I could believe that Agnes Nixon created (or co-created) LOVING, in part, because she missed writing the 30-minute format. But she (and Douglas Marland) loaded LOVING with so much that it would've been impossible for ANYone to come in and know what the show was about.
If you want to "break new ground" and depict the turbulent goings-on at an Ivy League-ish university (which isn't really breaking new ground, amirite, BRIGHT PROMISE?), then write that. If you want to explore the socioeconomic and other differences among several families in a small East Coast town, then write that. But you can't write 'em both, especially on a brand-new show that's only 30 minutes (or so) and is filled with characters whom the audience doesn't know or care about.
By
Khan ·
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