Jump to content

Putting some things in perspective (re ABC Daytime)


Recommended Posts

  • Members

I agree about the whole idea of the focus group thing and the tiered system is what happened with ABC and with P&G also. This of course screwed the ratings even more quickly as people turned off gradually.

I think that GH may have ran under budget at certain times, but if they had extra money they used it. With OLTL, I wonder if the money was used by others and they lost it if they didn't.

Link to comment
Share on other sites

  • Replies 31
  • Created
  • Last Reply
  • Members

The soaps like any other programming, have a budget for the year. If a show ran under budget, I'm pretty sure they were given a pat on the head, and then started their new year with a new (and most likely lower) budget, and ABC kept the difference - to use however they saw fit.

What is weird about the move (and everything they did to cut budget) was they also got rid of Pratt at the same time, and tried to return AMC to its roots. The ads at the time were all about the characters who were returning to AMC, returning home. It's like they had two ends of an equation, that couldn't possibly add up to success.

Link to comment
Share on other sites

  • Members

I'm not sure why its unreasonable to assume soaps had their budgets cut for no other reason than they just aren't making as much money anymore. Your ratings and demos drop, you collect less advetisting dollars, it's only logical the budget of any show under these impediments should suffer consequences. For the last so many years the US and World economy has been in a recession, millions of workers laid off, businesses gone under, paycuts in every industry, so why should a TV show or shows be immune to what every other industry have been suffering. Do folks think there is some special budget cutting conspiracy reserved for daytime soap operas?

Link to comment
Share on other sites

  • Members

This doesn't make sense. Most of AMC's cast went to LA regardless and moving them to LA actually made a lot of cast members happier and gave them more job opportunities. It was too expensive to tape a show in NY as there simply isn't much space. It's also not like DC was on much during his last years anyway. The Chandlers themselves were in shambles, to the point where Adam himself was merely a figure head who was there solely for token purposes. When he finally did leave it was for the best for his character, he hadn't had a good story in nearly a decade by that point.

This also was a budget issue. In the early 00's veteran soap actors made somewhere around 10 times more then a no name newbie did. Having all of those veterans around likely ate up a good portion of both profits and budget. It would make sense as soaps were failing that they would get rid of veteran performers who simply were too costly. When you can get 10 newbies for the price of 1 veteran then you are probably going to work that newbie that does produce to death in order t save money further down the line. Soaps were on the decline and salaries were slashed anyway you slice it. The show simply could not support all of those figures all of the time as ratings continued to dwindle to relatively nothing.

I agree. I don't think it's malicious so much as it's the bottom dollar, soaps stopped producing money and as such actors were put on the chopping block and were sacrificed so the show could survive. If they weren't the shows would have ended much sooner then they actually did. Soaps didn't produce enough money to justify the cost of those actors.

Link to comment
Share on other sites

  • Members

I completely understand that soaps had to cut their budgets, and that younger, new talent is cheaper. That doesn't negate the issue of Frons being an arrogant jerk, and thinking his way was best with no real proof.

With AMC as an example - there were other choices that could have been made, starting with offering the higher paid actors less when it was their contract renewals, long before it became absolutely necessary for survival - some may still have walked, however, some may have still stayed.

Link to comment
Share on other sites

  • Members

Frons isn't the only IIC to use focus groups and make piss poor decisions because of them. Wasn't Maureen Bauer and Frankie Frame's deaths the result of focus groups, events from which GL and AW never seemed to recover? The only thing focus groups did to GH was keep Jason front and center for the past 12 years. Many of the soaps were guilty of disposing of the old in favor of the cheaper new. However, Cartooni are the worst offenders because they always seem to go for the absolute worst and give them the airtime.

Soaps don't have the 10 of millions of viewers any longer, so concessions have to be made. That said, nothing is ever going to be good again until all current regimes are gone, but no one is putting money into soaps to make them good again. So we have accept the inevitable. I will give BB props for making an honest effort, however.

Link to comment
Share on other sites

  • Members

This was done on all ABC soaps. Nancy Lee Grahn has flat out said that she made more on Santa Barbara in the 80s and early 90s than she does on GH now. All of the cast and crew at AMC took pay cuts to keep the show on the air. Some sources I've seen had Susan Lucci's pay cut as high as 40%.

Link to comment
Share on other sites

  • Members

Yes, I agree that all the soaps had to make cuts to survive, but ultimately, most, were short-sighted. Cheap is cheap for a reason.

Y&R, Days and B&B will most likely survive in some form, but it may not be on the U.S. airwaves for long.

Perhaps some day, Netflix (or similar) will work out a deal to air truly classic re-runs of the modern soaps. It may be a long way off, but never say never.

Just like those infinity commercials, what's possible today - taping four shows at once, was something that was thought of as impossible, just 2 years ago. I think the versions of the shows we loved will eventually be available to the loyal soap audience. It just may take a while.

Link to comment
Share on other sites

  • Members

What I'm not understanding is why ABC even bothered moving AMC across the country, causing upheaval with its cast, if it was going to cancel the show anyway within a certain timeframe. Perhaps if it was on a 10 year or 20 year cancelation plan, I can understand wanting the savings the move produced. But if they were planning to cancel OLTL right away and then AMC a year later, or two at best, was a year or two of savings really worth the expense and upheaval of the move?

Link to comment
Share on other sites

Archived

This topic is now archived and is closed to further replies.

  • Recently Browsing   0 members

    • No registered users viewing this page.



  • Recent Posts

    • Not having watched AMC was one of the reasons I hesitated to make the comparison, tbf. It's odd--I feel like I could argue Cassie, Olivia, Harley and Dinah suffocated the show along with Reva the last five years.
    • Laurie and Lance accompany Leslie to her Denver concert and she relies me on Lance for support.Unbeknownst to Leslie, Brad has had the operator make a special connection to the concert hall so he can hear her concert. The Maestro, realizing Leslie’s emotional torment over her failing marriage, tries to persuade her to tell Brad about the baby, and when she refuses, he writes a letter to Brad betraying Leslie’s confidence. After another fight with her mother about how learning about her parentage has upset her life, Laurie confides to Leslie that she feels cut off, outside. Stuart overhears this conversation, and Leslie has to tell him the whole story. She tries to explain fairly how Jennifer had left Stuart and actually only spent one night with Bruce, and faced the truth about Laurie only when she was forced to. Stuart is livid over this |betrayal and wants to confront his wife ‘now, but her doctor calls. Her one-year mastectomy checkup was fine, but he’s discovered irregularities in her cardiogram and doesn’t want her under any stress until further tests can be made. Stuart assures Leslie he won’t tell her mother he knows about Laurie until he can do it calmly, and doesn’t tell his daughter about the cardiogram.  When Chris continues to receive obscene calls, Snapper goes straight to the Beckers’. Ron insists he was home with Nancy, and she corroborates this. When she steps between an advancing Snapper and her husband, screaming, “We don’t have a telephone. He couldn't have called Chris,” Snapper finally has to believe her, and he leaves. But moments later Karen tells Nancy that Daddy went out while Mommy was in the shower. Ron insists it was just a few moments, for cigarettes. Nancy lets it pass, but the next morning finds a whole carton of cigarettes in a drawer  and asks why he went out. Ron coldly tells her she’d  better pull herself together, she’s letting this thing with Chris make her a little insane. Nancy ponders telling Chris but decides that all Chris would do is  badmouth Ron again, and she and Karen have no one but Ron and can’t leave him. When a telephone-installation man arrives with their new phone, Nancy asks him not to put it in. But Ron arrives and orders the installation made, telling Nancy she’s trying to run his life, as his mother did. When Nancy tries to call Chris, Ron frighteningly tells Nancy he’s done  everything they said he did, but it’s all her fault, as she never gave him what he needed. When he informs her he’s taking Karen away from her before she can ruin her, Nancy collapses in a catatonic state. Ron then calmly calls the hospital and requests help for his wife, “Fran Jackson,” who has had a breakdown.  Laurie, seeing the extent to which Vanessa will go to keep Lance to herself, warns Lance that his mother’s possessive feelings are unhealthy. Lance suggests Vanessa will consider Leslie a threat also when he learns that Les and Brad are divorcing and things will get easier. As soon as the hospital attendants leave with Nancy, Ron dials Legal Aid and has Karen tell Chris she’s all alone. Stopping only to leave a message for Snapper about where she’s going, Chris rushes to the Beckers’ apartment, only to realize that Ron’s tricked her. Ron sends Karen out of the room and, after expressing his hatred for all women, tells Chris he’s going to prove to her he’s a man. But Karen wanders back in as he has Chris pinned to the wall, and Ron’s mind snaps when he realizes his daughter has seen his perverted side. After smashing the wall mirror, he runs out, and Greg, terrified at learning where Chris is, arrives to find her comforting Karen. Chris takes Karen home, and after several days of fruitless searching for Nancy, she applies for temporary guardianship of Karen. Peggy and Jack set a New Years Eve wedding date, but Stuart is terribly upset to realize how irrational and incomplete Peggy’s plans are. When she suddenly makes all pertinent decisions in the space of a half-hour, Stuart tells Jack this doesn’t indicate certainty, but rather proves his point—she’s just trying to convince herself that the rape didn’t affect hers and it did. A chance remark by Stuart shocks Laurie into realizing he knows she’s not his natural daughter. When she hysterically screams out her