Jump to content

Edge of Night (EON) (No spoilers please)


cct

Recommended Posts

  • Members

ABC, at the time of the network switch, wanted to run both The Edge of Night and the serial General Hospital during the late night hours.  However, Donald May (Adam) insisted that a new contracts be drawn with additional pay.  ABC was not in favor of that, and the plans were dropped.

 

Link to comment
Share on other sites

  • Replies 2.2k
  • Created
  • Last Reply

Top Posters In This Topic

  • Members

 

I saw an interview one time with Sharon Gabet, where she talked about her relationship with Henry Slesar.   She said that Slesar watched  the show every afternoon, and he tailored his writing to the strengths and weaknesses of the performers.   If he observed a quirk or a trait in an actor that appealed to him, he worked it into the character.   He obviously studied her very closely and worked her best traits into the Raven character.  It also helped that he wrote Raven's "adversaries" with certain strengths, so that they often just appeared fed-up with Raven, instead of cowering in terror when she tormented them.   It made her interactions with each of them more riveting and interesting than just a run-of-the-mill "vixen versus hero/heroine" scenario. 

Link to comment
Share on other sites

  • Members

I wish Terry Davis had stayed longer.   I was hoping that April and Raven could have been like Viki and Dorian on OLTL or Jill and Katherine on Y&R.  The loss of Terry Davis, Tony Craig, Denny Albee and Frances Fisher weakened Edge in my opinion.  I was thrilled that it pushed Sharon Gabet and Larkin Malloy front and center but with the loss of Henry Slesar as head writer the show lost it's backbone.  Given time and shoring up affiliates I think Edge would have survived.... but we will never know. 

Please register in order to view this content

 

Link to comment
Share on other sites

  • Members

"Here's a thought: what if NBC, rather than ABC, had picked up EON?"

 

NBC did give serious thoughts about broadcasting The Secret Storm.   Had the network not decided to air its own How to Survive a Marriage, The Secret Storm was under consideration for that network.

 

NBC purchased the rights to both The Secret Storm and Love of Life from American Home Products (although it was at different times).

Edited by danfling
Link to comment
Share on other sites

  • Members

One more for the what-if pile: Edge premiering at 3:30 on ABC. The OLTL/GH order flip-flop happens sooner, and really, if you wanted to keep the game show The Neighbors, plug it in at 4.

 

I'm just trying to figure out the ripple effect if/when everybody extended to an hour. (In this scenario, the 45-minute experiment never happened).

 

1-2 p.m.: AMC

2-2:30: Either OLTL or GH

2:30-3:30: Either OLTL or GH

3:30-4: EON

 

Of course, both OLTL and GH could expand (which did happen), either pushing AMC to 12:30 and making RH vulnerable much earlier, or EON eventually ending up at 4.

Link to comment
Share on other sites

  • Members

Twas the time slot that killed EON, more so than any creative issues.  Although here in LA it came on at 3:00 (Los Angeles soaps are on an hour earlier) in most of the country a move toward expansion of local news into the 4:00 hour pushed it off the air in key markets.  Network consolidation, the reduction of independent station ownership, and increased profits from local new programming meant that station owners made more money from running a low coast new program, or an afternoon movie, than continuing a soap. 

Link to comment
Share on other sites

  • Members

 

I feel NBC would've been the absolute worst place for it. They seemed very trigger happy and didn't give shows enough time. I feel Return to Peyton Place should've remained and they never should've done How to Survive a Marriage. EON was perfect for the ABC lineup, but they allowed that and RH to be killed with affiliates and timeslots. In this case I feel Loving did ABC more harm than it did good. That show wasn't needed and from all I've read wasn't great. That show definitely killed RH.

Link to comment
Share on other sites

  • Members

I think that the perfect time slots for the afternoon (at, perfect for me, a fan of The Edge of Night) would have been to move General Hospital to 1:00 (Central Time), air One Life to Live for 45 minutes (1:30-2:15), and expanded-to-forty-five-minutes The Edge of Night from 2:15 until 3:00.   3:00 to 3;30   a game show.   (possibly Concentration, Password Plus, or Jeopardy).

Link to comment
Share on other sites

  • Members

EON late-afternoon slot made it very popular with men and I could've sworn I read at one point close to 50% of audience was men! I still don't get why CBS didn't move it back after the early slot was a clear killer. 

 

And a definite hard no on NBC at the time of the switch. 

Link to comment
Share on other sites

  • Members

Procter and Gamble had this policy of not allowing two of its shows in the same time slot.  (up until 1975 when The Edge of Night and Somerset both aired at 3:00 CT).  Expanding both Search for Tomorrow and As the World Turns to 45 minutes was considered, but the decision was made to keep the local time slot for local programming (also, Somerset was aired by NBC during the noon CT slot) and to expand As the World Turns to a full hour.  With Another World airing at 2:00 CT and Somerset being offered for the second time of the day at 3:00 CT, there was no where to put The Edge of Night when Guiding Light was expanded to a full hour. 

 

I am not sure why Procter and Gamble decided to end that policy when The Edge of Night was moved to ABC (which did mean that two of its shows were airing against each other).  Also, when Texas premiered, it also meant that Another World (moved a half hour earlier to 1:30 CT and reduced from 90 minutes to the former length of 60 minutes)), the first thirty minutes of Another World was airing during the final 30 minutes of Guiding Light.

Link to comment
Share on other sites

  • Members

Over the course of nearly 24 years, P&G soaps were allowed to air opposite each other. I wonder if the company considered the long-term ramifications of this. I forget if we've determined this, but networks were the ones preferring expanding soaps, not so much the creative types, right?

 

December 1975-December 1976: The Edge of Night airs opposite Somerset

January-May 1977: Search for Tomorrow airs opposite Lovers and Friends

 

November 1977-March 1979: Overlap of Guiding Light's conclusion and Another World's start

March 1979-February 1980: GL airs opposite AW's first two-thirds

February-August 1980: Overlap of As the World Turns' end and AW's start; GL airs opposite AW's last two-thirds

August 1980-June 1981: ATWT airs opposite AW, GL airs opposite Texas

June 1981-March 1982: Overlap of ATWT's end and AW's start; SFT opposite AW's conclusion; GL opposite TX

March-April 1982: Overlap of ATWT's conclusion and AW start; GL opposite TX

April 1982-March 1987: Overlap of ATWT's conclusion and AW's start

March 1987-June 1999: ATWT airs opposite AW

 

(Until right now, I'd never written out the course of events.)

 

Edited by Franko
Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Unfortunately, your content contains terms that we do not allow. Please edit your content to remove the highlighted words below.
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

  • Recently Browsing   0 members

    • No registered users viewing this page.



  • Recent Posts

    • I'm sorry. I well remember Jake doing Doris but I have no independent memory of the story around it.  Krystle with a K Lake, sure, both Tony the Tuna stories & NOT.  And, Jake also impersonated a woman named Bunny Eberhardt but he didn't know she was a woman so there was no drag. This weekend I re-watched Kevin & Mac, GH, and my strong impression is exactly what it was when I watched it in real time: They did not let them look very pretty. Of course, I think the best ever drag on GH was Alexis posing as the Q butler.  In a different use of drag at AW one Halloween, Jensen Buchanan went as Charlie Chaplin & Judi Evans went as, I think, a male gypsy.   

      Please register in order to view this content

    • I'm not sure who wanted them to dump REUNION & instead do a "Dallas-like daytime show" but it seems that it def came from NBC to AW through Rauch, so, yes, it absolutely could have been his (cough-another-stupid?) decision!!!! I've just begun the new Lisanti book so maybe I will find out. (I waited for the kindle version to come out.) I would apologize for being so critical & so sarcastic, too, but, well, I'm not actually sorry!  Silverman was NOT a friend to AW.  And, I believe the critique is on point & deserved! I wanted to explain why I think the timing is off for the 90 minute show to be a reaction to the GH Luke & Laura story & its hype. Because, for sure, networks & production companies did react to it! The first 90 minute show was Monday, March 5, 1979.  And, there was some unknown amount of time ahead of that with people arguing about it & then, planning it.  The Luke & Laura wedding was mid-November 1981.  They were on the run from Frank Smith & stayed overnight in Wyndham's Dept. Store early August 1980. 
    • terrible at using forums and inserting photos, but jake in another world had a drag persona named doris, anyone know the episode or year? http://www.anotherworldhomepage.com/ffad19.jpg
    • Yes, I am familiar with Fred Silverman. Agree, the 90 minute AW a very poor decision by Silverman. I think Silverman was behind the decision to go with Texas.
    • Thanks -- you're doing God's work The Gio reveal was everything I hoped for and more. GH got it right. Head to toe, GM is a stunning physical specimen.
    • I really wonder how they'll handle Netflix's usual long breaks between seasons. That girl is going to grow up fast... makes me wonder if this wouldn't have been a better fit for HBO Max considering they're leaning into a more broadcast style of production model with The Pitt.
    • I agree -- I didn't suspect Ted, either. I think a lot of people are giving themselves way too much credit in predicting Ted's problems

      Please register in order to view this content

      And can I have a different take on Ted here? Yes, he's made a huge mistake with this Leslie debacle, and yes, he has to suffer and pay for it. But does that make Ted a terrible human being? I don't think it does. He made a horrific mistake over 2 decades ago, and as far as we know, he's been a good husband and father since. As far as we know, he hasn't strayed or violated his marriage since. He didn't know that he fathered another child, and thought he "removed" Leslie from his life. I won't blame Nicole if she doesn't forgive him, but I also won't blame her if she decides what they have and what they've had more than makes up for what he did. Ted is getting dragged far more than Bill is on these boards, and I think Bill is MUCH worse as a husband and father. How many times did he cheat on Dani during their marriage? How many times did he do vile things in his role as fixer? How much did he hurt his daughters by screwing their friend and marrying her? With Keith Robinson coming in as Ted, maybe we'll see a character change in direction and we'll discover that Ted has many flaws and always had a dark side. For now, though, I'm inclined to both be angry with Ted for hurting his family while also sympathizing with him. I know what you mean, but I do think that was intentional. So much was going on in that episode, and I think they decided not to let Nicole's reaction be lost in all that. Nicole will get those scenes that you're asking for.  
    • That was the original point of me sending you her 6 airdates, so now with those, and the link to the daily episode guide I've provided, that should help you more easily find the additional Ruth Buzzi scenes. I will always repeat myself when it comes to defending my data that I've taken decades to research and compile. But, as you pointed out in a recent post, I am kind, so at least I will do it with you in a kind way as opposed to the usual social media way most people do with just getting rude/nasty. That's not my style, as you correctly pointed out earlier this week, and never will be.  So, all is well! 

      Please register in order to view this content

    • Ambyr Michelle continues to be *that girl.* She’s just a star, period. Elevates every scene she’s in on the sheer strength of her emotional realism and charisma. Can sell any dialogue. I wish the show veered away from the B&B-style scripting. TMG/Leslie’s tirade stood out, I suppose, but she’s getting a bit mustache-twirly. And I wish DD had more to do in that episode than stand and sob.
    • Well, that was down to CBS being weak and not being willing to just pulling the plug entirely. They didn't want to commit to cancelling the show in case they needed it for their schedule basically; plus they kept showing that they were willing to make cuts if needed to be. 
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy