that he would have nothing left. Rick and Cal decide to elope and tell everyone afterward. But Meg gets wind of the plans and confronts them in Rick’s office. She blurts out that Cal is not the only one who loves Rick and that she and Rick were lovers as recently as a month ago. Rick tries to explain to Cal, but she is revolted and takes off in her car. When she runs it off the road, she takes off on foot, and is found, exhausted, by a hunter, who calls the highway patrol. When Rick arrives with Joe,. she refuses to let Rick anywhere near her. Cal refuses to believe Rick’s assurances that he’s really through with Meg, and makes plans to go to San Francisco. Meg, learning from Jamie .that Rick is severing their partnership, informs her lawyer that she wants all monies in both Beaver Ridge and Skylar _ Mountain tied up, and she wants Rick ruined. Rick follows Cal to California and tells her he has given up everything to prove that Meg means nothing to him. Cal insists that she feels nothing, but relents when Betsy calls, confirming everything Rick has said. She then admits that she loves him but says it won’t work. But Meg has followed them and confronts them in Cal’s hotel room. She informs Rick she’s bringing a suit against him for breaking up their partnership and this will ruin him. Rick quickly points out that Meg just defeated herself rather than him, because Cal had refused to marry him, thinking her mother loved him. Seeing what Meg’s “love” is, there is no reason for Cal to deny her own love for him.  
    • fyi. there is some discussion of the views of the new Pope Leo on the "politics thread". (Link) 
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy