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I think Grant had just returned, although I'm not sure. I can't remember the exact quote, but I think Kassie said Blake took her storyline, her romantic pairing, and her job (at Spaulding). I can't remember when this was - maybe her leaving interview in SOD or SPW. -
I meant to mention Kat on my list. I think the actress is killing it, and I love the way Kat dresses. I can't understand having a problem with her wardrobe, which completely fits the character. -
I wonder who Andre was thinking about when he was lying in his bed. Kat gives me feels of Y&R early Christel Khalil Lily, and her being a virgin is a throwback to the 1980s prized virgin heroine ie. Y&R Cricket, B&B Caroline, As the World Turns Lily. -
This "3 Love Stories" episode was like taking a sleeping pill with a bottle of Nyquil. Josh Griffith is writing for 80-year olds with blue hair.
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I guess in terms of Phillip's woman du jour coming in third behind Beth and Spaulding, that's true. But she sure wasn't either MKA or even Liz Dennehy. Was Bolger still in the role at the beginning of Phillip/Chelsea? -
-- The coming out stuff was well-written and acted, but can't we at least hear someone tell Chelsea she needs to find a girl (or boy) who isn't frickin MARRIED? How is that not a huge fail on her part? She was willing to wreck a marriage to get herself a new boo. -- Dani can't have it both ways -- wanting Andre when she wants him but not wanting a relationship. He needs to leave her dry. -- The Dani/Pamela kiss was a plot device, but I get why they did it. I still think Cady McClain is overacting like crazy. -- Sean Freeman is good as Andre, but geez, his expertise on how relationships work is hard to listen to. He is not that guy. -- Ashley continues to be horribly written and badly played. I've grown to really dislike the character to the point of supporting Derek. -- The closing montage with Ashley and Derek looking at their phones was cool out of context. In context? We just saw Naomi lecture Derek about what to say to Ashley and how to move forward. So why in the hell did he go back to the fire station? Why not go back home? Made no sense. -- The writers are not giving Hayley enough. She's islanded. -- The Leslie/Eva scenes are still great. We get to see this complete mind control that Leslie has over Eva. We know that everything Leslie says is selfish and incriminating and awful, yet it's easy to understand why Eva falls for it.
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I can't remember who or how many people here have said it, but thanks to this site, I can't not think of the Nurse's Ball as akin to a school talent show. -
It’s a 2025 spin and meshing of both. I love that it also makes her stand out in comparison to all the other women. Like she and Chelsea could not have more differing styles. I applaud the costume designer. -
Am I the only one that fast forwards the Nurse’s Ball performances? I watched one year and it was the most cringe thing I’d ever sat through. In general I hating singing and performances on soaps, especially bad ones.
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