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OLTL: Discussion for the week August 17


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I'm not sure the story is about going after a piece of the pie. The story receives minimal airtime and has had little promotion. The story is also turning into being all about Frons favorite Stacy.

I don't think Y&R, which only got publicity for their story because of an actor quitting the show, was the template here. I think they may have seen the connection between Brett Claywell and Scott Evans and decided to write it into the script.

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I agree about Kyle. I'm gonna try to go along for the ride, but I can't stop myself from thinking...DUDE, why is you wasting your time? You mean to tell me there aren't ANY other guys in Llanview for you to meet? Roxy can't hook you up with some of her friends' sons? Or her own?

This story is far from perfect, but so few stories are ever perfect in daytime. I just hope that TPTB at the show understand that and aren't made to believe that they're writing God's gift to gays.

I totally agree with the idea that they jumped into this out of nowhere. I wasn't watching much then, but when Fish slept with Stacy, was there any hesitation on his part? I feel that by giving Fish this baggage a year after he was introduced, they missed out on nuances that they could have added to his character months ago. I'm not the world's greatest writer by a long shot, but IMO, it's better to have a character completely, and 100% figured out when you first introduce him/her. You can't leave blanks to fill in later because then there's sort of an inconsistency.

The fact that they're sideline characters with no familiar connections doesn't really bother me. I'm not in the camp of "Everyone must be connected to everyone else in some way!"

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Roxy's friends' sons probably charge by the hour.

Unless you want to turn Sky or you want a man who calls you a whore or cheats on you, there aren't a lot of men in Llanview. I'd say Marrko, but he's only supposed to be 18 and he's involved with Dorian's daughter, which means she'd have Kyle deballed by the end of the week. And if he went after Brody, Jess would probably turn into Les, a repressed gay man who alternately tells Brody/Kyle they're going to burn in hell and asks if she can join in with them.

Too bad they had to kill Wes.

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Funny post CarlD....LOL....Great post too AMS. I am just going for the ride in this story. Everyone does seem to complain about gay storylines. I'm not expecting a miracle outstanding story here. I've been disappointed too many times already...ie...Nuke...Adam/Rafe...whatever the hell that was......etc...

I just thought today's show was nicely written for Kish.

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It's just all so earnest. That's always been my problem with Nuke too.

You know what I want my gay love story to be on soaps? Mason and Julia on Santa Barbara. Or Cass and Lila on Another World. Fast-paced, argumentative banter back and forth. Two people who drive each other absolutely f'in' crazy, but have insane amounts of chemistry. I'm so over this whole "coming out of the closet" thing. Give me something with fire. I understand we can't really show them in the sack, but if we can't show them naked and making out, at least find another way to give me heat. And that whole Rhett/Scarlett kind of dialogue/love story can be unbelievably sexy, with everyone's clothes still on.

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We don't get that with straight couples on soaps now (or in most primetime), we won't get it with gay couples either. They assume viewers don't want to see that now, that we're too stupid to understand what's going on. We are just going to get soulmates, fate, and angst, and people treating each other like crap, or one person being treated badly and taking it because that's what love is about.

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Pretty much. I'm not gonna sport any Kyliver banners or label them a supercouple (because they're not even a couple), but eh, I'll enjoy them until there's oversaturation. And by that, I mean mindless protests, "bans," and black-hole-esque message boards. I can deal with subpar storytelling as long as it isn't praised as being "touching" and "gentle" and all that bull-ish. I'm with brimike. There have been way more than enough coming out stories on television...it's time to get pass that, really. Everybody's coming out, but if they're not gonna DO anything, they might as well go back in!

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I didn't say that Fish sleeping with Stacy was an example of his once being straight. What I basically said was that it proves that he has no problem performing with women. His being totally competent in bedding down Stacy, but then flinching at the prospect of being intimate with Layla...seemingly because she's a woman and now we know he's gay...was a cheap move by the writers and a break in character continuity. They should have figured out another way to red flag his homosexuality to viewers. Also as I mentioned before, the near 180 Kyle has done is way too abrupt. He's gone from being Paul Cramer to practically Joey Buchanan. There's no reason they couldn't have made him gay and STILL a self serving schemer who has enemies. Do they fear a backlash by having a gay guy be unlikable? They are rewriting these characters (plus Roxy...as mentioned earlier, her going from almost hating Kyle to being his biggest supporter...plus Carlotta....Patricia Maurcei was right, she WOULDN'T be okay with Cristian being gay...at least not initially...but we'll cross that bridge when we come to it! lol) to fit the story, which IMO lessens it. Don't rewrite characters to fit plot! I know soaps do it all the time, but that doesn't make it right.

Being gay myself, I want to like the Kish story. I really do. But I have to judge it like I do every other story on the show. I can't be one of those viewers who is willing to ignore its flaws just because I like the CONCEPT. :P

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Carlotta's never given an opinion on homosexuality. I can see her accepting it after some initial panic. Roxy is your friend as long as you buy her a drink. She's never been a consistent character.

They have rewritten some elements but they do that with all the stories. Look at all this with Todd, who is now inexplicably written as a great guy who can't help loving the ladies and being harrassed by his mean ex-wife.

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Higley used to do that. While I do think that characters can evolve over time; mellow and /or eventually adopt new traits…I will agree that Kyle, in the span of weeks, going from threatening to expose someone's sister having a baby that didn't belong to her if they didn't pay him off, to posturing about self acceptance is a bit jarring.

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And we are supposed to believe that Fish knows what kind of prejudice his conservatives white parents have against interracial relationships? I certainly don't. More importantly, I don't believe for a second that RC or FV give a [!@#$%^&*]. I always see RC's defenders claiming that it is Frons, but know what, RC is as much a hack as any soap headwriter that has ever come along.

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I can see where he might, since he's been around them most of his life, and for all we know this isn't the first time they've seen him with a black woman. There are also parents who know instinctively their son might be gay, and are relived that he's with any woman, so long as she's an OK person.

I do understand what you're saying, I guess I've seen enough people who are homophobic but who don't care about interracial relationships to where this writing choice doesn't bother me, even if some of the details in the story are sloppy.

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I thought the dialogue for the Fish and Kyle scenes were extremely well written with the way it filled in the back story about the intimacy they shared in college. And then visually reinforced that intimacy onscreen. It was a poignant character driven moment and I'm a sucker for those.

I understand the criticism about how many coming out of the closet stories we've seen on daytime but to me it's daytime. How many times can we see a murder, a whose the daddy, or a long lost daughter, father etc.? Stacked up against those overplayed beats, I find it hard to even compare coming out of the closet to it especially when it seems that people are still struggling with it. As long as it is reflective human condition, I have no problem with daytime telling that particular story as long as it is well-written which I think it is.

Isn't a bit too early to tell though if Fish using Layla as a beard is a flaw when his parents haven't arrived yet?

I understand that Fish is afraid of how his conservative parents will react to him coming out but we still haven't seen how they will react to Layla. That beat could be played as the flaw in Fish's logic.

The characters of Fish and Kyle are too new or too underdeveloped to the show for me to decry lack of character continuity in regards to the writing for them. Fish slept with Stacy after he was rejected by Layla. The whole thing played odd and the way Fish responded to Stacy afterwards was too strange for me to hold it up as example of how Fish's normal sex life. He alluded that was his first experience with a woman. Things changed for him once Kyle or the person who knew he was gay reentered his life. After coming face to face with Kyle, he seemed more desperate than ever which is why it made sense to me that he would struggle sexually now.

I also applaud their use of minor characters in this story. We normally deride tptb for not using their whole cast. I think in this case, the fact that they used the two minor characters to create a quad of four unconnected characters actually works for this particular story they are telling. Instantly, it diversified the story addressing one of the key criticisms vocalized over the past year. The characters have all been around long enough on the canvas to get a story and they are all in need of more development. The fact that they aren't directly connected to the dead weight of characters like Rex, Stacy, Gigi and now Kim seems like a bonus. It enables the writers to strive towards some of the necessary beats for both Fish and Kyle in this story. Who else would they have used? Jessica and Brody? I can't see how they would fit- they were coming off the babyswitch story. Natalie and Jared are newlyweds. Blair was married to John when the story began. The only other candidates are Rex, Gigi and Stacy and honestly the last thing those characters needed was MORE story. They needed a group of characters who could fit together into a group and I think they made the right choice. Whose to say that it would have worked better if they had selected another character? We don't all agree on who is viable and who isn't.

Cristian and Blair's conversation. I've always liked their rapport and I liked what it accomplished. It showed that Cristian was conflicted about his actions and what steps if any he should take. It didn't to me serve as a contrivance because it fit within the context of the position the character is in. Also, it made sense for both Cristian and Blair to relate through their problems as that to me seems like a realistic conversation. Whenever I discuss my problems with my friends, they usually provide advice based on their own life's experiences which is what I felt they did there.

Rachel and Greg. They are much better than Shaun and Rachel. Their romantic chemistry has just the right touch. When they share scenes, I forget that we are supposed to be rooting for Shaun and Rachel. Rachel is stunning and I think she sparks well with all of the men she has tested with. But so far, she stands out the best with Greg. They are interesting together. Bo and Nora are finally talking about what the kiss meant which spells doom for Clint and Nora's marriage as if we didn't already know that.

Todd and Blair. How much longer can they ride on this long dead horse? I don't know what they will do with Blair but I pray she is not headed back down the raod towards a reunion with Todd. At the same time, I don't think I buy that Todd is in love with Tea. Tea and Elijah are starting off with a bang. My only problem is that I wish that Elijah was Kevin. There is something about him that reminds me of Tim Gibbs' (????) Kevin Buchanan. The absence of Kevin Buchanan is profound. With Elijah on the scene, I realize how we are totally devoid of any core male men in their 20's and 30's. As someone said upthread, I don't need every character on the show to become connected in order to have viability. But I do think it is an injustice not to have core males in one of the most important age groups.

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    • All caught up on this week's episodes. Deidre Hall has done the best work of her career with this series of episodes. That is her tribute to Drake. Every acting choice has been perfect. From her reaction the moment John flatlined, to her snapping at Abe and Paulina (what a smart, realistic writing choice), to her grief playing the text message over and over. Josh Taylor did the best work of his career in the scene with Kayla telling him John had died. Everything about his facial expression, voice, pronunciation, everything was so different from what he usually does. He was overcome with the emotion of it and any of his acting tics disappeared. Peter Reckell and Kristian Alfonso were great. One thing I noticed with the flashbacks of John/Marlena and Bo/Hope is that Bo and Hope are constantly smiling at each other. The chemistry those two have cannot be faked. It's clear the writing team decided to clean up Bo and Hope and give fans a happy ending for them, neatly wrapped up in a bow. The juxtaposition of Bo and Hope reclaiming their happiness thanks to John, while Marlena is dealt life's harshest blow from John's sacrifice, was another great writing choice. Marlena even saying that to Eric, that she is paying for Bo's recovery with John's life, was such smart writing. Susan Seaforth Hayes was used very effectively between the two storylines. I really enjoyed the scene of Kate talking to Philip, calmly stating that she will make Xander pay. Overall, the show should be lining these episodes up for the Emmys and Deidre should be carefully choosing her scenes for her own reel. She deserves a Best Actress Emmy for this work. The first time I have felt that way about her work. Peter Reckell should submit himself for Guest for the scenes where he found out Victor is dead because he was genuinely heartbreaking. Josh Taylor should throw his name down for Supporting Actor for his scenes. The show deserves a Writing and Best Show for what they've done with the episodes around John and Bo. It was heavy stuff and I feel for the actors. I am so impressed with what they did.
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                                              BRENT SPINER       Also Credited as Brent Mintz             2/2/1949 - Present RYAN'S HOPE      Doctor Examining Kim Harris    1981 ONE LIFE TO LIVE   Ralph Hanley    1984 and TO TELL THE TRUTH    Imposter     1972 THE DAIN CURSE      Tom Fink   1978 FAMILY FEUD   1979 ROBERT KENNEDY AND HIS TIMES     Allard Lowenstein    1985 NIGHT COURT      Bob Wheeler    1985 -87 MAMA'S FAMILY    Billy Bob Conroy     (2 Episodes)    1986 - 87 STAR TREK: THE NEXT GENERATION       Lieutenant Commander Data  1987 - 94                        + STAR TREK ENTERPRISE    2004 - 05                                      Also Dr. Arik Soong                         + STAR TREK PICARD   2020 - 23                                     Also    Dr. Altan Inigo Soong (2020); Adam Soong (2022); Lore (2023)                          +STAR TREK: LOWER DECKS     2024            ST: TNG -- Also --   Dr. Ira Graves -- 1989; Lore -- 1988; 1990; 1993;  Dr. Noonian Soong --  1990; 1993; Frank Hollander, Eb Hollander, Henchman, Bandito, Annie Meyers -- 1992 READING RAINBOW     1988 GARGOYLES      Puck    1995 - 96 THRESHOLD    Dr. Nigel Fenway     2005 - 06 FRESH HELL   Brent Spiner    2011 - 12 WAREHOUSE 13      Brother Adrian    2012 GENERATION REX    Dr. Gabriel Rylander + (V)   2010 - 13 RAY DONOVAN       Therapist    2014 STAR WARS: REBELS   Gale Trayvis    2014 - 15 BLUNT TALK     Phil     2015 - 16 OUTCAST       Sidney     2016 - 17 MADE IN HOLLYWOOD    (2 Episodes)     2016 FROM THE MOUTHS OF BABES     2016 PENNY DREADFUL: CITY OF ANGELS    Ned Vanderhoff     2020 YOUNG JUSTICE    The Joker   (V)    2011; 2021 THE CENTER SEAT: 55 YEARS OF STAR TREK    2021 - 22 NIGHT COURT 2.0     Bobert "Bob" Wheeler    2024 - 25 @Wendy 's HUNTER CONNECTION HUNTER    "The Contract"     Willie Vaughn   12/13/1986 PILOTS/PROPOSALS SYLVAN IN PARADISE     Clinton C. 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Commander Data from Star Trek: The Next Generation. Both are highly intelligent, but rarely understood by the outside world. Both aim only to evolve, to be better than what they are. And both belong to the NFL. Data, who is actually Brent Spiner, was born February 2, 1949 in Houston, TX. He was the son of Sylvia, a corporate VP and Jack, a furniture store owner. When Jack suddenly died, Sylvia was left to raise infant Brent and his brother alone. She eventually remarried a man named Sol Mintz. Although Mintz adopted Brent, Brent changed his last name back to Spiner when he became a professional actor. Spiner attended Bellaire High School in Houston and was heavily involved in baseball and the drama club, in addition to being a member of the NFL. While on the speech team, he gained 143 points and even earned the title of Dramatic Interpretation Champion in at the 1967 National Tournament (the same year actress Shelley Long won Oratory). After his success in high school, Spiner moved on to the University of Houston and began performing in local theatre in Houston. Eventually he dropped out of college to move to New York City and try his acting luck there. While in New York, Spiner gained more stage acting experience, performing in several Broadway and Off-Broadway plays, including The Three Musketeers and Stephen Sondheim’s Sunday in the Park with George. In 1984, Spiner decided to try film acting and moved again, this time to LA, where he appeared in several pilots and made-for-TV movies. He then auditioned for the up-and-coming show Star Trek: The Next Generation. Spiner himself was never a fan of science fiction or of the original Star Trek, but figured the show would soon be cancelled and he desperately needed the money. Starting in 1987, Spiner played Data for 15 years, during the show’s 7 seasons and the four feature films that followed. Even when the show was cancelled in 1994, Spiner’s career as a performer barely paused. He is most remembered for his role in Independence Day as Dr. Okun, the somewhat awkward chief scientist of Area 51 who is attacked and killed by his alien subjects. He has also made appearances on Law & Order, Friends, Dude, Where’s My Car?, I Am Sam, and The Aviator. Spiner returned to the theatre and appeared in the Broadway revival 1776 as John Adams. Unlike most of his co-stars, Spiner is not very active in the Star Trek convention scene. He has made a few appearances, but overall his lack of interest in science fiction gets the best of him. However, he still regards Patrick Stewart and LeVar Burton as two of his best friends. One of the challenges forensicators face is finding the human element in their events; to not be robotic and detached, but simply themselves. It is this crucial element that separates the good from the great. As the character Data, Spiner sums up the NFL experience the best: “If being human is not simply a matter of being born flesh and blood – if it is instead a way of thinking, acting, and feeling, then I am hopeful that one day I will discover my own humanity. Until then…I will continue learning, changing, growing, and trying to become more than what I am.”   https://www.ign.com/articles/2002/12/09/an-interview-with-brent-spiner https://www.latimes.com/archives/la-xpm-1992-02-17-ca-1835-story.html https://www.discogs.com/artist/1224629-Brent-Spiner?srsltid=AfmBOorfw9Nl3EZ4fc-plhbgU3ng2bSQTruygkdJxZgsPquzQ6sBhCbj     Leslie Charleson    pg. 435   PILOTS/PROPOSALS ANOTHER APRIL      April Weston Moss   1974    (Made for T. V.)   Article including James Rebhorn, Catherine Cox and Peter Kluge -- all former daytime actors .https://www.wittenberg.edu/administration/universitycommunications/magazine/spring1999/curtaincalling
    • For anyone who missed the end of Friday June 6 due to news interruption, the last five minutes of every episode is uploaded to the official GH facebook late in the evening, usually around 11:30pm Eastern. Here's the end of that episode: https://www.facebook.com/generalhospital/videos/3649028845342563
    • Thanks so much for posting this. Since they had retconned Roger/Holly's relationship after his return as being "Roger was always in love with Holly" when it was actually the other way around, they kept up this narrative in this video. Understandable, but it still bugs me. Holly was never his "heart." That's baloney. He only married her to be in Christina's life and was screwing other women like Diane and Hillary the whole time. Peggy was truly the only woman that Roger ever loved, and even that wasn't a very healthy relationship. Holly only really fell out of love with Roger after she realized she loved Ed while they were divorcing. I'm glad he reminded people that the rape scenes were taped in a day. It's amazing what they accomplished with very little rehearsal. That scene still has great impact after all these years. And OMG, watching the scenes of Roger's return in comparison...the quality in the writing really nosedived. The stupid mask. (I love the way they joke about the mask at the end). Alan's insanely over-the-top reaction to his return when Roger had no hold against him anymore. Yikes, one of the worst things Long did while she was still writing the show, though I will cut her a break since she absolutely had a tough task bringing back a guy who fell off a cliff.
    •   Thanks! You reminded me I did not remember to add in the preemptions for the dark weeks, since those are not listed on the sortable charts, so these are the additional preemptions per newspaper listings and Vanderbilt News for the 1973-1978 dark weeks. I have added them in to the full lists above.   8/26/74-8/30/74 Another World Wednesday episode- 3:04PM (26 minutes) 8/26/74-8/30/74 Doctors Preempted Wednesday- Ford News Conference 8/26/74-8/30/74 Edge of Night Preempted Wednesday- Ford News Conference 12/22/75-12/26/75 As the World Turns Preempted Friday- Sun Bowl 12/22/75-12/26/75 Guiding Light Preempted Friday- Sun Bowl 12/22/75-12/26/75 Search for Tomorrow Preempted Friday- Sun Bowl 12/22/75-12/26/75 Young and the Restless Preempted Friday- Sun Bowl 8/22/77-8/26/77 Doctors Preempted Tuesday- Carter News Conference 8/22/77-8/26/77 Guiding Light Preempted Tuesday- Carter News Conference 8/22/77-8/26/77 One Life to Live Preempted Tuesday- Carter News Conference (possibly aired just 3-315PM) 4/24/78-4/28/78 Another World Preempted Tuesday- Carter News Conference 4/24/78-4/28/78 General Hospital Preempted Tuesday- Carter News Conference 4/24/78-4/28/78 Guiding Light Tuesday ep- 230-3PM (30 minutes) 6/26/78-6/30/78 Edge of Night Preempted Monday- Carter News Conference 12/25/78-12/29/78 Another World Preempted Monday- (Local Fill) & Fiesta Bowl 12/25/78-12/29/78 As the World Turns Preempted Monday- Peach Bowl 12/25/78-12/29/78 Guiding Light Preempted Monday- Peach Bowl
    • Breakdown writers can pitch stories and obviously they have influence over what is included in the breakdown but MVJ is the final decision maker. It depends on the faith you have in MVJ if you feel Carlivati is going to be a problem. I don't think a throwaway having a book author named after him is a sign he's taken over the show. Most people didn't even catch the reference.
    • Tamara Tunie reading that damn letter is exactly why I wish this show had more experienced actors.
    • BETH CORRELL'S FRIEND

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              CATHERINE COX        Also Credited as Catherine Carpenter; Catherine Carpenter Cox                      12/13/1950 - Present THE EDGE OF NIGHT     Billie Schumann   1984 THE GUIDING LIGHT     Unknown Role     Unknown Year LOVING         Unknown Role     Unknown Year AS THE WORLD TURNS     Phyllis Leonard    Unknown Year ANOTHER WORLD     Nurse Margaret     6/29/1990 and STARS IN THE HOUSE     Self    2021 Appeared in two episodes of LAW AND ORDER  (2002; 2006) and an episode of THE COSBY SHOW (1990). PILOTS/PROPOSALS FOUR IN LOVE      Pam        1980  CBS     movies BUNKO      Cat     2007 TENDERNESS      Bowling Waitress     2009 BROADWAY MUSIC IS     12/20/1976 - 12/26/1976        Viola   **** DRAMA DESK AWARD NOMINEE -- OUTSTANDING ACTRESS IN A MUSICAL WHOOPEE!      2/14/1979 - 8/12/1979    Harriet Underwood OKLAHOMA!   12/13/1979 - 8/24/1980    Replacement -- Ado Annie Carnes   July 1980 - ???? 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    • Oh wow. After reading your post, I realized that they had "Carl Ivati" in the script AGAIN yesterday June 6.    Eva said she was reading his latest, and Tomas said "Work's been so busy, I haven't had time to get into his new series". Then Eva proceeds to tell him that "the first book is called 'Mercy and Goodness' and it's all about how the couple first met and how they got separated".   She goes on and on about how great it is. And she says she has the book in her hotel room if he wants to borrow it. She says it has twists and turns. And meanwhile Kat is snooping in Eva's room to look for the helmet and gloves, and finds the book and dismisses it as "basic". I saw that whole scene -- but I wasn't paying attention to the name of the author.  And when Tomas said the name, I heard it in his accent so I didn't hear "carlivati".  II was mainly trying to see if the acting had improved with the actor playing Tomas, and I think he has improved somewhat.   I only see it when typed out. So they had several scenes yesterday about a "Carl Ivati" book?  Barf! Well at least Kat had the good sense to dismiss it as "basic". Ron Carlivati wrote the breakdown yesterday!   Featuring himself in it! Addressing to the collective "you" whoever you may be: Some of you, months ago, said Oh Ron is only doing breakdowns.  The story comes from MVJ, so he won't influence things, you said. May 27 started it, with Christopher Dunn breakdown and Lynn Martin script. But they didn't need to continue it June 6 with Carlivati breakdown and Jazmen Darnell Brown script.
    • I was completely lost. But it is wonderful that it exists. I didn't really know Robert Mandan had done soaps...well, besides SOAP.
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