alienation and her innate feeling that she was always 'different' he assures her with tears in his eyes that since they really love each other sincerely, it makes no difference; she’ll always be his daughter. Stuart explains that Jen still doesn’t know he has learned the truth, and he would like it to continue that way. In helping Brad pay his bills, Laurie finds Maestro Fausch’s letter and tells Brad that Leslie is pregnant. Ironically, to get to him with this news, she had to get |away from Leslie, and used a meeting with Lance as an excuse. When ‘Lance arrives soon after, he’s angry that Laurie lied, and she later has to explain that she has been helping Brad. Understanding her motives, — Lance agrees that she should continue to press him to |reconcile with Leslie. Brad, however, still won’t reconsider—in fact, the news makes him even more resolute. But Vanessa has had Laurie followed, and hits Leslie with a double blow. She gives her the report saying this proves her sister is involved with her husband, and then assures Leslie that Lance loves her, — not Laurie. Badly confused and hurt, Leslie lashes out by kissing Lance while he sits with her at the piano. Leslie then waits at the apartment for Laurie, and when she arrives, she bitterly accuses her of having an affair with Brad. Laurie angrily assures Leslie she  was with Brad with Lance’s full knowledge and that Leslie’s anger means she still loves Brad. She then explains to Leslie that Brad left her because he’s blind. In shock, Leslie rushes home to confront Brad, furiously berating him for treating her like a child who cannot decide for herself. But Brad, even with Leslie now aware of the situation, refuses to reconcile with her. When Leslie tells Laurie how unreasonable Brad has been, Laurie suggests that Leslie stop seeing everything from her own angle only. 
    • In regards to the Reva vs Erica discussions... I think there was one main difference between the two characters.... Erica never took over/ate up airtime on All My Children.  While she was a larger than life character, she never took over the show and there were times she was even supporting and not the lead.... while Reva basically suffocated Guiding Light in the later years with her presence.
    • That was such a missed opportunity, especially with May sweeps.  And, it would’ve been a much better story for Naomi/Jacob than whatever’s going on with June 
    • https://www.hulu.com/hub/tv/collections/9979 Amazed! But loving it. What this shows is GH Hulu out of top 15, GH is #2 & this was Saturday. Are we happy campers? Yes, at least for the moment, you bet we are.
    • I forget his name but Tori Spelling and Jennie Garth had the EP on after they didn't understand the 60s flashback episode due to the lack of original music. He felt that was one of his strongest episodes so he came on to explain to them just how much the music changes hurt the series. Basically, they only allowed him to pick a selection of episodes he felt the music was vital and other than that they didn't bother to save the music.  They kept music for prom and things like the Color Me Badd episode and for most of the musical acts but any music you loved from the opening of the show or just music played in random scenes was cut.  I know there are also some scenes cut but I don't know too much about that. The most glaring one was Clare's final scene being cut which is obviously a huge problem for a character who'd been around for so long. Overall I was able to enjoy my rewatch using the DVDs but without all of the original music it isn't nearly as good a show.
    • Too many returns, that's when you know a show has run out of ideas and doesn't care anymore.  Zoe annoyed the sh!t out of me most times, but the Kat/Zoe storyline will always be iconic and close to my heart (that's the era I first started following the show in near real-time), and probably the only storyline in 21st century EastEnders that had long-term value for the characters involved during their initial run together. However, after all this time and the writing choice that Zoe never wants to see Kat again, I think that ship has sailed and I don't know that it makes sense to revisit it at this point. 
    • Former EastEnders star Michelle Ryan is reprising her role as Zoe Slater on the BBC soap following an absence of over 20 years.  It’s been reported that Zoe will return to Albert Square later this year and that she’ll take centre stage in a dramatic new storyline involving her family.  The news comes amidst news of other big returns, which include Max Branning (Jake Wood), Tanya Cross (Jo Joyner), Shirley Carter (Linda Henry) and Ben Mitchell (Max Bowden), who will also be back in Walford later in the year.
    • I actually love the new fashion.
    • Admittedly, I was a latecomer to ATWT (first becoming a regular viewer in 2000). But I really liked KMH's Emily. I thought she was a very specific kind of neurotic professional character, and I loved her prickly relationship with MM's Susan. I will say I don't think the show did her any favors after Hal died, stranding her in storylines with several of the show's dullest characters: nu-Paul, nu-Meg, and nu-Dusty. I actually quite liked one of her last major storylines, when she discovered she had a grown-up biological son with Larry named Hunter. But then Hunter just sort of disappeared, and the story fizzled out, which was pretty typical of the late Goutman years. 
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy