Jump to content

What if Bloom offered Ellen Wheeler Y&R?


Recommended Posts

  • Replies 16
  • Created
  • Last Reply
  • Members

It will NEVER happen.

Legally, it's impossible. Barbara can't offer anyone anything having to do with Y&R.

CBS and Barbara Bloom have NO SAY...I repeat, NO SAY in Y&R. Sony and Bell Dramatic Serial Company are the principle owners of the show; Corday Productions owns 1% of the show.

Don't waste your time speculating. It's inflammatory and ridiculous.

Link to comment
Share on other sites

  • Members

How about no.........

Bloom can't hire anyone at Y&R. As we know, she suggest Latham and Sony and Bill Bell, jr. hired her. CBS doesn't own any of their soaps, so they don't have that direct power to chage management at any of those soaps.

And as Maria said in her latest interview, Y&R is "my show, and my vision." She said that though her relationship with Bloom and CBS is respectful, everything on the show is ultimately her vision.

If GL is canceled, I doubt Wheeler will be heading West...

Link to comment
Share on other sites

  • Members

Before I say anything, let me be clear that I do NOT like what's happened to Guiding Light at all. And I feel EW, while her heart may be in the right place and in some situations her hands were way tied, has still made many bad decisions in the EP role over there.

Having said that, I think Ellen Wheeler would be a great addition to ANY show as a director when GL goes off the air. Her work as a director on ATWT was always consistently strong, and directors on daytime don't have the power to just "move" an episode outside where they break all the laws of television cinematography. I think she's still an asset to daytime, just not in the capacity she's in now.

If GL was going to move to Peapack anyway for budgetary reasons with or without Wheeler, they should have gotten an EP who is experienced in this kind of storytelling (Daran Little, perhaps, since he wants to be in American daytime anyway?). Not somebody who has never experimented with this kind of production before.

But I do think Ellen will (and should) find work again as a contract director.

Link to comment
Share on other sites

  • Members

Where did any of you "get" that Bloom and Wheeler get along? Just wondering...

The only thing Bloom can do for Y&R or B&B is suggest ideas. Bloom's control over the Bell soaps is very, very limited, especially since they command the top spots in the ratings. Bloom has been able to strong arm GL because of its continued low ratings.

BTW, I haven't been thrilled with many of Ellen Wheeler's decisions with GL, but she has tried to keep GL on the air, despite Bloom's interferences. And for that, I guess I owe her a 'thank you.'

Link to comment
Share on other sites

  • Members

Ellen Wheeler as said is a great director and I think under the right conditions could be a good producer.

One thing that she knows how to do that producers like Ken Corday and others don't know how to do is work on a tight budget and save money. It is only through some of her efforts that money was saved and actors like Michael O'Leary were able to be put back on contract. Any other producer would not have been able to even save the money she did to hire back Grant Aleksander or bring someone like Daniel Cosgrove back.

One thing she has done is tried and I give her credit for that. She didn't give up without a fight and I feel a lot of producers would have done that faced with the obstacles that she has been faced with.

I do not want to see her handed a show outright and run it, but put her on staff and watch her. I would just really like to see what she could do - esp. if she brought some of the cast usage ideas she has incorporated onto another show. No one has ever been able to use actors only for their guarantees and such. Also she has managed to get many actors to work on recurring on the show, and she has used them - not abundantly but as best she could.

She is not perfect but I don't think she is the heart of all the problems with GL either. Much of what has happened has been the budget and things that are totally out of her hand. I think the production model was pushed on her and she has had to make it work. If the model had not been thrown on her I think the show would have been cancelled already. P&G just seems like they are using GL as a guinea pig right now.

Link to comment
Share on other sites

  • Members

My goodness, my heart skipped when I read this title.

I applaud the Wheeler experiment. It needed to be done, and why not with a dying show? I consider it like a Phase I Clinical Trial/Toxicity Trial. Test something with the hopeless cases.

That said, Y&R may be the one show that SHOULD NOT have such further experimentation. Y&R is the ONE show that may lend some survival to the traditional soap genre. Let us nurture it as such...not a fossil...but a full-bodied, viable survivor.

In that sense, Jeanne Cooper is an excellent metaphor for Y&R. She may be from another era, but she is still going strong. Let's not do anything to mess that up.

Link to comment
Share on other sites

  • Members

I'm going to say it...

Ellen Wheeler was a shitty director on ATWT. I think he episodes were choppy, they didn't flow well, and she used her same typical shots day after day. No creativity. But people said, "Hey, it's Marley! It must be good!"

She spends her whole career as an actress (off and on). She directs for a whopping three years before she gets promoted to being a producer. And then, less than five years after she even began doing behind-the-scenes work, she gets promoted to EP.

Yeah, WTF?

She's a bad director, a bad producer, has bad people skills, and she's all around been a terrible fit for GL. And judging by her recent interviews, it's obvious that Ms. El needs to take a huge chill pill and a BREAK. Seriously. Or else her eyes are going to bulge so far out and her head is going to pop off.

Link to comment
Share on other sites

  • Members

LMAO! Awesomeness. Yeah, acting was obviously her calling. She has not faired well behind the scenes. Once GL is done she can call herself a Freelance Soap Killer, because that is exactly what she will do if she is given the reigns of another show....

Link to comment
Share on other sites

  • Members

I have to agree. She was a wonderful actress but she's overrated as a director. Her work in that field has been mostly mediocre.

I'd say she's a barely passable director, a terrible producer, and has, at the very least, been very poor at communicating with the press, the viewers, and apparently many employees. At worst, she's a hack who has run the longest airing series in international TV history into the ground based on her own myopic personal whims and has butchered it to the point where it may never be respected for what it was because of how it died.

Link to comment
Share on other sites

Archived

This topic is now archived and is closed to further replies.

  • Recently Browsing   0 members

    • No registered users viewing this page.



  • Recent Posts

    • Please register in order to view this content

       
    • That would require Dani to think about someone/something other than herself.. and we all know Dani only thinks about Dani.  Including her butting into Nicole's business instead of just being a supportive sister.
    • I also hope there will be a follow up to Dani noticing Vanessa with Joey. We need another scene of them two together. And does Dani have any knowledge of Vanessa's affairs?
    • One of the soap greats. I wish I had a stronger connection to her, but her major soap stints passed me by. However, the way veteran watchers have described watching her back in the day makes me yearn for the glory days of soap. As a DAYS fan first, her time on the show is basically an enigma. As years have passed as a member of this board, previous and current members have talked in fondness about her obviously major story with Dickie and David's death, but even more interestingly, her romance/friendship with Bill, and the fascinating tangled tale of her encounter in the park with Eric Peters. It's such a shame DAYS never swayed her back home where she belonged. Though I am more than thankful RC and JG didn't get their grubby paws on her, especially with the horrible example of how they saw fit to write Marie and Liz's relationship with all the nuance and sophistication of a pigpen.  SSH's remembrance of her was wonderful to read, so thank you to whoever posted. Could be cool too if any of her Clear Horizon material popped up. Does anything of that show exist?
    • All this! Especially the highlighted. If today was any indication to what's to come, I see Mona and Shanice roles being beefed up. I personally think they are going to test her out with Doug.  I initially didn't see it for Kat, since the Eva reveal, and few of her scenes around it. Made me warm to her for some reason. 
    • Agreed, pretty much with everything. The dialogue bugs the hell out of me. I don’t think a lot of it even works written out on a page, much less spoken. Even a veteran like TT can’t help but sound stagey with such purple prose. Re: the Duprees. I’m guessing that they’re holding their cards close to their vest on them for the various mysteries that will unfold, but I wish they weren’t so opaque and tonally weird as characters, especially in these make-or-break early days. (One reason why I wish they’d give up on keeping secrets from the audience and just allow them to speak freely, allowing the tension to come from what other characters don’t know.) Dani is giving Carly Corinthos realness, which isn’t a compliment. Oh, don’t get me started on the Black male characters and the tropes they’ve employed thus far. I had hoped a Black-created, NAACP-co-produced soap would be more cognizant of these traps, but nope. At least it seems like they’re playing the long game with Andre and Dani after all this feening over basic Ashley.
    • I feel like the reason they went with these two stories is because these are common stories told on soaps that allowed them to really tie the entire canvas in and help develop their relationships. I do understand the implications of having two cheating stories and these being Black characters but MVJ has always been clear that she wanted to show us the same way characters are featured on any soap. I don't think any story should be off limits just because the majority of the characters are Black. We have several positive representations of Black men so it's not like everybody is a cheater or a bad spouse. I also think the two stories and relationships are different enough that the stories don't feel similar in any way.
    • Well, on that point, I am one fan, and I know I'm not alone in this, who thinks that it is possible to have a time or times on a show where the ratings do not reflect the show's popularity & I think that is because it is possible for the metric to be broken. 
    • The Anita scene with Ted was written all wrong. Dani should have come in like she did, all guns blazing, with Anita showing up and ushering Dani out, as she stays alone with Ted. He's ready for more fury, but at first she treats him like her son, not just some man Nicole married, she's confused and heartbroken, needing explanation. Then, she drops the motherload and tells him to get his damn act together like she did. Anita came off completely one-note. And with both Dani and Anita in the scene, the self-righteousness just made both look like harridans who wouldn't shut the hell up. Very disappointed in that scene. The scene with Eva was much better. It could be good if somehow Vernon starts to soften towards her and that puts the first signs of strife into their marriage. We need something interesting to happen with them, for once. Mona was the MVP today for me. I love Leslie and especially Eva, but I was firmly on Mona's side today. She deserved to get her two cents in. The scenes just left me wanting more of her and her inner life. They should really drop Ashley, Derek, and Tomas and put Mona, Laura, and Shanice on contact stat! I don't get why Leslie continued to lie about where she got the money Ted gave her though? What purpose would that serve? Faint hopes that Mona would still forgive her, I guess? Kat really gets some of the best lines. Through all the bitchiness and judgment, she has a talent at keeping me on side because somehow she's never come across unlikable to me, where someone like Dani, even Anita, falls. The scene with her, Martin, and Nicole was a necessity. Things are coming together to making that part of the family feel more like a family. Now I anxiously await Kat and Ted having a one on one confrontation. It would be perfect if it happened to be in the new Ted's first scene/episode.
    • They’ve been really nailing the fall out super well and your whole post really highlights some of the great parts and ramifications we’re seeing.
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy