Jump to content

Series You Initially Loved, Then Abandoned and Never Finished


Faulkner

Recommended Posts

  • Replies 158
  • Created
  • Last Reply
  • Members

I’ll concur with Scandal as well. When it was working, it was great, trashy primetime soap, but I think somewhere along the line Shonda thought she was making some lofty dark prestige drama that had something real to say about race, feminism, and social justice, and it all fell apart. It just burned through mindless story like a five-alarm fire and achieved the unthinkable: making Joe Morton intolerable to watch.

Link to comment
Share on other sites

  • Members

@Faulkner Fun topic! 

 

- Beverly Hills, 90210 (*obsessed* with it as a kid, then lost interest middle of the 6 season... parents were gone, Kelly was on coke, 20-year-olds were already owning nightclubs, etc. just lost its luster)

- Revenge (the final season, with 3/4ths of the characters dead, and then Emily's father being alive all along.... No. Though I watched the series finale)

- Have And Have Nots (I liked the first year or two, but it was like trainwreck TV, and then it became too much a waste of time with little enjoyment) 

- 3rd Rock from the Sun (I loved it for the first two seasons, and then completely tuned out. I think I was just busy in life) 

- Family Matters and Step By Step (they were both getting old and tired, especially Family Matters, but when they both moved to CBS for their final seasons, I probably caught like one episode and noticed Step By Step was starting to suffer the same Family Matters syndrome with children disappearing. The youngest son was suddenly gone, a la Judy Winslow, Telma Hopkins, etc.)

- Bates Motel, sort of.  (I'll put this one up here because I lost interest by the 4th season, but then it was announced the 5th season would be its last, and I so I watched the final season and it was GREAT; glad I tuned back in.) 

- I *might* be adding Nashville to this list, as this 6th and final season is pretty lackluster and a shell of its former self. I'm 5 episodes behind and in no rush to catch up. But, since I've made it this far, I'm sure I'll eventually see it through to the end. 

- Providence (I liked the first season and started on the second year, but due to lack of time and a growing lack of interest, stopped)

 

::tear:::

Please register in order to view this content

 to all those who mentioned Melrose Place, but I understand. It became a clusterf*ck during the 5th season, and the 6th was dreadful. The 7th final year was a decent reinvention of itself but by then, FOX was looking to get out of the primetime soaps, and Heather Locklear's salary could apparently pay for seven pilots to be shot. 

 

Link to comment
Share on other sites

  • Members

The Walking Dead - I gave it up partway through season two when I realized it was basically going to be the same plot on repeat forever and ever, amen.

Pretty Little Liars - also about partway through the second season. It just was moving too slow, and I was already watching season 2 while maybe season 4 or 5 was airing, and I knew that what was on TV was barely advanced from what I was watching online, so I figured - what's the point?

Game of Thrones - I stopped after the third season. It wasn't worth the trouble anymore just to be able to say that I watch it.

Shameless - My love affair for this show and its characters is well-documented on the thread here, but I'm over it. I think I'm two seasons behind? Maybe? Once it blew up a bit and got more attention, it seemed like the show just chased the worst kind of persona, ignoring all of the great things it had been in favor of trying to be a scripted Jerry Springer (which isn't a bad thing, but it's not what this show was).

Orange is the New Black - season 2 was its peak, season 3 was a letdown, and I have no interest in or plans to watch the rest

Link to comment
Share on other sites

  • Members

 

You weren't alone, lol.

 

Frankly, I never bought the explanation that that season was merely Roseanne's dream and/or way of coping with Dan's death.  I believe Roseanne (the star, not the character) meant for that year, with all of its madness, to be part of the show's canon, for lack of a better word.  It's only when the show's core audience rejected the post-lottery episodes -- which were horrendous and unfunny on their own, never mind how they stacked up to the prior eight seasons -- that she reversed course.

 

For me, though, the damage had been done; and the final season is the main reason why I'm not giving the new episodes a chance.  It's simply too hard for me to shake the memory of those final, godawful episodes.

 

...and Stephanie moved in.

Please register in order to view this content

 

IMO, though, what hurt AITF the most was the switch, at Carroll O'Connor's insistence, from taping in front of a studio audience, to taping with NO audience and recording the studio responses later.  Norman Lear's shows don't work w/o that live audience for the casts to feed off of.

Link to comment
Share on other sites

  • Members

 

To this day, Ryan Murphy INSISTS "Popular" tanked, because he caved to network pressure rather than remain true to his vision.  Which is NOT a bad argument to make except, how do you explain his OTHER shows (Glee, Nip/Tuck, etc.) dropping off quality-wise at a point when Murphy presumably had more creative control over his shows?

 

 

Exactly.

Link to comment
Share on other sites

  • Members

 

Oh, Lord, lol.

 

TBH, I found the first, relatively-Urkel-less season of FH to be a watered-down version of "The Cosby Show;" and I think Miller/Boyett felt the same way, which might explain WHY Urkel was made part of the regular cast.  I just wish they hadn't taken him as far as they ultimately did.  (I still shudder whenever I recall the "Urkel Dance.")

 

Ironically, my two favorite episodes of DW, "Carlene's Apartment" and "Julia and Mary Jo Get Stuck Under a Bed," occurred during S6; and I say "ironically," because, aside from those two episodes, I could do without DW's last two years.  Between the absence of Suzanne and Charlene and the proliferation of Bernice (a character I love, but in much smaller doses) and Etienne (a character I'll never love in any dose), there just doesn't seem to be much of a point.

Link to comment
Share on other sites

  • Members

 

That was my main problem with "Scandal" as well.  Too many head-spinning plot twists without adequate time for the characters (and the viewers) to breathe, much less process what just happened.  DALLAS and KNOTS LANDING could be as unpredictable as well, but they also knew how to pace themselves and trust that their viewers would stay tuned even if every episode didn't necessarily contain a "EXPLOSIVE TWIST YOU NEVER SAW COMING!!" kind of moment.

 

 

I can't argue at all with these.  (As far as "90210" was concerned, though, I think what did ME in were those summer episodes.  To me, they were just a step above the "Saved by the Bell" gang at Malibu Sands.)

 

 

Granted, I've never seen TWD, because it's simply not my kind of show.  Nevertheless, even I had trouble at the outset picturing how that particular series could sustain itself for any significant length of time without feeling as if the whole thing were on repeat.

 

 

True.  But it's almost the same reason why I couldn't watch the original "Columbo" with any sense of joy after the bizarre (to put it mildly) episode called "Last Salute to the Commodore."  I could make neither heads nor tails of much of that episode; and what I COULD follow was so rotten that it wound up leaving a sour taste in my mouth for the series as a whole.

Link to comment
Share on other sites

  • Members

 

Mama Khan tried to binge-watch HTGAWM, but she bailed rather quickly -- virtually, for the same reason that Faulkner and others bailed on "Scandal."  As a matter of fact, I'm not even sure if Shonda's shows are the kind that can hold UP to binge-watching, even though that's probably why they've become so popular over the past several years.

Link to comment
Share on other sites

  • Members

 

Good point.  It's one thing to split a season in two in order to avoid reruns.  But the longer you stretch out that hiatus, the more you risk people simply moving onto other shows.

 

For reasons I will never understand, I personally bailed on "Monk" and "Psych" around the same time when they were on USA.  However, now that they're on Hallmark Movies & Mysteries, I've been able to catch up and frankly, I'm glad for the opportunity.

Please register in order to view this content

Link to comment
Share on other sites

Archived

This topic is now archived and is closed to further replies.

  • Recently Browsing   0 members

    • No registered users viewing this page.



  • Recent Posts

    • the famous babyswitch. the best babyswitch imo
    • Yes, it has. It was seen in the episodes when Dani broke into the house while Hayley and Bill were on their honeymoon. Dani and a Fairmont Crest security guard were also shown outside the house's entrance. Bill and Hayley were seen in the foyer when they returned. I imagine the set will resurface when there's a need for it.
    • There is some kind of arrangement going on between Justin and Evie, who seems to be caring for Sam. I'm not sure, but she may even be living there with Justin and Phillip. Phillip inviting Evie at least makes a little more sense (if the guest list was limited to women Vanessa liked, it would've only consisted of Trish and Helena. lol)  Maybe it was more common to hang on to performers, back in the day? Instead of immediately kicking them to the curb? Evie hadn't had much to do after Chet was revealed to be her stalker. With Rita, Jackie and Ben gone, there weren't many on the canvas she'd really worked with, other than Ross. They could've pivoted her back to Ross, instead of letting him languish love-less for nearly a year other than goo-goo eyeing Amanda. Nowadays, there might've been a moment written Jordan and Janet, an eye-wink to the audience about them having previously worked together.
    • I 100% agree that Bill and Haley's set would work better as a bedroom. I also think it might have made more sense to give them a penthouse instead of a mansion. Realistically they aren't going to have the room for multiple mansions, even with the larger studios. A more open concept penthouse would've been fine. I also wish more people lived together. The age confusion kinda messes that up but I would at least have Chelsea living with Dani. If Martin were Anita and Vernon's child (as he should be), I'd have these families living together as well. By doing that, the space used for Martin and Smitty's house could be used to build a dining room for the Dupree home and I'm sure it wouldn't be hard to throw a couple bedrooms in as needed.
    • CBS primetime was such a mess in the 1990s. 1990/91 fourth consecutive third place finish. 1991/92 to 1993/94 some signs of life but it didn't last.  1994/95 to 1999/2000 another primetime mess era. 1995 the sale to Westinghouse and Les Moonves arrived. The only bright spots were Touched by an Angel becoming a Top 10 show and Everybody Loves Raymond starting to show growth. CBS primetime would have a comeback in 2000 with the premieres of Survivor and CSI and Everybody Loves Raymond becoming a Top 10 show, and the rest is history.
    •  Thanks! For some reason I had misremembered ER and Chicago Hope going directly head to head but that may have been because of the hype about both shows.    Poor Connie Chung. She seem poised for success and possibly the next Barbara Walters. I don’t recall her co-anchor gig on the CBS Evening News was well received though. She kind of tanked her career moving into more a tabloid journalist role once at ABC and especially once she moved off network TV to CNN and later more infamously on MSNBC. 
    • Please register in order to view this content

       
    • Strangely, it was Phillip who invited Evie to go to the ball with him. She had been taking care of Samantha, so I guess it was a way to thank her for helping Justin after Jackie's death? So she was not invited by Vanessa. Phillip brought her as his plus one. That Evie stayed on the canvas so long is extremely odd, especially since Ben was gone way before her. My theory is Marland was going to bring Rita back, so they wanted Evie to remain in place as her sounding board. When he left and Potter was still EP, that might have still been the plan. Once Kobe came in, that would have been thrown in the dumpster along with a lot of other story plans and characters.
    • Nina and Portia are generally presented as entirely too savvy to not think this ketamine (don't even GET me started on that) nonsense wouldn't immediately blow up in their face. Drew, the ex-navy seal and congressman, wouldn't get a drug test immediately after acting wildly out of character? Portia allowed this to so easily be traced back to her by roping in Brad, a man who can't stand her? Nina didn't think Willow would Stand By Her Man? Girl, PAY ATTENTION! I also find it disturbing how BOTH of them are gaslighting Willow. It feels gross. They should have presented Gio as anything other than a responsible, genial and affable guy if they wanted us to buy any of Dante's ranting about him. You've known this kid since he was a baby and suddenly you're yelling at him like he's the devil incarnate? It was so forced. Every one of them, including Dante, know that they all would have done the same thing in Gio's shoes. Teen gets drunk, friends cover for them. Gio's only 5 years older than him, barely allowed to legally drink himself. How was he to know the kid had alcohol poisoning? Alexa Havins crying every day over keeping a baby secret. Ahh memories. Molly and Kristina are just the worst to their mom and Alexis allows it. Kristina does need to be committed, she's a danger to herself and others. I wish Alexis would just tell her that she knows. I can't wait until Molly finds out about her almost getting Ric and Liz killed. I need her to body slam Kristina. Sasha thinks she knows EVERYTHING. She's always giving advice and painted as right no matter what. And so holier than thou while carrying a married man's baby.
    • Correction, Chicago Hope 1994/95 was initially Thursday 9 pm, a CBS dead zone and head-to-head w/ Seinfeld. 1994/95 CBS Thursday 10 pm initially was Eye to Eye with Connie Chung. Later in the season CBS did a scheduling shift with Chicago Hope moving to Monday 10 pm, Eye to Eye with Connie Chung moving to Thursday 9 pm, and 48 Hours moving from Wednesday 10 pm to Thursday 10 pm.
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy