Jump to content

Edge of Night (EON) (No spoilers please)


cct

Recommended Posts

  • Members

Mimi Kennedy did not play Phoebe. When the character returned in 1972, absent since 1968, actress Laurie Kennedy was cast in the part. Laurie is the daughter of film actor George Kennedy. It is my understanding that Kennedy could not cope with the pressure of live performances and was let out of her contract after only a few weeks in the role. Leister replaced her.

Johanna chose not to renew her contract, and Slesar used her departure in the Claude Revenant plot, which affected most every character on the canvas.

Phoebe's first story upon her 1972 return involved her affair with the older Ashley Reynolds. Ashley was married to wealthy socialite Kay LePage. He convinced Phoebe that he wanted to divorce his wife, and of course he had no intention of doing so as her money supported his carefree lifestyle. The affair with Ashley segued into two major plots.

In the first, a concerned Martha hired private detective Joel Gantry to expose Ashley as a liar. Gantry was also investigating Nicole's boss Jake Berman, whose first wife Edith had committed suicide months before. It transpired that Edith had in fact died by Jake's hand, and he made it look as if she took his own life. Shortly thereafter, Jake himself was murdered, leading to Adam Drake being arrested and tried for the crime. The real killer was Joel Gantry. Unknown to anyone, Edith Berman was his mother from her first marriage. Kevin uncovered evidence incriminating Joel. Joel kidnapped him, took him to a deserted cemetery and forced him to dig his own grave.

The second major story to offshoot from Ashley involved his wife Kay's father, entrepreneur Walter LePage. Following her divorce from Ashley, Kay married Laurie Karr's ex-husband Vic Lamont. Vic had divorced Laurie after she had an affair with Johnny Dallas, who had mob connections and had been hired by Jake Berman in the plot mentioned above. Johnny's restuarant The New Moon Cafe had been infiltrated by the mob. Several characters were killed off, including Vic himself, who died without knowing that his father-in-law Walter LePage was head of Monticello's crime syndicate.

Yes, Phoebe's death created the perfect environment for Geraldine to push Raven and a vulnerable, lonely Kevin together. Of course, it eventually had fatal consequences for poor Kevin.

Edited by saynotoursoap
Link to comment
Share on other sites

  • Replies 2.2k
  • Created
  • Last Reply

Top Posters In This Topic

  • Members

Thanks for all the details. I think I may have seen a bit of Phoebe in your uploads...I can't remember.

Sounds like some great stuff. How was it at the time? Did it pale compared to the previous big stories like the Jonah Lockwood tale?

Which Kevin did you prefer? Shoberg or Driver?

It sounds like even if Slesar did not get as much of a heavy "youth" mandate until the late 70's or early 80's, he still tried to put young characters in central roles.

Link to comment
Share on other sites

  • Members
  • Members

I cannot remember when the shows began and ended. However, I can tell you the point in the storylines on which they began.

The show began airing in the summertime, I do remember. The Bryson clinic storyline was just complete. I think that the first episode was the one after Nancy's rescue. Beth was seen in at least one episode when she was shown in prison.

USA Network aired the series until the very final episode. The show aired Monday through Thursday nights, and two episodes were shown on Thursday.

When USA Network began airing the reruns of Search for Tomorrow (shortly after its the final network episode), Search for Tomorrow picked up at the very time that the episodes of The Edge of Night was airing. Then, after The Edge of Night's final episode was presented, Search for Tomorrow began airing two episodes per night. I guess that four episodes may have been presented on Thursday evenings. However, the run of Search for Tomorrow did not last long after The Edge of Night ended. I suppose that the ratings were not as good for Search for Tomorrow as they had been for The Edge of Night.

If that is the case, it shows that ABC made the mistake of not airing the show on latenight network television when the show switched networks in 1975. The network was in favor of doing that, as well as Procter and Gamble Productions and much of the show's cast. However, one particular performer (Donald May) objected because the performers would have received no more monetary compensation (or possibly very little) had the show aired in late night television. He refused to allow the show to air without a doubling of his salary. ABC made the decision to not air it based on his reservations.

Link to comment
Share on other sites

  • Members

As I think back, The Edge of Night aired its final broadcast in December 1984. It must have been late July 1985 or August 1985 when the USA Network began these broadcasts. If I am wrong, it may have been 1986. I hope that someone will correct me if I am wrong.

Link to comment
Share on other sites

  • Members

OK, EON fans, I have some questions from fully watching those two episodes:

1. Who killed Nicole? Was it intended or was she truly the wrong target?

2. What did Nicole just off of murder for?

3. Why was Malloy so solemn over Nicole's death? I know they were friends but it seemed like something more. Was he developing feelings for her?

4. Was Didi well-received with the audience?

5. Was Cliff always a dud? I found him to be the same during the Clown Murder Mystery too. So I am guessing he was the show's comic relief character?

Link to comment
Share on other sites

  • Members

Thanks, boo! And I totally forgot that Nicole had just been accused for Nora's death. Had a brain fart.

But when did Derek for feelings for Nicole? Did he always have them? Or did they form around the Nora investigation? Because I remember him being with Raven during the Clown Murder story and then being tossed aside for Sky.

And Louis Van Dyne--that was the killer that Chris came into contact with on Wonderland Lane, correct? What was his vendetta against Nicole? I thought Louis had a bone to pick with Sky....

Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Unfortunately, your content contains terms that we do not allow. Please edit your content to remove the highlighted words below.
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

  • Recently Browsing   0 members

    • No registered users viewing this page.



  • Recent Posts

    • Wasn't there talk of them bringing back Rita as Gus' mother at one point? Or something?
    • I think they are a part of the same family, although Carla was never really scheming for the same reasons, and once her double life was exposed, she stopped. 
    • Rachel/Ada, Mona/Erica, a mother/daughter at LOVING, these are all examples of the Agnes Nixon "troublesome daughter/put upon mother" trope. Are Carla/Sadie by any chance one of the pairs that make up this trope? Another thing that these 2 shows might have in common. OLTL had a very strong thematic approach to socioeconomic differences between groups of people. Class differences. AW at an earlier point had this too but to be clear it was not as much as OLTL. So that is a similarity but marginal.  Besides that, I see no other comparable things. Paul Rauch was a very different EP at different shows. Oh, I've thought of one more thing. Using actors from the Broadway stage.  But, realistically that was something all of the NY shows had in common. So I don't think it has any uniqueness between AW & OLTL.  
    • When you look at the period between Sweeps, it's as if they tried to maintain a kind of pace where they had a lot of plates spinning in the air & on their fingertips & the whole goal was nothing but to not drop any of those plates. A version of spinning one's wheels. They're not getting anywhere but they give the appearance of a whole lot of activity. I believe it's all about this appearance. At moments they accidentally hit a chord & something resonates but it is a false event.
    • He found the hidden camera and removed the card 
    • Please register in order to view this content

    • I’m not speculating anything, but I admit, I’m getting a little worried about James Reynolds. 
    • I feel like this is what they're doing by creating lots of storylines but their biggest weakness for years is the inability to properly pace these stories and give resolution. A good example now would be the Gio story which has been simmering for months with very little movement. I went from not caring to being invested to not caring again because of how long it's taking for the secret to be revealed. One story like that would be fine but it seems like everything moves at this snails pace on GH. They need to do a better job of rotating the stories so everything isn't in that same treading water phase.
    • However, those of us who watch DAYS have been spoiled. On Peacock there are no preemptions. Not for anything & not in or about any show.  I read somewhere that we Baby Boomers in a way invented instant gratification but then we realized that it was not fast enough.
    • The title track from the follow-up album Hot On the Trail is also co-written by Val Jean:  

      Please register in order to view this content

       
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy