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I see Shelley Curtis. And Michael Pomarico, longtime AMC technical director who became a full-time director under Carruthers. I guess they are both directing. 

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Some things I am proud of tonight as a fan:

- I was the first person that cheered and clapped when Sheila Ducksworth mentioned Michele Val Jean's name

- I was the first person that cheered and clapped when Tamara Tunie mentioned ATWT 

 

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Wait I thought all you wrote was basically the subtext between Anita and her daughters, or did you edit? Even my spoiler free self was ok with that.

Hah, I was watching the stream and noticed that! Go you!

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The Paley Center panel was amazing to watch on Livestream glad you had a good time @BetterForgotten I could listen to Tamara Tunie for hours, Daphnee Duplaix’s recount of her last story on Passions was also hilarious and it was cool to get so many BTS insights. Jibre Hordges talked about the first few weeks being kind of rough for the newbies and a huge learning curve for everyone collectively and some the details they dropped in this panel confirmed it. I’m glad TT convinced production to stop giving the cast too many scripts in advance.

Also nice to see the Y&R and B&B cast members at the event in LA. I spotted Keith David chopping it up with Clifton Davis in one IG story, he’d make a great villain on the show.

 

The first 15 seconds are good then it just kind of falls flat. The mundane ending was the worst part for me.

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For me, the opening is strike two for Julie Carruthers (strike one being the lighting). She is the EP most responsible for the actual production, so I'm putting it on her.

I also have a feeling Ben Gavin won't last long. In the (albeit limited) clips I have seen with him, including his shot in the opening, I get nothing. 

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The character's background is the perfect setup. There is no getting out of the South Side of Chicago with a child so leaving the child to be raised as an aunt or cousin's child would be the better option rather than to give up a career. 

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