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As requested by @BoldRestless the 1976 story summary of Y&R from the Daytime serial newsletter.

I will post it in parts as it is quite detailed. 

Pt 1

Set in Midwestern Genoa City, The Young and the  Restless, which premiered four years ago, is the story of the Brooks and Foster families. Jennifer and Stuart Brooks are, on the surface, the perfect couple, blessed with four beautiful daughters, but under the veneer of a first impression lie cracks in the facade.
Jennifer had become dissatisfied with her marriage after the birth of her oldest daughter, Leslie, and had left Stuart with the idea of returning to her former fiancé, Dr. Bruce Henderson. After later reconciling with Stuart, Jennifer found she was pregnant with Laurie, and she has lived all these years with the suspicion that Laurie may be Bruce’s daughter. Leslie  has recovered from a nervous breakdown and is now a famous concert pianist, happily married to former Surgeon now newspaperman Brad Elliot.  .
Chris Brooks is married to Dr. William (Snapper) Foster, and Peggy, the youngest Brooks daughter, is a college student. Jennifer recently left Stuart a second time, considering again a life with Bruce, but the discovery of a lump in her breast followed by a mastectomy for cancer has again changed her priorities. 
 Laurie, meanwhile, has been dating Dr. Mark Henderson, Bruce’s son. 


Snapper’s mother, Liz Foster, had finally accepted the fact that her husband, Bill, had abandoned their family and had had him declared dead when he suddenly walked back into their lives, suffering from emphysema. Jill, Liz and Bill’s only daughter, was married to Phillip Chancellor, the father of her unborn child, just hours before his death. Phillip obtained a quick Caribbean divorce upon learning of his impending fatherhood and was badly injured when his
now-ex-wife, Kay, meeting him at the airport upon his return, lost control of the car when he told her of his plans to marry Jill. After Phillip’s death Kay vowed to void his marriage to Jill and deprive Jill of |his estate.

Kay’s son from her first marriage, Brock Reynolds, supports Jill in her claim, but Kay, a
former alcoholic, cannot accept the idea of having lost Phillip to her former paid companion.
Greg Foster, Jill and Snapper’s brother, is an attorney working for Legal Aid, where Chris is his assistant.

Upon learning that her daughter Lauralee has become engaged to Dr. Bruce Henderson’s son Mark,Jennifer Brooks tells Mark she suspects he and.Laurie are half brother and sister. She explains she spent a week with Bruce after a bad fight with her husband, Stuart, when she believed their marriage was over. A blood test confirms her fears—Stuart cannot be Laurie’s father. Keeping what he’s learned to himself,Mark painfully breaks his engagement to Laurie and leaves town. Laurie is shattered by this, unable to understand what went wrong. But soon she begins to put bits and pieces together and confronts hermother, asking what she said to Mark that drove him away. Jennifer finally tells her daughter the truth and stands helplessly as Laurie turns to run to her father for comfort and suddenly realizes he’s not her father—even this her mother has taken from her.
Laurie follows Mark to Cleveland and tries to persuade him that they can still be married—they need not have children—only to be hurt again when Mark sadly tells her their love would become dirty and they would wind up hating themselves and each other. Heart broken, Laurie agrees to let him go.
Jennifer has recently left Stuart, due to growing frustration in her marriage, and had planned to marry Bruce, but discovery of breast cancer and a subsequent mastectomy caused her to reconsider her plans. When Stuart earnestly pleaded with her to come home to him and their daughters after her recovery, she agreed, but now her guilt over Laurie’s situation has caused her to waver. When Laurie confides the truth to her older sister Leslie, Les makes it clear to her mother that she finds the idea that Jennifer would think of returning to her father contemptible. But Brad Elliot,Leslie’s husband, warns her to hide her feelings or her father will notice and ask for an explanation.Jennifer gives in to Stuart’s wishes, and he welcomes her home as his wife again.
Leslie has had two more piano-concert triumphs and basks in the attention of the music world, as well as that of Lance Prentiss, a wealthy industrialist who has been following her career with avid interest. Les invites Lance home to Genoa City, hoping the dynamic, handsome young titan of business can help distract Laurie from her heartbreak.
With the birth of Jill Foster’s baby imminent, Kay Chancellor offers Jill one million dollars for the child —fathered by her late husband, Phillip Chancellor. After Phillip’s death Kay had the divorce ruled invalid and voided Jill’s marriage, making her unborn child illegitimate. But now, finally acknowledging Jill’s baby as Phillip’s, Kay tells Jill she can give the child the Chancellor name and social position, as well as the love she had for Phillip. Jill, torn by love for Phillip and his baby and the extreme financial need of her family (Jill’s father is dying of emphysema and needs a warm, dry climate), realizes that Kay can give her child everything he could need, things Jill could never provide, and agrees to Kay’s terms. 
Jill’s son, Phillip Chancellor Foster, is born prematurely a few days later. Liz Foster, Jill’s mother, is horrified that Jill would “sell” her son to Kay, and Jill’s father, Bill, is horrified that it is concern for his health that led Jill to this arrangement. He would rather die than give up his grandson. But when Jill, who has avoided seeing her child, has to take physical custody of him in order to deliver him to Kay, she is suddenly unable to give him up.

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Y&R 1976 Pt 2

Bill is overjoyed when Jill arrives home with grandson. But Kay is furious and checks into legal action, only to find that there are no grounds (the check was returned). Brock Reynolds, Kay’s son from her first marriage, convinces her she can be the baby’s godmother and provide for him out of love.

 But just as she’s starting arrangements to do this a legal petition arrives stating that Phillip Chancellor Foster is a rightful heir to and is now claiming his share of Phillip Chancellor’s estate. Jill has to do this, as the Foster family’s finances are now more precarious than ever. In fact, Liz, unable to get her factory job back, has secretly started working for Kay as her
housekeeper. Jill explains to Kay that she has to do this for her baby’s sake but will drop the suit immediately if Kay puts it in writing that she will provide for them. Kay, however, retorts that Jill is the one who can’t be trusted—after all, she went back on her agreement to let Kay have the baby. Despite her attorney’s advice to work out an out-of-court agreement, Kay —
insists on seeing this through. When Jill takes her little son to Phillip’s grave -on the Chancellor estate, Kay runs her off the property.


In court, the geneticist testifies that Phillip could have been the baby’s father, but that Brock could have been, also. Jill then testifies that Phillip was the only man she was ever intimate with, and then only once; that Phillip decided on an immediate divorce from Kay and marriage to her, Jill, so that his baby could have his legal name. But Kay’s lawyer brings up the “dead-man statute,” which holds that conversations with a deceased person are not admissible as evidence because he can’t defend himself. When the  judge upholds this statute, Jill comes close to being held in contempt of court. 


Brock takes the stand and substantiates Jill’s testimony that although he and Jill lived together for a time before her marriage to Phillip, they were never initimate. But the judge rules in favor of Kay; little Phillip’s claim is rejected. Jill emotionally tells the judge he has denied a child a decent life and a man  his dying wish.
 

Brad is told by Dr. Snapper Foster,his brother-in-law that his condition, nephritis of the optic nerve, is stable. The optic nerves are still swollen, but since his headaches have stopped he should continue his cortisone treatment. Brad is still firmly insistent that Leslie not be told. 


From the moment they meet, Lance and Laurie charge the air around them with static. They find each other arrogant and egotistical, but when Lance needs a date for his trip to London, he calls Laurie, and she accepts. The pilot of Lance’s private plane cryptically suggests that Laurie turns his boss on because she seems turned off by him. This seems to hold true for
Laurie, too. By the end of their London stay, Lance and Laurie have come to a better understanding of each other. Lance tries to tell her that, with talent of her own, she should not be jealous of Leslie. She tells him she has a book coming out, but it won’t be published under her own name. She explains further that she was an outgoing child and her parents didn’t understand that she needed as much attention as the introverted Leslie did. (Laurie has always felt she existed in Leslie’s shadow. Les is married to the man Laurie wanted, and is a successful concert artist, with the fame and recognition Laurie has tried so desperately to achieve.

Laurie’s first book, a sexploitation novel, was a failure, and this new book is a novel based on Leslie’s nervous breakdown and recovery—something Leslie is trying to put behind her.)
Gwen Sherman, now Sister Magdellen, will soon take her final vows, but still feels God holds her past against her, because nobody could possibly believe that a prostitute could be pure enough to become a nun. She finds her accidental meetings with Greg Foster (they were once in love) increasingly meaningful to her, and she begins to dream of Greg holding her in his arms. Finally, in torment and uncertainty, she tells the Reverend Mother she’s leaving the convent.
But on the day of her release, Greg arrives with one of the convent orphans unconscious in his arms.The boy had fallen from a fence outside. When the  boy, Ramon, who had not spoken a word since his arrival, comes to, asking for Sister Magdellen, Gwen sees this as a sign from God and accepts her vocation. She will take her final vows and then enter nurses’ training. 
Stay tuned...

Edited by Paul Raven
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1976 Part 3

Peggy Brooks, the youngest Brooks daughter, upset over her parents’ recent marital trouble, has turned to her college teaching assistant for help with her studies, and then for emotional support. Jack Curtis is deeply attracted to her but tries to warn her not to get emotionally involved. But Peggy confesses she’s fallen in love with him, and he knows he returns her
feelings. Jack, whose real name is Johnny Kryzynski, a name he feels is too difficult for professional use, is married to Joanne, a waitress at the Allegro, Leslie Elliot’s restaurant. Joanne, who is very overweight, is on another of her frequent reducing diets, hoping to regain Johnny’s love and attention. She is encouraged by Brock Reynolds, who manages the Allegro for Leslie.

Sympathizing with her problem and her need for her husband’s love, Brock tells. her she must feel beautiful herself before other people can see it. One night, while discussing Joanne’s previous, fruitless attempts to diet, Jack asks her a question he’d never actually asked ‘before: Why had she gained all  that weight? Joanne painfully tells him that she found
out a year after they were married that she was pregnant. When she sounded him out about children, he had made it clear they couldn’t have a child until he’d finished school, so she secretly had an abortion, which left her feeling so empty that she ate to fill the emptiness. For the first time in a long time, Jack put his arms around her and kisses her.
Feeling that Johnny really cares now that he knows about the abortion, Joanne’s trying very hard'to stay on her diet. But Peggy, having lunch at the Allegro, confides in her friendly waitress that she’s in love, and the man’s name is Jack Curtis. Joanne is heartsick, not only for herself but for Peggy, who obviously has no idea that Jack is married.

Knowing that Peg’s sister Chris Foster works for Legal Aid, Joanne consults Chris about a legal name change, explaining that her husband, Johnny Kryzynski, uses the name Jack Curtis professionally she may as well make it their legal name. Chris makes the connection and tells her father about it.
Stuart confronts Jack, demanding to know how he could do this to his wife and to Peg, and what he is going to do about it. Jack asks for time to let Peg down easily. When Peg learns that her father has seen Jack, she furiously informs him to stay out of her relationship with Jack. Peg later apologizes for her angry words, but she and her father cross swords again over Jack, and, backed into a verbal corner, Stuart blurts out, ‘For’ God’s sake, he’s a married
man!”

Disbelieving, Peggy goes to Jack, who tries to explain he’s started to tell her many times but, not wanting to hurt her, kept hoping for a better time to do it. Peggy, in shock, goes to the Allegro to think this out. Seeing the pain Peggy’s suffering, Joanne goes over to her and gently tells Peg she understands the hurt she’s going through—they are both in love with the same man, because Jack Curtis is her husband.


Jill, having decided she must have revenge on Kay, has liquor delivered to her daily. When this doesn’t drive Kay back to alcoholism, Jill embarks upon a campaign to'convince Kay that Phillip is still alive. Jill slips into the Chancellor house each evening, after Liz has left, and leads Kay into reliving incidents and conversations which occurred over a year ago, when
Jill was Kay’s paid companion. In this way Jill shakes Kay’s acceptance of Phillip’s death and has her convinced that Phillip is only away on a business trip.
But Liz and Brock discover Jill’s grisly charade and begin to help Kay back to reality. Faced with the enormity of what she’s been doing, Jill realizes how wrong this is and decides to end the hostilities.

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