All My Shadows
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And it's very frustrating because there are some episodes from 1972-1973 still up, and it almost looks like it it's all of them, but it's nowhere near what we had. -
Are the 70s episodes still up? I had several playlists saved to my library to make it easy to jump in whenever, and when I went to watch last weekend, they were gone.
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I love love love how relaxed and casual she is in this entire thing. Seeing her able to talk openly about losing Helmut and all the things that meant for her makes me so proud of her.
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Girl, we get it, damn lol You’ve spent twenty years aggressively “disagreeing” with anyone who didn’t enjoy your #1 couple or, gasp, preferred those characters with anyone else (or in Zach’s crusty case, dead!). You’re not tired of that yet? What’s the point of hanging around this thread and replying to everyone who has something positive to say about the actor? We get it! You don’t like him because of who he played fifteen years ago. Why do you have to keep saying it? We know you’re there. We’re not forgetting about you. We hear you. It’s just that what you have to say is not going to make anyone change their opinion.
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I really came to like JV a lot when he was on AMC, and had the original series continued, I would have enjoyed him setting roots down there and becoming one of the show's main guys. He made me actually care about and want to see Kendall after her years of being stuck with Zach's crusty ass.
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I was gonna say lol I get the love for Scott and Kip, but after episodes 4-6, especially the last two, I don't know how anyone can manage to not have Hollanov on the brain at all times. At first, I thought it would have been much better to integrate the Scott/Kip story into the other episodes rather than isolate it to its own, but looking back, their episode was a great dividing point between sexy/lust Hollanov and emotional/romantic Hollanov. I know that in most people's minds, this is a "TV show," but to me, its structure has been akin to the big mini-series of the 70s and 80s. Releasing it on a weekly basis rather than as one big binge has helped me prove to all my friends that communal TV viewing is heads and tails better than everyone binging at their own pace. Season 2 (or, as I like to refer to it, "Book II") better be the same way, and to be quite honest, I would be satisfied with the Ilya/Shane story ending there. People are already pressing on Rachel Reid to write a third book, but from all I've heard, Long Game really wraps it all up nicely. The best they can do is just adapt the rest of the Game Changers books.
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Exactly this. The phrase "gay boy joy" has been on my mind ever since last week, and it really does come down to that. We've all seen so many movies and shows roll out obstacle after obstacle, so much so that it's become a cliche, and we've gotten accustomed to accepting endings that are "happy enough." To see a true happy ending, one where the couple gets together and stays together, no one denies or tries to run away from his own sexuality, no one is disowned, family doesn't have to get cut off - I don't think many of us really knew that we needed this, and at this time of year? Amazing. And to speak on what Vee said, all of this happened within a very adult realm. Shane and Ilya didn't get a happy ending because they were cute, innocent, carefree kids who just like each other. These are grown men (because by the time we get to the cottage, they're like 26 years old) who were initially drawn together by pure lust. Ilya was already someone who loved sex and loved giving and receiving pleasure. Shane was less experienced (and supposedly the book goes more into how his attempts at straight sex were not enjoyable) but he had a sex toy. At no point do they fit the earnest gay role model archetype, but guess what? They still deserve sunshine. This whole thing really just spoke to me in ways I did not anticipate. The Shane/Yuna scene at the end? Again, something that on the outside would seem almost perfunctory hit me like a sledge hammer. Any gay man who had to come out to his mom, whether it was a good experience or not, wishes that it would have happened that way. Seeing it happen that way for Shane fed my soul. That the story stretches from 2008 to 2017 speaks to my millennial soul. I graduated high school in 2008. These characters are my contemporaries. They came of age and developed their sexual identities at the same time I did, and I know what that was like. Watching them go through young adulthood, hitting up the clubs in the recession pop era, the busy busy busy world of working hard and building your life while also relishing in your youth, and then growing to the point where sitting by a fire at that damn cottage becomes way more exciting than any night out could ever be. Baby, they are livinggggg! The switch-up in who's hands are on the steering wheel across the whole series. When it was meant to just be a sexual relationship, Ilya kept bringing it back to that. Any time Shane tried to have those conversations to deepen the relationship, Ilya pulled away, left, kept his distance. But by the end, Shane makes it clear (in his own way) that this is no longer just a sexual thing, and even when Ilya tries to get into his pants right away, Shane holds off just a little bit longer because he refuses to let the actual affection/romance get lost in the lust anymore. And the music! I will never be able to hear literally any of these songs ever again without being whisked back to this series and everything it made me feel. Like, just the opening bass line of "My Moon, My Man" gets me out of my body at this point.
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Openly weeping over that fckn cottage, man. I feel so incredibly grateful to have been able to watch this series. You never want to attach the word “perfect” to anything these days, but gosh, it was about as perfect as you can get in this genre. I may or may not have the energy to write a full reflection later on, but I do just have to say that the decision to put the final credit roll not over a black screen but over a good old-fashioned AMC-style beauty shot sequence seems like such a small matter but god, what a stroke of genius. They literally rode off into the sunset.
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Yes, and I am utterly obsessed. It very quickly went from “I’ll put it on while I’m cooking just to see if I like it” to “okay let me pause it so I can watch later and give it my full attention” within the first ten minutes. My ADD brain wants to word vomit so much all at once, but so many of you have already hit all the major points. What I will add is that as someone who needs things to make sense and for beats to play out naturally, I typically don’t invest very much into shows that want us to care so much so soon, but these people paced everything perfectly and sucked me in immediately. Plus Connor and Hudson?! Fire.
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At the very least, put the damn wedding online to stream. There’s also a General Hospital FAST channel that cycles through the same episodes from like 7 years ago that nobody cared about then or now. There’s literally no way to slot classic episodes in there for a just a week or weekend? These people act like classic soaps are poison.
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I’ve never been a GH watcher (though I’ve oddly been watching some 60s episodes this past weekend), but it’s very sad to think of how many big stars from the show have passed in recent times. I remember knowing who Luke and Laura were before I ever got into soaps. I think what will annoy me greatly is how many outlets, ABC included, will write about how iconic he was and they were, but there is still literally no legal means of watching the wedding or their best work together or literally any of Tony’s work at all. It’s almost like…if you don’t see the value in providing access to this stuff, you shouldn’t get to talk about how great it was.
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I honestly thought I was misreading it when I saw it on my Instagram feed.
