Jump to content

David E. Kelley: Wonder Woman


Sylph

Recommended Posts

  • Replies 26
  • Created
  • Last Reply
  • Members

So one of the most anti-female writers and producers in TV is going to write Wonder Woman?

That says it all.

I guess her golden lasso will force all women to develop eating disorders and all men to have weird sexual fetishes.

Link to comment
Share on other sites

  • Members

<object width="480" height="385"><param name="movie" value="http://www.youtube.com/watch?v=QFD9dcqIC3Y?fs=1&amp;hl=en_US"></param><param'>http://www.youtube.com/watch?v=QFD9dcqIC3Y?fs=1&amp;hl=en_US"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src=http://www.youtube.com/watch?v=QFD9dcqIC3Y?fs=1&amp;hl=en_US type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="480" height="385"></embed></object>

I can't wait! I have all the seasons on DVD. I hope this one is just as good but I doubt it. Id love to see The Incredible Hulk redux.

Link to comment
Share on other sites

  • Members

And we better get the spins<object width="480" height="385"><param name="movie" value="http://www.youtube.com/watch?v=4RzfLXzebs4?fs=1&amp;hl=en_US"></param><param'>http://www.youtube.com/watch?v=4RzfLXzebs4?fs=1&amp;hl=en_US"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src=http://www.youtube.com/watch?v=4RzfLXzebs4?fs=1&amp;hl=en_US type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="480" height="385"></embed></object

Link to comment
Share on other sites

  • Members

All about pathetic, twitchy, incredibly shrinking woman who can do nothing but flail about.

The show also seemed to cause every woman who stayed around to become a lollipop head.

The writing for most of the women on his other shows that I watched weren't very good either. I still remember when poor Leigh Taylor Young's character on Picket Fences had to be punished for enjoying sex.

Link to comment
Share on other sites

  • Members

The original shows were made for a purpose, and effort was put into them. The remakes are remade solely to be remakes, and there is little effort made. A show that has to jerk their entire identity and cast around midway through, in their first season, is a disaster.

Link to comment
Share on other sites

  • Members

I think it's less that than it is this need to inject season-long arcs and other current trends into these vintage shows that work best without them. For me, the main purpose of remaking a show should be to take the original's shows basic premise, tone, and general feel and adapt it to what the world is like today. Real-life society has changed enough so that there isn't a need for radical changes within the premise of the show. Too many of the more recent remakes just come off as knock-offs of currently popular shows but with names, locations, and other things recycled from tried and true old school shows. They're remakes in all of the superficial ways (West Beverly!! KITT!! Hawaii Five-O theme song!!), but not really in the deeper ways (character interactions, storylines, etc).

And a lot of these crime dramas that they're remaking and thinking about remaking were originally self-contained shows. Trying to outfit them with ongoing plots and serialized stories just kills whatever resemblance to the original that's left. They're always whispering about doing some sort of Charlie's Angels update, but I just can't accept the idea of the Angels going on La Femme Nikita/Alias-esque missions all over the world because that's...not what the show was about at all.

But maybe this will be different. They have more room to do what they want considering they're most likely not remaking the 70s show as much as they're just adding another chapter to WW lore. It's as easy as...just don't f!ck up the characters, and it'll be fine.

Link to comment
Share on other sites

  • Members

"Yes" to a WW tv reboot, but "WTF?" to David E. Kelley being the one to develop it. I'd much rather see Jane Espenson ("Buffy," "Battlestar Galactica," etc.) handling this one.

Link to comment
Share on other sites

  • Members

I am a big comic book geek, but this is a tough sell. WW is a tough sell in comic book form, and now she has to try and be ironic and modern too? The TV show was fun, and certainly the theme song is a classic, but I can't even imagine what anorexic waif they will cast in the role. Lynda Carter would be told today to drop 20 lbs.

And then there is the matter of the costume. WW currently has been redesigned into something deemed more modern. Now she looks like Sam McCall on GH

wonderwomanoutfitjmicha.jpg

and for an oddity, before there was Lynday Carter there was Cathy Lee Crosby

http://www.youtube.com/watch?v=izz4OdHxyJo

Link to comment
Share on other sites

Archived

This topic is now archived and is closed to further replies.

  • Recently Browsing   0 members

    • No registered users viewing this page.



  • Recent Posts

    • Thank you. That does ring a bell. I remember Theresa and Julian's drunk, giggly fake wedding (with Julian asking "Whassup?" to the minister). Was Bruce tricking the pair as a prank, or did somebody put him up to it? I especially liked Katherine recalling how dashing young Alistair was when he'd pick up Rachel for dates, and how she wished she could be her sister, then feeling guilty once Rachel had her boating accident ...
    • And Kevin Mambo beat Shemar Moore for those two Emmys. I chalk up the wins to the voters not wanting Jonathan Jackson to eventually end up with a five peat (he won 1995, 1998, 1999). These were the 1996 and 1997 Younger Actor races. 1996: Nathan Fillion, Jonathan Jackson, Kevin Mambo (winner), Shemar Moore, Joshua Morrow 1997: Steve Burton, Jonathan Jackson, Kevin Mambo (winner), Shemar Moore, Joshua Morrow
    • https://www.legacy.com/us/obituaries/legacyremembers/denise-alexander-obituary?pid=209074143
    • Today's episode was excellent. Clearly it was confrontation day and they didn't disappoint. I'm glad they didn't forget Mona in all of this and gave us an opportunity to see how she's dealing with this. A major highlight for me were the Kat and Martin scenes. Their chemistry is off the charts and I don't understand why we haven't gotten more of this. I love how they take turns calming each other down. They feel really well matched and believable as siblings. Speaking of siblings, they anvils were dropping strong that Kat and Eva are twins but I do wish someone would mention that they are essentially hood twins which might throw people off the scent.  I'm one of the people who enjoyed Joey and the gambling storyline so it was nice to see him again. It was nice to see different characters like Mona and Eva in that element instead of the usual players. When Doug arrived I don't know what hit me but I just see a funeral in his future. He seems so hopeless and has the worst luck. I just can't see him surviving the year at this rate.
    • In fiction there has become an expectation by some that every Black character should represent excellence and perfection. It's not like we are talking about a Tyler Perry show where none of the characters are happy and everyone hates each other with a passion.
    • And on rewatch, I could've done without the unsubtle praising Matt like he was the only one who ever accepted Van as she was...but TPTB and their agendas.  It was totally in character for Vanessa to shut down emotionally until she was alone. While she could be volatile, both she and Henry believed in keeping emotions private.  Thank God it's still Bryan Buffinton in the role for both Henry's and HB's funerals. It just wouldn't have been the same with Ryan Brown, who couldn't act his way out of a wet paper bag. Roll My Eyes.
    • I can probably believe the Spauldings reacting that way, as Alan barely cares about anyone but himself and maybe his family, while Amanda only had that one experience with the Coopers, but I see your point. I do think 1997 was a better year than the last 3-4 before it, for whatever that's worth. You are right about Marcus. Kevin Mambo winning two Emmies (the latter during periods where he had nothing to do) helped.
    • I think @Darn @Faulkner and others have a fair point re: it being an unfortunate look and coincidence. I can see their point about the two Black husbands in rapid succession, without much time in between. Frankly, based on the early casting notices I thought before the show's debut (and I still suspect) that Ted's crimes might be far worse than infidelity or a secret baby. That would've mixed it up more. It's a soap, people are going to cheat, but it might've given them more variety if Nicole was stepping out first. Still, I wouldn't trade the Leslie/Eva reveal material for anything right now. Still, Fanfic Account #3 is just looking for any weapon to attack the show for not accepting his unsolicited scripts. When it's not the husbands it's Martin, or Chelsea or Dani. He's seething it got renewed.
    • I'm pretty sure Lucy and Bridget never even have another scene together for the rest of the time they're both on the show. Bridget isn't even invited to the wedding! The lack of community feeling and continuity of non-romantic relationships during this period is very jarring. Characters suddenly only seem to interact with a handful of other characters, rather than characters across the canvas. I'm deep into 1997 in my watch right now and find that it's even stranger because the show goes back and forth between ignoring history in order to manufacture some kind of separation between characters (for example, at one point Amanda refers to the Coopers as a family that the Spauldings "barely know," despite her and Alan spending the better part of 1996 going to war with Buzz over 5th street, and Alan has absolutely no reaction when he finds out about something bad that's happened to Abby, which seems pretty out of character given how close they were in 95/96) and ignoring history in order to create a sense of community that doesn't quite fit (characters who couldn't stand Amanda are suddenly acting all buddy buddy with her). The wheels really feel like they're coming off in 1997 (although I know some would argue that the wheels started to come off years earlier). Watching the Marcus/Dahlia romance again from a 2025 perspective is so weird. Marcus is a full grown man who must be at least in his mid-20s and he's dating a teenager who is not only still in high school, but is still fully a year away from graduation, and no one says anything about how creepy that is. I feel like the buzz around Marcus gave the illusion that the show was more invested in him than it ever actually was. Even during his "big" story where he's arrested for Cutter's murder, he actually doesn't appear on screen very often. He's imprisoned, Griffin is brought on, other characters make a fuss about trying to get him out, but there's a long stretch of time where he doesn't appear at all. I've been keeping episode counts while I watch and between Cutter's death in mid-November of 1995 and the end of the year Marcus/Mambo only appears 7 times (and of that only twice in December).
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy