Jump to content

Another World Discussion Thread


Recommended Posts

  • Members

Ironically, if you look at the ratings of AW in 1979 late winter, early spring, when Harding Lemay was still writing, the ratings began to dip very rapidly.  This is before Texas, Before moving Bev or changing any time slots.  It makes me wonder,  did Harding LeMay start to lose his touch with the audiience and he saw the writing on the wall and he decided to quit?  I found the writing and production to be the same as the previous year but maybe his burnout was starting to show and the audience started to move on.  I know this is when GH began to become a big attraction.  If anything, I think changes Rauch made were due to AW's decline.  It is odd to see how the show was like #2 and just a few months later it moved to the back of the pack and never regained that top status again..  

Link to comment
Share on other sites

  • Replies 13.7k
  • Created
  • Last Reply

Top Posters In This Topic

  • Members

Just today on the Locher stream with GL actors, Maeve Kincaid who played Angie on AW and Vanessa on GL made a veiled reference to the toxic AW environment. When asked if she recalled day one on GL set she remembered the actress who played Hope Bauer telling her that the GL set was nothing like that other show.....

Link to comment
Share on other sites

  • Members

Here is a great interview with Linda Dano, Anna Stuart and Victoria Wyndham.  VW comes across as tough but very human.  Everything we have been saying in this thread about her frustration with the behind the scenes drama seems to be accurate. 

 

http://www.anotherworldhomepage.com/chat26.html

 

Edited by Efulton
Link to comment
Share on other sites

  • Members

 

Maeve Kinkead had a bad experience behind the scenes at AW with Paul Rauch- no doubt she was probably a victim of sexual harassment.  Paul Rauch probably would have lost his job nowadays with the MeToo Movement.  P&G gave her the part of Vanessa on GL probably to avoid any lawsuits.  Not long after Rauch took over at GL in the 90s, Kinkead had left GL.

Link to comment
Share on other sites

  • Members

 

I can't remember.  It was well known at the time, which actress took the role on DOOL, but I just don't remember now.  Maybe somebody else will.   I remember one of David Forsythe's lines on the DOOL episode was extremely insulting to AW fans.  It was all very indirect, of course.  But the end of his line was something like, "Why don't they just get over it?"   

 

It was the beginning of the 90-minute episodes when the ratings took severe plunge.  From #2 in the ratings all the way to #8, I believe.   The 90-minute transition was a fiasco, even with Lemay writing.  Lemay didn't lose his touch, but the 90-minute thing just didn't work.  Shortly after Lemay left in April 1979, the ratings fell further to #9 and then never got above #9 for the final 20 years of the show.   

Edited by Neil Johnson
Link to comment
Share on other sites

  • Members

 

IIRC, Victoria Wyndham was supposed to appear on DAYS as some sort of quasi-European nobility for Greta Von Amburg's coronation.  Sheraton Kalouria, who was then in charge of NBC Daytime, made a big to-do in the soap press about getting a bunch of soap vets to appear as a favor to his mother, a lifelong soap fan.

 

However, as others have stated, VW dropped out once she realized the role was little more than a cameo.  I'm not sure, but I THINK they replaced her with Dorothy Lyman (as the "Countess DiLyman," or some such ridiculousness).

 

 

Ah, okay.  Thanks, @DRW50!  Like I said, I wasn't sure.  Maybe Dorothy Lyman was there from the beginning?  Frankly, I wasn't watching DAYS anymore at that point, so I don't know how it all played out on-screen.

Edited by Khan
Link to comment
Share on other sites

  • Members

Thanks!

 

And you're right about Dorothy Lyman. Idk if they're still there, but there were clips on YouTube of her scenes at the coronation. In one of them, she had a brief conversation with Tyler Christopher who played Signor Cristofero, or something like that

I think the ratings had already plummeted before that, around 1978 after the Sven storyline ended. That was around the time that Monty and Marland revitalized GH and it soared. I wonder what Lemay thought after that happened; his friend and protégé was now his competition 

Link to comment
Share on other sites

  • Members

 

The only reason I knew was because Google said which character Victoria was meant to play. So it was time no one should be wasting, really...

 

It says a lot about roles for older women in the industry that LAD would have come in for such a thankless role (no criticism of her on my part).

Link to comment
Share on other sites

  • Members

 

Well, if Harding Lemay felt angry or jealous about Douglas Marland's success at GH, he certainly didn't let his emotions keep him from working later as one of Marland's script writers at GL, lol.

 

But seriously.  Given how much pressure he was under (from NBC as well as from P&G) to keep the ratings up, Lemay was bound to burn out at AW.  By his own admission, he resorted to the kind of sensational plots (murder, kidnapping, fires, etc.) he had fought to avoid earlier in his tenure.  Plus, Lemay was writing most, if not all, of the daily scripts; and while I do think smaller writing staffs are better all-around, writing up to five 60-minute scripts per week had to have been the ultimate strain.  Under those circumstances, it's no wonder Lemay bailed soon after Rauch had expanded AW to 90 minutes per day.

Link to comment
Share on other sites

  • Members

 

Claire Labine once suggested that when she and Paul Avila Mayer had sold RYAN'S HOPE to ABC, they should have asked the network to let them have a year off to recharge their creative batteries.  Maybe a similar solution could have done wonders for AW and Lemay?  He could've taken a sabbatical of sorts and let Tom King, who might not have been as good of a writer but who definitely knew the show, head-write for a year or so; and in the meantime, he could have remained in an unofficial consulting capacity, offering guidance whenever needed.

Link to comment
Share on other sites

  • Members

That might’ve worked but the big mystery is that would Lemay and King have been able change their style and adhere to that action/adventure, youth oriented type of storytelling? In his book, Lemay even said he didn’t like writing for the younger actors and characters except for Ray Liotta’s Joey.

 

Lemay also said he wanted Tom King to succeed him but he criticized a lot of things that Tom King had written. He didn’t like that Mac and Rachel were divorced and that Mac took Amanda from Rachel and gave her to Janice, he didn’t like the Kirk Laverty murder mystery and he hated that Janice tried to poison Mac. It was too melodramatic for him apparently.

Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Unfortunately, your content contains terms that we do not allow. Please edit your content to remove the highlighted words below.
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

  • Recently Browsing   0 members

    • No registered users viewing this page.



  • Recent Posts

    • To me, that made no difference. The point stands whether Eva wants to be a Dupree or not. Anita was 110% on top of things. Also it's a logical inference that Eva might be interested in having a place in her supposedly real family. Frankly though I wonder if Eva knows how to feel ... yet. She could really be confused.
    • Does Jack ever dress in drag during that early '00s period where he was trying to get Jennifer back...or does he just fake being gay around then?
    • Here you go, by special request! https://www.instagram.com/p/DJlXDnWJImW/ DAYS 9-26-90 Matt Ashford as Jack Deveraux in drag
    • Concluding 1976... Raymond Schafer arrives in Springfield and begins an extensive probe into Malcolm’s death, puzzling Ed, who wonders why most of Schafer’s question sessions keep turning back to Rita’s involvement with Malcolm. Ed assures the man that Rita’s only connection with Malcolm was as his nurse; he is unaware that Schafer knows a great deal more about Rita than he does. Just to protect Rita, Ed has Mike check on Schafer’s credentials, and learns that he’s a  well-respected criminal attorney. The waitress at the restaurant where Malcolm suffered his stroke tells Schafer that the woman who was with him reacted very professionally to the sudden emergency, as if she were a nurse. Realizing that her little sister has fallen hard for Tim, Rita warns him that she’s very vulnerable and innocent, but Tim tells Rita her advice isn’t necessary. But Tim then receives a plum job offer to be chief neurological resident at a prestigious Philadelphia hospital and can’t pass up the opportunity. Evie is crushed by the news and spends the next several days at home crying. Joe Werner, fully recovered, has accepted a post as a medical aide in a destitute village in India and leaves alone, with Sarah to follow him later. Justin asks Sarah to consider a partnership with him in private practice, but she explains that she thrives on the hospital atmosphere. When a call comes from India that Joe has had another massive attack, Sarah leaves on the next available flight and arrives only moments before he dies. The painful news is relayed back to Cedars at once. Sara returns from India a heartbroken woman, but the day-to-day involvement of raising T.J. and of her career seem to be her salvation. Justin shows a surprisingly compassionate and understanding side to Sara, but, ironically, Justin’s ex-wife, Jackie, arrives in Springfield with her diabetic father, who is suffering from a heart attack. In the process of consulting with Justin on her father’s condition, Jackie comes face to face with Sara for the first time since their college days. Evie’s heartbreak at Tim’s departure turns to fury and hatred when she inadvertently discovers a letter which Tim wrote to Rita just after he left. In it he concedes that Rita was right about Evie’s vulnerability where he was concerned but reminds Rita that he badly hurt her in the same way she feared Evie would suffer. Evie is now sure that Rita somehow forced Tim to leave town and is livid at the idea that Tim was Rita’s lover. She insists she’s cutting off her relationship with Rita and will pay her back for any help she’s received in the past. Ben and Hope’s wedding plans are off, as Ben, while still insisting he’s innocent, won’t explain why the robbery evidence points to him. Hope feels his unwillingness to tell her the truth makes marriage to him impossible, but confides to Ann that she is miserable without him. Ben has echoed these sentiments to Mike but won’t confide in him, either as Hope’s father or as an attorney.   Holly is trying very hard to build a life without Ed, but since she sees him virtually every day at work,she’s unable to put him out of her mind. She accepts a date with a member of the hospital administration staff but is unable to avoid making comparisons between Ed and this young man and winds up alone, sadly holding Ed’s picture and recalling how much she loves him. Believing that the hospital board’s conclusions on Grainger’s death have settled the question once and for all, Rita has regained her self-confidence, and her romance with Ed is growing daily. They admit their love for each other, and Ed confides that he intentionally  held back with Rita for fear of making another mistake. Rita then tells Ed she has never married because for her marriage must be forever. Rita’s mother realizes that Rita is truly in love when she confides in her that she doesn’t understand why she’s been so lucky in having him love her and how she wants to be the very best person she can be for him. Ed proposes marriage to Rita and gives her time to think about it before answering. Rita painfully realizes that her past could, if it rose again against her, make a life with Ed a lost dream. But Raymond Shaefer has been quietly but efficiently carrying on his investigation and has learned that Grainger argued with Rita at her apartment. He presents the evidence he’s compiled to District Attorney Eric Van Gelder, who decides the case warrants further investigation. Rita goes to Ed’s office to tell him she loves him but can’t marry him, that she doesn’t deserve him and “can’t do it to him.” As she turns from a confused Ed to leave, she finds the district attorney and a police officer outside Ed’s door, waiting to arrest her. Ed, insisting that a serious mistake has been made, calls Mike to help her as Rita, shocked and humiliated, is taken under arrest through the hallways of the hospital in which she works. Mike manages Rita’s release on bail only after she has had to submit to the degrading booking procedure. Mike sees her alone at her apartment, explaining he can help her only if she tells him the whole truth. Rita equivocates until Mike mentions Texas, indicating to Rita that he knows at least some of the story. Van Gelder has, in fact, let Mike see the bulk of evidence in the case against Rita, to convince him her arrest wasn’t a capricious whim. Rita explains to Mike that Malcolm believed she intentionally vilified him to his father, to do him out of his rightful inheritance, and then wanted his father dead to collect her money. Mike expresses his appreciation of Rita’s honesty, promising to help her. But Rita’s tormented dreams confirm that she hasn’t yet told all the truth, and after Peggy visits, expressing firm support, Rita tells Roger she has to reveal his part in the story. Roger painfully tells Rita about his being Christina’s father to show her that if Ed knew, it would end Rita’s chances with him forever. Rita, who was ready to tell Ed the whole story, now realizes how risky that would be. Adding to Rita’s pain is her forced leave of absence from the hospital until she’s cleared and the embarrassment of seeing her name in the headlines.
    • Please register in order to view this content

         
    • Yes, but the stories are all pretty awful Seeing Victor rehashing his hatred of the Abbotts  when he married one of them and has a daughter that is half Abbott as well as walking around with Traci's daughter's heart keeping him alive makes him look worse than he already is. And I remember he and Jack chatting amicably in the past few years. Victor interfering in Kyle/Claire is just repeat of Billy/Victoria. Sharon, Nick,Phyllis etc are around but again the stories are lacking.
    • I think Kevin's 1996 Emmy was fair enough. He barely appeared for his second. I don't think anyone else on the list is that deserving but I might have gone with Moore as he did try with the whole Keesha AIDS story. @alwaysAMC Thanks to slick jones' cast list I was able to see that Nikki Rene played Tina. Not much on her, as you mentioned. Tap and a few Broadway listings (it doesn't help that a younger actress with a similar name is in a lot of roles). Nikki Rene: Credits, Bio, News & More | Broadway World https://onceonthisisland.fandom.com/wiki/Nikki_Rene Nikki Rene - IMDb
    • Thank you. That does ring a bell. I remember Theresa and Julian's drunk, giggly fake wedding (with Julian asking "Whassup?" to the minister). Was Bruce tricking the pair as a prank, or did somebody put him up to it? I especially liked Katherine recalling how dashing young Alistair was when he'd pick up Rachel for dates, and how she wished she could be her sister, then feeling guilty once Rachel had her boating accident ...
    • And Kevin Mambo beat Shemar Moore for those two Emmys. I chalk up the wins to the voters not wanting Jonathan Jackson to eventually end up with a five peat (he won 1995, 1998, 1999). These were the 1996 and 1997 Younger Actor races. 1996: Nathan Fillion, Jonathan Jackson, Kevin Mambo (winner), Shemar Moore, Joshua Morrow 1997: Steve Burton, Jonathan Jackson, Kevin Mambo (winner), Shemar Moore, Joshua Morrow
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy