Jump to content

DAYS: Behind the Scenes, Articles/Photos


DRW50

Recommended Posts

  • Replies 7.3k
  • Created
  • Last Reply

Top Posters In This Topic

  • Members
JASON47'S FROM THE VAULT: "WHO'S WHO IN DAYTIME TV" (1975)...
Click here to see the 1975 edition of Who's Who in Daytime TV:
JASON47's FROM THE VAULT: WHO'S WHO IN DAYTIME TV (1976)...
Also features a nice color photo of Edward Mallory and a look back at the early years of Fran Myers (the long-time "Days" writer and current script editor), back when she was an actress.
Edited by JAS0N47
Link to comment
Share on other sites

  • Members
JASON47'S FROM THE VAULT: THE "DAYS OF OUR LIVES" PROPOSAL...ALICE HORTON
1527121_414111115397835_5118257283635204
Pictured above: The three faces of Alice Horton...Mary K. Wells, who turned down the role since she was based on the East Coast; Mary Jackson, who played Alice in the first pilot, and Frances Reid, who became the only Alice "Days" fans ever knew.
Here's how Alice Horton was described in Ted Corday's proposal for "Days of Our Lives"...
Tom's wife, ALICE, is still a strikingly handsome woman. It is easy to believe that she turned down the offers of more than one wealthy young man in order to marry Tom.
Alice had the normal American girl's dreams of comfort and affluence when she married Tom Horton. Even then, as a young ball player, he was making more money than the average family doctor. Alice understood that the time and the earnings Tom invested in his medical studies were both investments in the family's future.
The Horton family never missed a meal, or a mortgage payment. Neither did they ever move out of the rambling frame house the young ball player-medical student bought for his bride. The Horton family has never been able to afford the luxuries enjoyed by the wives and children of most of the other doctors Alice knew.
At first, Tom's lack of 'practical' values was the cause of great distress to Alice. She resented his failure to 'get ahead' - but, being Alice, she kept these resentments to herself. Later, as her children began to grow up, and some of them began to complain that other doctors' children had more good things than they had, Alice found herself defending Tom with all her heart and soul.
In her own mind, Tom had become a noble, visionary creature to whom science and academic honors would always mean more than money. She loved and respected him for it - but she was not about to let any of her children grow up to be as 'impractical' as their wonderful father. She was going to give her children 'firmer goals' in life, 'stronger values.'
'Values' mean different things for Tom and Alice. To Tom, values are things moral, spiritual, and intellectual; one exists to give of oneself to life and to all people, strangers and brothers, who share this life. To Alice, values are tangibles measured by the yardsticks of the marker place: life consists of taking all that life and other people can be forced to yield. However, she is not a taker for her own sake: for herself, she is quite content, but for her family she wants money, prestige, comfort, security. Alice would be truly astounded if she ever found out that, deep down, she and Tom want the same things.
Above all things, Alice wants her children to be 'practical.' Tom has never learned how to be 'practical,' and Alice rarely tries to 'keep his feet on the ground' as she used to when they were first married. Tom is forever bringing home impractical and wildly extravagant gifts for his wife and his children and his grandchildren. The fact is, as their daughter MARIE once observed - that, in proportion to his income, Tom has probably spent more money buying gifts for his wife than any doctor in Salem City. Alice kicks up a fuss with each such display of Tom's extravagance - but she is also frank to admit that she would miss them if Tom 'reformed.'
Now, in the third decade of their marriage, Alice is Tom's most ardent defender - against the world beyond the family circle. She feels he is entitled to far more honors, respect, and fame than he has yet received - and, in her own way, she does what she can to make the world look up to her husband,
On their 30th wedding anniversary, one of their children proposed a toast that summed up the story of their lives together. It ran: "Here's to the marriage that never was supposed to happen, never supposed to last, never supposed to bring a moment of happiness to either of its partners - and this child of that marriage will go to his grave swearing that never has there been a happier marriage in the whole cockeyed history of matrimony."
The Hortons have brought five children into the world...
(Coming soon, find out the first descriptions of the Horton kids!)
Link to comment
Share on other sites

  • Members

Looks like extra characters got added to the links when I posted them here. Don't know why. I'll go correct the links now, so they should be working fine.

Irna Phillips and Allan Chase worked with Ted to come up with the ideas for Days, so I'm sure some of this is probably direct from Irna. It's Ted who wrote out the proposal when pitching the series.

Link to comment
Share on other sites

  • 1 month later...
  • Members

Cindy Daly was Cathy Breton.

Elizabeth Harrower introduced her as an orphaned student nurse who was being set up to be Alex and Marie's daughter. Then Nina Laemmle became headwriter and Cindy was dropped in favor of Jessica, who was setup as Alex and Marie's daughter.

$_57.JPG

Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Unfortunately, your content contains terms that we do not allow. Please edit your content to remove the highlighted words below.
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

  • Recently Browsing   0 members

    • No registered users viewing this page.



  • Recent Posts

    • I'd say just the opposite - conflict means they will find out and then be at odds. For the limited amount of time people on this show have conflict (if they aren't named Nina or Ric, I guess).
    • Totes mcgoats (aka I agree). But, now the character needs to move forward.  Clyde's exit was 12/11/24.  It is May.  She and Chad have been on one date. I don't think they've slept together. And she was only planning on sticking around for a year.
    • That is one of the best insults I've heard in a long time.  I burst out laughing when Kat called Eva that.  LOL Their scenes, of course, were really good.  Colby and Ambyr have so much chemistry.  The only thing I'd change is Kat saying "you're dead to me."  That's a phrase usually said about someone you care about.  I would've preferred something like "You will never be my sister," or something similar to that.  Nice contrast at the end with both mothers/daughters:  Kat comforting/consoling her mother, and Eva being locked out by her mother.  Yeah, I wasn't a big of fan of the singing either, especially after your daughter's life has been destroyed.  What?  LOL And I also agree with those that thought Dana/Leslie's scenes with the Dupree's didn't feel right since Eva is not a Dupree....unless she is.  But as of right now, she's not. 
    • Trisha Mann-Grant, Ambyr Michelle, Sean Freeman are destined for bigger and better things. They need to move on as soon as their initial contracts are done.
    • Daphnée Duplaix and Trisha Mann-Grant on Instagram live, 5/5/2025 just concluded, saved here https://www.instagram.com/p/DJSsYb7PDv8/                
    • I really need to see Anita in a scene that isn't with a family member. In fact, I would have preferred that she would have gotten rid of the mob and had a one on one with Leslie to lay down the law with her.  I'm going to say it, Mike Manning has been completely lifeless on this show. Other than people's superficial fondness for him, I don't get what they see in him as an actor. I never saw him on DAYS though. The show had another really strange cut right before the opening credits where it looked like they almost cut off Nicole mid-sentence.  Kat/Eva are carrying this show on their backs. Lock them in for lifetime contracts, I beg.
    • There's a 1980 scene of Victor and Katherine in the Chancellor Estate living room where they went over a contract that would put Victor in charge of Chancellor Industries, but it was rewritten that Katherine brought Victor to Genoa City so he could run Chancellor Industries.
    • Put me in the minority in being happy about Cat not being Abby. After the two adult recasts played tag with the role, it's time for a few years of rest. I have a huge list of things I hate about RC's writing, but that choice was not one of them. 
    • Except she never worked there at all and barely even knew where the Chancellor Industries plant was located  In 1980, Kay attempted to install Derek Thurston (her third husband) in a position at Chancellor Industries.  The show introduced a character named George Packard who'd supposedly been running Chancellor since Phillip's demise in 1975.  (George Packard's storyline in 1980 was attempting to keep Derek Thurston from bankrupting the company.)   We didn't hear much of anything about Chancellor Industries for the next twenty-five years.  Then, at that point, we met Eliot Hampton (?) who'd been running the company for decades and had been embezzling from it.  Jill took it upon her herself to oust Eliot Hampton (?) and take control of the company.  That's when Kay became actively involved in the management of the company.  From 1974 till 2004 Kay Chancellor was strictly a hands-off owner.  It was downright absurd that the last ten years of life, she was written as this formidable businesswoman who'd always been involved in Chancellor Industries.  
    • Well, it's going to be something when he finds out the truth.  Agreed.  On that note, I can't until it all comes out. I find Lulu to be ridiculous. 
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy