Jump to content

Film Awards Thread


Bright Eyes

Recommended Posts

  • Replies 1.2k
  • Created
  • Last Reply

Top Posters In This Topic

Top Posters In This Topic

Posted Images

  • Members

Well and also Ana was nominated in a few precursors, which makes her Oscar nod feel a bit more predestined. At least the objections to her are focused more on the merits of her performance. These awards have become so predictable that people do feel somewhat entitled to “slots,” as Frances Fisher’s message referenced. But this writer is right that the Academy could have easily gone for another Olivia Colman performance in Andrea’s place. The Academy does have a history of ignoring great work from black actresses, but the scapegoating from people who should know better (as well as a handful of grifters who like to pick at our country’s open wounds re: race by focusing on trivia like this) does no one any good. It sad that Andrea’s work would be tainted in this way.

There’s of course this from Variety’s piece:

Please register in order to view this content

Follow the money.

Edited by Faulkner
Link to comment
Share on other sites

  • Members

They're probably right, but it just points out how hollow the Academy is when black actresses have to meet such high standards yet are lucky to ever even get a nomination. This whole thing has been another ugly example of how we should leave the Oscars to the past.

Link to comment
Share on other sites

  • 2 weeks later...
  • Members

BAFTA Film Award winners 

BEST FILM
ALL QUIET ON THE WESTERN FRONT Malte Grunert

DIRECTOR
ALL QUIET ON THE WESTERN FRONT Edward Berger

LEADING ACTRESS
CATE BLANCHETT Tár

LEADING ACTOR
AUSTIN BUTLER Elvis

OUTSTANDING BRITISH FILM
THE BANSHEES OF INISHERIN Martin McDonagh, Graham Broadbent, Pete Czernin

SUPPORTING ACTRESS
KERRY CONDON The Banshees of Inisherin

SUPPORTING ACTOR
BARRY KEOGHAN The Banshees of Inisherin

OUTSTANDING DEBUT BY A BRITISH WRITER or DIRECTOR
AFTERSUN Charlotte Wells (Writer/Director)

ORIGINAL SCREENPLAY
THE BANSHEES OF INISHERIN Martin McDonagh

ADAPTED SCREENPLAY
ALL QUIET ON THE WESTERN FRONT Edward Berger, Lesley Paterson, Ian Stokell

FILM NOT IN THE ENGLISH LANGUAGE
ALL QUIET ON THE WESTERN FRONT Edward Berger, Malte Grunert

ANIMATED FILM
GUILLERMO DEL TORO’S PINOCCHIO Guillermo del Toro, Mark Gustafson, Gary Ungar, Alex Bulkley

DOCUMENTARY
NAVALNY Daniel Roher, Diane Becker, Shane Boris, Melanie Miller, Odessa Rae

CINEMATOGRAPHY
ALL QUIET ON THE WESTERN FRONT James Friend

EDITING
EVERYTHING EVERYWHERE ALL AT ONCE Paul Rogers

PRODUCTION DESIGN
BABYLON Florencia Martin, Anthony Carlino

ORIGINAL SCORE
ALL QUIET ON THE WESTERN FRONT Volker Bertelmann

COSTUME DESIGN
ELVIS Catherine Martin

SOUND
ALL QUIET ON THE WESTERN FRONT Lars Ginzsel, Frank Kruse, Viktor Prášil, Markus Stemler

SPECIAL VISUAL EFFECTS
AVATAR: THE WAY OF WATER Richard Baneham, Daniel Barrett, Joe Letteri, Eric Saindon

MAKE UP & HAIR
ELVIS Jason Baird, Mark Coulier, Louise Coulston, Shane Thomas

CASTING
ELVIS Nikki Barrett, Denise Chamian

Link to comment
Share on other sites

  • Members

LMAO I wasn’t following the commentary but saw headlines saying Ariana’s opener was getting criticized. I expected it to be a bunch of anti-woke folk not wanting to see a Afro-Latina rapping at their precious BAFTAs. I didn’t expect her performance to be such a spectacular trainwreck. She’ll be better known for this than her Oscar-winning role.

Edited by Faulkner
Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Unfortunately, your content contains terms that we do not allow. Please edit your content to remove the highlighted words below.
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

  • Recently Browsing   0 members

    • No registered users viewing this page.



  • Recent Posts

    • Please register in order to view this content

       
    • Bye, Daphne... not gonna miss you.   
    • Please register in order to view this content

    • I still continue to think that Dani is written like she's been in a soap opera for 20 seasons and she's come to a point where she's completely spent storyline wise. It's a vibe I'm getting. Characterization wise... It's like she is either incredibly stupid... or just plain delusional and out of touch with reality. I choose to pick the second option. Also... to me... she has not been entertaining for months now. Ever since they decided to jump straight to... she's an alcoholic... which we didn't need at this point... the character has struggled. Her initial Ex-wife-from-hell bravado was more interesting, even though cliche.  I expect her to improve in the coming months... they used her as a clown type of character to draw in views. Now I need to see the human being. If there is one, behind the soap opera caricature.   
    • A full 1973 episode that looks fantastic in color.
    • It 's obviously cheaper to go the true crime route. Having different reporters and production teams covering a variety of topics costs more. The networks are delivering budget programming these days.
    • Maybe because 60 Minutes has kept the same formula for almost 57 years? Usually, there is more than one interview/topic discussed, like a real magazine. Dateline, 20/20, and so many others have all fallen to the one-subject formula: True crime. I mean, I'm a Forensic Files junkie and loved original America's Most Wanted back in the day, but even I think the TV market has been over-saturated with all crime, all the time. There was still that element when these shows began, but they were a segment of an episode, not the entire episode. Maybe the audience is just getting bored with such a fixed formula. If stories were intermixed with crime, some feel-good segment, and maybe something to do with lifestyle/music/and yes, as much as I have come to hate it, political issues, maybe these shows could rally. As they are - again, minus 60 Minutes - they have become tired and predictable.
    • Interesting tidbit- Robert Newman (Josh) dated Jennifer Cooke (Morgan) when they first started on Guidling Light (it was reported in the press and I think they talked about it in interviews). I did see (as a young kid) Rita having a flashback about Roger's rape of her --and it was confusing as a kid because she was on the floor leaning against her bed and she looked like she was seduced by force and her dress was in disarray, her hair was mussed, make up was a bit messy, but she looked at him with fear, disgust and confusion but the camera was in soft focus (so I get why people may say it was romanticized)--and I remember asking what happened to her and told well she is having nightmares/flashbacks of Roger not being nice to her 
    •   Like I said I wasn’t talking about characterization. It makes sense that Dani is in denial. However literally no one in the real world would accuse someone of faking a pregnancy. Why? Because it’s just not feasible. What is Dani supposed to expect from Hayley—that she’ll be hiding a pillow under her shirt 24/7? Come on. The accusation has no legs, and that’s exactly why nobody would ever go there. A far more plausible accusation—one that actually has been made for centuries—is that someone might lie about who the father is. Dani only vaguely hinted at that, but at least that angle would make some narrative sense. I’d go for a coworking space that would be home to these small businesses like Kat and Chelsea’s bag startup (the whole police station trope feels like copaganda to me)
    • I guess RTPP looked worse because it followed Another World, but it's a shame they didn't give it more time especially considering how the shows that were put on following it fared.
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy