Jump to content

All: If you could bring in new blood, who would it be?


Recommended Posts

  • Members

It's been said many times that the soap industry needs new blood instead of recycling writers who have helmed other soaps. Well in your opinion who would you bring into the soap world? Anyone from the world of primetime?

Also it seems to be that some soaps don't go the route of recycling HWs, instead they promote from within when a script or breakdown writer is promoted to the position of Head Writer<cough>David Kreizman<cough>. Telling from past experience has this proven to a failed quick fix in the industry of soaps or is it a successful one???

Link to comment
Share on other sites

  • Replies 57
  • Created
  • Last Reply
  • Members

Well, look how well Lynn Marie Latham turned out, who is primarily a primetime writer........NOT

To be honest, just because you write primetime, that doesn't automatically make you suitable for a soap, us Y&R fans have had to learn that the hard way for the past year.

Anyway, I've always thought Winnie Holzman, creator/writer of My So Called Life, Once and Again, and thirtysomething would be great in the soap world. She always manages to write shows that are multi-generational, realistic, funny, entertaining, and dramatic. It's a shame she isn't doing anything on television at the moment.

Link to comment
Share on other sites

  • Members

Totally agree. The Thirtysomething/Relativity/O&A crew would be great for AMC. They could turn it into a multi-generational, zeigtesty topical show where characters have meaningful conversations and social relevancy is key. Imagine that.

Link to comment
Share on other sites

  • Members

It would be great if a writer WHO KNEW AND LOVED the soaps took the gig.

Am I correct in thinking that the work load,the money offered,the 'prestige factor' and the restrictions placed on storytelling would be off putting for most prime time writers?

Unlike actors,many of whom go on to primetime,there doesn't seem to be any daytime writers who go onto nightime gigs.

I also think that it might be interesting if authors could be attracted to be part of a writing team -maybe some who write in the 'romantic suspense 'genre and could weave a plot using characters on the canvas and maybe a few short term additions.

I say this because some of the mystery plots on soaps start strong but don't build suspense and come to climaxes that have some ongoing repercussions.

Henry Slesar ,who wrote Edge of Night was a mystery author and Michael Malone (OLTL)also found success on soaps.

Link to comment
Share on other sites

  • Members

It's funny but I remember that I always thought Lynn Marie Latham would do well for daytime too,LOL.

I agree with you Michael about Peter Dunne. There was another writer at KL by the name of Joel J Feigenbaum (I think I have it right).I always liked his work.

On The Waltons,many of the big stories and those special two hour shows were written by John McGreevey. I always thought he'd be good for ATWT. Joanna Lee was a good writer for The Waltons who went to produce Search for Tomorrow and was not well liked.

Link to comment
Share on other sites

  • Members

LML made me dubious of primetimers hitting daytime, to say the least.

I'm all for playwrights to write for daytime again. Weren't some of past headwriters from theatre - especially on AW?

You need someone like Jon Robin Baitz, Greg Berlanti or basically ANYONE from Once& Again who also loves the program their writing for though. The latter is often reason why in-house-promotion is often the best choice. But with that I don't mean headwriter recycling like Megan McTavish writing for basically every soap on the air etc. but real grooming of a next generation of writers with show ties but also new ideas for stories...

Link to comment
Share on other sites

Archived

This topic is now archived and is closed to further replies.

  • Recently Browsing   0 members

    • No registered users viewing this page.



  • Recent Posts

    • Yes, of course, all of those servants added to the overall picture at AW & also people had relationships with those servants! I like it when Anita asks after one of the servants at the club, how their children are doing & like that. 
    • Great scenes between Marlena and EJ today. Paula and Jeanne are making EJ have more depth than Ron had during his long drawn out tenure.
    • Might as well say it, Minority opinion, granted, but I like Joss & I'm okay with this WSB story & i hope that Emma will be their next recruit & she & Joss can be partners.
    • Thanks again @Paul Raven  The Arlene/Ben/Betsy triangle is one I wish I could see for myself as on paper it doesn't tend to excite me but I can see how well-constructed it was. I wish I could see the Rick/Meg relationship too, although I wish they'd had him genuinely fall for Meg after he gets together with Cal. The whole Brooke/Deacon/Bridget story on B&B was horribly damaging to Brooke as a character but it was dramatically very sound because I could completely believe Deacon would fall for messy and vulnerable Brooke after finally settling down with the more docile Bridget.
    • Please register in order to view this content

       
    • According to the head writer list, it seems the show may have started to fall apart while either the Schneiders or Upton were writing.  And when it started to crumble, it crumbled fast.  It was sad to see everything Labine had brought to LOL be disassembled.  
    • Please register in order to view this content

       
    • Please register in order to view this content

       
    • Abraham!!!!!

      Please register in order to view this content

      Welcome back!!! And I see Abe and Paulina got a new apartment too, which is just a redress of John/Marlena’s, Steve/Kayla’s, etc. But it looks kinda nice. And I enjoyed his scenes with Chanel. It added another perspective to everything that’s been going on with her and Johnny. And Abe using his own history with Lexie to comfort Chanel was a good idea. Plus, it also provided us with more suspicion/red herring about Johnny possibly shooting EJ. I’m looking forward to see what happens between her and Johnny. And I’m so glad that the two of them are on the frontburner now.  Speaking of Johnny, I still have no problem with him going to work for Titan. The drama could be so good, especially once EJ finds out. To me, it seems like another realistic reaction to everything that’s been happening to Johnny lately. It doesn’t seem random and over the top either. And I like that they remembered to have Johnny tell Xander that he has no corporate experience whatsoever. Surprisingly, the two of them work well together. And so do Carson and Deidre. I love how the Marlena/Johnny relationship has been featured so much.  Kayla was still strong and kicking ass today too. The writer change has helped her/Mary Beth so much. But I do admit we should’ve seen Steve trying to get into Dr. Russell’s lab rather than Kayla instructing him over the phone.  And unfortunately, Chad and Cat still don’t seem to be doing much for me though. The cliffhanger was ok too.   Btw, Days was trending at #4 this morning on Peacock
    • There was a huge outcry when we learned that JFP intended to off Donna.
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy