Jump to content

Recommended Posts

  • Replies 6k
  • Created
  • Last Reply

Top Posters In This Topic

  • Members
Posted

from LateShowColbert instagram stories -a peek at Tamara Tunie's appearance.
(They taped earlier this evening and will air later tonight.)

Sound on.

Please register in order to view this content


 

 

  • Members
Posted

It was always great to see Tamara Tunie on "L&O: SVU," even if the producers often had to stretch credibility just to get her into episodes.  (Most notable: the time she helped Stabler defuse a bank robbery/hostage crisis, with the sudden explanation that she had served in the military or something, lol).

  • Members
Posted (edited)

As I watch the specials, it’s really clear that MVJ focused on specificity with these characters. I watched the first months of the last three new soaps- Port Charles, Sunset Beach, and Passions. Only Passions felt like it had this kind of story structure and character foundation from day one. Passions was going for a very different tone of course. I hope that helps the show find an audience.

I hope the show is so successful it causes the other soaps to re-evaluate their current structures. The wrong lesson is to just put a bunch of Black people onscreen thinking that is all it will take to be competitive. They do need the diversity of course, but not just another group of pretty people standing around without a story. The right lesson is rich characters and actual stories. Not stunts, not multiple paternity stories playing out at the same time, and not generic characters/dialogue.

Edited by titan1978
  • Members
Posted (edited)

They're going to need some stunts or action and major galvanizing events to get eyes on them in this still-competitive environment (particularly against GH). That's where someone like Guza comes in handy AFAIC. But it doesn't work without, as you say, rich characters and detailed stories.

Edited by Vee
  • Members
Posted

Tamara Tunie looked fabulous. She was stunningly beautiful on the late show. I loved that she mentioned she was previously on As the World Turns and how she had done it for 13 years, and that she was back home at CBS.

Please register in order to view this content

  • Members
Posted

If you haven't listened to it, Tamara Tunie's full Lecture at Carnegie Mellon is up. At various points, she bakes in stories from both ATWT and BTG.

The part that got me was when she talked about how often she was the only black contract player on ATWT, and what a burden that could be for both her and the show. She said something to the the effect that when you have one minority/black person in your cast, that character (intentional or not) is supposed to be represent an entire community, and that wasn't fair since black people are not a monolith and that was feedback she gave to the producers. She gave the example of black viewers often writing into the show about why none of Jessica's black love interests ever lasted, and why her only successful relationship was with a white man. She said BTG has the opportunity right out the gate to showcase a variety of black characters at the same time, which is not something she had experienced before.

Please register in order to view this content

 

 

  • Members
Posted

Tunie praises the writing of ATWT as 'brilliant' around 12 mins in, and the more layered critique of the show comes in around 1:02:30 during the panel discussion.

  • Members
Posted (edited)

And here's the (totally unfunny waste, IMO) segment of After Midnight  where Clifton Davis and Karla Mosley appeared:

Please register in order to view this content

 

Edited by BetterForgotten
  • Members
Posted (edited)

 

All the stories Ms. Tunie told on Colbert, are wonderful!

Her parents were morticians and her family lived in the upstairs of the funeral home -- the family lived upstairs, the funeral home was on the ground level, and the mortuary was in the basement -- she said it was like the show "Six Feet Under, only Black".  She began helping in the family business as a teen, doing hair and makeup. She was born into this life so it was all normal for her.
She said that when she got the role as the medical examiner on SVU,
"When I walked into the morgue on Law&Order:SVU, nobody could tell me nothing!"

What's great is that she has been told by Black women in real life that they, or their daughters or sisters, became inspired to study forensic science because of her role on SVU.

It's all on the youtube (two posts up from this)

Edited by janea4old
  • Members
Posted

As much as I haven't been a fan of Julie Hanan Carruthers in her past work, in yesterday's Welcome the Neighborhood episode when she talked about coming in there last August and having to facilitate the building of sets, a control room, and making the soundstage technically coherent was proof of why she was hired. I think facilitating AMC's move between coasts must have been an invaluable experience for her to do able to get all the technical elements off the ground before BTG started taping last November. 

Posted (edited)

So, I taped this last night & was about to watch it when here it appeared already an edit on YT! And, what a fabulous interview she is! You go, girl! "The only show that would bring me back to daytime is this show." Loved her anecdote about Lena Horne. What memories she has. Talking about her parents both being morticians & growing up living above the funeral home. Shout-out to ATWT & also coming home to her network, CBS. She's a PR person's dream come true. And, of course she looked amazing & was so completely at ease. 

"Listen, it's a soap opera so as pulled up & elegant as I am, there's always time for some mess. It's going to get messy."

Edited by Contessa Donatella

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Unfortunately, your content contains terms that we do not allow. Please edit your content to remove the highlighted words below.
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

  • Recently Browsing   0 members

    • No registered users viewing this page.



  • Recent Posts

    • No.  I recall there was also a mention about how distracting it was EOB's Gwen wasn't wearing nail polish as well.  That it was someone's pet peeve. And, yes, the fact characters can have a manicure in prison is the wildest continuity issue here.
    • Can anyone remember Mary Ellen Stuart's run as Jenny? I'm trying to fill in the cracks for missing stuff that we overlooked.  Bulletpoints:  * Dated Ross * Rusty's police partner * Directly responsible for Dinah coming forward about George Stewart (Cam's father)
    • But that's not weird... nail polish is allowed in prisons via commissary. Same with general makeup, haircuts, and hair colouring products.
    • This is DAYS, the show that said you could brainwash anyone with simple kitchen appliances.  An actor's nail polish or lack thereof should be the least of our concerns, lol.
    • It was not that she wasn't wearing nail polish, it is that she managed to get a manicure in prison
    • "We're Knot Done Yet": the name of this lovely podcast AND what JVA tells her plastic surgeon at every appointment. In other news, Michele Lee is reminding me more and more of my old music teacher from elementary school, and I couldn't STAND that bitch.
    • I apologize if this has been covered already, but does anyone know whether Douglas Marland was HW'ing by that point?  If he was, then I see what he meant when he said (in so many words) that he had inherited a mess when he started at GH.  Aside from Alan and Monica, none of that material seems very promising.  The story with Mark Dante and the Corbins is the wrong kind of predictable (y'know, the kind where you know what's going to happen, but you just don't give a crap?), the stuff with Scotty and Laura is cute but toothless, I don't know WHAT the hell Gina and Steve Carlson's character are arguing about and Rick Webber has to be the dumbest man alive not to see David Hamilton twirling his invisible moustache over how to make a killing off Lamont Corbin's declining health.  (By the way, "LAMONT CORBIN"?  What is this, "The Shadow"?  And "Corbin Limited" sounds like some jive I'd hear over on Y&R.) In a way, it's kind of like watching today's GH, right down to the dialogue that's serviceable and pushes plot along but says nothing about the characters' inner lives.
    • It absolutely was; the narrative was there, and they followed it promptly. Maybe that's back when women had babies at young ages?!?!?
    • Please register in order to view this content

       
    • Thanks for asking that!  Back when we had another major event upcoming (a party or the concert), I had intended to ask what everyone here was planning to wear.
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy