Jump to content

One Life to Live Tribute Thread


Toups

Recommended Posts

  • Members

That sounds like something I would've said about Joey Thrower and Robyn Griggs, lol.

On paper, the Kevin/Stephanie romance was ripe with possibilities, but TPTB just plain screwed up the casting on both ends.

Except, by 1991, "Words Get in the Way" wasn't as contemporary anymore.  (Even then, I was like, "Wow, that song is...kinda old?").  If Linda Gottlieb (or whoever) wanted to be contemporary, she might've been better off having Robyn Griggs sing something from Mariah Carey or Janet Jackson.

Link to comment
Share on other sites

  • Replies 7.8k
  • Created
  • Last Reply

Top Posters In This Topic

Top Posters In This Topic

Posted Images

  • Members

Exactly, which is why I said end credits aren't always worth much. (As we saw with Patrick Mulcahey ghostwriting at GH a bit early before his name was on the credits this year.)

The divide among fans for the Gottlieb era has always been there, but I am just very grateful we are able to see both the glory of the '80s and this incredible transition period these days.

I do agree about Robin's issues BTW, but personally that only happened for me when she came back again in 2003. Robin was deeply hurt by her being forced out by JFP, and I've long felt she came back determined to make herself indispensable to OLTL by bringing her performances up and up and up, feeling as though this would be her giving it 100%. She still did good work in the last decade-plus, but she was often too quick to go for the histrionic vs. prior stints for me.

I love how his letter to her said 'let's never let the words get in the way'. I am not going to back and watch the rest but haven't they known each other maybe a few weeks? And is this message not tantamount to him suggesting they just fúck?

Link to comment
Share on other sites

  • Members

Believe it or not, I'm grateful as well, lol.

I dunno.  It's tough for me to think of the last time I was SOOOOOOOOO excited to watch a particular soap everyday.  By 1991/1992, AMC, DAYS and OLTL all had changed so much from what I remembered; and by 1995, both ATWT and GL were shells of their former selves as well.  This was the period, I think, when I started getting more into GH and Y&R, but by the end of the '90's, even those two (along with James Harmon Brown and Barbara Esensten's stuff on GL) had turned into disappointments for me!

They definitely rushed the Kevin/Stephanie romance, lol.  However, if they had bothered to cast better actors who shared real chemistry, you might've been able to overlook that.  Instead, you got Robyn Griggs, who was as nails-on-a-chalkboard annoying to me as Kelly Ripa; and Joey Thrower, who was telegenic enough, but who was better suited for a Miller/Boyett sitcom than he was for a soap opera.

Link to comment
Share on other sites

  • Members

They were rushing a lot of things in late Rauch including Bo and Cassie and Max and Lee Ann, both of which are weird and in the case of the latter downright creepy. Laura Bonarrigo is particularly taxing at this point as Cassie is written so weak in the early months. I adored her by the time I started watching a couple years later, and I still think she should've never been discarded by JFP. She's still beautiful today, BTW.

Joey Thrower is cute but I can't imagine him in any of the stories of '93, etc. OTOH I do remember him being good during the Megan death stuff. I guess I'll have to revisit it in time.

I had no idea until the other day that Virgil the angel reappears very briefly, in an almost abstracted Twin Peaks moment, to Viki the day after Megan dies in '92. He's there in the hospital room and she knows without dialogue that he is there for Megan. They showed an extensive flashback to Starship Heaven to prime the audience as to who he is, but other than that he has almost no dialogue that I saw beyond calling "Victoria's" name. A bold choice which I appreciated - you knew why he was there.

Father Tony is very hot! It's weird to see him with Jason Webb, two characters from two different eras. They should not have let Mark Brettschneider get away.

Also: I love Chris McKenna and his Joey, but his asthma attack scenes are giving Sanford and Son.

Edited by Vee
Link to comment
Share on other sites

  • Members

I may be wrong, but I think Robin mentioned struggling with how to play Dorian when she returned. I thought most of her material that first year back was so one-note and plot-driven, making her look as bad as possible (even killing her grandchild) to justify Viki and the sainted Sloan wanting to lock her up. Once we got to the trial and jail period for Dorian, I think Robin found her footing again and the story improved.

Edited by DRW50
Link to comment
Share on other sites

  • Members

I think they've all said they weren't sure what to do with Dorian until the trial - the Emily Haynes thing, etc. What's really bizarre is some recent and I think period reports (maybe from Malone himself, I can't recall offhand) which suggested they originally conceived of Joey/Dorian on paper with Chris McKenna(!!). That seems unfathomable to me. I have been watching him be tested heavily with Reiko Aylesworth's Rebecca in summer '93, and it's clear he just reads too young for her too.

I was pleased to see Robin expressing sympathy for how Elaine Princi was treated on Twitter awhile back. Princi did a very strong job pinch-hitting.

Edited by Vee
Link to comment
Share on other sites

  • Members

I can't remember for sure but I think there was an SOD article from 1993 or early 1994 that also intimated this. 

That's very classy of Robin. I do think Elaine did a good job, and really hit her stride during the Blair/Addie story.

Edited by DRW50
Link to comment
Share on other sites

  • Members

And Robyn Griggs was a recast to boot.  Although I liked her on AW though... so I think maybe it was an ill written character.

The show wisely moves Kevin into Leeann's orbit later in 1991.

When I look at Dorian in 1991, this was as good of recast as one could have as Dorian.  In fact.. it answers the question of what Robin Strasser would be like if she actually knew how to not chew scenery and acted more subtle.

Link to comment
Share on other sites

  • Members

Pretty much. Robin returned to NYC in 1992 after having some success on Coach and Knots Landing. She wanted to get back into daytime and met with JFP at GL about taking the Alexandra role. That didn’t go well so Robin called ABC to let them know she was available and Princi’s contract was up and voila. Robin was back.

Link to comment
Share on other sites

  • Members

And it showed.  Her performances were just so manic.  But I don't blame Robin Strasser.  I think she was just doing the best she could with material that was written by someone who didn't really know Dorian.

Link to comment
Share on other sites

  • Members

All performers struggle to play a role when they resume playing a part.  Illene K, Brenda Dickson, and I believe Eileen Davidson had mentioned it took awhile to readjust playing the part after someone else had played it (Ellen Wheeler also indicated learning to replay Marley at first because of what Anne and Jensen brought to the role).

A lot of times, the writers have to adjust how the character is written based on how the performer plays the part.

Robin S tends to play more broad whjle Elaine P had a more sedate elitist way of playing roles.

Elaine's Dorian had the potential to be lethal...while Robin's Dorian was too campy to take as a threat.

Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Unfortunately, your content contains terms that we do not allow. Please edit your content to remove the highlighted words below.
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.




  • Recent Posts

    • How did I never notice how tall Colton was?

      Please register in order to view this content

    • They didn't need to have some slutty gay dude as their representation. Just a 'normal' guy getting involved with another guy or two (or three). Just like the straight characters. Thinking about it, they missed the boat by not having a few other single charcters at the beginning. Maybe Naomi or Ashley could be shown meeting Derek/Jacob and  we could follow their romance. Too many characters were coupled up at the start. As a tattoo hater I was surprised to see Tomas so inked. Don't find it attractive or sexy. I'm surprised an actor would do that as it's definitely a statement and may not be appropriate for some roles. Suppose they can cover if necessary. I didn't buy Kat being all girly and then paying off Darius to get into Eva's room. Way too cliche. She should have just come along when the housekeeping was leaving and breezed in saying it was her room. And her smug looks in the hotel room and 'Now I've got you!!' talks to herself at Orphey Gene's...no.  
    • Omg I was so annoyed. Like girl calm down. Coming on way too strong. Omg I forgot about this

      Please register in order to view this content

    • I thought it got stale before Jocks death lol. His death picked things back up for me.
    • 1976 Pt 5 Tony is summoned to the reading of the will in the Llanfair library,as he’s a principal in the will. He tells Joe there’s not a chance of coming to terms with Dorian, as he is sure she brought about Victor’s death by torturing him emotionally when he was her helpless prisoner after his stroke. Ironically, Chapin hand delivers to Viki a letter her father wrote before his stroke, praising Dorian and asking Viki to befriend and support his widow when he was no longer there. Viki feels a responsibility to her father’s wishes and vows to try with Dorian. Victor’s will leaves the expected amounts to members of his family and staff, with the lion’s share of his stock and property going to Dorian. Victor’s will explains that his son Tony expressed the desire that he not be “bought from the grave,” and, in keeping with his son’s wishes, the only bequest to him is the knowledge of his father’s love and respect. Tony is deeply moved. Dorian’s first attempt to use her new power is the recommendation of Peter as head of the Merideth Lord Wolek hospital wing, claiming that naming Larry would be virtual nepotism. Peter, who has devoted considerable time and effort to helping Jenny get over Tim’s death with gentle, affectionate support, is happy at this suggestion, but Jenny points out Dorian is merely using him to hurt Larry. Viki disregards Dorian’s ingenuous assurances that she’s not trying to wield her new power but is merely putting Peter up for consideration for a future opportunity, if not this one, and tells her she won’t be able to fulfill her father’s desire that they be friends unless Dorian stops interfering. Larry, fully understanding Dorian’s personal motives, warns her he’s going to fight for the appointment no matter what. Realizing that she has made a tactical error, Dorian announces that she won’t even attend the board meeting but will give her proxy to Jim. She admits to Matt McAllister, still her confidant, that this was humiliating, but it was a necessary protective tactic. Dorian manages to win her next round at Joe’s office when, after he praises her decision to yield on appointing Peter, she expresses concern for Viki “at a time like this.” Joe, of course, jumps on her words, and Dorian, pretending great distress at having mentioned something she shouldn’t have, is “forced” to explain that she knew about the congenital heart condition Megan had and that any child of Joe’s is likely to inherit it. She overheard the doctors discussing it at the time of the accident, she continues, and naturally assumed that Joe already knew.  Joe arranges a meeting at home with Viki and asks her how she could live a lie like this; how she could go through their lives as if everything were fine while every moment was a lie. He is further upset when, in trying to explain that it was out of her love for him that she kept the truth from him, she mentions that Jim and Larry also know but Cathy still hasn’t been told. Viki tells Joe that Dorian deliberately told him this way to hurt their marriage, and she is very upset when he starts toward the door, pleading that they have always talked things out in the past. Joe coolly points out that she didn’t do that when she learned about Megan and continues out the door.  A tearful Viki is shaken and when Joe later returns, having spent several hours in a bar drinking only soft drinks,she breaks down, crying that she was convinced he’d left her. Joe assures her they can get through this despite everything, because their relation is based on love and mutual respect. 
    • If you think about it, DALLAS and DYNASTY grew stale right about the same time, even if the ratings were slow to reflect that.  FC and KL, on the other hand, tried to stay fresh, but KL was way more successful at it, I think, than FC.  (That [!@#$%^&*] with The Thirteen does not hold up well, lol).
    • GH 1976 Pt 8 Heather takes advantage of the situation by asking Jeff to come and look at Tommy. She uses sympathy, compassion, and her own feminine wiles, together with his misery and his pills, to lure him into bed. Later, sober, he apologizes. Learning from Pearson that Monica has seen a divorce lawyer, Jeff confronts her, and she insists it’s a lie. Avoiding his attempts to kiss her, she musses her hair and tears her blouse, then rushes to Rick’s, claiming that she can’t stay with that maniac any longer. They wind up in Rick’s bed, and after making love he confesses he always loved her. Rick replies to her question of whether he wants to marry her by saying he has to talk to Jeff. Monica insists that Jeff not bear any pressure from their problems. As she leaves, Rick gives her a key to his apartment. Jeff, having spent the night drinking, misses his surgical assignment, and Steve, informing him that his personal life can’t interfere with his profession, puts him on suspension. Rick can’t persuade Steve to reverse his decision, but Mark, sensing what’s at the heart of Jeff’s problem, convinces Steve to lift Jeff’s suspension and transfer him to Mark’s service. Rick asks for his key back, telling Monica they can’t do anything as long as she’s under Jeff’s roof. So she has a duplicate made and moves into intern’s quarters, explaining that Jeff’s violence drove her out. She tells Jeff she needs privacy to work things out, and tells Rick Jeff wanted her out. Thinking that this is the preliminary to a divorce, Rick tells her she can come to his place. In New York, Leslie’s abortion is delayed by a mix-up in scheduling, and she calls Terri to commiserate. Rick overhears Terri’s conversation and forces the whole story from her. He flies to New York to stop Leslie, feeling responsible for pointing out how evil Cam was, and arrives to find that she has decided she can’t deny her child the right to live. Monica, meanwhile, expecting that Rick will be home, uses her key to let herself into his apartment and is shocked to find Mark there; knowing that Mark was uncomfortable at the hotel, Rick offered Mark use of the apartment in his absence. Monica is upset to learn that Rick is in New York with Leslie, and Mark doesn’t know why. Mark does advise Monica to play fair with Jeff, but she resents his interference. The next day, while covering for Leslie at the clinic, Monica discovers Leslie’s lab test report and jumps to the conclusion that the baby is Rick’s. When Rick and Leslie return, Monica wastes no time in accusing him. He is dismayed to see that she is still as suspicious and possessive as she was before he went to Africa, and points out that her making a duplicate  key proves she hasn’t changed. Terri encourages Leslie to see Rick in a romantic light and then suggests to Rick that Leslie is interested in him. Rick likes this idea and tells Mark he’s growing ‘unwilling to cope with Monica’s unreasonable demands. But Monica immediately recognizes the threat Leslie represents and decides to attack. She goes to Leslie and tells her flatly that she and Rick are having an affair and he’s her exclusive property. Leslie, who realizes she has been falling in love with Rick, is hurt, and Rick is mystified when he feels Leslie pulling away from him. Monica’s big moment comes when she brings Rick a housewarming gift and seduces him into letting her stay overnight. She is in the bedroom when Leslie stops by to apologize for refusing his dates, and makes a dramatic entrance into the living room draped in Rick’s bathrobe. Leslie turns and runs out. Rick later informs her he’s disappointed in her, because she prejudged Monica and him rather than giving him the benefit of the doubt. Heather tries to arrange another tryst with Jeff, but he replies that he still loves his wife. Heather decides there’s only one way to get Jeff to be pregnant with his child. She manages to overhear Monica putting Jeff down by telling him he no longer turns her on and should look for someone he does. Heather goes to Jeff and tells him that she heard Monica and that she is the one he’s looking for. She manages to get him into bed again, and sweetly assures him this is right. She then sets the stage for future meetings. Steve, meanwhile, offers to help Monica and Jeff work out their problems. Jeff is willing, but Monica turns the idea down. Instead, she presses Terri to convince Jeff to end the marriage. Terri now knows that Monica isn’t a good wife for Jeff and promises to try. But Jeff makes it clear to Monica that he still loves her and won’t let her go. She is bitter and upset, as she has already implied to Rick that she will soon be free. Audrey is upset to find that Florence Andrews has been inquiring about Tommy and herself. She goes to Florence’s home and finds she’s away now. Florence has gone down to Mexico to sign a sworn statement that she purchased a false death certificate for Tom, to protect his son after his wrongful conviction. Tom, learning from her that Steve and Audrey are to be married and Steve is planning to adopt Tommy, tells  Florence not to do anything, as there’s still no assurance that he’ll ever get out. But the judge does accept the statement, and, ironically, on the day that Steve  and Audrey are married, Tom is released from prison.
    • 1976 Pt 12 Final part Laurie agrees with Stuart that Peggy is rushing into marriage to prove that the rape didn’t ruin her life.  She points out that the only way Peg can be sure is to make love with Jack before the wedding. Stuart admits she’s right but points out that he can’t suggest that to Peggy. As the wedding approaches, Peg seems happy that Jack’s become close to the family. However, her happiness is shattered by a nightmare in which her loving bridegroom turns into a leering Ron Becker, forcing her to cancel the wedding. Jack reassures her he’ll wait as long as it takes, and Chris confides that she and Snapper didn’t consummate their marriage on their wedding night because of her own rape experience, but Peggy tells Chris she might never be ready.  Despite her desire to keep Karen as her own daughter, Chris helps a police artist create a sketch of Nancy so it can be printed in the newspaper as part of a search for her. When the attempt proves fruitless, however, Chris asks Greg to file application for permanent custody of the child. Greg points out that adoption is the only way to prevent Ron from returning and claiming the child, and that it will take quite a while. Meanwhile, a nurse in the psychiatric ward sees a resemblance  between the newspaper drawing and her autistic patient, Mrs. Jackson, but since “Fran” doesn’t respond to the name Nancy and no one else sees the similarity, she fears she’s mistaken. Jill is horrified to overhear Kay, when brihging baby Phillip a Christmas gift, telling the child she remembers the night he was conceived. Kay has to then admit to Jill she saw her with Phillip in the bunkhouse that night. Jill is aghast to realize that Kay new the truth all along and put her through such agony in spite of it, denying her baby his father’s name. Lance tells Laurie they’ll marry on Valentine’s Day. He laughs that it’s corny but agrees, secretly wishing it were sooner, as Vanessa has vowed to prevent it. Indeed, Vanessa makes an unprecedented venture out of the house to visit Brad, telling him to rebuff any advance Leslie might make to him, as she’s reaching out to him only from a sense of duty. But Laurie then makes a concerted effort to reach Vanessa. Without being sure why she’s trying so hard, she tries to assure the woman she’s not losing Lance and she, Laurie, will help her find a plastic surgeon somewhere who can help her. Grudgingly, Vanessa seems to be reconsidering her view of Laurie, and Laurie is delighted when Lance offers her a choice between two diamond necklaces, explaining that her preference will be Vanessa’s Christmas gift. Learning from Les about Brad’s blindness, Stuart tells Brad he could have turned Leslie away only out of great love. Knowing that Les is going to see Brad again, Laurie warns him not to bring the baby into their discussion, as Leslie will come back only she’s convinced he loves her, not for the babies sake. Leslie finds Brad disheveled and sloppy, and proceeds to straighten the apartment, stating that she can't respect him if he lets himself go. Realizing that neither Brad nor Les will make the first move, Laurie hurries things along by refusing to help Brad with his grooming, saying he should ask his wife. Then, having learned  that Brad offered Les the use of their piano, Laurie untunes the Brooks' piano forcing Leslie to accept his offer. By refusing to cater to his  blindness, Les manages to get Brad to stop wallowing in pity, and by the time Leslie’s Christmas braille message of her love and her need for him arrives, they are husband and wife again Lance takes Laurie on a business trip on New Year's Eve, and tells her, on board his plane, she won't be  won't be able to call him “Mr. All Talk and No action” after tonight. When Laurie protests that waited this long and will continue to wait until married, Lance delights her by instructing his pilot to land in Las Vegas, where they are married immediately.
    • Yeah, not sure why Jack and Jen didn’t rush to Marlena - or even Carrie - to offer their condolences. A few flashbacks would've been a nice touch too. Instead, we got a whole episode of them talking about Chad and Abby? Come on. On the bright side, I loved Anna’s scenes with Marlena and Carrie - sweet and heartfelt, felt like a real 80s throwback.
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy