Jump to content

Murder, She Wrote


Franko

Recommended Posts

  • Replies 319
  • Created
  • Last Reply

Top Posters In This Topic

Top Posters In This Topic

Posted Images

  • Members

Right, lol?  But, I've wondered whether Angela Lansbury liked the idea of Jessica teaching criminology at a university, because the season after the second show-runner, David Moessinger, left, it seems like that was dropped entirely.

There's also a point in the latter seasons when I really start questioning whether Jessica needs a home base.  I mean, if she wasn't still in NYC, she was traveling all over the country (and the world).  It seemed like she was in Cabot Cove maybe one week out of every three months, lol.

Link to comment
Share on other sites

  • 2 weeks later...
  • Members

Just saw another of the darker MSW episodes. Season 4, Episode 2, 'When Thieves Fall Out'

It's one of those episodes about people Jessica knows personally and her time as a teacher in Cabot Cove.

No spoilers, but the ending is really good as Jessica basically says she doesn't care that justice was done because the result has hurt her and so many people she cares about.

Link to comment
Share on other sites

  • 1 month later...
  • Members

As a child I was traumatized by an episode in which Jessica was helping a woman, who was seeing her dead husband and hearing him around the house. It was very spooky and I had it recorded on VCR and would re-watch it all the time. Does anyone know which episode this is... in the end it ended up not being paranormal of course.

Link to comment
Share on other sites

  • Members

You might be talking about "Reflections of the Mind," which aired on 11/3/1985, during MSW's second season.  Guest stars included Ann Blyth, Ben Murphy, Stacy Nelkin, Esther Rolle, Steven Keats, Martin Milner and Wings Hauser (ex-Greg, Y&R).  What I loved about that episode was how Jessica did not at all think her friend (Blyth) was losing touch with reality; that, in fact, what she saw and heard were very real, and very clearly the work of someone trying to drive her mad.  Now that's a friend, lol!

Edited by Khan
Link to comment
Share on other sites

  • Members

@DaytimeFan

I watched a Columbo episode recently featuring Andrew Stevens. 

Walter Grauman from MSW directed the episode.

I was fascinated through the whole episode and thought you'd enjoy it too.

The episode is called murder in Malibu.

 

Edited by Soapsuds
Link to comment
Share on other sites

  • Members

I agree.  It's one thing if MSW no longer fit within CBS' agenda.  No show runs forever.  But CBS owed Angela Lansbury the opportunity to close the show on her terms after everything she had done to help the network through what you yourself called some very awful years in the late '80's and early '90's.

Link to comment
Share on other sites

  • Members

100% this. Murder, She Wrote was CBS's rare bright spot in that third place primetime mess era. After carrying CBS primetime on her back for the better part of a decade, Angela deserved so much better at the end than what she got. There's a special place in hell for Les Moonves for the way he treated Angela and for his comment about her years later.

Edited by kalbir
Link to comment
Share on other sites

  • 2 months later...
  • 4 weeks later...

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Unfortunately, your content contains terms that we do not allow. Please edit your content to remove the highlighted words below.
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

  • Recently Browsing   0 members

    • No registered users viewing this page.



  • Recent Posts

    • Yes. I don't know if Lenore was ever asked. Then it became a nun. Thanks. I didn't realize it was in 1987. That timeline doesn't make a lot of sense even if she would have had Ed to interact with. If they didn't ask her back in 1989 and she was willing, what a stupid error.
    • Wasn't there talk of them bringing back Rita as Gus' mother at one point? Or something?
    • I think they are a part of the same family, although Carla was never really scheming for the same reasons, and once her double life was exposed, she stopped. 
    • Rachel/Ada, Mona/Erica, a mother/daughter at LOVING, these are all examples of the Agnes Nixon "troublesome daughter/put upon mother" trope. Are Carla/Sadie by any chance one of the pairs that make up this trope? Another thing that these 2 shows might have in common. OLTL had a very strong thematic approach to socioeconomic differences between groups of people. Class differences. AW at an earlier point had this too but to be clear it was not as much as OLTL. So that is a similarity but marginal.  Besides that, I see no other comparable things. Paul Rauch was a very different EP at different shows. Oh, I've thought of one more thing. Using actors from the Broadway stage.  But, realistically that was something all of the NY shows had in common. So I don't think it has any uniqueness between AW & OLTL.  
    • When you look at the period between Sweeps, it's as if they tried to maintain a kind of pace where they had a lot of plates spinning in the air & on their fingertips & the whole goal was nothing but to not drop any of those plates. A version of spinning one's wheels. They're not getting anywhere but they give the appearance of a whole lot of activity. I believe it's all about this appearance. At moments they accidentally hit a chord & something resonates but it is a false event.
    • He found the hidden camera and removed the card 
    • Please register in order to view this content

    • I’m not speculating anything, but I admit, I’m getting a little worried about James Reynolds. 
    • I feel like this is what they're doing by creating lots of storylines but their biggest weakness for years is the inability to properly pace these stories and give resolution. A good example now would be the Gio story which has been simmering for months with very little movement. I went from not caring to being invested to not caring again because of how long it's taking for the secret to be revealed. One story like that would be fine but it seems like everything moves at this snails pace on GH. They need to do a better job of rotating the stories so everything isn't in that same treading water phase.
    • However, those of us who watch DAYS have been spoiled. On Peacock there are no preemptions. Not for anything & not in or about any show.  I read somewhere that we Baby Boomers in a way invented instant gratification but then we realized that it was not fast enough.
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy