Jump to content

Saturday Night Live: Discussion Thread


Toups

Recommended Posts

  • Members

Is it really true that NBC took more control over SNL in the late 90s/early 2000s? If so, this could explain why I stopped liking the show gradually from that era on till now. I tried to sit through an episode from this season and didn't find it really funny at all. I'm not sure if its the writing, or if the performers lack comic timing to make it work?

With that said, I liked Jane, Amy, and Tina at the WU desk. Jane still has that dead pan line delivery that made her famous. I'd rather the show had employed the shark at the door bit instead of Melissa Mccarthy doing a bad impression of a Chris Farley character.. and not a fan of Emma Stone's attempt to mimic a great Gilda Radner character.

I'd rather the show had focused more on cast members and less on the guest hosts myself.

Plus, I would have included a Debbie Downer skit.

I do think Lorraine/Jane/Gilda were a strong female comedy trio.. the best teaming of female talent.. though Nora/Jan/Victoria were also a good teaming in the late 80s.. same with Ana/Molly/Cheri in the late 90s. Maya/Tina/Amy not so much.. though I loved Maya.

Lastly, i do think Leslie Jones has a lot of potential.. she just needs better writing to help support her natural comic timing.

Edited by Soaplovers
Link to comment
Share on other sites

  • Replies 338
  • Created
  • Last Reply

Top Posters In This Topic

  • Administrator

I still watch it every week and love the show. I don't agree with people who say "it's not as good as before" because every generation says that about the new generation. SNL is always going to have funny sketches and not so funny sketches. Also, the show still churns out stars with every new group. Kate McKinnon and Leslie Jones just got a huge boost when they were cast in the Ghostbusters movie. I think Taren Killum, Cecily Strong, Pete Davidson, Jay Pharoah have potential outside of SNL too.

Link to comment
Share on other sites

  • Members

It's not about sketch quality as much as laziness and toothlessness. The decision to encourage or allow actors to flub lines constantly, because this is "cute," means that no one takes it seriously, and you get huge dead spots as a result (and when the people making these flubs are not adorable puppylike pets [see: the fan hatred for Leslie Jones], viewers get very angry about it). Then there's the need to continue with "political" sketches, even though the show is terrified to write anything beyond "both sides are bad...but Democrats are a little worse." Choosing to address the Ferguson protests with an Al Sharpton joke was one of the most embarrassing, insulting moments in SNL's 40 years. If that is how Lorne Michaels sees the world, then he needs to just cut social commentary out entirely.

Speaking of social commentary, it's also embarrassing that in 2015 we are still getting LOL GAY MEN ARE ICKY AND SICK! EW THEY MIGHT KISS!! LOL OMG OMG!!!!! Why? Are they that sure that their audience is made up of bigots and fools?

The show has no idea what it is or what it wants to be. And they can fix this with minimal effort if they try. No one seems to want to try.

Edited by DRW50
Link to comment
Share on other sites

  • Members

I haven't watched regularly in years, but I do know for a fact that as recently as the last five or six years no one was saying boo to Lorne about [!@#$%^&*] in terms of serious content alteration or interference from the network, and I'm sure that hasn't changed.

He is a huge mainstay at the network, and he runs his little empire with an iron fist. He personally masterminded NBC's last late night host transition due to his heavy influence on that block, and they also leaned on him to help them through the various stages of the Leno/Conan debacle. The network does not control him, he has them at his beck and call. Lorne and Lorne alone is responsible for the musical acts, etc. being blanded out, the show being made more rote, and many, many cast and crew have gone on record about that. It's all him. NBC can't do anything.


Yeah, but you love everything.

Edited by Vee
Link to comment
Share on other sites

  • Members

Based on his past political donations, that helps explain the tone of the show's "humor." And the fear of diversity which he only changed somewhat after the show was dragged through the mud for a period of several years. It's a shame, as SNL, while always full of racism and sexism, once tried to be somewhat cutting edge. Now they make Mad TV seem current.

Link to comment
Share on other sites

  • Members

I think it's simply what many of the performers and writers, etc. have said - Lorne is older, he's more settled, he's less willing to rock that boat. It's easier to coast with the hottest new performer or a political skit that isn't too pointed, and not have to deal with endless drama over, say, Louise Lasser tripping out in her dressing room or Sinead O'Connor tearing up the Pope. We'd all get too old to deal with that kind of strife on a regular basis at some point.

I think Lorne is probably still pretty liberal, but it's easy when you get to be a certain age and tax bracket to be an entirely different kind of liberal, especially when you work for General Electric. I'm sure it's easy enough for him to say to himself, [!@#$%^&*] whatever safe vapid [!@#$%^&*] I put on my show, I give to Elizabeth Warren/Obama/whoever in vast amounts every year. And he's got a right to that. I just wish they had someone like Jim Downey back on those sketches if he isn't interested.

I have seen a few pretty good, pointed political sketches over the last couple years, and I do think Tina Fey and others have been a little more cutting about it. But I do think that for most of the 2000s they might as well have been doing Bob Hope's USO show. They weren't war cheerleaders, but they definitely were not willing to engage with what was actually happening with the Bush administration in any real way. Most of the media was frightened and they were too, but they were also very cozy with NBC/GE/etc. Whereas in the '80s they were just savage.

Edited by Vee
Link to comment
Share on other sites

  • Members

I also think the young guy they have doing some of Weekend Update - Michael Che? - is fun, and has taken some pretty sharp shots at stuff like Ferguson, etc. over the last year. But I think Lorne Michaels trying to deal with a blacker face of entertainment in 2015 is an awkward proposition at best. I'm glad they hired the performers they did and I love Leslie Jones, but I think the show seems unsure and uncomfortable with how they handle them and I think it sometimes bounces back onto their audience. Chris Rock said a month or two ago that he pointed Leslie out to Lorne, and said that Lorne Michaels would never have found someone not at one of his usual (white-dominated, more conventional) comedy haunts.

Edited by Vee
Link to comment
Share on other sites

  • Members

I do think NBC has suffered from the SNL type of comedy being applied to both prime time and its late night talk shows. There was a reason that the cast members were called 'Not ready for Prime time'. It was meant to be shown outside of prime-time.

If you love that type of comedy, that's great... but a lot of people I know won't even watch NBC anymore because of the SNL element invading all aspects of NBC. And I'm talking 20s, 30s and beyond.

Like I said before, I think Leslie Jones has natural comic timing, but there is only so much she can do with the lousy skits provided. I think Jane Curtain also did decent with the weekend update bit, but that was due to her abilities and not the jokes provided. Tina and Amy pale in comparison to her, imho.

Link to comment
Share on other sites

  • Members

So interesting about that Bill Cosby/Jeopardy tidbit.

It's very telling that Lorne Michael was NOT responsible for hiring Eddie Murphy at SNL. And I think that fact permeates the (non) relationship between the two men.

And as funny as I find Chris Rock, he was much funnier before and after SNL. Some people claim he had trouble with the cue cards but the success of his own show on HBO IMO dispels that. The majority of the material he had to work with just didn't seem to suit his comedic impulses, he labored a lot to try to make it funny, but personally I found much of it just wasn't all that funny.

One of the reasons why I'm kind of glad Jim Carey wound up on In Living Color, not SNL. He's had some a few funny skits on his guest appearances on SNL but very few were memorable. The same cannot be said of In Living Color...I mean who doesn't recognize Fire Marshall Bill?!

Edited by DramatistDreamer
Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Unfortunately, your content contains terms that we do not allow. Please edit your content to remove the highlighted words below.
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

  • Recently Browsing   0 members

    • No registered users viewing this page.



  • Recent Posts

    • Here's the place to share some memorable criticism. You don't have to agree with it, of course (that's often where the fun starts). Like I mentioned to @DRW50, Sally Field was a favorite punching bag in the late '80s and early '90s.   Punchline (the 1988 movie where she and Tom Hanks are stand ups): "It's impossible to tell the difference between Miss Field's routines that are supposed to be awful, and the awful ones that are supposed to be funny." -- Vincent Canby, New York Times. "It's not merely that Field is miscast; she's miscast in a role that leaves no other resource available to her except her lovability. And (David) Seltzer's script forces her to peddle it shamelessly." -- Hal Hinson, Washington Post. "As a woman who can't tell a joke, Sally Field is certainly convincing. ... Field has become an unendurable performer ... She seems to be begging the audience not to punch her. Which, of course, is the worst kind of bullying from an actor. ... She's certainly nothing like the great housewife-comedian Roseanne Barr, who is a tough, uninhibited performer. Sally Field's pandering kind of 'heart' couldn't be further from the spirit of comedy." -- David Denby, New York
    • I tend to have two minds about Tawny (Kathy Najimy) fainting during Soapdish's big reveal. You're the costume designer, if anything, you should have known the whole time. I guess it's an application of what TV Tropes calls the "Rule of Funny." Every time I watch Delirious, I always want the genuine romance in John and Mariel's reunion at the deli counter to last longer. Film critics had their knives out for Sally in this period. I'll start a separate thread on the movies page.
    • I don't think so, but I wouldn't be surprised if he was Dumas this whole time.
    • Tamara Tunie was serving up grand dame diva fierceness.
    • Nick told Victoria that he and Sharon had married in England.  Victoria was shocked.  Then she realized he was kidding.  He confirmed it was a joke and they're platonic. I don't even know what to say about that.
    • It's funny you say that because part of the entertainment of the trials on the show are all the day players who come on as witnesses and jurors.  I'm certain it was like the Law and Order of its time. It employed so many New York actors, that if you look close enough, there's usually someone vaguely recognizable in the courtroom.
    • I will defend Dante.  People already suspect he may be a bit unstable from time to time (from his time as a prisoner).  And, he's taking care of other people's kids from time to time.  So, he has reason to be cautious with those in his care.
    • Josh continues to try and milk Abbott/Newman rivalry. First it was Billy/Victoria, then Kyle/Summer, then Noah/Allie (that worked out well) and now Kyle/Claire. Do we have any inkling when Billy Flynn will arrive and who he will play? I'm sure Cole's illness will mostly play offscreen. What's in store for Nick and Sharon? Is it time to put them back together? I can't see any other romantic options. Nick has no children on the canvas to play off, as Christian is never seen. Sharon has only Mariah onscreen.
    • I would appreciate (if they're not coming), for future scripts to refer to them by their iconic hairdos.  For example, if Hope needs to call Chelsea because Bo has Sepsis, I'd like Shawn-D to say, "My Mom called Chelsea (the one with the sassy short black hair) for an update." Also, new rule, if Melanie does return, she needs to dye her hair back to red.  I googled who she was five times during Victor's funeral.

      Please register in order to view this content

    • Broderick, thank you for all of the info [I edited for space]. I am so grateful for everyone filling in the blanks for me. I suspected the Nora/Eliot scene was very important and it was setting something up but I didn't know what. Can't wait to see it play out. The two actors had such a great back and forth. I should have made the Paige/Patty Hearst connection. I thought Paige was in love with Brian from the first episode I watched but it seemed as if they were brother and sister. Steve kept being affectionate with her so I assumed he was the love interest. Then she was affectionate with someone else and well..she's a very busy woman. I can't wait to see Frances Fisher show up. (I'm trying to be vague because I don't know what would be a spoiler in this storyline) Now it makes sense why Draper would be upset. I didn't get the whole background of why he didn't go to NY. I'm a sucker for good acting, so I might still side with April and Margo, if the writers don't give Draper more to do besides yelling.  He had more chemistry with Logan, but I know that's not happening.  Something else I noticed: the show really takes care with even the smallest parts. The acting is superb. Too often, I noticed on older soaps they don't take care with the recurring or day players (Ryan's Hope was so bad with this that I couldn't make it through some episodes). It's only been six episodes, but so far, the casting department was spot on.
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy