Jump to content

Guiding Light Discussion Thread


Paul Raven

Recommended Posts

  • Members

In Vincent Irizarry's defense, I don't think any actor would have been able to breathe life and interest into a lot of what he was given on his return to GL. The stories were rarely about him. It was about the women. When Simms and McKinsey departed, the character had been given so little inner life that he was not able to do much when JFP and the writers put him with actresses he didn't have chemistry with. On SB, the writers never knew how to write for most characters outside of the Capwells and they never showed much interest in his character or his romantic life. It was another example of hiring a popular actor without having a game plan for the character (a typical JFP move). They wrote off his character (Scott) in such a perfunctory way that it was obvious the show never thought him important.

 

Link to comment
Share on other sites

  • Replies 17.8k
  • Created
  • Last Reply

Top Posters In This Topic

Top Posters In This Topic

Posted Images

  • Members

I actually think Mark Derwin was effective as Mallet in lighter moments, especially during some of his banter with Mindy and Harley. I also thought he was quite good in some of his romantic scenes. I do see his appeal, but I had difficulty with him when he had to deliver really dramatic moments. I just didn't feel like he was able to do those as effectively. I watched him as Ben Davidson on One Life to Live, and felt he had similar struggles in dramatic scenes, especially when he was acting against Erika Slezak.

One of the reasons why I watched Guiding Light was because I always thought the acting was some of the strongest on the soaps, at least during the time when I watched in the late 80s and early 90s. I could watch actors like Michael Zaslow, Maureen Garrett, Kim Zimmer, Rick Hearst, and Beverlee McKinsey recite the phone book, especially Maureen Garrett. I was always so intrigued by her as an actress.   

Edited by GL Oldtimer
Link to comment
Share on other sites

  • Members

Yes, the carriage house was on the grounds of the Wexler estate. I think Ben and Eve got to live there while employed by Lucille. Then Carrie and Ross moved there.

No, the Spaulding mansion was a separate entity that would've come before the Wexler set. I'm not sure if any other characters bought it after Amanda left. 

Link to comment
Share on other sites

  • Members

Agree. It's criminal that BM was never nominated for Lead Actress for her work on GL. MZ deserved more Lead Actor wins than the one he got. MG got three nominations for Supporting Actress but the competition was tough.

Link to comment
Share on other sites

  • Members

Agreed...I really liked Derwin as Mallet and thought he brought a masculine vibe to his role as a cop (unlike say cheesy Rusty who tried to act like a tough guy but seemed more into hair mousse, and we won't even mention Frank as a cop..) but it was the writers who should have written to his strengths, which was banter and he was better at quiet scenes then DRAMA...its like MOL, who was really good in nice big brother, friend, lightly humorous scenes but as soon as he had to be mad, or romantic he failed (I won't even mention his later, "comedy" scenes...) There should be all types of characters on soaps and yea, leave the heavy lifting to the actors who can do it.

 

I love that they kept the Spanish influence with the arch and the brick work, while making it look warm and friendly which the Bauer kitchen should be. Do New York producers like Wheeler and Gautman ever use their kitchens..cause in the midwest that is where most people hang out but it seems the shows would rather show a cop station then a kitchen. I actually think the Bauer living room with the fireplace is neck and neck with the Carriage House as longest running set. 

 

The Spaulding mansion has a convoluted history..Alan moved from Chicago there (later retro written that it was where Alan and Alex grew up under Brandon's thumb..) and had his various wives until he married Hope and in typical Marland fashion...did not like the mansion and wanted to live in a smaller house, so they moved to one that just happened to be behind Ed's house which allowed Alan and Rita to pass through the adjoining gate for some nooners. They then moved back to the mansion (so Rita would have further to go in her Walk of Shame in the afternoon?)  which was retro written to be the house adjoining the Bauer's (and the SF CC.) The Wexler mansion did have the carriage house on the property, which humpy Ben lived in and painted in his shorty shorts and got all the SF ladies including Amanda hot and bothered (though he always looked like he would rather spend the night with Kelly Nelson...and vice versa..) Amanda escaped the Wexler mansion but during Long/Kobe redecorated the gothic house to look nicer (obviously they had a story planned for her but it went nowhere..) I always wanted Poser's Amanda to move back in, since part of her story was chasing after Ross, how convenient to be next door to drive Blake crazy..("I just had to drop off some papers..is Ross home?") 

Link to comment
Share on other sites

  • Members

Bauer and Spaulding places were close-by...at least in 1991.

And Amanda was fired by Kobe despite Pam Long clearly setting up story for her.  Long/kobe wanted to move the show away from the Gothic tone of the Dobsons/Marland...which was a mistake.

Oddly...Long had the potential to write Gothic.  The way she wrote Lesley Ann's death was eerie and something I could have seen the Dobson's and Marland write...and Roger's 'phantom of the opera' return as Adam had gothic undertones (and I assume Long wrote that).

Link to comment
Share on other sites

  • Members

I wonder how much of the shift is down to some of the mixed/negative response the show got for the Mark and Rebecca/Mona story dragging out so much. Part was probably just down to trying to capitalize on the popularity of Dallas (and just Kobe/Long wanting to continue what they were doing at Texas!), but I guess that interim year can't have helped. It's just too bad they had to make Quint and Nola so goofy and small. 

Link to comment
Share on other sites

  • Members

I think that was the house that Ed lived in with Holly..I remember it (and I was a kid) that Hope didn't want to live in the big cold mansion, so they moved into a smaller house that I am sure was still impressive, and it shared backyards with the Bauers. Rita became entranced with the Spaulding lifestyle at that time (I remember, Alan gave them some crystal glasses or something for Christmas and Rita was seen starring at them in fascination..which is weird, its not like doctor's wives are poor. 

 

I think Roger's return was more Curlee...but I don't think she was that into gothic either. Oh, if only someone post 1985 mentioned Thornway Road...(I would have had Nola mention the old place ..with Bridget saying "Oh, Thornway Road has a bunch of gas stations and nail salons on it" with Nola looking disgusted. ) 

I agree, I have no idea why Nola and Quint weren't involved in the Cabin Mystery...like Nola would keep her nose out of that....though I have no idea how Quint could have survived to be a long term character.

Link to comment
Share on other sites

  • Members

From what I understood, it was Curlee's idea to bring Roger back and had convinced Pam Long to bring him back... but from what I understand, it was Pam Long that came up with how he would come back (after sending a long time watching the Santa Domingo fall scene in order to see if there were indications he hit the ground).   

Curlee had said in the Locher Room interview that she didn't like how the Roger return story was written.

Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Unfortunately, your content contains terms that we do not allow. Please edit your content to remove the highlighted words below.
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

  • Recently Browsing   1 member




  • Recent Posts

    • I can't fully remember, but I don't think they tried to get Beth Chamberlin back. I think Laibson/McTavish likely saw Beth as old news and wanted to move Philip on; either that or have her return only when Philip was closely tied to a new woman. Thanks as always for these recaps. I think I had stopped watching around this time and mostly kept up by reading in the soap magazines. Bridget's degradation was horrible to watch, as the character had grown so much over the years and was clearly regressed just to be a foil for a "hot" couple viewers had zero investment in. 
    • Having the majority of the cast on those low numbers is no way to tell story. And just 2 dayplayers for the month. So sad for the #1 soap.  
    • I believe it was. And this is actually one of the cases where I wouldn’t mind some dumb soap opera bringing back from the dead. They gave Mishael, Amanda, with all of Hilary’s connections but none of the personality except for fleeting moments. Hilary absolutely should’ve just left town. They decided to kill her and the baby. Just baffling,
    • That was Mal Young right? He thought a tragic death was a better option than crafting a story where Hilary leaves town. Was it a case of punishing someone who wants to leave? And then they have to jump through hoops to bring the actress back.
    • Ooo @TaoboiI will say I just watched Amanda give it to Abby and I loved it. Honestly just made me miss Hilary more. I will never understand or get over that decision to kill her off. Also call me crazy but I could definitely see the Damian actor playing NuTed on BTG. Very much still enjoying the Lily attraction.
    • I rewatched these episodes---they broke my heart. Somehow, Nola had seen Vanessa leave the hospital, and follows her home, and Maeve just lets out this primal scream---chills went down my spine. And knowing the history between them---never quite liking the other and always getting on each other's nerves (to put it mildly)---makes it a much richer to have them put it all aside in the moment and be family to each other. I've never seen/heard what Maeve thought of the story itself, but she did want a break, so it's not like she was fired and then brought back. Yes, Vanessa could be this stubborn and unwilling to ask for help. She'd pretty much always been an "I can do this on my own" type of woman, although when she first came to town, she would still run to Henry. But after she met Billy, she stopped relying on her father. It's part of the reason she (briefly) got addicted to pills after Bill's birth---she was determined to take care of him all by herself and became obsessed with the idea she was the only one who could. Of course, nothing before to this extreme. I should say, there's no way (IMO) they could've told this story---Vanessa letting her loved ones thinking she'd died---if her father Henry had still been alive. She never would've been able to do that to him. And it does chafe that she's letting Bill believe it, when her mantra had been all about protecting him since the day he was born. I honestly don't recall what I thought about it at the time. But now I'm thrilled she's free of Matt at least. LOL.
    • I had no idea Peter Reckell was 70. He doesn’t look or feel it and I guess I thought Bo and Hope were closer in age than 9 years. Wow even the new writers had to have Jack praise Leo. Melissa Reeves continues to slip back in effortlessly as Jennifer. I like Ari and Holly being old friends. Holly learning about John’s death reminded me of how John used to call her Nikki if my memory is serving me right. Doug who happily sleeps in high school Holly’s room shirtless and in his underwear is now asking about birth years. How old is he anyway?    The Cat and Chad romance is insulting. 
    • Her husband is Marty Levy. Chocolate Fortunes (her company) was started in 1987.  So that explains the mystery of 'Whatever happened to Pam Peters?' She had been running a successful business for decades.
    • KMH's Emily was a harbinger for the lack of dignity many characters would face in the last decade of ATWT. On paper, many of the stories given to Melanie Smith's Emily could have been extremely sleazy, but she was treated with respect and understanding in the writing. By 1996 the show went from often not knowing how to write for KMH's Emily to giving her outright reprehensible material. There were breaks from this treatment, but not enough, with even those breaks often being poorly written or just used to make her look even worse (like her grotesque rape story turning into her using her rape to destroy Margo's marriage).  By the last years I don't even know what the hell they were doing. Wasn't there some kind of mother-daughter whoring story with Emily and Alison? Wasn't Emily getting beaten up by johns? Whenever I think of how they wrote for KMH's Emily I'm reminded of Pauline Kael's quote about Ann-Margaret's '60s movie persona - calling her "dirty" and saying the people who made the movies "knew what men wanted to do to her."  Even as much as ATWT started hiring softcore actors in the mid/late '90s, the Emily treatment was on a whole other level. I have never known what audience they thought they were going to be attracting.
    • At this point the options are 1. Leslie is going to be caught out, arrested and jailed. Hit and run, blackmail etc. 2. She gets off due to lack of evidence. Second option keeps her on the show but how are they going to keep her a viable character? No one should want to have anything to do with her. If they keep her around, won't other characters come off looking stupid for putting up with her? I'm interested to see where they go with this character/story and hope not to be disappointed.
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy